View allAll Photos Tagged c1912

Wicken Fen was once part of a peat digging industry.

 

Windpumps such as this were used to drain turf pits and fields.

This windpump was built c1912 but had fallen into disrepair so was moved here at Sedge Fen in 1956 and was then restored. It’s now owned by the National Trust. It’s the last surviving wooden windpump on the Fens.

 

Bradford Cathedral.

 

Cathedral Church of St Peter.

 

Nave - North Aisle.

 

Memorial Window to Hannah Lambert (1830-1911).

 

This is on the theme of teaching, in memory of Hannah Lambert, teacher.

 

Detail: Left panel: Phebe (deaconess) and child (Romans 16:1).

 

By James Powell & Sons, Whitefriars, c1912.

 

To the Glory of God and in loving memory of Hannah Lambert. Born 23 Nov 1830. Died 19 Apr 1911. This window is placed by her sisters

 

James Powell & Sons, situated on the site of the former Whitefriars monastery, between the Thames and Fleet Street, was producing mainly flint glass when it was bought in 1834 by James Powell, a London wine merchant. On his death the firm passed to his three sons Arthur, Nathaniel and James Cotton Powell, who in 1844 established a stained glass department. The latter benefitted from the scientific researches of Charles Winston, a lawyer by profession, who had dedicated himself to the study of medieval stained glass. It had made him aware of the shortcomings of the glass available to contemporary artists, this being often thin and garish in colour. In 1847 he encouraged experiments aimed at rediscovering the chemical components of medieval glass and persuaded the firm of James Powell & Sons to produce 'antique' glass to his recipes. It was mainly due to this collaboration that the firm was to become one of the most important studios and glass manufacturers of the Victorian period.

The Street at Sutton, near Stalham, c1912

From my collection of old pub photos..

 

Check out my new website The History of Yeovil’s Pubs - the town with over 100 pubs!

Title: [Baby being weighed by nurse on scale]

Date Created/Published: c1912.

Medium: 1 photographic print.

Reproduction Number: LC-USZ62-48271 (b&w film copy neg.)

Rights Advisory: No known restrictions on publication.

 

Call Number: SSF - Scales (weighing instruments) [item] [P&P]

Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

Notes:

Photo copyrighted by A. Jackson Co., Baltimore.

 

Photo Credit: Library of Congress, LC-USZ62-48271

This cute little girl is my aunt, Audrey Plummer. She always told us she was born in 1912 but her birth was registered in 1911 so I guess she lied!!

From the Leonard Warner collection.

Harry Barber and David Bowers, circa 1912.

The Bowers and Barber families were farmers in early Wendling. They lived just west of the company owned town of Wendling. The single board fencing is consistent with the fencing placed along the Southern Pacific Railroad right of way, so I assume this field is on the south side of Mill Creek.

I am not sure what the plant is they are harvesting. It looks like oats to me, but if you can identify it, please comment.

This pub, in Baker Street, became a private residence after the First World War.

 

From my collection of old pub photos..

 

Check out my new website The History of Yeovil’s Pubs - the town with over 100 pubs!

Augusta Mortensen's Art, Needle and Fancy Workers' shop in Palmerston North. c1912.

 

2007N_Bc248_WOR_0088

 

This File is the property of Palmerston North City Libraries

Original Will Randall postcard of "Corner of Smoke Room in Clarence Hotel - Barnsley Football Club Head-Quarters. Percy Waite Proprietor. Telephone No 320."

Bridlington c1912 - 1918

Garrick Inn, 25 High Street, Stratford-upon-Avon, Warwickshire, c1596.

Facade heavily restored c1912, replacing c1800 brick front.

Grade ll* listed.

 

Said to have been an inn from 1718. The name changed from the Greyhound to the Garrick in 1795, in honour of David Garrick, who did much for the town's tourist trade by his encouragement of enthusiasm for Shakespeare.

Cornell University crew team on the Hudson River in New York. The Poughkeepsie Railroad Bridge is in the background - glass plate negative - c1912 - Bain News Service - Library of Congress

1 Cent Northwestern Corp. Court Royal Countertop Match Box Vending Machine w/ matchbox holder & cigar cutter c1912. Same as the "Sellem" vendor, but w/ different front & private labeled for Court Royal Cigars w/ Coca-Cola advertising w/ Eagle padlock & key

Casting out of the moneychangers from the Temple, c1912, designed by Johann Thorn Prikker (1868-1932), made by Puhl and Wagner - Gottfried Heinersdorff, Berlin)

Library of Congress image of the HMS Mars of the Royal Navy.

My great grandparents, c1912.

 

Joseph Caspar Zaras (1887-1953)

Anna Barbra (Cernohorsky) Zaras (1887-1961)

Bradford Cathedral.

 

Cathedral Church of St Peter.

 

Nave - North Aisle.

 

Memorial Window to Hannah Lambert (1830-1911).

