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Sometimes I feel that this amazing country is in really two different ones…. divided “BROKEN” I half by politics and extreme point of views. I know someday this will be fixed.
Macro Monday project – 06/06/11
"Broken/old but still loved"
Standing all alone, broken by time. Will I ever leave a better mark?
Fourth Prize at the Gratz Fair Photo Exhibition.
Second roll with my first Oktomat to find out, if it really is broken. Well, so much for that. I had it exchanged for a new one. Lomography Oktomat, Lomography X-Pro 200, cross-processed
Originally shared by +Phil Buckley
This bridge at Shuttington in North Warwickshire was originally known as Black Bridge when built in the 17th century, but within 20 years it needed repairs, and became known as Broken Bridge. The roadway it carries is only wide enough for single vehicles,...
Milan Knizak
Book + Broken Flexi :
Broken Music
Various Artists
Ursula Block & Michael Glasmeier
Primary Information
2017
Broken Music is an essential compendium for records created by visual artists. The publication was edited by Ursula Block and Michael Glasmeier and originally published in 1989 by DAAD Galerie Berlin. Broken Music focuses on recordings, record - objects, artwork for records, and record installations made by thousands of artists between WWII and 1989.
Works chosen for the publication revolved around four criteria
1 . Record covers created as original work by visual artists.
2 . Record or sound-producing objects (multiples / editions / sculptures).
3 . Books and publications that contain a record or recorded-media object.
4 . Records or recorded media that have sound by visual artists.
Includes essays by both editors as well as Theodor W. Adorno, René Block, Jean Dubuffet, Milan Knizak, László Moholy-Nagy, Christiane Seiffert, and Hans Rudolf Zeller, as well as a flexi disc of the Arditti Quartet performing Milan Knizak’s 'Broken Music'. The centerpiece of the publication is a nearly 200-page bibliography of artists’ records.
Artists documented in the volume include Vito Acconci, albrecht/d., Laurie Anderson, Guillaume Apollinaire, Karel Appel, Arman, Hans Arp, Antonin Artaud, John Baldessari, Hugo Ball, Claus van Bebber, John Bender, Harry Bertoia, Jean-Pierre Bertrand, Joseph Beuys, Mel Bochner, Claus Böhmler, Christian Boltanski, KP Brehmer, William Burroughs, John Cage, Henri Chopin, Henning Christiansen, Jean Cocteau, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Marcel Duchamp, Max Ernst, Lawrence Ferlinghetti, Fischli and Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Peter Gordon, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Holger Hiller, Richard Huelsenbeck, Isidore Isou, Marcel Janco, Servie Janssen, Jasper Johns, Joe Jones, Thomas Kapielski, Allan Kaprow, Martin Kippenberger, Per Kirkeby, Cheri Knight, Milan Knizak, Richard Kriesche, Christina Kubisch, Laibach, John Lennon, Sol Lewitt, Roy Lichtenstein, Annea Lockwood, Paul McCarthy, Meredith Monk, Josef Felix Müller, Piotr Nathan, Hermann Nitsch, Albert Oehlen, Frank O’Hara, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Charlemagne Palestine, A.R. Penck, Tom Phillips, Robert Rauschenberg, The Red Crayola, Ursula Reuter Christiansen, Gerhard Richter, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Robert Rutman, Sarkis, Thomas Schmit, Conrad Schnitzler, Kurt Schwitters, Selten Gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Keith Sonnier, Strafe für Rebellion, Jean Tinguely, Moniek Toebosch, Tristan Tzara, Ben Vautier, Yoshi Wada, Emmett Walsh, Andy Warhol, William Wegman, and Lawrence Weiner.
'In 1963-64 I used to play records both too slowly and too fast and thus changed the quality of the music, thereby, creating new compositions. In 1965 I started to destroy records: scratch them, punch holes in them, break them. By playing them over and over again (which destroyed the needle and often the record player too) an entirely new music was created - unexpected, nerve-racking and aggressive. Compositions lasting one second or almost infinitely long (as when the needle got stuck in a deep groove and played the same phrase over and over). I developed this system further. I began sticking tape on top of records, painting over them, burning them, cutting them up and gluing different parts of records back together, etc. to achieve the widest possible variety of sounds. A glued joint created a rhythmic element separating contrasting melodic phrases... Since music that results from playing ruined gramophone records cannot be transcribed to notes or to another language (or if so, only with great difficulty), the records themselves may be considered as notations at the same time.'
Milan Knizak
Use Hearing Protection
GMA
Ross, Manette and I hiked through a parking lot, under a bridge, over a bridge across a long stretch of beach, then up several switchbacks just in time to get a view of the sunset at Broken Hill. Now to get back...in the dark.
Sorry everyone, I was not often here these last days, but I was very busy..
Fujifilm Finepix HS10 + Raynox DCR250
Brighton
HorizonT Russian swing-lens panoramic camera and 1991 expired Ilford FP4, exposed @ 50 iso and stand developed in Rodinal 1+100 for 1 hour.
Broken bottles at the WinCo store recycling, I thought it would make for a nice abstract photo opportunity.
DSC 2381's broken body lies at Linwood in Christchurch, NZ. Dec 2004.
After the success of 18 similar locos imported from British Thomson-Houston, a further 52 were built by NZR's workshops using parts supplied by BTH and its subcontractors. Including this one completed at Hillside in Sept 1963 as DSC 434.
The 18 Rolls Royce powered BTH locos with BTH electrics and carbodies of dubious quality from Clatyons were withdrawn in 1989. Most of the NZ constructed batch, with AEI electrical gear and Leyland (now Cummins) engines survived to have the shunters refuges and steps added at the ends and the hoods shortened in the 1990s. Something that in my opinion ruined their original cute appearance. Not that that is evident from this picture...
Around half of the 70 DSCs built remain in service in 2015 as KiwiRail's medium duty shunters or owned private industry/preservation.
DSC 2067, of the original BTH batch, was sold into industry and is currently in Pukeuri - the only DSC surviving with its original ends and headstocks.
I saw a grouping of old dilapidated outbuildings and a house along the side of a country road and decided to stop and investigate the property...
Sorry I've been MIA for a while, I've been shooting but away from Flickr. Looking forward to catching up with everyone's newest work! Thanks for stopping by!
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