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...plus c'est la même chose.

 

When I used to frequent Tonbridge West Yard in the 1980s, taking the long way round from school to the station, there were usually a few 73s on show - albeit not the re-engined variety. GBRf's 73963 waits for its next task as 73141 shunts RHTT wagons in the background.

 

Locomotives: GB Railfreight Class 73/9 73963 "Janice" and Class 73/1 73141 "Charlotte".

 

Location: Tonbridge West Yard, Kent.

As the fiber optics change color, you can get some neat options. SOOC except for the crop

 

ANSH scavenger18 a Christmas/Hanukkah/Kwanzaa macro

Its a manipulation for Lightning's Heart :)

This is Ebony, part-way through her change into holding the Desumo to its full extent.

You'll understand what this is if you have read Lightning's Kiss. The Desumo is where a Psychic Vampire has been chosen to wield the electricity. It is prominent from birth, though the acceptance of the change doesnt usually begin until roughly the age of 20 - 25. However, for Ebony, it started earlier on her 19th birthday.

The process will eventually change her blood to pure electricity, which is highly dangerous to anyone who comes close to her. The possibilites of the power are mostly unknown, since most that are chosen dont survive the change, or go mad with power and end up getting hunted down.

   

Stock used:

Model: faestock.deviantart.com/art/Lace16-86870496

Background: shudder-stock.deviantart.com/art/S-S-Basement-Corner-2738...

Hair brushes: frozenstocks.deviantart.com/art/Windblown-Hair-132680582

Lightning brush: scully7491.deviantart.com/art/Lightning-Brushes-9849304

Glowing brush: adonaj.deviantart.com/art/ADONAJ-Wellen-Set-2-157784899

Texture: mourningstocks.deviantart.com/art/Old-Paper-1-22865437

  

The idea of this is ©Jay harrison.

Rollei RPX 100 in HC-110 (B), Lomo LC-A 120

iPhone pic. - for a bit of a change

Processed with VSCOcam with t1 preset

A cooler colour scheme from a shot taken yesterday.

It was my first successful shoot in weeks, maybe even months, I'm not sure.

White Ibis choosing another route after finding a lime green kayak in its path on Horsepen Bayou.

Kettlestoun, Union Canal. The orange tree in the background signals the changing of the seasons.

After shooting 1309 a little bit, we went down to CSX and saw a train leaving Advanced Auto Parts' crew change platform. Pacing it up towards MEXICO, we noticed a fun engine up front and decided to shift focus.

ZM407 an RAF Airbus A400M Atlas on approach to John Lennon Airport on a day when the weather was constantly changing from sunny to torrential rain and as it made several approaches the conditions continually changed.

ODC-What Is There To Be Afraid Of

 

I think this year more than ever we're seeing the devastating effects of Climate Change. I know the west coast is burning up and over here in the east we are inundated with excessive amounts of moisture and flooding! it's truly frightening how extreme the weather is becoming. climate.nasa.gov/evidence/

 

 

Notice: We have attempted to identify each mushroom correctly, please be aware that we are not experts. Please do not solely rely on this source for identification and determination of edibility.

   

Oh, how the light changes… it gave Monet his Haystack Series,

en.wikipedia.org/wiki/Haystacks_(Monet)

 

And never fails to delight and surprise me here, when least expected.

 

This photo was taken 5 minutes before 'Last light'..

Can you believe it…and one of the swans is just paddling into view..

 

Besides a little straighten up, no edits.

This is exactly what I was seeing.

 

Reminds me, well, it's almost the colours of our Australian flag of the indigenous.

aboriginalflag.com.au/history.html

Each colour has a symbolic meaning for them as a collective people.

 

Which brings me to this story, of when I was last here at the lake...

 

Almost this time last year, mid-August, 3 days after my mother's birthday, I took a few hours off and met up with a fellow poet and high school teacher, Robert, for lunch at the kiosk at the other end of the lake.

 

We chose this spot because there wouldn't be many people around during the week, and we could be as loud and animated as we like, reading each other our latest poems.

 

There was only one other table occupied at this outdoor café, an older lady and her male friend, and on second look, I realised it was Liz, whom I hadn't seen for years.

 

We used to swap my kinesiology for her Reiki, way back in the 90's...

 

She was having lunch with a fellow whom she'd met on holiday up at Wilpeena Pound, and he was passing through on his way back to Sydney.

en.wikipedia.org/wiki/Wilpena_Pound

(Thought this was a weird coincidence as the poem I'd planned to read gave mention and great respect to this place.)

 

They were both indigenous. (Also a coincidence, in regards to the poem..)

