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MULHER INDÍGENA ESTUDA E AMAMENTA O FILHO
Antônio Carlos Moura/Cimi
Brasil, sem data
Em 2005, o número de mulheres analfabetas na América Latina chegava aos 21,5 milhões, representando 54% do total de pessoas analfabetas na região. Países como Guatemala, Bolívia e Paraguay contam com taxas sensivelmente maiores que a média regional de analfabetismo feminino, sendo que no Peru, na Guatemala e na Bolívia o analfabetismo feminino é muito superior ao masculino. A presença significativa de comunidades indígenas é um elemento comum a tais países.
Residence Bognor Summerstrand, Infinity® decking, Tiger Cove, Apex® Cladding OJP Himalayan Cedar, LifeSpan™ Pergola, Savanna
Residence Bognor Summerstrand, Infinity® decking, Tiger Cove, Apex® Cladding OJP Himalayan Cedar, LifeSpan™ Pergola, Savanna
St Joseph's chapel is adorned with pine cladding, into which artist Stephen Foster has carved low relief vignettes of the life of the Holy Family with painted accents.
Liverpool's Catholic Cathedral of Christ the King is one of the most iconic church buildings of the 20th century, a daring architectural statement of the Church's embrace of post Vatican II reform and a unique structure with it's tent-like form and cylindrical lantern tower filled with glowing colour.
The present cathedral was begun in 1962 and opened five years later; it was designed by Sir Frederick Gibberd, winning designer of an architectural competition to build the new cathedral. This had followed years of hiatus and the abandonment of the previous insanely ambitious plans for the cathedral, building of which had begun in 1933 to the designs of Sir Edwin Lutyens but stopped soon after World War II with only the crypt completed. Lutyens's huge domed building verged on megalomania, designed to exceed the size of the enormous Anglican cathedral rising at the other end of Hope Street, and if finished would have been the World's second largest church, dominating the city. The need to revise such plans in the face of postwar austerity was hardly surprising.
Instead Liverpool was bequeathed a dramatic and instantly recognisable modernist landmark, which despite a few irreverent nicknames is generally admired for its innovation and contemporary artwork, foremost among which is the richly coloured dalle de verre glazing of the suspended lantern tower by John Piper and Patrick Reyntiens, who were also responsible for most of the glazing below which bathes the interior of the building in a subtle blue light.
The circular interior has the central altar as it's focus, below the lantern tower and a spiky suspended canopy, and is ringed by a sequence of individually designed chapels and annexes, most of which feature altars, minimalist coloured glazing and further contemporary artworks. It is a vast, auditorium-like space which ensures every member of the congregation has an unobscured view of the altar.
Another vertical patio, or rather one which travels round a 90 degree angle. Perhaps immediately pre-WW2, with just a hint of red banding in the white brick, quoting much earlier Victorian houses in London.
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Residence Bognor Summerstrand, Infinity® decking, Tiger Cove, Apex® Cladding OJP Himalayan Cedar, LifeSpan™ Pergola, Savanna
Residence Bognor Summerstrand, Infinity® decking, Tiger Cove, Apex® Cladding OJP Himalayan Cedar, LifeSpan™ Pergola, Savanna
Residence Bognor Summerstrand, Infinity® decking, Tiger Cove, Apex® Cladding OJP Himalayan Cedar, LifeSpan™ Pergola, Savanna
www.pcbindex.com/PCB-Forum/PCB-Glossary-View_14.htmlAccep... Test
The tests that determine the acceptability of boards as agreed to by purchaser/vendor.
Accepted Quality Level (AQL)
The maximum number of defects per 100 units that can be considered satisfactory as a process average.
Access Holes
A series of holes in successive layers. Each set has a common centre or axis. The holes of a multi-layer printed board provide access to the surface of the land in one of the layers of the board.
Accuracy
The deviation of the measured or observed value from the accepted reference.
Acrylic Resin
A thermosetting ,transparent resin.
Activating
A chemical treatment for conditioning the surface of non-conductive materials for improved adhesion.
Additive Process
A process for obtaining conductive patterns by the selective deposition of conductive material on a clad or unclad base material.
