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Swarali Photo Assignment (November, 2015)
Title:
People:
Place:Redmond
Date:2015:11:14 17:40:47
File:DSC_7036.jpg
This is a pano from 5 vertical shots. We dont get much cool weather here in SoCal, so I was happy to see these clouds, which were actually a different shot from later in the day.
Strobist: bare 550ex about 6 feet from subject on camera right, and another on camera left.
I took out a tree in the background, but you can still see the reflection...
I've now moved on from DPS assignments(more's the pity) You can follow my blog as I explore New Zealand here-
Believe me, this was way harder to achieve than it looks. I had to do two trips to the beach as I just could not get the angles right on the first day. The angles of the vertical lines changed depending on how far the camera was from the box, what the POV angle was and how wide I had my lens, and not being able to clearly see my screen on my camera didn't help either. I had to enlist Mr FKG to help me draw it today, it took over an hour to get it right(and it could have still done with some tweaking) but we were running out of light.
"Best of the Year 2012"- Sand Box
This was orignally submitted for the Forced Perspective assignment. I chose this shot for my "Best of Year" mainly because of the planning and the time & effort that went into creating it which included two visits to the beach (as I just couldn't get the angles right the first time). While it might look simple enough it was a tough challenge to draw, I had to draw around 10 large "boxes" before I finally got the right perspective.
A pretty complicated setup for a relatively plain shot. This week's submission for the next 102 assignment, the concept being 'going green'. Seeing as we are going through a phase of 'grow your own' at home, I thought that a shot symbolising this would be in order. However, I didn't bank on the unfeasibly good weather that we have for the last two days. This is great for the suntan and the bbq skills, but less so for the strobist fun, as it's far too bright to take any outdoor shots during the day.
By the time the evening comes bringing more appealing light, I've generally had a glass or two of vino (especially as there was a certain sports game this afternoon that shall not be mentioned); and I can't get my head around the finer points of subtle lighting after booze.
Strobist: SB28 in snoot rear and camera right, providing the hard directional light on the right hand side of the 'hill'. A silver 'tin foil' reflector slightly above the camera angled down to provide the main fill on the shot. Two tricky bits:
i) I had to gobo the bare light with a) my laptop (makes a good flag) and b) a bit of gaffer tape stuck to my laptop, in order to prevent nuking the stem and leaf.
ii) it was tricky to get the reflected light to hit 'just' where I wanted it, so I stuck a torch (flashlight) on top of the strobe to get an idea of what the light was doing.
Practice Day #9: Still from my assignment in PPSOP Food Photography course. This time we're allowed to use props and to set up a simple still-life. And I'm choosing a birthday party set-up as a theme. This week-2 assignment emphasizes on working out different angles, lenses, DOFs. This one is using 50mm/f1.8 lens.
Assignment 52: Represent your own brand of holiday madness during this busy & festive season.
So here is Po, no more pleased to be posing with Christmas tree lights than she was the first time around, despite the caption I chose for the cards. Call it irony if you wish -- can't every holiday use some? Po actually is quite a joyful dog, & always well-rewarded for posing! (And I'm joyful that I managed to get cards printed this year! Now to start mailing---)
Assignment52-142014: Letters and Numbers: the obvious.
Inspired by: www.youtube.com/watch?v=HXO4KiO78nY
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Brecht Corbeel
Assignment 52 -- October Colors
The leaves around here have been very slow to turn this fall, & all the leaves in my own trees are still green. I found quite a lot of color at the Arboretum, though. So much that I had a hard time choosing for the assignment. Here's the link to others:
Assignment: Murder, by Donald Hamilton
Dell First Edition A123, 1956
Cover art by Victor Kalin
Later printings by Gold Medal were retitled Assassins Have Starry Eyes
As you can see, I have a lot to work on this weekend. All of my assignments are due on Monday, so time to get crackin'. Oh, and when I'm doing writing assignments for my class, I have to then grade final exams and assignemtns from my students.
One more week . . .
Strobist:
1 sb600 camera left and ovehread, 1/32 power, 1/2 CTO through speed grid
1 sb600 camera right, 1/32 power, 1/2 CTO through 12'' cardboard snoot.
Triggered with Cactus V4s.
Assignment Nuclear Nude, by Edward S. Aarons
Fawcett Gold Medal R2000, 1968 PBO
Cover art by Robert McGinnis
Cover art was not credited anywhere in this book; confirmed as McGinnis in The Paperback Covers of Robert McGinnis by Art Scott & Dr. Wallace Maynard.
#27 in the Sam Durell "Assignment" series
Active Assignment Weekly: Minimalism/K.I.S.S
This is my second and final photo submission for this assignment, but my fourth attempt at high speed water drop photography. I think this is my best so far! I think that the negative space and the singular subject qualifies it as "Minimalist".
