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Residence Bognor Summerstrand, Infinity® decking, Tiger Cove, Apex® Cladding OJP Himalayan Cedar, LifeSpan™ Pergola, Savanna
The re-build of a friends house Christchurch July 26, 2013, New Zealand.
Info on the Earthquakes: en.wikipedia.org/wiki/2011_Christchurch_earthquake
Was attracted to capture this batik sarong clad male villager, who was sitting right across the stilted wooden walkway as I stepped off it.
Generally, batik sarongs are worn by women, although one may find men clad in batik sarongs in the east coast states of Peninsular Malaysia.
One may also find batik sarong clad men in some parts of Indonesia.
The norm would be that women wear batik sarongs while men use the palaikat sarong.
The burglar alarm fits quite nicely over the stone plaque on which the house name would have been inscribed.
Roofing, Siding, Soffit and Cladding Services are provided by Hauser Brothers Cladding Corp to Vancouver's industrial, commercial and residential construction industries.
Mannequins clad in Haute Couture gowns by Arnold Scaasi in the exhibit "Scaasi: American Couturier" at Boston's Museum of Fine Arts.
It's a small exhibit, but several of the gowns are very striking, and all one-of-a-kind. Not the sort of exhibit I normally go in for, but my wife and daughter really wanted to see it...
Cute fact: the designer's real name is "Arnold Isaacs." He flipped the letters of his last name to give himself an Italian flair.
Residence Bognor Summerstrand, Infinity® decking, Tiger Cove, Apex® Cladding OJP Himalayan Cedar, LifeSpan™ Pergola, Savanna
On this alleyway near Kiyomizu Temple and at other key Kyoto sights, tourists dressed in rental kimonos are a very common sight.
I was too busy taking photos of other people to pose for photos of myself, and honestly I did not even count on kimono rentals being a thing. But now I know. Next time I am in Japan, I will rent one and take photos of myself here and there. (And do a similar hanbok rental for my next Korea trip.)
leading range of Building Integrated photovoltaic materials which are used for the replacement of conventional construction materials from different parts of the building's exterior such as skylights, facades, windows, curtain walls or roofs.
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A nicely balanced white and red design, marred by an excess of pipework and security grille door
The treatment may be contrasted with another in close proxmity The mini ziggurat in the brick wall is a nice touch.
Maximum Likelihood tree of 68 finished E. coli genomes.The tree is shown in the radial (unrooted) cladogram format in which branches are drawn without reference to branch lengths. Colored dots indicate pathogenicity phenotype. Arrows indicate branches that can be removed to create particular clusters (see text). Numbers at the internal nodes indicate the number of alleles that are shared exclusively by the descendants of each node. Numbers in parentheses following the genome names are exclusive to that genome.
Yellow fiber cement boards installed on an overlap rain-screen system with exterior mineral wool insulation.
The green bottle motif is not uncommon, though rare in Hackney. Other adornments include a cowrie shell and a Tottenham Hotspur cockerel. Fine to very fine.
BioClad hygienic wall cladding fitted in a carehome by a BioClad Premier Installer, CB Flooring. www.cladding.co.uk/hygienic-wall-cladding-products
Kimono-Clad Hello Kitty hanging on a Japanese-themed tree inside the Four Seasons Hotel in Vancouver.
Having visited the magnificent History Faculty at Cambridge University on Saturday, I dug out some pictures of another in James Stirling's Red Trilogy.
I took these pictures of the earliest of the three of these groundbreaking and controversial buildings in September 2012.
This is the rear of the workshop areas, where it is on three floors. This cantilever allows cranes to lift plant and equipment through hatches in the floor, directly off the delivering vehicle.