Adhesion Layers
The metal layer that adheres a barrier metal to a metal land on the surface of an integrated circuit.
Adhesive
A substance such as glue or cement used to fasten objects together. In surface mounting, an epoxy adhesive is used to adhere SMDs to the substrate.
Aging
The change of a property, e.g. solderability, with time.
Air Gap
The non-conductive air space between current carrying conductors such as traces, pads, ground planes, etc.
Algorithm
A procedure for solving a problem, usually mathematical.
Alkyd
A thermosetting resin with good electrical properties used for moulding the bodies of components.
Ambient
The surrounding environment coming into contact with the system or PCB in question.
Analog Circuit
A circuit comprised primarily of individual (discrete) components, such as resistors, capacitors, diodes, transistors, etc. The circuit output is a continuous electrical signal that varies in frequency, amplitude, etc., as a function of the input. The magnitude is represented by physical variables such as voltages, current, resistance, rotation, etc.
Analog Circuit Simulator
A tool used to verify the design (or portions thereof) in the analog domain by applying virtual test signals to a virtual model of the design.
Analog Functional Test
At the board level, various analog test signals are applied to a PCB through a switch to point out current outputs.
Analog In-circuit Test
A system measuring component values on a populated PCB before power is applied.
Anchoring Spur
An extension of a land（like one or two blind paths）on a flexible printed board that extends beneath the cover lay to assist in holding the land to the base material.
Angle of Attack
The angle between the face of the squeegee and the surface of the screen.
Annotation
Text or legend pertinent to a board design; text appears off the board areas and consists of lettering and symbols while legend appears on the boards.
Annular Ring
The width of the conductor surrounding a hole through a printed circuit pad.
ANSI
Acronym for “ American National Standards Institute”, an organization formed by industry and the US Government to develop trade and communication standards.
AOI
Automatic Optical Inspection.
Aperture List
List containing the shapes and dimensions of pads and tracks, etc., to expose on the film in a photoplotter.
AQL
Acceptable Quality Level. The maximum number of defectives likely to exist within a population lot that can be considered to be contractually tolerable.
Aqueous Cleaning
A water-based method that may include neutralizers, saponifiers, surfactants, dispersants and anti-foaming agents.
Arc Resistance
The resistance of a material to the effects of a high voltage, low-current, under prescribed conditions, passing across the surface of the material. The resistance is stated as a measure of the total elapsed time required to form a conductive path of the surface (material carbonized by the arc).
Artwork
An accurately scaled configuration used to produce a master pattern. It is generally prepared at an enlarged scale using various width tapes and special shapes to represent conductors.
Artwork Master
An accurately scaled image of the conductive pattern of a PCB which is used to produce the 1:1 production master. The scale is chosen to provide the necessary degree of accuracy.
ASCII
Acronym for “American Standard Code for Information Interchange”; a seven-bit code that assigns numeric values to letters of the alphabet, the ten decimal digits, punctuation marks and other characters.
Aspect Ratio
The ratio of the circuit board thickness to the smallest hole diameter.
Assembly Drawing
i: A drawing depicting the locations of components, with their reference designators (q.v.), on a printed circuit.
Assembly House
A manufacturing facility for attaching and soldering components to a printed circuit.
Assembly Language
A computer language of brief expressions for translation into a machine language.
ATE
( see Automatic Test Equipment )
Automated Component Insertion
Assembling discrete components to PCBs via electrically controlled equipment.
Automatic Test Equipment
Hardware that automatically analyses functional or static parameters to evaluate performance degradation. It also performs fault isolation.
AWG
American Wire Gauge. A method of specifying wire diameter; the higher the number, the smaller the diameter.
Axial Lead
A lead extending out the end and along the axis of a resistor, capacitor or other axial part rather than from the bottom.
Azeotrope
Two or more polar and non-polar solvents that behave when mixed as a single solvent to remove polar and non-polar contaminants with a boiling point lower than its components.
B&B
Blind and Buried via holes.
Backdriving
An in-circuit test procedure for digital circuitry.
