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Photography class - assignment 7 - Portraits
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OCA: photograph submitted for the OCA Introduction to Digital Photography assignment 1: Contrasts.
Contrasting pairs of images
Taken for the Assignment 52 challenge- "Using lines for composition".
Once I started looking for lines, I couldn't stop! I posted several to my stream.
Here is my first assignment for the Christmas theme in Laure Ferlita's course. There are five assignments in ten days and today she gave assignment #4-slightly behind. She is an excellent teacher and I am learning much from her classes. I have been taking classes from her since July. Through my experience with her, I have seen my drawing skills improve tremendously.
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Assignment 52 -- Assignment 52 -- Bokeh, & how to use it as an element in composition, with out of focus background appearing where & how we want, supporting the main subject without overpowering it.
With thanks to Ann for advice on cropping. I did change the cropping, though not as extensively as she suggested. When I replaced the photo with the new version, the note remained & I don't know how to get rid of it. It's not quite as she intended it because I tilted the image as part of the cropping. Will be interested in her response, if this seems less overpowering. I do so like light bokeh, but maybe am overly enamored---
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Dear Mrs. Cameron,
I am writing in a brighter yet still dark future. There has been progress with feminism giving women a voice they did and a place that was rarely shown in your time, but even then, the struggle continues. However, your photographic portraits are iconic and have made an enduring stamp into the history of photography. Your images, once critiqued for their unconventional techniques, are revered for their emotional depth and artistic vision.
When it comes to your portraits, I love your soft focus and close framing, which helps to reveal the inner spirit of your subjects. Undoubtedly, your work was separate from the rest at that time, and I love how you weren't going to bend your creativity to care for others. Your vision was also exceptional, understanding that you wouldn't simply stick with it if you didn't get it right the first time. Overall, it is clear that in your portraits, you criticized emotional expression over technical precision, which is why your work is still so relevant today.
From my perspective, when you photograph another person, you capture an intimate snapshot of them in that moment. Not just their appearance gets captured but also their mood, essence, history, and, most importantly, vulnerability. When talented photographers like yourself conduct portraits, such as when you capture the sadness behind the eyes, you are able to successfully capture their soul. However, it is essential to recognize that the soul is dynamic, so it will never be possible to capture it throughout the transcendence of time, but good photographers can be better than a mirror.
--Jonathan Flores
I have this weird feeling that a lot of teens feel this way.
This is my photo for the assignment on DPS.
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Assignment 52 -- Selective focus
Please excuse my lack of commenting while I'm on the road. Hope to catch up later.
I am taking a photography class and I'm going to post the pictures I turn in for assignments. The first assignment was about going through the different aperture settings on stationary objects and moving objects.
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