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Recently I am working on an assignment named "Road Awareness Program ".. this photo is part of the assignment. Hope u all like it. :)
Assignment52-142014: Letters and Numbers: the obvious.
Inspired by: www.youtube.com/watch?v=HXO4KiO78nY
Taken for the Weekend Assignment and Challenge Group
Focused on her nose instead of her eyes and the image is a little underexposed.
Assignment 52 -- October Colors
The leaves around here have been very slow to turn this fall, & all the leaves in my own trees are still green. I found quite a lot of color at the Arboretum, though. So much that I had a hard time choosing for the assignment. Here's the link to others:
Just a quick update on my workspace.
The only difference would be the addition of the new speakers. Decided to go with the Harman Kardon Soundstick III. Got it for about 3weeks now. No regrets. :)
Weekend's coming! Have a great one my Flickr friends.
p/s: Not photographed: 15" MacBook Pro with Ironman decals. (Yes, couldn't be happier wit hthe decal) Check out my photostream for a photo of it. Cheers!
Photo taken with iPhone 5's pano mode.
Assignment: Murder, by Donald Hamilton
Dell First Edition A123, 1956
Cover art by Victor Kalin
Later printings by Gold Medal were retitled Assassins Have Starry Eyes
Assignment Nuclear Nude, by Edward S. Aarons
Fawcett Gold Medal R2000, 1968 PBO
Cover art by Robert McGinnis
Cover art was not credited anywhere in this book; confirmed as McGinnis in The Paperback Covers of Robert McGinnis by Art Scott & Dr. Wallace Maynard.
#27 in the Sam Durell "Assignment" series
Title: Assignment To Disaster.
Author: Edward S. Aarons.
Publisher: Gold Medal Books.
Date: 1955.
Artist:
Mission Statement: 0978:- Our most recent assignment brought us to the planet of Talus. -Log on Talus- Master, for we have no other name for him, claimed that our next target was to be found in the south-western hemepshere of the planet. -Coordinates 06:45:13- When we arrived it was to no suprise that are target was located in some old ruins. Through an extensive and wasteful search, we could not find our target. Through interrogation of the locals, as protocol, we learned it's location. 451 infiltrated the hide out of the tomb raiders who obtained it. All were disposed of and the target was taken.
-Result-
-Relic Obtained
-Witness' Terminated
-Outpost Destroyed
Lydie's assignment 29. Movie poster. Rather plain, not as cool as I pictured it. May redo the whole thing with a new concept if I find the time. Then again, I always say that.
And yes. Again, just some simple simple frankensteining, then the mask and some shading. I'm a horrible slacker...
Assignment 52: Create a mood with color
Po, sitting under a tree on the training grounds
(I'm out of town with intermittent internet access & quirky website blocks, & will try to catch up with commenting when I can----)
For this photo, I had Cassidy sit on a stool and then I used photoshop to make it look like she is levitating, without the stool.
-Mission Statement: 0978:- Our most recent assignment brought us to the planet of Talus. -Log on Talus-
Master, for we have no other name for him, claimed that our next target was to be found in the south-western hemepshere of the planet. -Coordinates 06:45:13-
When we arrived it was to no suprise that are target was located in some old ruins. Through an extensive and wasteful search, we could not find our target. Through interrogation of the locals, as protocol, we learned it's location. 451 infiltrated the hide out of the tomb raiders who obtained it. All were disposed of and the target was taken.
-Result-
-Relic Obtained
-Witness' Terminated
-Outpost Destroyed
Gallery Coming soon...
"into the light"
baby girl Lyra, 10 mos old
Depth of Field/Focus Assignment
I'm playing catch up on flickr tonight so I hope this works for the dof assignment for Studio 26, it's been a crazy 2 weeks and I sincerely apologize for not participating in the discussions this assignment.
Æ’/2.8 145.0mm 1/125 ISO 400
This is by far the hardest I have ever EVER worked for a photo.