Backpanel (Backplane)
see ”Mother Board”
Bare Board
A PCB having all lines, pads and layers intact but without components installed. An unassembled PCB.
Barrel
The cylinder formed by plating through a drilled hole.
Base Copper
The original, thin copper foil present on one or both sides of a copper clad laminate. During PCB manufacture, part of this base copper will be removed by etching. Conductors on the simplest PCBs consist of base copper only.
Base Laminate
The substrate material upon which the conductive wiring pattern may be formed.
Base Material
The insulating material (either rigid or flexible ) as well as the copper foils bonded on one or both sides. It is a synonym for copper-clad laminate, i.e., the basic raw material for PCB manufacture. This also supports all components after assembly.
Base Material Thickness
The thickness of the base material, excluding metal foil or material deposited on the surface.
Base Solderability
The ease with which a metal or metal alloy surface can be wetted by molten solder under minimum realistic conditions.
Basic Wettability
The ease with which a metal or metal alloy can be wetted by molten solder.
BBT
Bare Board Test.
Bed-of-Nails
A method of PCB testing involving a fixture containing a field of spring-loaded pins that are co-ordinated with strategic points or nodes on the board to which they are brought into contact.
Bellows Contact
A connector contact which is a flat sprint folded to provide a uniform spring rate over the full tolerance range of the mating unit.
BGA
Ball Grid Array. Leadless array packaging technology in which solder balls are mounted to the underside of the package.
Biscuit Frame
An array of circuits on a larger “mother” panel.
Bleeding
A condition in which liquid solder resist or rotation spreads larger than the defined apperture.
Blind Via
A via that reaches only one layer beneath the outer layer on one side of a muti-layer board.
Blister
De-lamination in the form of a localized swelling and separation between any of the Layers of a lamination base material, or between base material and conductive foil or protective coating.
Yellow fiber cement boards installed on an overlap rain-screen system with exterior mineral wool insulation.
The contrast is nice with this elegant pair of houses next door. The bulls eye glass in the flush windows on the clad house is very special., as is the bizarre curved bay with tiled overhang.
Templul Coral din București este o sinagogă a Comunității Evreilor din București, fiind cel mai mare lăcaș de cult mozaic din oraș. Edificiul a fost construit între anii 1864-1866, fiind renovat în 1932 și 1945. Este situat pe Str. Sf. Vineri nr. 9 din sectorul 3.
Construirea templului s-a făcut la inițiativa lui Isaac Leib Weinberg, un evreu polonez din București, unul dintre liderii organizației "Comunitatea Cultului Israelit Modern" din București. Templul Coral este o replică a Sinagogii Tempelgasse din Viena, cunoscută și ca Templul din cartierul Leopoldstadt, construită în perioada 1855-1858 după planurile arhitectului austriac Ludwig Förster.
Lucrările efective au fost începute abia în anul 1864, la inițiativa Asociației pentru Construirea Templului, condusă de Iacob Loebel, șeful Băncii Otomane din București. Proiectul de construcție a fost realizat de arhitecții vienezi I. Enderle și Gustav Freiwald, edificiul urmând a fi realizat într-un stil "mauro-bizantin". La 21 iulie 1864 a fost pusă piatra de temelie, lucrările fiind aproape finalizate la începutul anului 1866, când s-au comandat la Budapesta sulurile Torei și alte lucruri necesare serviciului divin.
Inaugurarea templului a fost amânată din cauza incendierii clădirii de către naționaliștii români care protestau împotriva acordării cetățeniei române pentru evrei, care urma să facă parte din Constituția din 1866. La data de 18/30 iunie 1866, Guvernul a fost nevoit să retragă din proiectul Constituției articolul referitor la încetățenirea evreilor. Arhitectul Burelli a estimat pagubele produse lăcașului de cult la 209.369 de lei, iar la reparațiile efectuate a contribuit cu bani și domnitorul Carol I al României.
După renovarea sa, Templul a fost inaugurat la 6 iulie 1867 de către rabinul reformist Antoine Levy, la ceremonie participând reprezentanți ai guvernului și diplomați străini etc.
