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Everest Canvas Messenger bag with the Mountainsmith Kit Cube insert, holding my Canon 60d with 24-105mm lens attached, Canon 10-22mm lens, and Rokinon 8mm Fisheye, along with wallet, glasses, spare battery, spare flash cards, and miscellaneous assorted small bits.
acrylic on canvas, 20"x24" - 51 x 61 cm, 1978-79
Note: Only recently did I get a good photo from the owner of this painting. I had it previously marked with the wrong title "Bogomil Sunrise" as well as the wrong year (1976) - the previous photo was not very good, not sharp and the colors were off. I am glad I could replace it now.
SPORTS CANVAS (Renovation)
Okuzawa, Setagaya, Tokyo, Japan
Designed by SGM Architect&Associates,Inc.,
Sasaki Satoshi 2009
&Cooperated by Y2 Kenchiku Kosha
Yamamoto Yusuke
Nikon D40x
My fabrics are not available for purchase. These thumbnails are provided for my custom order designs. Shop at ittybittybag.com
Artist : Yang Yong, Arteet
Yang Yong is the artist of Overwater Bungalows. The medium of this painting is oil paint. It was painted on a 35” X 24” , 88 cm X 60 cm canvas.
Cities & buildings Oil Paintings - Arteet™
The idea behind Canvas Ray is to captivate the viewer and allow their minds to focus on and understand the deeper intention and significance of the tattoo. These images reflect the possibility of body modification through art rather than the common equation of tattoos with body mutilation. Light highlights the emotions that are tattooed within the subjects’ skin.
Skin such as a canvas
Yours to mark, scar, decorate
Unusual and one of a kind
Each line a bit of pain
Each curve leaving more splendor
Once sharp lines now faded and dull
Leaving memory to do the work
From the first prick until the last free inch of space
Your skin your canvas
Truly beautiful yours forever to keep
4x5 View Camera
Printed;
Book and double sided mattes produced for project.
Acrylic Paint on Canvas
Size: 18 x 24 inches
A series of Apple Computer inspired paintings.
I thought they would look good hanging in someone's workspace or mac setup.
olive filter twill waxed canvas, tan webbing, large front pocket, grey green liner. carsickdesigns.com
Self-Portrait, 1986
by Andy Warhol
Acrylic paint and screenprint on canvas
Mortal Coil
As the 1980s progressed, Warhol’s work featured more political and religious imagery. Although it wasn’t deliberate, it reflected some of the major concerns of the time, including the Cold War between the US and the USSR and the escalating AIDS epidemic.
Warhol had always used his own image in his art. In the 1980s, he created what came to be known as his ‘fright wig’ self-portraits for an exhibition in London. In earlier works, his wig was an integrated part of his appearance. In these pictures, his wig takes on the status of art. In contrast to his early self-portraits where he appeared aloof, in these works his gaunt face and intense expression convey the pain that he routinely suffered from since the shooting.
[Tate Modern]
Andy Warhol
(March – November 2020)
A new look at the extraordinary life and work of the pop art superstar
Andy Warhol was the son of immigrants who became an American icon. A shy gay man who became the hub of New York’s social scene. An artist who embraced consumerism, celebrity and the counter culture – and changed modern art in the process.
He was born in 1928 as Andrew Warhola to working-class parents from present day Slovakia. In 1949 he moved from Pittsburgh to New York. Initially working as a commercial illustrator, his skill at transforming the imagery of American culture soon found its realisation in his ground-breaking pop art.
This major retrospective is the first Warhol exhibition at Tate Modern for almost 20 years. As well as his iconic pop images of Marilyn Monroe, Coca-Cola and Campbell’s soup cans, it includes works never seen before in the UK. Twenty-five works from his Ladies and Gentlemen series – portraits of black and Latinx drag queens and trans women – are shown for the first time in 30 years.
Popularly radical and radically popular, Warhol was an artist who reimagined what art could be in an age of immense social, political and technological change.
[Tate Modern]
Before packing up, I decided to grab a few shots of the canvas textures from inside our sleeping quarters.
Oups PRINTED CANVAS: VOODOOMUSH
Ltd: 1ex 50€
oupsartwork.blogspot.com/2009/02/oupsvoodou-mushroom-mini...
20x20"
Do you have any idea how stoked I am on how amazingly linear the color reproduction is here, and without herculean effort? I mean, it's a digital file created on an "uncalibrated" monitor, pushed through a ICC profile, printed on canvas, then lit by a light, photographed with a digital camera, pushed through more software in Lightroom, back out to a JPEG and then viewed on a different monitor. And the damn original file looks nearly the same as the photograph of the canvas print. By rights it should not work, something ought to get hosed along the way, right? But no, it totally works. Ain't computers grand?