 

LIz recognised me too and we were both delighted to see each other, so I invited them over to sit and listen to my reading after we'd all finished eating.

 

The poem I'd intended to read to Robert now had a surprise bigger audience, and little did Liz and friend know that they were in for quite a surprise…

 

My poem was about rural life in the 1900's and onwards, as had been told to me, about how it was for the aboriginal peoples when us 'whities' moved in, just a bit further south of here, in western New South Wales.

 

It takes a final twist at the end, relating to the events surrounding my mother's birth on a sheep station, outside Tamworth, 1929.

 

Mum's mother had come down with influenza which rapidly became severe pneumonia. This brought on early labour, and she died giving birth to a tiny premature baby, who grew up to be my own mother.

 

This took place in the harshest part of the freezing cruel winter, that is well known to descend and sweep across the broad expansive Liverpool Plains, that has no protection against the icy gale force winds..

 

Mum's Aunty Ida was a full blood indigenous lady from the 'Kamillaroi' people, married to my white Great Uncle Bill.

As typical of the times, this was quite a bone of contention, quietly chewed upon by the rest of the family..

 

But amongst all the following grief and mêlée, she was the one who stepped forward to take this fragile premmy home, to raise her with her own half cast children after the death of her white sister-in-law.

 

Mum's own father, a butcher and book keeper for the Currabubulla Sheep Station was a drinking, gambling man who, in shock at the sudden death of his very capable wife, was ill equipped to run the house and care for 4 other children.

 

And so he let this new fragile baby go, thinking she was so weak, she wouldn't survive for long anyway ..

 

Two years had passed when he heard through the grapevine that little two year old Betty was actually blossoming with robust health, and from the urgings of his other children, now settled into coping without their deceased mother and two years older as well, quite looking forward to having their little sister rather than facing the ordeal of caring for a sickly newborn…well, he went and took her back from their aboriginal Aunty Ida..and brought her home.

 

My mother had grown up for her first two years, quite happily with this loving blended family.. who, of course, were left heartbroken, when discovering they'd been told a lie, and little Betty wasn't going to visit her real siblings, just for the day …and wouldn't be 'coming back tomorrow'…as promised...

 

In fact, Mum had to wait another 45 long years before I could find her half cast cousin, Una , to be reunited..

 

Her father justified it all with the excuse to the rest of his family that he'd heard that full blood Aunty was going on Walkabout soon and was going to take little Betty with her.

 

My poem concluded that without this wonderful aboriginal woman, my Great Aunty Ida, and her huge heart, my own mother had little chance of survival, and my immediate family that is a little twig of the whole ancestry tree may never have existed.

 

Well, all three of my audience sat transfixed at the social/anthroplolgical details I'd managed to write in rhyming, rhythmic, poetic verse.

 

While reading it aloud to my indigenous friends, at various points I became painfully aware of how close to the bone some of the subject matter was in their history of dismissive disregard from the white man, and I'd pause, almost to gasp for the next breath... should I skip the next bit? It's so raw!

 

But I'd glance up from the page at Liz, and see her sitting back with a grin from ear to ear, gently nodding with such huge satisfaction and appreciation that her people had just received a gift of precious, heartfelt validation of their struggles of recognition ever since 'civilised colonisation' began over 200 nears ago.

 

Lets just say it surpassed a certain flaky, belated "Sorry…" message from the govt about 7 years ago.

I won't risk my "Safe" category by saying the more earthier Aussie version of that..

 

Gosh though, I'm still glad I'd already cut three of the most graphic chapters out of it…

 

The poem begins with a tribute to Eddie Mabo, tireless campaigner for indigenous rights, then there's about ten pages of a collection of stories told to me first hand from various people over the years, entwined together to paint the bigger picture, concluding with my mother's rocky beginning in life and how she was given a second chance at this life by an indigenous angel..

 

There's more to the story of this day, to be continued another time perhaps…but for now I'll finish by telling you that during one chapter I had to stop reading completely and break down into sobs.

 

I was in such a state of overwhelm, it had hit me that it was such a privilege to be able to read it to an indigenous audience and they absolutely loved it.

 

Yes, I had written it, but it was only then that I really started to feel the depth of it..

 

Meanwhile, poor Robert, my straight-laced, conservative, whiter-than-white teacher friend sat at the end of the table gobsmacked-speechless with awe throughout the whole proceedings, and totally forgotten, due to all the interaction between the rest of us..

 

But hey ~ Phew! ~ What a day...

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Reflexion à Rennes, Bretagne

This is the same cloud just changing slowly.

