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This is Broken playing the Snooty Fox in Wakefield on the 22nd October 2014
Check out their new video (produced by me) here > youtu.be/VsnypGhKnug
You can't play on broken strings/ You can 't feel anything that your heart don't want to feel/ I cant tell you something that aint real/.../ How can I give any more? When I love you a little less than before
A broken heart is when you're disappointed with someone, but forget when the time makes you much more to remember
the city concrete guy accidentally broke our watermain. Good news: free new coppre water main. Bad news: apparently still broken after new pipe installed.
Roving/moving multimedia projection
In 2006-2007 I made my first attempts at working with projectors that did not just stay in one location. I mounted a projector onto a pickup truck and drove around Manhattan, projecting images onto buildings while a friend manned the wheel. Even in New York, where people see so much everyday, I was surprised to see how sensitive and nervous people become when projections left the stationary realm of the theater and entered the interactive realm of social reality. When I projected the image of a Taiwanese flag onto the UN building, the authorities grew scared, and the FBI and UN security arrested me. But even at non-governmental places like the Empire State Building, Rockefeller Center, and Times Square, I saw how mobile projections had the power to deeply move people.
Why should this be so? The answer relates to the context of projected imagery as much as to the content projected. Usually, projectors are very hard to move around, so projections remain in one sharply delineated location. When video imagery leaves this safe area, however, and when it takes on an added, interactive dimension, people are uncertain how to react. As my experiences have shown, people do tend to react more strongly to roving projections than they otherwise would had they seen the same thing in a more traditional setting. Limiting video images to the darkness of a theater, however, seriously hampers the effectiveness of video as a tool toward making strong statements about the world and human society. A stationary projector is only a machine adjusted to display to a series of moving images. But a mobile projector is more than a machine; it allows the presence of the artist to become significant in a way that stationary projections cannot allow for.
For my interactive project “Coughing Earth” (2010), I mount a projector onto a wheelchair and project images of underwater environments. In this way, I demonstrate what the world would look like if it were underwater—which is what it will be if we continue to abuse the natural earth. The interactive quality made possible by the mobility of the projector expresses my concept more clearly and forcefully than documentary footage alone could do. Similarly, I use hand-held micro-projectors for my interactive performance “Broken Mind”. In this way, I am able to freely project images wherever I like; in the case of “Broken Mind,” creating an environment that swarms with the literal promises of television ads and political leaders.
Broken Social Scene - Sound Academy - Nov 28th, 2008
It would have to be a pretty special band to get me to go to the Sound Academy for an all ages show (*shuddder) but what can I say, Broken Social Scene are just that special to me. And they did not disappoint. They closed the show with 'Pacific Theme' which put me in my happy place!
i LOVE blue bottle coffee from san francisco. have missed having it since i used to live and more recently, work, in the city. a friend told me there was a spot in san jose that made all the same coffee drinks like blue bottle. she told me a few months ago, but i couldn't remember the name. i remembered, broken door espresso , and today, i went. go there. it rocks. a lot.
this picture is not what i had hoped for. i had just gotten my camera out, and snapped a couple of shots from the hip so to speak. i guess i was fairly lucky anything turned out...
this is day 208 of a year in pictures, 2008
The camp host at Calf Creek told us about Broken Bow arch. The drive out there is an ordeal. High clearance vehicle needed for sure. About an hour of constant wash-board. The hike is three miles to the arch, following cairns and the creek bed. Pictures of the arch just don't do it any justice at all. You are following the trail, turn a corner and this massive arch suddenly appears out of nowhere. In the pictures, you can't tell the size except in a few you can see a tiny person (either myself or my husband) underneath. As the creek cuts under the arch, there is a washout created where you can camp under the overhang on the shores of the creek. We were the third and fourth people there the entire week. The trail was so clean. The only signs of humans were cairns and foot prints. Save water for the hike out. The last little bit (and the first, but you're fresh then) has no shade and the last few yards, you have to scramble up loose sand to the trail head.
A broken glass in yellow and orange.
Enjoy photography!
Andreas
Photo in this post:”Broken Glass” – Germany, Munich, 2009
Bruised but not broken, this tree will survive the beating it took after last years tornado. It stands alone...
The mighty Broken Teeth From Austin, Texas. Fantastic awesome band. Check them out at www.myspace.com/brokenteeth
On a listed building.
This is the daft thing about listed buildings, you can't change any feature but you cann allow them to fall into this kind of disrepair.
Canadian indie supergroup Broken Social Scene headlined the Royal Athletic Park mainstage on September 23rd, 2011 for the Rifflandia Music Festival. It was one of their last performances before going on an indefinite hiatus.
This one-handed broken Elgin Pocketwatch makes you wonder about days-gone-by...
Taken for Macro Monday's theme "broken".
HMM
Broken, unrestored stretches of the Great Wall of China seen over the fields of Shanxi province in northern China.
If you're wondering why I use Avril Lavigne lyrics a lot in my titles/descriptions the reason is this: A while back I was OBSESSED with her music. I was young (6th grade) and didn't realize how, well, bad she was. Though her lyrics mean a lot and have stuck with me. They mean a lot to me and remind me of the past so I use them a lot. I DO NOT LISTEN TO AVRIL LAVIGNE ANYMORE.
Thank you.
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