În decursul timpului, templul a suferit intervenții de restaurare care i-au modificat expresia arhitecturală. În anul 1892 au fost adăugați contraforți la exterior, iar în interior s-a construit cel de-al doilea nivel al galeriei. În anul 1932, s-au desfășurat lucrări de extindere, după planurile arhitecților Iuliu Leoneanu și Grigore Hirs, alături de inginerii C.I. Flachs și Maximilian Marcus. S-a construit o nouă aripă care avea la parter o sală de conferințe și festivități și o cameră a clerului, iar la etaj muzeu, arhiva și biblioteca. Tot în acei ani (1932-1934), s-au construit scări suplimentare spre balcoanele de la etajul I, s-a schimbat instalația de încălzire centrală și s-au înlocuit o serie de decorații degradate.
Afectat de cutremurul din 10 noiembrie 1940, templul a fost devastat de legionari în ianuarie 1941, necesitând lucrări de consolidare și reparații. Edificiul a fost complet renovat în 1945, sub coordonarea arh. Iuliu Leoneanu, cu materiale mai modeste.
Începând din anul 2007, s-a trecut la efectuarea unor noi lucrări de consolidare, conservare și restaurare, după proiectul elaborat de arhitectul Nicolae Vlădescu și inginerii Tiberiu Popp și Fl. Păune. Templul Coral are subsol, parter și două etaje, având o suprafața construită a parterului de 647 m² și a subsolului, unde se află centrala termică, de 47 m². Dimensiunile edificiului sunt următoarele: lungime - 32 m, lățime - 14 m și înălțime - 32 m.
Fațada clădirii este fragmentată, fiind placată cu cărămizi în două culori. Portalul de intrare este în stil maur și se termină în semicerc. În registrul superior se află decorațiuni cu rozete. Cornișa este bogat decorată și se termină la colțuri cu 6 turnulețe împodobite cu arce și colonete.
Interiorul este împărțit în trei nave (nava centrală acoperită de o boltă semicilindrică și navele laterale separete de arcade de nava centrală).
Templul Coral încă mai găzduiește servicii religioase, fiind una dintre cele mai frecventate sinagogi din oraș și din România. În fața templului a fost amplasat un monument în forma unei menore în memoria victimelor Holocaustului.
Templul Coral din București a fost inclus pe Lista monumentelor istorice din București din anul 2004
The burglar alarm fits quite nicely over the stone plaque on which the house name would have been inscribed.
Yellow fiber cement boards installed on an overlap rain-screen system with exterior mineral wool insulation.
Comparative distribution of left and right habenular efferents in the interpeduncular nucleus of teleosts.(A) Drawings of adult male individuals belonging to different teleost species, placed in the context of a cladogram of the teleost lineage according to Nelson [28]. (B) Schematic representation of a teleost brain (e.g. D rerio), showing the procedure of differential dye labelling in left (DiD, red) and right (DiO, green) Hb, and the location and orientation of the histological sections shown in B′, and C–I. (B′) Schematic drawing of a coronal section at the level of the IPN in a teleost brain (e.g. D rerio), showing dorsal and ventral aspects of the IPN in red and green, respectively. (C–I) Confocal microscopy images of 100 µm-thick vibratome sections taken according to B′, with dorsal to the top. The boundaries of dorsal (dIPN) and ventral (vIPN) IPN domains have been depicted with dashed lines. Panels C to I correspond to efferents labelled after placing crystals of DiD in the left Hb. Panels C′ to I′ correspond to efferents labelled after placing crystals of DiO in the right Hb. Abbreviations: A (anterior), D (dorsal), P (posterior), TeO (Optic Tectum), V (ventral). Scale bars: 100 µm.
23:46
We're alive.
Still trying to piece together what happened.
Not out of danger, yet.
More later.
November 22, 2015
Day: Sunday
Time: 04:11
Torrential rainstorm complete with thunder that's shaking the house and such violent, successive flashes of lightning that we can clearly make out the pale faces of the black-clad singers who are surrounding the house.