011 :: 365 :: 11th January 2013

 

 

This is one of those things that you can push an object through is and it will make the shape, for the life of me I don't know what it is called, hope all you smart people out there can tell me.

 

Originally I had posted a bw mono version of this but changed my mind and it is now pink mono :)

Adam Dental Clinic always has an amazing light show. So here are a few examples! Here the colours change over tine so look at all three!

Hello Autumn.

I like this shot but it also annoys the heck out of me.

 

So does spelling!

Often providing great opportunities for photos shift changes on some coal mining operations were exciting places to be. This was Nancheng in Jixi and an Sy is being serviced in the pollution/gloom..

youtu.be/hzRltUL5M3k

Change (In the House of Flies) · Deftones

We've have some happy little changes implemented in recent weeks - some small improvements that have made a big difference. We are now at the end of our commissions (You're in for some Spam this weekend!) and we want to move forward in a positive direction.

 

Although some of these are gradual improvements over the course of a couple of months, here is a list of little improvements we have made.

 

✮ Improved Packaging - The wigs are now arriving much better than previously. They will still need brushing once removed from their boxes, but the fibres are remaining as they should do during transit. We've had enough testing to confirm that the new packaging is working out wonderfully.~

 

✮ Sturdier Cap - The caps are made with a different material and in a different method with an additional "sideburn" area on some styles to add extra length around the face~

 

✮ Thicker, Fuller wigs.

 

✮ A set shipping schedule. We ship every Saturday or worst case scenario, the following Monday.

 

C H A N G E S T O C O M E

✮ Rebranding - We will be changing our name before the launch of the winter sale. With so many positive improvements we'd like to go into the new year with an equally positive mindset. We aren't the wig shop we were when we started this a year ago and we have grown and learned so many things. We want to come back anew with a name that really reflects us rather than continue on as Frappzilla, which was first and foremost a personal username that was never really meant for the both of us. We'll have a fresh new image and even some new models so we can show you guys our designs to their full potential.

 

✮ New Store - One of the most exciting things to come in the next week or two is the new and improved webshop which I have mentioned in recent posts. The new store will feature your own personal login area, automated (at last) shipping notifications and a lot of other exciting features.

 

✮ Monthly Newsletter - Something that we wanted to bring to you in 2015 will finally be coming at the start of the new year, thanks to the new store.

 

✮ New Styles - With the new models comes a new approach with our premium line, featuring more realistic designs, hairlines and parts. We anticipate a heavy focus on shorter cuts alongside the current kinds of wigs we offer. We'll also have some fun and quirky additions that you won't have seen anywhere before and we'lll finally launch our line of dreadlocks wigs too.

 

--------

 

The last commission photos will be sent out over the weekend and everything that has been confirmed by the customer will be shipped on Monday.

 

A friendly reminder that our winter sale starts on November 25th with daily pre-made wigs at a discount, available in the new webshop. Don't forget our bonus Advent Calendar starting on the 1st December with a huge daily discount on one wig per day up until Christmas Eve.

 

We want to thank all of you for your continued support. Thank you so so much for everything, always!

Some of the trees are starting to turn colors in Queen Elizabeth Park. This one is in the large quarry garden.

We have 55018, in 1979, working the 10:45 Leeds - Kings Cross passing Lofthouse Colliery. I am stood on the road bridge, which now gives access to Outwood station.

The view 41 years later, has an Azuma, working a Leeds - Peterborough service (due to Sunday engineering works). This shot is from the drone, as no photo is possible from the road bridge due to trees.

Lofthouse colliery site is now a nature reserve, and has a memorial to the 7 miners who lost their lives when the workings at the colliery were flooded on March 21st, 1973.

A few years ago beavers dammed Dickerson Run and consequently inundated the surrounding lowland forest. The newly created swamp interested me, and it has been in the back of my mind to explore the place ever since. As I was walking through these woods last week (with a different destination in mind), I noticed the waters had frozen solid enough to bear my weight -- and I knew at once that the time had finally come to explore.

 

I found a landscape in transition. Trees that had before stood on the bank of the stream were now several feet underwater. Most trees bore some gnaw-markings: some were completely felled, others had their bark stripped away and then seemingly abandoned, left to die, as if the beavers had sensed the futility. Of course, in a couple years all of these trees will be dead regardless--drowned. And the forest will be completely changed -- the cycle reset.

  

sunset, Dickerson "swamp", Wetmore, Cuyahoga Valley National Park, Ohio.

This is the first tree I have seen so far with all, or nearly all, of its leaves changed. Taken on a very damp morning using a Nikon D5100 with Nikkor 50mm f/1.8 lens.

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