View allAll Photos Tagged cladding
Eva-Last, Infinity, Swiss Oak, Capped Bamboo Composite Decking, VistaClad, Infinity, Swiss Oak, Composite Cladding.
Eva-Last, Infinity, Swiss Oak, Capped Bamboo Composite Decking, VistaClad, Infinity, Swiss Oak, Composite Cladding.
Whist no attempt has been made to clad the upper storey, the owners have gone to the trouble of having the garden wall match the lower floor cladding. Has the tile hanging been replaced by synthetic timber? No. (see below) it's a case of "say goodbye to boring old natural matt red fired earth surfaces, say hello to high gloss white tile wall hangings"
The archway over both doors is rather nice, reflecting the similar doorways on the Warner maisonettes, with four doors in a row, which are found all over Leyton and Walthamstow.
Classic ranch style veneer stone house with Chilton Rustic ashlar stone facade & siding www.buechelstone.com/project/classic-ranch-stone-house-ex... showcases traditional exterior home design. Natural stone cladding w/ in the earth & fiery real stone veneer masonry color categories complement siding & landscape wall stone design. DIY www.buechelstone.com/masonry/ shows how to install stone veneer (mortar / dry stacked stone / full & thin stone veneer). Buy stone veneer natural stone cut! #StoneVeneer #StoneFacade #ExteriorStone #StoneHome #Masonry
Gnathostome pelvic girdle evolution.
The cladogram is based on the trees in Zhu et al. [18], [20]. We adopt the grouping of Guiyu with Psarolepis [20] and the alternative positions (I and II) of Psarolepis (either a stem sarcopterygian or a stem osteichthyan) [18] as our working hypotheses. Drawing of placoderm pelvic girdle (Murrindalaspis in posterior view) from [8]. Dermal pelvic girdles (including plates and spines) in yellow; endoskeletal pelvic girdles in blue. Abbreviations: -dpg, loss of dermal pelvic girdle; dpg, dermal pelvic girdle; mono, monobasal pelvic fin articulation; poly, polybasal pelvic fin articulation.
The re-build of a friends house Christchurch July 26, 2013, New Zealand.
Info on the Earthquakes: en.wikipedia.org/wiki/2011_Christchurch_earthquake
This frame is a fast-fit option - an all-in-one cistern and mounting kit that comes complete with a pneumatic operated push button flush panel which will be mounted to the panels that will clad the framework later on.
Bootstrapped multilocus out-group-rooted cladogram.Summarized cladogram of the Fusarium solani species complex inferred from the DNA regions: ITS nrDNA, LSU nrDNA and RPB2. Thick branches correspond to highly supported groups, i.e., posterior probability (PP) and the bootstrap values (BS) of the parsimony and Bayesian analysis when PP≥0.95 and BS≥70. The sea turtle isolates are highlighted in bold. A solid asterisk to the right of an NRRL number identifies the F. falciforme isolates. A solid rectangle to the right of an NRRL number identifies F. keratoplasticum isolates. For full details of three, see Figure S2.
Yellow fiber cement boards installed on an overlap rain-screen system with exterior mineral wool insulation.
Agfa Vista Plus 200 @320 - Fuji Hunt C41, Jobo CPE. Made using the inbuilt panorama feature of this camera and cropped in LR
Left bronze door to the Hall of Memory.
The Australian War Memorial in Canberra is a sandstone building with a copper-clad dome, said to be in a Byzantine architecture style with strong styling elements of Art Deco throughout. It houses selections from a vast national collection of war relics, official and private records. Art, photographs, film, and sound are employed to relate the story of the Australian nation's experience in world wars, regional conflicts, and international peacekeeping.
The Memorial forms the core of the nation's tribute to the sacrifice and achievement of the more than 102,000 Australian men and women who died serving their country, and to all those who served overseas and at home. A central commemorative area flanked by arched cloisters houses the names of the fallen on the bronze panels of the Roll of Honour. At the head of the Pool of Reflection, beyond the Flame of Remembrance, stands the towering Hall of Memory, with its interior wall and high dome clad in a six-million-piece mosaic and illuminated by striking stained-glass windows. Inside lies the Tomb of the Unknown Australian Soldier, a symbolic national shrine.
Two men, above all others, shaped the Memorial: Charles Bean, who became Australia's Official Historian of the First World War, and John Treloar, the Director of the Memorial between 1920 and 1952.
After the First World War, it took a long time before the Memorial's building in Canberra was constructed. Initially there were delays in arousing public and government enthusiasm. Then the financial crash and the subsequent Great Depression intervened. In the meantime large, long-running exhibitions were held in Melbourne and Sydney. The Australian War Museum opened on Anzac Day 1922 in the Exhibition Building, Melbourne. This exhibition of war relics was enthusiastically received by press and public, and attracted large crowds. The exhibition closed in 1925 and was moved to Sydney, where it remained until 1935.
The Memorial's design was a compromise between the desire for an impressive monument to the fallen and a budget of only £250,000. A joint design by Sydney architects Emil Sodersteen and John Crust was accepted and forms the basis of the building we see today, which was completed and opened to the public on Remembrance Day, 11 November, in 1941.
Summary of information provided by the Australian War Memorial.
amazing what a bit of blue sky and sun does for a stone clad house. Beautiful flat bay with matching gable end pediment. Wonderfully simple, spiced up with a pair of contrasting MFI doors. An opportunity has been lost to clad the end wall.
Redesigned East entrance with main staircase (and fire escape). Before: flic.kr/p/nCiMEy
Appleton Tower (1962-6) designed by Alan Reiach was the first of two projected phases of Science buildings (not realised as planned as some existing houses in George Square were retained). A slab block it was the second of Basil Spence's University towers in his 1955 development plan for the area. In addition to being a practising architect, Alan Reiach taught at Edinburgh College of Art.
The process of re-cladding the building was completed in 2017. Ths project also created a new rooftop enclosure, made alterations to the fenestration pattern, created a new east entrance and altered the boundary wall on Chapel Street. See Edinburgh City planning application 13/04874/FUL.
For the technically minded the above 2013-14 plans described engineered stone cladding panels, aluminium framed weather louvres and double-glazed window units within a silicon gasket aluminium curtain walling system.
Appleton Tower recladding: www.ed.ac.uk/projects-estates/current-projects/appleton-t...
LDN Archtects' images: www.ldn.co.uk/projects/appleton_tower.php
Article by architectural historian Clive Fenton on the redevelopment of George Square: edit.ed.ac.uk/articles/issue/2/last-word/
Buro Happold Design Statement 2013 citydev-portal.edinburgh.gov.uk/idoxpa-web/files/20590840...
CCG: c-c-g.co.uk/project/appleton-tower-edinburgh/
Appleton as originally constructed: flic.kr/p/a9yyAz