But the thing is, to get from this level of git 'r done linearity to full bore Dead Nuts, it takes thousands of dollars and much frustration and hair pulling. I hate to sound like McDonalds makes the best hamburger in the world, but damn, it's hard to complain even with the 3/4 ass approach. And Dead Nuts is a moving target, you're always screwing yourself. You can't control the display environment. That's why public exhibition is the only way to ensure total control.
This one approaches Dead Nuts even moreso than Wellspring. Flipping back and forth between this snap and the file in Bridge made me do a double take. Sweet.
Water Lilies
Claude Monet (French, 1840-1926)
1914-26. Oil on canvas
Reflections of Clouds on the Water-Lily Pond, c. 1920, 200 × 1,276 cm (78.74 × 502.36 in)
Water Lilies (or Nymphéas) is a series of approximately 250 oil paintings by French Impressionist Claude Monet (1840–1926). The paintings depict Monet's flower garden at Giverny and were the main focus of Monet's artistic production during the last thirty years of his life. Many of the works were painted while Monet suffered from cataracts.
Monet's Water Lilies
Monet depicted his Japanese-style pond covered with water lilies, shimmering with reflections of clouds overhead. The water's surface fills the expansive composition so that conventional clues to the artist's, and the viewer's, vantage point are eliminated. Monet wished for the paintings to encompass the viewer: in his designs for the Musée de l'Orangerie in Paris, he specified that the Water Lily canvases be displayed on curved walls.
The aim of his large Water Lilies paintings, Monet said, was to supply "the illusion of an endless whole, of water without horizon or bank." While his garden in Giverny, his water-lily pond, and the sky above are the subjects of this monumental triptych, his representation of them can be seen to verge toward abstraction. In the attempt to capture the constantly changing qualities of natural light and color, spatial cues all but dissolve; above and below, near and far, water and sky all commingle. In his enveloping, large-scale canvases Monet sought to create "the refuge of a peaceful meditation in the center of a flowering aquarium."
Oil on canvas painting by Ciro Ferri (Rome) 1670 exhibit at National Museum of Singapore during the Princely Treasures from the House of Liechtenstein.
The best way to learn is by doing. And the only way to start thinking as a designer is to live it. To feel the uncertainty in your bones when you embark on a design journey. That’s why Design A Better Business organized a World Tour of workshops, with 5 major events on different continents. Participants of these workshops experienced and learned what it means to think and work like a designer. See designabetterbusiness.com for more information.
Evinizin her yerini Canvas Tablo ile döşemek istiyorsanız tam yerindesiniz.
Odanızdaki Parçalı Tablolardan sıkıldınız ve yenilerini arıyorsanız yapmanız gereken şey çok basit hemen sitemizi ziyaret edin ve sizde bu ayrıcalıktan faydalanın.
Oil on canvas, 16" x 12", ( 40 x 30 cm.)
I drive past this view so often that I tend to take it for granted. The Preseli Mountains in Pembrokeshire are not as rugged and dramatic as those in North Wales but they have a grace and serenity all of their own. In the mornings you will often see the mist lifting from the fields and trees before the Sun finally breaks through. Driving north from Narberth towards Crymych and Cardigan you pass through Efailwen and Glandy Cross after which you begin to get these beautiful views of the Preseli's, often with sheep, sometimes with cattle, and occasionally with a pony.
I've gone for a slightly looser impressionist style on this one often working quickly,"wet in wet", as I wanted to give the impression of a landscape only partly formed under the lifting mist.
I've never really had the desire to paint on canvas, as I preferred to paint on more practical / functional surfaces. But being open to new things I decided to give canvas painting a shot. You know what? I LOVED IT!! Unlike glass, where you have to work fast and blend in layers, canvas is so forgiving. My brush just glides across the surface and I can blend and shade; blend and shade......and more blending and shading (LOL) without having to wait for each layer to dry first.
Needless to say, my paintbrushes had a fabulous time! They're looking forward to the next time. ;-)
Opera has built a 3D canvas model into a special version of the browser. Note that the original is smaller and smoother as flickr resizes the movie.
my.opera.com/timjoh/blog/2007/11/13/taking-the-canvas-to-...
I decided to try embossing the tree from whoo loves you onto the primed canvas and it worked pretty well. After I embossed, I stippled the canvas with a mixture of glimmer mist and reinker ink. Added buttons to tree and stitched canvas to white layer. (Btw - sewing machine did not like this canvas, had to pull it as I went along, hence the closeness of the stitches). Sentiment is from All occasions set, ribbon and other bits from my stash ;)