 

This is on the theme of teaching, in memory of Hannah Lambert, teacher.

 

Detail: Right panel: Lois with grandson Timothy (2 Timothy 1:5)

 

By James Powell & Sons, Whitefriars, c1912.

 

To the Glory of God and in loving memory of Hannah Lambert. Born 23 Nov 1830. Died 19 Apr 1911. This window is placed by her sisters

 

James Powell & Sons, situated on the site of the former Whitefriars monastery, between the Thames and Fleet Street, was producing mainly flint glass when it was bought in 1834 by James Powell, a London wine merchant. On his death the firm passed to his three sons Arthur, Nathaniel and James Cotton Powell, who in 1844 established a stained glass department. The latter benefitted from the scientific researches of Charles Winston, a lawyer by profession, who had dedicated himself to the study of medieval stained glass. It had made him aware of the shortcomings of the glass available to contemporary artists, this being often thin and garish in colour. In 1847 he encouraged experiments aimed at rediscovering the chemical components of medieval glass and persuaded the firm of James Powell & Sons to produce 'antique' glass to his recipes. It was mainly due to this collaboration that the firm was to become one of the most important studios and glass manufacturers of the Victorian period.

Photographed at the National Motor Museum at the old Birdwood Mill in the Adelaide Hills, South Australia.

Konrad Magi (1878-1925) - Landscape with houses, c1912

Southend on Sea.

Westcliff, Leigh on Sea, Shoeburyness and District.

Old Book. Standard Guide.

Chamber of Commerce. 1912-13

c1912, Southend, Essex.

Edited Library of Congress photograph of the Imperial German Navy battleship SMS Kaiser c1915. In this image, the Kaiser is firing a salute to the Kaiser. Given what the Kaiser did to Germany, I'm surprised they weren't firing a salute at the Kaiser.

In the early days of logging on the Mohawk, while we have no records of women employed as loggers (lumberjills), it was common for family members, girlfriends, etc, to visit the woods where the men were working and many times posed for pictures.

This particular picture comes from the McCornack collection.

In it we see two well dressed young ladies posing with the falling axes in the undercut. They are standing on springboards, which was a way for loggers to cut the stump above the swell and pitch of the base as well as get their feet out of the entangling underbrush. Leaning against the tree, is a fall saw. This type of saw is commonly called a "misery whip".

George McCornack was a well documented and oft photographed faller at Mabel. In October 1913, he married Rena Riggs. After reviewing several photos containing Rena, I _think_ the girl on the right might be Rena. She would have been 16 in 1912. The other girl I could not find a match for. The clothing the girls are wearing is very similar to uniforms worn by girls basketball teams at Marcola High School and Wendling High School. So this may have been the "play" dress style of the day.

If you can positively identify either girl in the photo, please comment.

This photograph is from an album of pictures taken by John William Tipton, an engineer for the Panama Canal and show the trip to Panama first stopping at the Grand Canyon, then Juarez, Havana, Colon and across to Balboa C1912

This building was demolished in 1969. In 1972 I organised the office Christmas bash at its successor.

 

From my collection of old pub photos..

 

Check out my new website The History of Yeovil’s Pubs - the town with over 100 pubs!

Konrad Magi (1878-1925) - Landscape with houses, c1912 : detail

Nave, south window, by A L Moore, c1912 - Empty Tomb

Neo-medieval window in the north transept at Salle, celebrating historical personages associated with the church, and executed in a very conscious attempt to mimic the 15th century style of original glass here by Herbert Bryans c1912.

 

A better image of the window can be seen at the following link:-

www.geograph.org.uk/photo/5006195

 

SS Peter & Paul at Salle is church I've known about for years, having read the words of many who have waxed lyrical about this grand medieval edifice standing proud in near splendid isolation. The testimonies invariably praise this church as one of the highlights of Norfolk, if not one of the finest parish churches in the entire country; in my mind it thus had much to live up to now that I was finally to see it for myself.

 

Salle church lives up to all these superlatives and more, it is a magnificent building, first sight of it being something like finding a cathedral in the middle of a rural field! It is late medieval at its best, all of a piece 15th century architecture with many original furnishings to match. My initial impression of the interior was of a large, almost barn-like space filled with antique furniture, a place where the more one looks the more interest one finds in every corner, this being a church that requires very thorough exploration to see all it has to offer.

 

I fell in love with this church and could easily have spent much longer here (though thankfully didn't as this would have compromised seeing the other gems our generous hosts also had planned for us for the rest of the day!). Salle is a churchcrawler's dream and shouldn't be missed, it is happily normally open and welcoming to visitors.

 

www.norfolkchurches.co.uk/salle/salle.htm

 

William Charles Piguenit (1836-1914) - An Autumn sunset: the River Tamar from Cataract Hill c1912

c1912-1920s. 3¼×2¼'' exposures on film, box-type camera. Black loading and wire frame finder.

