View allAll Photos Tagged bubblebokeh
Sarah liked part of the first shot of the poppy I posted today, so I am adding this on, taken during the same shoot, from a different angle. Hope you like this darker version, too, Sarah!
Best seen LARGE
yellow iris at the pond of the urban gardens (May 2022)
taken against the evening sun; it was the first time I got real soap bubble bokeh with this vintage lens 😊
[ K-70 + manual Nikkor 50mm f/1.8 AI = the "Diva" ]
Happy Friday !
Water inside the glass is spinning, and the refracted light is bended by the moving liquid.
In my mind, the effect should resemble the gravitational bending of the light near a wormhole (or something of similar), but it was too much difficult to compute the right exposure (and I started too late, this evening). So, this is the best that I have obtained.
I hope that you will like it!
Stay safe and have a nice and happy CrAzY Tuesday, dear friends!!!
:-)
Meyer Optik Trioplan 100mm f2.8
Last photo in this lens series. Will be publishing photos from another interesting vintage lens starting tomorrow.
Maple seeds remain on the tree long after the leaves have fallen.
Ontario, Canada
Camera: Olympus EM1 MkII
Lens: Vintage Meyer Optik Trioplan 100/2.8 (Exacta)
PB071135
Shot at Lake Hackensee, Bavaria. Sony A7 Mark 2 and MOG Trioplan 2.8/100mm at F=2.8.
Please press L to enlarge.
If you want to know a little bit more about me as a Photographer:
Meyer Optik Trioplan 100mm f2.8
Shot at f2.8 to get max bokeh character,but, at the expense of losing some sharpness on the subject.
Even when the Autumn leaves are dried and ready to fall they still have a certain beauty...Shot with the Helios 44M in very low light.
Zoom in and get lost in the surreal madness of different shapes of light due to the optical anomalies and aberrations of the lens.
I pass by every day. I record changes in this small but, obviously loved, garden.
This one is taken by M.O.G. Trioplan 100mm f2.8
Russula mushrooms are invariably ectomycorrhizal in that they form an intricate and beneficial association with trees. Through a network of strands (mycelia) the fungus facilitates uptake of water and nutrients, particularly nitrogen and phosphorus to the plant host but requires energy (in the form of sugars) in return.
For more information on ectomycorrhizal associations see: en.wikipedia.org/wiki/Ectomycorrhiza
Photo taken 22 September 2017 .
Mixed deciduous-coniferous forest, Gaspésie, Quebec, Canada
Very basic post processing done in PS Camera Raw.
Camera: Olympus EM5 Mk II
Lens: Meyer Optik Görlitz Oreston 50 mm f1.8 (1960s twin zebra; M42)
P9220596
(Thom Yorke, English musician and multi-instrumentalist - best known as the lead singer and main songwriter of the alternative rock band Radiohead)
... and right he is :)
(although I love him singing and playing the guitar!)
Crazy Tuesday - Theme of January 29, 2019: Bokeh
Happy Crazy and bokehlicious Tuesday :)
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"Manchmal ist es das Schönste an einer Gitarre, sie einfach nur anzuschauen."
Zitat von Thom Yorke - britischer Sänger und Musiker, der vor allem als Frontmann der Alternative-Rock-Gruppe Radiohead bekannt ist
... und Recht hat er :)
(auch wenn ich ihn gerne singen und spielen höre)
für die Gruppe Crazy Tuesday - Thema am 29. Januar 2019: Bokeh
My son (almost 6yo) found this particular daisy. I took this picture (with my beloved Diaplan), but he liked much more this other one (that is more detailed)
www.flickr.com/photos/186443112@N07/50737026643/in/feed-1...
In any case, I hope that you will like the result.
Stay safe and have a nice evening, dear friends! 🙋♂️
Edar 100mm f2.8 vintage projector lens. This lens does crazy flare! But takes more time to compose to get the right amount of light.
Press 'L' to go large.