What it took: WELL, the setup is a ziploc bag of water clipped onto my background stand, dripping down onto a piece of glass which is on top of a pan to catch the water. I have a blue piece of paper behind that, and my external flash is pointed toward the background paper. The flash is set on 1/64 power, and the camera is set at shutter speed 1/200 and f/13.
Active Assignment Weekly: April 15-22, 2024, Simplicity. To me, simplicity means no distractions. I decided to use two of the many different techniques available to achieve this - fill the frame ("After the Rain") and negative space ("Beach Time"). Both photos were taken at Point Pelee National Park, Ontario. You'll be seeing a lot of pictures from this park, as I am here for two months (it is a bird migration hotspot).
Swarali Photo Assignment (November, 2015)
Title:
People:
Place:Redmond
Date:2015:11:15 11:41:49
File:DSC_7071.jpg
Lydie's assignment 29. Movie poster. Rather plain, not as cool as I pictured it. May redo the whole thing with a new concept if I find the time. Then again, I always say that.
And yes. Again, just some simple simple frankensteining, then the mask and some shading. I'm a horrible slacker...
Assignment 52: Create a mood with color
Po, sitting under a tree on the training grounds
(I'm out of town with intermittent internet access & quirky website blocks, & will try to catch up with commenting when I can----)
Title: Assignment Helene.
Author: Edward S. Aarons.
Publisher: Gold Medal Books.
Date: 1963.
Artist: Barye Phillips.
Title: Assignment Lowlands.
Author: Edward S Aarons.
Publisher: Gold Medal Books.
Date: Undated.
Artist: Charles Binger.
"into the light"
baby girl Lyra, 10 mos old
Depth of Field/Focus Assignment
I'm playing catch up on flickr tonight so I hope this works for the dof assignment for Studio 26, it's been a crazy 2 weeks and I sincerely apologize for not participating in the discussions this assignment.
Æ’/2.8 145.0mm 1/125 ISO 400
-Mission Statement: 0978:- Our most recent assignment brought us to the planet of Talus. -Log on Talus-
Master, for we have no other name for him, claimed that our next target was to be found in the south-western hemepshere of the planet. -Coordinates 06:45:13-
When we arrived it was to no suprise that are target was located in some old ruins. Through an extensive and wasteful search, we could not find our target. Through interrogation of the locals, as protocol, we learned it's location. 451 infiltrated the hide out of the tomb raiders who obtained it. All were disposed of and the target was taken.
-Result-
-Relic Obtained
-Witness' Terminated
-Outpost Destroyed
Gallery Coming soon...
Assignment - Budapest, by Edward S. Aarons
Fawcett Gold Medal T2479, early '70s reprint
Cover art by Robert McGinnis
#5 in the Sam Durell "Assignment" series
For the final assignment for my film photography class.
Concept:
This is the antithesis of the Ansel Adams type, quintessential landscape photo.
Instead of being perfect and crisp and accurate... instead of using extremely precise exposure with well-defined accuracy using the zone system and other techniques... this photo is everything that those things are not.
This photograph was shot on 35mm in a 120N Holga. However, while that type of photography yields imperfections and "happy accidents", there is still an amount of precision and technique that goes into shooting this way. Because, of course, while you're playing a sort of guessing game, you certainly can't just go into it blindly - it won't work that way. You have to make extremely educated decisions on exposure, perhaps moreso than you do with the zone system and such techniques, because you are, in essence, shooting in the dark.
This is something that I have been working on a lot during the past month or so - and I feel it is developing into somewhat of a personal language. This lo-fi, imperfect, accidental experimentation with photography is wonderful - I have fallen very much in love with it. I gave up my other idea - to revisit the self-portrait - for this. Alternative landscape, at its best. :o)
Process (thought I would add this in case anyone was curious):
35mm Kodak 125PX black and white film in a 120N Holga. It's really easy, and doesn't really require any extra manipulation to the Holga.... you just have to tape up the window really well, using a few pieces of cardboard and loads of tape. Tape alone will not work - you'll get light leaks.
You should wind about 28-30 clicks between frames - you can do less or more depending. It will yield you about 16 shots. Once you're done with the roll, you have to leave it in the Holga and take it out in a darkroom. In the darkroom, you can unwind it from the spool that was in the Holga and wind it back into the cannister, and then process it yourself, or take it somewhere.
To print this, you need a glass plate in the enlarger, in place of a negative carrier. Using a negative carrier won't show the sprocket holes. When you print it, it will always be just a little shorter than your paper, if you print for the entire length.
For these images, I printed on glossy fiber paper, and then sepia toned them. You need bleach and sepia toner to do this. This also brings out the numbers, I found. In black and white, it was somewhat difficult to see the numbers.