All Saints, Elton, Cambridgeshire
I left Chesterton church, and with it the last straggle of Peterborough suburbia, and set out for the Northamptonshire border. It was a few miles to my next stop, and so I decided a bit of pounding would be useful at this stage. I easily overtook a pair of helmeted lycra-clad hobbyists no more than half my age, bottoms in the air on flashy though not particularly good racing bikes. I like to think of them stopping as I receded into the distance, looking down at their clothes and their steeds and thinking - blimey, that was just an old bloke on a touring bike, did I really spend all that money for this to happen? (the real secret, of course, is not my fitness or my coolness, or their lack of it, but that my heavy steel-framed bike with top of the range bearings is easier to cycle fast into the wind than their light-framed aluminium bikes with nasty plastic bearings. But I wouldn't have told them that).
The road climbed fairly steadily, and then more dramatically, the Wolds rippling as they head north-eastwards towards Lincolnshire and East Yorkshire, and suddenly I was at the top with a fine view of Northamptonshire spread out in the plain before me. Spires punctuated the misty trees, the most prominent of which was that of Nassington. But before crossing the border I came to Elton, to all intents and purposes a Northamptonshire village, and a fine one at that, with stone-built cottages spread along a cross-shaped medieval street grid below the imposing church, and that seeming prerequisite of every Northants village, a thatched, stone-built 17th Century pub.
Above the village on the main road is the church, and through an 18th Century gateway you catch a glimpse of Elton Hall, which Pevsner thought the best in the county, although of course since then it has had to share a county with both Wimpole Hall in pre-1974 Cambridgeshire and Burghley House in pre-1965 Northamptonshire. I dare say it is still the third best in the modern county.
The most striking feature is the huge tower of about 1500, reminiscent of Cawston in Norfolk and Lavenham in Suffolk, and roughly contemporary. The rest of the church, aisles, clerestory and chancel, appears similarly Perpendicular, but you step inside to a large Early English interior. it is a good combination.
Architecturally this is a great church, but there is so much space inside and so few excitements that it would be a big disappointment if it were not for an excellent range of Edward Burne-Jones windows. I suppose these reduced it to a minor disappointment. I'm sorry to be an old misery, but it still didn't set the pulses racing. Standing at the west end looking east I could understand its reputation for hosting Society weddings, especially as it is such a posh village, but there is a surprising amount of redundant clutter at the west end that will make a fair sized bonfire if they ever get around to clearing it out.
The Oundle road crosses into Northamptonshire half a mile to the west, but I turned off onto a delightful minor road that jinked about a bit as if making up its mind before finally threading through onto the road into Nassington, my first Northamptonshire church since Little Dunny in the Wold - sorry, I mean Luddington in the Brook - last April.
Residence Bognor Summerstrand, Infinity® decking, Tiger Cove, Apex® Cladding OJP Himalayan Cedar, LifeSpan™ Pergola, Savanna
Perhaps immediately pre-WW1. Ideal for aluminium double glazing, a simple off white and grey palette has been chosen.
Residence Bognor Summerstrand, Infinity® decking, Tiger Cove, Apex® Cladding OJP Himalayan Cedar, LifeSpan™ Pergola, Savanna
Residence Bognor Summerstrand, Infinity® decking, Tiger Cove, Apex® Cladding OJP Himalayan Cedar, LifeSpan™ Pergola, Savanna
Broome County Courthouse. Now a little bit of history: Built in 1897-1898 and designed by architect Isaac G. Perry in the Beaux Arts style. This is the fourth county courthouse and the third on this site. This massive two-and-a-half story structure is built on a raised foundation, in the form of a Latin cross and topped with an elegant copper dome. Originally constructed in a "T" shape, the south wing was added in 1916-17 to form the cross. This courthouse was built as a replacement after a fire destroyed its 1856 Greek Revival predecessor. Perry's design refers to the massing and composition of the earlier courthouse, with its projecting portico and central dome, but departs from the simplicity of its predecessor with a battery of Neo-Classical details and a monumental Baroque style clock tower and dome clad in copper and crowned by a cupola and a large statue of Justice. Perry used Ohio sandstone trimmed with bluestone under a copper dome that rises from a central octagonal base. The main entrance has a Classical portico with Ionic columns. The interior courtroom was restored in 2004. Located at 94 Court Street in BInghamton, NY. (B/352)