We've been filling Devon in on the madness that's been going on here, using the notes in my journal to flesh out the details. (Not my notes about the ghosts, of course, or my suspected mental breakdown. There'll be other times to deal-and-reveal if/when we get out.)
He and Ramirez are having a little brandy in front of the fire, in the study. I'm sitting at the desk, trying to figure out what actually happened in the clearing, and what I might have imagined.
At the moment the "minister" brought down the dagger to kill Devon, Ramirez fired.
His aim was off, and rather than hitting the minister in the chest, he hit him in the shoulder, not only throwing off his stroke, the head headcase actually stabbed himself in the thigh.
The singers, who were in full frenzy, screaming and chanting, stopped. They froze, in sound and motion, as if the scene had been put on 'pause,' with only the flickering candles and torches to prove it wasn't a still life. Devon continued to struggle in his bonds while the minister slowly turned his gaze from his bleeding thigh, upward, to the "bulge" in the sky overhead.
I dashed between the still singers, butcher knife drawn, telling Ramirez to "cover me" in wonderfully TV cop drama style, Devon looked shocked to see me. Hell, I knew how he felt. I was shocked to be doing what I was doing.
I sawed frantically through the ropes binding his feet, totally ignoring his safety, so he was lucky I didn't take off a foot. I dragged him off the altar stone, leaving his bound hands for later, if there was a later, and shoved him back the way I'd come, between the still-immobile crowd. The minister's scream stopped me in my tracks, and I looked back.
The bulge in the sky -- reached for him. Imagine that clear balloon suddenly sprouting a dozen clear arms. No, not arms, tentacles I guess. That's closer, yeah. He screamed, but he didn't try to escape. He seemed transfixed, staring up at the bulge with wide, bugging eyes, and I could see a dark spot "opening" in the middle of the bulge.
Ramirez yelled for me and Devon to get our asses out of there, but I saw a book fall from the minister's billowing coat, and I HAD to go back for it.
Devon and Ramirez have no idea what I meant when I told them I had to go back for the book. They think I meant that I couldn't resist because of my curiosity, or something, and I'm happy to let them think that because what I really meant only points toward my suspected insanity.
When I say I had to go back for the book, I mean that my body suddenly stopped responding to what I wanted it to do. I stopped, turned, and ran back between the statue-like throng. Back to the altar where the minister was screaming in one long, thin, high note, reminding me of a tea kettle left to long on the boil.
I didn't look up from where I knelt at the base of the altar stone, my fingers closing on the warm, leathery hide of the fallen book. I think I could have, it was only my arms and legs that seemed bent on rebellion, but I thought it might be very bad for me to look up, into that opening in the bulge -- to see into that place where the tentacles were dragging the minister.
Once my fingers were securely upon the book, I could feel control over my body return to me. I turned to run, but a hand closed around my wrist, stopping me. I raised my eyes to discover that my captor was the hooded figure! I couldn't see beyond the shadows of the hood, and I felt unreasonably grateful for that inability. I didn't want to know what it was.
I mean who it was, don't I?
No. No, I don't.
There was no accompanying pain in the grip. Pain wasn't required, because the power in the hand that held me was so much greater than mine that struggling had absolutely no effect.
As the iron grip began to pull me closer to the shape, I distantly heard a shot, and the grip released. The head of the hooded figure jerked, a guttural grunt emerging from the shadows of the hood. The moment I was released, I ran. The crowd began to stir as the minister's wail faltered, changed, became a series of ragged, agonized shrieks.
When I reached Ramirez and Devon, we made for the house as fast as we could, using the overgrown trail and going back to the window through which we'd originally crawled out, hoping the throng would take the better-travelled path and go to the doors, which they did. And that is how we got back inside and, eventually, once we were assured they couldn't break in, were back in the study having brandy and telling Devon everything we'd been through.
The journal is another one belonging to the doctor, all in Latin, so Ramirez is studying it and telling us what he's learning, while we wait for the rescue party Gary will send back for us.
05:48
And I thought I was losing touch with reality?
If the other things we've read made us question the sanity of the people who used to live in this house, THIS journal just confirms it.
