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When photographer works hard and takes multiple shots after making deal and then he says i don't want it now or he will buy it later in future may be in 2052.
Unmature People Act Like Dom and called Daddy Master bla bla bla
Photos taken on a visit to Millennium Point, Birmingham's Science and Technology Museum by Redditch U3A Digital Photography Group, recently. These days I mostly use a 50mm lens for its light weight but on this occasion I decided to take a 10-20 mm and I think it paid off with these giant exhibits.
According to Wikipedia:-
'London Midland and Scottish Railway (LMS), Coronation Class, LMS No. 6235, British Railways No. 46235 City of Birmingham is a preserved British steam locomotive.
6235 was originally built in 1939 at Crewe, and entered LMS stock in July 1939, one of the third batch (Lot No. 150). As built it was streamlined and was the first to be fitted with a double chimney (previous locomotives being built with single chimneys and later modified). Its livery was LMS crimson lake with cheat lines, but during the Second World War it acquired austere unlined black livery. Though it carried the name City of Birmingham from new, 6235 was officially named at a ceremony at Birmingham New Street on 20 March 1945, and a special coat of arms plate was then fitted above the nameplate. The streamlining was removed for maintenance reasons in April 1946, making 6235 the first streamliner to be destreamlined, and at the same time it was fitted with smoke deflectors, and livery continued to be black.
6235 passed to British Railways ownership in 1948, and in March was given the BR number 46235, which was applied in May. It was one of the engines given the short-lived blue livery for top express passenger engines in 1950. In April 1952, the semi-streamlined sloping smokebox front was replaced with a round-topped smokebox. 46235 was repainted into BR Brunswick Green livery from April 1953, and it retained this livery through withdrawal in September 1964 and through into preservation.
46235 was prepared by BR for preservation, and after storage at Nuneaton MPD, moved to the Birmingham Museum of Science and Industry, which was built around the locomotive. After closure of that museum 46235 was moved into Thinktank, Birmingham Science Museum in 1997.
City of Birmingham has not steamed in preservation'
(Coffee time) A sad old queen is sitting in the balcony and thinking. She is indignant and angry for herself when her husband king of the cloud cheated on her. She knows that the king is making love with a beautiful young princess now. The princess is from other land, she is cute, sweet, and young. The old Queen tells these to her self. Queen’s heart is full of anger and tears there is no more room for love…
This is a really cute cheater line. I have another colorway and will be gifting this one and another to my MIL and Grandmother-I-L. Machine quilted on my domestic machine.
Think the two are connected? The most coincidental geographic locations ever, Interstate 68 near Morgantown, West Virginia. I'd love to know the story behind the names.
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Durbin and Greenbrier's Cheat Mountain Salamander powered by a WM BL-2 has just arrived in Elkins, WV
Cheating at Candyland....an institution since...well, since just a few moments after it was invented, I suppose.
It's hilarious to see a kid take the entire stack of cards into the other room and return insisting that nobody shuffle the cards. "No, you go first. I insist!"
The new challenge theme (selected by Dawn) for August over at Self Portrait Challenge is 'Childhood' Good one, Dawn! This is gonna be fun!
I figured this would work as a transition from the 'Seven Deadly Sins' challenge into 'Childhood.'
I used a chunk of scrap styrene heated over a glass wig head to copy a section around the eyes/brow. This will be much easier than trying to get this symmetrical by hand, and I'll use this to blend the rest of the shape of the mask around where needed
the original, by Yves Adams, is here: www.vildaphoto.net/blog/Yves?page=4
The pic was taken in Poland, and not Belgium.
I laminated a small cheat-sheet which lists the op-codes and, on the other side, a guide to the extensions I added: the pre-loaded standard programs and others like read/write program to flash, set CPU speed etc.
I've a collection of photos to share from Missouri Western State University's presentation of The Effect of Gamma Rays on Man-in-the-Moon Marigolds by Paul Zindel.
Nanny getting ready to deal a round of Solitare between sneaking drinks of booze and smoking.
Spent a half hour in Photoshop getting this one right. Really strange exposure.
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Los Angeles, CA -- California Science Center
Please do not post large or animated comment codes. Thank you.
German postcard by Ross Verlag, no. 3796/1, 1928-1929. Photo: Paramount.
