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The first job was to oil all the bearings for the roller drawers, so they would open and close easily.
DIY Origami Star Box. Not hard to do, but its so cute.
Check details and video ---> wonderfuldiy.com/wonderful-diy-origami-star-box/
I took this photo at sunset at Box Hill southern England. For some reason I think of the Shire (Lord of the Rings) when I see this photo.
It was an easy quiz (posted below)! The proof? The percentage of winners to the total of "voters" approaches 61%. On the previous quiz (the green bottles) the percentage was just 15%. Thus...
- Au sujet de boites au quiz...
C' était un quiz (posté en-dessous) facile! La preuve? Le pourcentage des gagnants au total des "votants" est presque 61%. Au précédent quiz (les bouteilles vertes) le pourcentage était juste 15%. Donc...
This is a closeup of a recent Incense Burner and Storage Box I made.
The box itself is hollowed out from a small block of leftover walnut, while the lid is worked from an interesting piece of wavy-looking maple I had re-discovered in my workshop.
The trough you see here running up the middle of the lid is for any ashes that may drop off the incense stick while it's fuming away. (Check out other recent photos of mine to see how the incense stick is set up on the box.)
The curved stripes in the sliding lid of the box are very thinly cut strips of walnut and maple.
This box, and another very nearly just like it, is available for purchase in my online shop (smilemoon.etsy.com). Thank you so much for looking!
Actually, I made a large mistake!
I wanted to put this inner fabric on the purple box! I noticed it after I finished this box...
A post box on the side of the 'Rabbit Run' road from Telford to Wombourne in Shropshire (and Staffordshire respectively) UK. Locals will know it, others probably have their own 'Rabbit Runs'........anyway, I digress. I nearly got run over twice by passing cars when trying to get the right angle for the shot from a precarious footing on the roadside verge.
We had most of our presents shipped directly to my parents' house, so we had a ton of wrapping to do once we got there.
My daughter, like so many girls, always has enjoyed "My Little Ponies." Last year, I purchased a vintage case from the mid-1980s that came with several ponies, including Starshine and a baby unicorn.
The case dates to 1985.
Both boxes of the Twilight Saga Breaking Dawn part I have the same description except the actual one line dialogue of both characters from the movie. The picture though is romantically priceless !!!;-D!!!
How do creative professionals who are paid to think outside the box express themselves? At Corey McPherson Nash, we do it inside the box—a shallow, glass-topped, wooden box, to be exact.
14 years ago we resuscitated the quaint craft of shadow-box making and turned it into a company ritual. The rules are simple: Don't go outside the box, and don't put anything living inside the box. But the object is ambitious: to provide a hands-on tutorial in Corey McPherson Nash's organizational culture. "Our basic operating principle is to define broad goals, supply a little structure, and then give people the freedom to do creative work."
With the shadow boxes, that principle has produced wildly diverse visions. Among the completed boxes: a vivid frightscape, complete with a crank for animating dancing-devil cutouts; a meditation on "what it could have been," featuring a loose marble and a list of design possibilities; and Tom Corey's own taxonomy of "bad seeds."
My husband bought a great big rolling tool box for the shop a couple of weeks ago. It is very pretty. I have stolen it for my kitchen because it is too wonderful for the nasty auto shop and needs to be where it can be appreciated.
How do creative professionals who are paid to think outside the box express themselves? At Corey McPherson Nash, we do it inside the box—a shallow, glass-topped, wooden box, to be exact.
14 years ago we resuscitated the quaint craft of shadow-box making and turned it into a company ritual. The rules are simple: Don't go outside the box, and don't put anything living inside the box. But the object is ambitious: to provide a hands-on tutorial in Corey McPherson Nash's organizational culture. "Our basic operating principle is to define broad goals, supply a little structure, and then give people the freedom to do creative work."
With the shadow boxes, that principle has produced wildly diverse visions. Among the completed boxes: a vivid frightscape, complete with a crank for animating dancing-devil cutouts; a meditation on "what it could have been," featuring a loose marble and a list of design possibilities; and Tom Corey's own taxonomy of "bad seeds."
...in the education library. The fact that they look like museum pieces doesn't make me feel remotely old. **cough**
I am extremely excited about Coraline. I really really really wanted to receive an Other Mother box in the mail, but I didn't. So, I had to make my own. I'll be posting an Instructable on it soon.
How do creative professionals who are paid to think outside the box express themselves? At Corey McPherson Nash, we do it inside the box—a shallow, glass-topped, wooden box, to be exact.
14 years ago we resuscitated the quaint craft of shadow-box making and turned it into a company ritual. The rules are simple: Don't go outside the box, and don't put anything living inside the box. But the object is ambitious: to provide a hands-on tutorial in Corey McPherson Nash's organizational culture. "Our basic operating principle is to define broad goals, supply a little structure, and then give people the freedom to do creative work."
With the shadow boxes, that principle has produced wildly diverse visions. Among the completed boxes: a vivid frightscape, complete with a crank for animating dancing-devil cutouts; a meditation on "what it could have been," featuring a loose marble and a list of design possibilities; and Tom Corey's own taxonomy of "bad seeds."
Toto, I've a feeling we're not in Kansas anymore!
One of the many signs that I'm back in the UK; and every time I see one of these, I'm reminded of a poem I learned as a child -
The pillar box is fat and red
It's mouth is very wide.
It wears a tammy on its head.
It must be dark inside!
And really it's the greatest fun
When mummy lets me stop
And post the letters one by one.
I love to hear them drop!
(All this, and I can't remember where I leave me keys!)
Thanks to Kim Klassen for the texture!
Romsey Signal Box and its Lego twin (in 1970s colours), at the end of the successful Heritage Open Day, 2016. The Lego Romsey Signal Box layout is on display at the Romsey Signal Box working museum twice a year. Romsey and Halterworth is my own layout, but I also belong to the Friends of Romsey Signal Box Museum. See www.romseysignalbox.org.uk/ for more details.
Die Agfa Synchro Box (1951-1957) war die letzte „echte“ Box im Agfa Programm. Die Clack war zwar ähnlich einfach ausgestattet, hatte aber nicht mehr die „Kasten“-Form.
Das bemerkenswerteste war – wie schon der Name sagt – der Blitzanschluss. Allerdings konnte nur das spezielle Agfa-Blitzgerät verwendet werden. Das wurde dann doch nicht so oft dazu gekauft, weil es in der Anschaffung und im Unterhalt (Batterie und Blitzbirnen) recht teuer war und damit eigentlich dem „Box“-Konzept widersprach.
Die Kamera hatte 2 Brillantsucher, 2 Stativgewinde (Hoch- und Querformat!) und einen Drahtauslöseranschluss. Man konnte durch einen Schieber eine kleinere Blende einstellen oder ein Gelbfilter vorschalten. Der Verschluss hatte wie immer Moment- und Zeiteinstellung.
Die Agfa Box war mein erster Fotoapparat, gewonnen als Hauptgewinn(!) auf einer Tombola.