St Mary the Virgin, Clumber, Nottinghamshire, 1886-89.

By Bodley & Garner.

For Henry Pelham-Clinton, 7th Duke of Newcastle (1864-1928).

Grade l listed.

Nave - St Joseph, c1912-22.

Designed by Rev Ernest Geldart (1848-1929).

Source: Scan of Original Postcard

Date:c.1912

Postmark:1912

Photographer: Unknown

Publisher: Unknown

Inscription: Yes

Repository: Swindon Museum and Art Gallery.

FS1633

Bradford Cathedral.

 

Cathedral Church of St Peter.

 

Nave - North Aisle.

 

Memorial Window to Hannah Lambert (1830-1911).

 

This is on the theme of teaching, in memory of Hannah Lambert, teacher.

 

Detail: Right panel: Lois with grandson Timothy (2 Timothy 1:5)

 

By James Powell & Sons, Whitefriars, c1912.

 

To the Glory of God and in loving memory of Hannah Lambert. Born 23 Nov 1830. Died 19 Apr 1911. This window is placed by her sisters

 

James Powell & Sons, situated on the site of the former Whitefriars monastery, between the Thames and Fleet Street, was producing mainly flint glass when it was bought in 1834 by James Powell, a London wine merchant. On his death the firm passed to his three sons Arthur, Nathaniel and James Cotton Powell, who in 1844 established a stained glass department. The latter benefitted from the scientific researches of Charles Winston, a lawyer by profession, who had dedicated himself to the study of medieval stained glass. It had made him aware of the shortcomings of the glass available to contemporary artists, this being often thin and garish in colour. In 1847 he encouraged experiments aimed at rediscovering the chemical components of medieval glass and persuaded the firm of James Powell & Sons to produce 'antique' glass to his recipes. It was mainly due to this collaboration that the firm was to become one of the most important studios and glass manufacturers of the Victorian period.

Plan reproduced by permission of the Royal Engineers Museum www.re-museum.co.uk

Bradford Cathedral.

 

Cathedral Church of St Peter.

 

Nave - North Aisle.

 

Memorial Window to Hannah Lambert (1830-1911).

 

This is on the theme of teaching, in memory of Hannah Lambert, teacher.

 

Detail: Centre panel: Jesus with Martha and Mary (Luke 10:38-42).

  

By James Powell & Sons, Whitefriars, c1912.

 

To the Glory of God and in loving memory of Hannah Lambert. Born 23 Nov 1830. Died 19 Apr 1911. This window is placed by her sisters

 

James Powell & Sons, situated on the site of the former Whitefriars monastery, between the Thames and Fleet Street, was producing mainly flint glass when it was bought in 1834 by James Powell, a London wine merchant. On his death the firm passed to his three sons Arthur, Nathaniel and James Cotton Powell, who in 1844 established a stained glass department. The latter benefitted from the scientific researches of Charles Winston, a lawyer by profession, who had dedicated himself to the study of medieval stained glass. It had made him aware of the shortcomings of the glass available to contemporary artists, this being often thin and garish in colour. In 1847 he encouraged experiments aimed at rediscovering the chemical components of medieval glass and persuaded the firm of James Powell & Sons to produce 'antique' glass to his recipes. It was mainly due to this collaboration that the firm was to become one of the most important studios and glass manufacturers of the Victorian period.

Moor View, Edensor, Derbyshire, c1912.

Probably by William Henry Romaine-Walker (1854-1940).

Grade ll listed.

Bradford Cathedral.

 

Cathedral Church of St Peter.

 

Nave - North Aisle.

 

Memorial Window to Hannah Lambert (1830-1911).

 

This is on the theme of teaching, in memory of Hannah Lambert, teacher.

 

Detail: Right panel: Lois with grandson Timothy (2 Timothy 1:5)

 

By James Powell & Sons, Whitefriars, c1912.

 

To the Glory of God and in loving memory of Hannah Lambert. Born 23 Nov 1830. Died 19 Apr 1911. This window is placed by her sisters

 

James Powell & Sons, situated on the site of the former Whitefriars monastery, between the Thames and Fleet Street, was producing mainly flint glass when it was bought in 1834 by James Powell, a London wine merchant. On his death the firm passed to his three sons Arthur, Nathaniel and James Cotton Powell, who in 1844 established a stained glass department. The latter benefitted from the scientific researches of Charles Winston, a lawyer by profession, who had dedicated himself to the study of medieval stained glass. It had made him aware of the shortcomings of the glass available to contemporary artists, this being often thin and garish in colour. In 1847 he encouraged experiments aimed at rediscovering the chemical components of medieval glass and persuaded the firm of James Powell & Sons to produce 'antique' glass to his recipes. It was mainly due to this collaboration that the firm was to become one of the most important studios and glass manufacturers of the Victorian period.

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