If Weimar cinema had one film star, then it was Emil Jannings (1884-1950) for sure. He was a great actor in the silent era and won the first Oscar for Best Actor. Too bad that during his later years he worked as a board member for the Ufa propaganda machine during the Third Reich.
Jannings was born Theodor Friedrich Emil Janenz in Rorschach (Switzerland), and grew up in Leipzig and Görlitz. He left gymnasium prematurely and worked as ship's mate. In 1900 he started to work at the Görlitz Stadttheater, after which he played in several provincial theaters and with travelling companies. Occasionally he directed plays too. In 1914 he reached Berlin where he was engaged in 1915-1916 at Max Reinhardt's Theater. In between he played on stage elsewhere and had his first film role in the war propagandafilm Im Schützengraben [In the Trenches] Until 1920 Jannings continued to play on stage, getting ever bigger roles.
From 1916 on, Emil Jannings played more and more in film, mostly in quickly staged melodramas and crime stories. In 1919 he had his big breakthrough as Louis XV in the lavish period piece Madame Dubarry, directed by his former theater colleague Ernst Lubitsch. The film was such an international hit that former war adversaries such as the United States embraced German cinema. Jannings and his co-actress Pola Negri (Dubarry) became instant stars. For a while he continued to play debauched rulers such as Henry V in Lubitsch' Anna Boleyn (1920), Amenes in Lubitsch' Weib des Pharao (1921) and czar Peter the Great in Peter der Grosse (Dimitri Buchowetzki 1922). Other strong historical characters were the title roles in Otello (1921-22) and Danton (1921) both by Buchowetzki. After the Italo-German co-production Quo Vadis? (1923-24), in which he incorporated emperor Nero, Jannings managed to get away from his historical characters with two major films. In F.W. Murnau's Der letzte Mann/The Last Laugh (1924) he was a proud hotel doorman who looses his self-esteem and that of others when he is reduced to a toilet man, working in the basement of the hotel. In Varieté/Variety (1925) by E.A. Dupont he is the strong acrobat, who kills his rival out of jealousy. Jannings magnificently expressed the fears and doubts of big, proud and big-hearted men, who are cheated by their surroundings.
The success of these films earned Jannings a 3-year contract with Paramount. Here he played again men who had a social position and then end in misery such as The Way of All Flesh (1927) and The Last Command (1928). They earned him the first Oscar ever distributed to an actor. Together with Lubitsch he tried to repeat their German successes in The Patriot (1928). When sound came in, Jannings left Hollywood and returned to Berlin, where he was launched in his first sound film Der blaue Engel/The Blue Angel (1929), directed by Ernst Lubitsch and based on a novel by Heinrich Mann, Professor Unrat. Jannings is the local university professor Von Rath who falls in love with cabaret singer Lola-Lola (Marlene Dietrich). Married to him she shamelessly exploits and humiliates him. When the film came out, Dietrich's populariy overshadowed Jannings. The film was her ticket to Hollywood. Jannings returned to play on stage, until 1936.
With his sound films of the early 1930s, Jannings could not compete with his earlier successes. Only after the nazi's came to power, his star rose again, while playing rulers, just like in the early 1920s but this time not the decadent versions anymore. He performed historical characters such as Friedrich Wilhelm I in Der alte und der junge König (1934-35), Geheimrat Clausen in der Herrscher (1936-37), the title roles in Robert Koch (1939) and Ohm Kruger (1941) and Bismarck in Die Entlassung (1942). All predecessors to Hitler, to be understood. In 1936 he became board member of Ufa and in 1938 he was chairman there. He was allowed to direct his own films, and thus was the main responsable for Ohm Kruger, one of the most expensive flms of the nazi era. His historical films contributed to the legitimization of the modern politics. In January 1945 he broke up work to the film Wo ist Herr Belling?, because of an illness. The film, never ended, was his last film. In 1946 Jannings was denazified and in 1950 he died in Austria.
Too bad about Jannings' last years, because he was a great actor in the silent era, one of the biggest (in every which way).
(Source: www.filmportal.de/df/7d/Uebersicht,,,,,,,,3377E94609D3412...
Ross Verlag nr. 3796/1.
