View allAll Photos Tagged c1912
rather rare booklettes, apears they were printed c1912 -13? to 1933 at least, i have about 50 of guessing 84, of these, idealy i want to scan all of them, this was scanned as a favor, a scan copy of this was made avalable to the owners of the "standard building" vancouver bc
In 1879 lots for the erection of Holy Trinity Church #2 were purchased at the corner of Donald and Graham Streets, and construction plans were approved. The new church was formally opened on 4 August 1884.
Date:c1912
Location: Annapolis Royal, Nova Scotia
Photographer: Paul Yates
Accession No.:93.665 - 24
Copyright: Annapolis Heritage Society
Picture # 534, Yates # 6-228, negative # 6-0125 in Yates inventory
Visit of Institute of Electrical Engineers to North Eastern Electricity Board, Herrington, Sunderland. - 01/07/1953
Date:c1912
Location: Annapolis Royal, Nova Scotia
Photographer: Paul Yates
Accession No.:93.665 - 18
Copyright: Annapolis Heritage Society
Picture # 662, Yates # 6-520, negative # 6-0119 in Yates inventory
Alexandra Exter
Oil on canvas
From the exhibition
In the Eye of the Storm: Modernism in Ukraine, 1900–1930s
(June - October 2024)
‘In the Eye of the Storm: Modernism in Ukraine, 1900–1930s’ recreates the multiplicity of artistic approaches and identities that existed in Ukraine in the early twentieth century. The exhibition tells the story of modernist artists and the visual experiments through which they sought to renew Ukraine’s culture and autonomy.
The territory of Ukraine had been divided between various empires for centuries, but periods of sovereignty in the country’s history contributed to the development of a distinct identity which, in the nineteenth century, became consolidated into a national consciousness advocated by artists and thinkers.
Such a complex history produced a particular cultural profile, born from the fusion of Ukrainian, Polish, Russian and Jewish communities.
Modernism in Ukraine unfolded against a complicated sociopolitical backdrop: the First World War, the collapse of the Russian and Austro-Hungarian empires, the revolutions of 1917, the independence of the Ukrainian People’s Republic (1918–21) and the subsequent absorption of the Ukrainian lands by the Soviet Union. Yet despite such political turmoil, this became a period of true flourishing in the Ukrainian arts.
This exhibition brings together 65 artworks, primarily from the collections of the National Art Museum of Ukraine and the Museum of Theatre, Music and Cinema of Ukraine.
While recognising the complex identities of artists from the period and area, this exhibition discusses these figures within the context of Ukrainian art history. We have therefore favoured the Ukrainian spellings of artists’ names.
Marvel at the groundbreaking modernist art made in Ukraine between 1900 and the 1930s.
The modernist movement in Ukraine unfolded against a backdrop of collapsing empires, the First World War, the fight for independence, and the eventual establishment of Soviet Ukraine. Despite such profound upheaval, this became a period of bold artistic experimentation, and true flourishing of art, literature and theatre in Ukraine.
Highlighting the range of artistic styles and cultural identities that existed in Ukraine during this period, this is the most comprehensive UK exhibition to date about modern art in Ukraine. Explore 65 works, from oil paintings and sketches to collage and theatre design. Many are on loan from the National Art Museum of Ukraine and the Museum of Theatre, Music and Cinema of Ukraine in Kyiv.
In the Eye of the Storm brings together the work of such artists as Kazymyr Malevych, Sonia Delaunay, Alexandra Exter and El Lissitzky, as well as lesser-known figures like Oleksandr Bohomazov and Mykhailo Boichuk, each of whom left an indelible mark on the country’s art and culture.
[*Royal Academy]
Taken in the Royal Academy
Imagen 84.
Sargent. Fuente del Generalife. c1912
Se trata de una de las dos acuarelas del mismo tema pintadas por Sargent de esta fuentecita situada en el centro del mayor de los Jardines Altos del Generalife.
El detallismo y precisión "fotográfica" de Sargent, le hace representar el caño de agua que cae sobre el cubo tal como recoge la fotografía.
Bartsch, Rudolf Hans
Schwammerl : ein Schubert-Roman / von Rudolf Hans Bartsch ;
Buchausstattung und Einband nach Zeichnungen von Alfred Keller. - Leipzig :
L. Staackmann, c1912. - 308 s.
UBB 95d014268-
Date:c1912
Location: Annapolis Royal, Nova Scotia
Photographer: Paul Yates
Accession No.:93.665 - 23
Copyright: Annapolis Heritage Society
Picture # 533, Yates # 6-229, negative # 6-0124 in Yates inventory
Date:c1912
Location: Annapolis Royal, Nova Scotia
Photographer: Paul Yates
Accession No.:93.665 - 21
Copyright: Annapolis Heritage Society
Picture # 535, Yates # 6-235, negative # 6-0122 in Yates inventory
Date:c1912
Location: Annapolis Royal, Nova Scotia
Photographer: Paul Yates
Accession No.:93.665 - 20
Copyright: Annapolis Heritage Society
Picture # 536, Yates # 6-236, negative # 6-0121 in Yates inventory
I'm always in search history and recently went to the "Northside" of Palatka. After talking with a few residents, this part of town is in bad disrepair and most of the population is African American. But how was that distinction made for a town. I came across an article online - myfloridahistory.org/frontiers/article/188
that indicates why they are grouped in this section of town and it starts with the Bronson-Mulholland Mansion.
"Florida became a state in 1845, supporting growth in Palatka. In 1849, Palatka was named Putnam County seat, and it was incorporated as a town in 1853. The following year, Judge Isaac H. Bronson built Sunny Point, now known as the Bronson-Mulholland House.
Over the century after it was built, the Bronson-Mulholland House changed hands many times. Abandoned during the Civil War, the house was used by Confederate soldiers as a lookout for Union gunboats, and later was used as a barracks for Union colored troops. In 1866, it became a school for children of freed slaves. Later serving as a rooming house, the property fell into disrepair in the mid-twentieth century. Plans were made to demolish the house and build a playground.
“That’s how the Putnam County Historical Society was formed, was to save the house from destruction,” says Beaton. “The city restored the house through a federal grant and now the house museum is a partnership between the City of Palatka and the Putnam County Historical Society. It’s been open for tours since 1977.”
East Mill, Bridge Foot, Belper, Derbyshire.
Strutt House - English Sewing Cotton Co, Offices (former), c1912.
Grade ll listed.