– Joseph Addison
you see the fence and colourful exterior lighting of a beer garden belonging to a notorious student pub in my town ...
I often cycle past there after work - one evening in February with my camera in my bag :))
This was my submission for 52Frames - week 7: intenional color palette
I wanted to create colourful, joyful bubbly bokeh ... to show the rather cheerfulness of this quite nice place :)
It seems that they were guided a bit by complementary colours when hanging up the light bulbs ... or I just was lucky
Happy Weekend to you all ... and HFF !!
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Das ist der Zaun und die farbenfrohe Außenbeleuchtung des Biergartens einer berühmt-berüchtigten Studentenkneipe in meiner Stadt ...
Ich fahre dort oft nach der Arbeit mit meinem Fahrrad vorbei - und eines Abends im Februar mit der Kamera in der Tasche :)
Dies war mein Beitrag für 52Frames - Woche 7: Bewusste Farbgestaltung
Ich wollte ein farbenfrohes Bokeh schaffen ... um etwas von der Frölichkeit dieses Ortes wiederzugeben :)
Es scheint, dass sie beim Aufhängen der Glühbirnen ein wenig von Komplementärfarben geleitet wurden ... oder ich hatte einfach nur Glück
Ein schönes Wochende euch allen !
backlit reed grass (Silvergrass) on a (very) windy day
Taken with the manual vintage lense Nikkor 50mm f/1.8 - wide open. This lens is a bit of a diva with a sometimes very erratic bokeh like here ... don't know yet whether I like it, lol ;))
Post Processing:
A mix of Topaz 'City Flare' (mainly) and 'Heavy Metal' (at about 10% opacity) - partially undone via a layer mask.
Further processing with Affinity Photo.
Happy Sliders Sunday :))
MOG Trioplan 100mm is one of those lenses that abundantly and easily produce bubbly bokeh. As almost all triplets. But even Trioplan could not produce bubbles out of thin air. Tiny points of light in the background are needed, and to make big bad bubbles they need to be far away from the subject. That is not an easy feat in the Montreal winter. Sun is scarce and there is almost nothing to be favourable background for Trioplan bokeh. A 1.1 meter MFD makes things harder.
Unless I put it on bellows or helicoid. I had excellent Topcon exacta bellows. Those screwdriver bits from camera reparation kit are a perfect source of light points and in the macro world far away from subject in background get completely different meaning.
I could get even closer but, then, the bubbly bokeh is all but lost. It becomes monotone and smooth. And, in terms of sharpness, Trioplan is far from a good macro performer.
Seen in Munich, SIEMENS Headquarters Courtyard.
Shot with Sony A7 Mii and the Meyer-Optik-Görlitz Trioplan 2.8/100 neo at F=2.8.
After a six-year project period, including three years of construction work, the new Siemens headquarters building in Munich opened its doors on June 24, 2016. With about 45,000 square meters of aboveground floor space, the company has created a modern, inspiring work environment for about 1,200 employees. Environmental friendliness and energy efficiency play a key role here: the new building meets the world's highest sustainability standards. In 2010, Siemens and the city of Munich officially announced the launch of this innovative construction project and organized an architectural competition. The winning design, which was developed by the Danish architectural firm Henning Larsen Architects, skillfully combined tradition with the future. The historic Ludwig Ferdinand Palais and its adjacent building were renovated and seamlessly integrated into the new cutting-edge headquarters. Ever since the building opened in the summer of 2016, its ground floor and inner courtyards – with trees, a café, a restaurant and a water feature – have been publicly accessible. The new Siemens passageway creates a pedestrian corridor enabling Munich residents and visitors to stroll between the Bavarian capital's historic center and its museum district. The project was implemented by Siemens Real Estate, which is a leading corporate real estate company and is responsible for all of Siemens' real estate activities.
Source: SIEMENS AG
Taken with a mirror lens Makinon 300mm f/5.6, Fujifilm X-E1, Viltrox focal reducer. JPG edited with Snapseed
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