The assignment was "water" and the teacher wanted us to think about a concept, plan out a picture and make it happen. Exactly opposite of everything I usually do!! I looked on line for ideas and saw the instructions for a shot like this. Knew it would be a challenge but had no clue how many little snags would come along with the challenge.
I taped the glass onto a tripod at an angle. Set up the camera on another tripod and started out with a small amount of water and blue food coloring. Started out shooting toward the sky but realized I had trees and houses reflecting in the water. Relocated to another spot on the deck facing another direction and tried again. This time roof lines showed up so I moved again and hung a quilt (all white) from the eaves behind the glass. Quilt was too close to the glass and my DOF was too deep so stitching showed up in background of the photo. Back in the house to gather up a big sheet of white paper and pin to the quilt. Great except the paper had been rolled up so it had a little bend to it and the light reflected changed part way down the photo. In the mean time, I had run out of blue food coloring so switched to orange and had gone from pouring half a cup at a time to an entire pitcher full as I held the shutter down. A hundred shots later - some with no water in the photo, some with the pitcher appearing in the top of the photo - I had a few to pick from. Cleaned up the mess, put everything away and then worked on processing for a couple of hours. Even sent off some choices to a couple of friends.
Turned in this one.
Did not make it to "Hall of Fame" - most favored photo of the week in my class.
Guess I should have just drank the water!
For the final assignment for my film photography class.
Concept:
This is the antithesis of the Ansel Adams type, quintessential landscape photo.
Instead of being perfect and crisp and accurate... instead of using extremely precise exposure with well-defined accuracy using the zone system and other techniques... this photo is everything that those things are not.
This photograph was shot on 35mm in a 120N Holga. However, while that type of photography yields imperfections and "happy accidents", there is still an amount of precision and technique that goes into shooting this way. Because, of course, while you're playing a sort of guessing game, you certainly can't just go into it blindly - it won't work that way. You have to make extremely educated decisions on exposure, perhaps moreso than you do with the zone system and such techniques, because you are, in essence, shooting in the dark.
This is something that I have been working on a lot during the past month or so - and I feel it is developing into somewhat of a personal language. This lo-fi, imperfect, accidental experimentation with photography is wonderful - I have fallen very much in love with it. I gave up my other idea - to revisit the self-portrait - for this. Alternative landscape, at its best. :o)
Process (thought I would add this in case anyone was curious):
35mm Kodak 125PX black and white film in a 120N Holga. It's really easy, and doesn't really require any extra manipulation to the Holga.... you just have to tape up the window really well, using a few pieces of cardboard and loads of tape. Tape alone will not work - you'll get light leaks.
You should wind about 28-30 clicks between frames - you can do less or more depending. It will yield you about 16 shots. Once you're done with the roll, you have to leave it in the Holga and take it out in a darkroom. In the darkroom, you can unwind it from the spool that was in the Holga and wind it back into the cannister, and then process it yourself, or take it somewhere.
To print this, you need a glass plate in the enlarger, in place of a negative carrier. Using a negative carrier won't show the sprocket holes. When you print it, it will always be just a little shorter than your paper, if you print for the entire length.
For these images, I printed on glossy fiber paper, and then sepia toned them. You need bleach and sepia toner to do this. This also brings out the numbers, I found. In black and white, it was somewhat difficult to see the numbers.
Assignment 52 - Silhouettes
I'm fortunate to be in Georgia this week for this assignment, with fabulous light & horizons for silhouette shots. Since this is a trip to visit Po's son, Hibou, at the field trial pro's where he's in training, I'm indulging in a bunch of dog silhouettes. Here's yet another:
Active Assignment Weekly: April 15-22, 2024, Simplicity. To me, simplicity means no distractions. I decided to use two of the many different techniques available to achieve this - fill the frame ("After the Rain") and negative space ("Beach Time"). Both photos were taken at Point Pelee National Park, Ontario. You'll be seeing a lot of pictures from this park, as I am here for two months (it is a bird migration hotspot).