The maid was responsible for bringing the minister and his rabid flock to the estate, but the doctor was responsible for bringing them to their new "god." Not just the, whatever it is that causes the air to bulge, but the deformed child as well.
The child is alternately called a demon, or the son of a god, but what kind of "god?" Apparently, the same flock was convinced, by the same sort of activities we'd so recently witnessed, to believe the doctor had a direct pipeline to the fearsome, wrathful god they'd been so devoutly worshiping all along, and that the child was a son of that same god.
I have a feeling that there was more than mass hysteria going on, since the doctor was using chemicals to control the monstrous child, and there was an incredible volume of communion wine being imbibed. It would have been easy enough for him to dose the entire flock, maybe even causing them to hallucinate.
Hi first act, to convince them of his power, and his direct connection to this savage god, was to sacrifice the original minister for being a heretic because, predictably, the minister decried the doctor's excessively warped version of god.
Unfortunately, whatever it was that the doctor could summon, IT could respond, and it did, consuming the minister before the awed and terrified eyes of his congregation. The doctor's status was assured after that, and sacrificing "heretics," and the "unworthy," and the "unbelievers" became a frequent function until -- hell, now? Still?
Well, that certainly explains some things, and if we were worried before, we're freaking terrified for our souls, now! More brandy might help.
This purge of the "faithless" must have continued until only the most fervent believers remained in the town, and local vicinity. Sickeningly, there was more; every female member/mental case who could become pregnant was duty-bound to give herself to the "son of god," the deformed child (by the time of what Ramirez is reading, a teenager), in order for him to -- this is a quote -- "sanctify her womb with his holy seed." Gross.
So, I'm feeling queasy, but what else does it mean? Back then, they had a handful of drug-and-religion-addled fanatics running amok and breeding a congregation. A congregation of -- what?
What the hell is out there, and how do we --
06:15
The fog is back. The rainstorm just stopped. We can't see them, but we have to assume the singers, the black-clad worshipers of -- whatever, are still out there ... watching.
Someone else is going to have to get us out of here, because I don't think we're getting out on our own.
08:03
Damn it, I dozed off. And while I slept, Devon went through this journal.
He was deeply hurt that I ever suspected him of being involved in this madness, though I pointed out to him that I later absolved him. He was also concerned about MY concern regarding the stability of my mind. He's watching me right now, as I write this, having demanded that I show him the room where I think I heard and saw the "ghosts." I'm going to take him up there now.
09:47
I'm not sure how I should explain what happened when I took Devon up to the collectible room.
Hysteria? Maybe the power of suggestion?
I mean, it's not possible for Devon to have gone off his rocker in the same way as I did, but could he have been influenced into seeing what I did after reading my journal? Still, that doesn't explain why he saw and heard the same things I did, this time, because they were different from the previous "vision," or whatever it was.
Ramirez assured us he'd be safe enough in the study. In fact, he was more concerned about me and Devon wandering around in the house, but we were relatively sure of our security, and planned a super quick trip, with no "wandering" per se.
It didn't turn out to be as quick as anticipated.
Devon's having another brandy, to steady his nerves, while I write these notes.
We got up to the storage room, and with Devon there, I was feeling pretty silly about what I'd imagined seeing and hearing -- until the whispering began again, and Devon's the one who alerted ME to it, not the other way around.
The same man and woman were whispering, but this time, the man said he knew how to put an end to the evil on the estate. He said it meant he'd have to kill her son at a key moment during the sacrifice. That's what Devon and I stepped out of hiding, and both of us clearly saw a woman and man clad in period costumes, turn toward us. (Let me make a quick note, here, that I saw the Native American man held a bone club in one hand that looked similar to the one previously discovered by Ramirez and I, though the one he held looked to be in pristine condition.)
The oddest thing was that, once again, I could swear they caught a glimpse of us, in the split second before they "weren't there" anymore. Before rushing back to Ramirez, I took an extra moment to locate the bone club, taking it back with us. Devon's telling the whole story to Ramirez, and he's looking through the journals for any reference to the club.
(This story originally appeared on my main page. Archived here. The rest of the original story, with new images, will follow.
Original comments are below.)
Capre Roecastle, Azazel Azalee and 37 more people faved this
Chatwick Harpax
8y
This is kinda like something whispered out of the darkness after the ending credits roll by. Quite intriguing Teddi!
Teddi Beres
8y
Chatwick Harpax I'm glad you're liking it. (I totes meant to have more today, but when my friends showed up for the shoot I discovered that my neighbor set up some snow emitters...and they're emitting across the backyard, through the whole house, all the way past my front porch! I immed her, politely asking that she relocate them so they don't encroach, but it put the installment shoot on hold.)
Capre Roecastle, Azazel Azalee and 37 more people faved this
Chatwick Harpax
8y
Despite all else, it twas the brandy that caught me eye ;) Nice touch going back for the book, they always do, don't they? lol
brilliantstory Teddi!
Teddi Beres
8y
Chatwick Harpax I'm glad you're enjoying it (and the brandy). lol Thank you!
Capre Roecastle, Azazel Azalee and 49 more people faved this
Skippy Beresford
8y
Great story that comes to life in the image. Beautifully done, and very intense, Teddi. Maybe it's a friend!
Teddi Beres
8y
Skippy Beresford Thank you so much, Skippy. You know what? I never considered that it might be a friend. Just like you, to see something potentially positive. (huggles)
Chatwick Harpax
8y
Perhaps you should rename this the Perils of Teddi. Lol. Nice bit of story tellin as always, and the picture fits it brilliantly well done Lass ;)
Teddi Beres
8y
Chatwick Harpax Everybody's in peril in this story! (giggles) Thank you!
Capre Roecastle, Azazel Azalee and 47 more people faved this
Funny Bubble (deleted)
8y
I really hope they will make it out. But something .... I know this is not over YET.
Teddi Beres
8y
Funny Bubble You are SO right about that. (evil giggles)
Chatwick Harpax
8y
Lets hear it for the brandy mates, nothing like a stiff drink after defeating an antagonist. So we can all assume the hooded chappie was not a friend like our young lad was hoping?
Cannot wait for the next installment, excellent bit of storytelling!
Teddi Beres
8y
Chatwick Harpax Definitely not the friendly type. Thank you bunches!
Capre Roecastle, Azazel Azalee and 41 more people faved this
Zee Ryba
8y
shivers --- and it is not cold !!!
Chatwick Harpax
8y
Brilliant pict, sends shivers just looking at it after reading the excellent story. Well done ;)
Teddi Beres
8y
Zee Ryba I'm so happy to send a chill up your spine. (giggles)
Teddi Beres
8y
Chatwick Harpax Thank you! I can't wait to trouble you more. (evil hugs, lol)
Виктор Абакумов, Capre Roecastle and 43 more people faved this
Chatwick Harpax
8y
The fog could just be a result of all the Brandy that is being consumed, lol . Liking the atmosphere you're building up here lass, black shapes in the mist sounds rather sinister. I think I'll toddle if for a snifter to soak up the full effect . Cheerio until the next install
Teddi Beres
8y
Chatwick Harpax Stay close to the fire, and the brandy and we'll try to make it to the end. :-) I was actually a little worried the brandy might run out, but it's a rather large bottle. (giggles)
Alberto Cervantes Casquete, Capre Roecastle and 34 more people faved this
Chatwick Harpax
8y
Creepy, rather like this one... as a friend of mine commented on me last story, quite Poe-ish in effect.... you are to be commended my dear Teddi and Company on telling of such an enrapturing tale ;)
Teddi Beres
8y
Chatwick Harpax Thank you! (hugs) We're clawing and scratching our way toward the end. :-)
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Maximum Likelihood tree of 68 finished E. coli genomes.The tree is shown in the radial (unrooted) cladogram format in which branches are drawn without reference to branch lengths. Colored dots indicate pathogenicity phenotype. Arrows indicate branches that can be removed to create particular clusters (see text). Numbers at the internal nodes indicate the number of alleles that are shared exclusively by the descendants of each node. Numbers in parentheses following the genome names are exclusive to that genome.