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Place du Panthéon | Rue Soufflot 06/06/2014 17h44
A quite remarkable art object on the corner of the Place du Panthéon and Rue Soufflot.
Shenb HongBiao
Mongolian (standing position) 2009
Stainless steel | AcierInoxydable
At the background: Panthéon with the art project of JR
Photo of my award winning ceramic sculpture Permutation 030 @ exhibition Kunst trifft Technik from 8.Sep.2019 - 23.Feb.2020 @Keramion Frechen. Artist: monochromeandminimal - project:pietern. Size of the sculpture: 18x18x2cm. Material: ceramic. 3D Printed by WZR ceramic solutions Gmbh
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HASSELBLAD 500C/M
Carl Zeiss Planar 80mm f2.8 T*
EPSON GT-X970
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HASSELBLAD 500C/M
Carl Zeiss Planar 80mm f2.8 non T*
EPSON GT-X970
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Kodak Ektachrome E100VS
Apple Aperture 3.4.4
Adobe Photoshop CS6
potopoto53age
"Chom Chom", Long Thanh, Vietnam. "Chom Chom" is called as "rambutan" in English. This kind of Southeast Asia's fruit is favorite, sweet, tasty and very inexpensive in Vietnam.
. . . Hug a Teddy. This is the inscription on the button on the brown teddy bear. These two sit on my bed and are my favourites. They look like they are ready for Christmad too. There is a story behind these two teddy bears also and that's the reason they always sit on my bed.
#AHundredYearOldKinnalaDoll
The wooden idols of Kinnala have been accorded a Geographical Indication (GI tag number 159). A GI is a sign used on products that have a specific geographical origin and possess qualities or a reputation that are due to that origin. Today, there are only 25 families in Kinhal village practicing the art of Kinnala.
Kinnala idols are known for their vibrant colours and glossy finish. They usually depict gods, mythological characters or animals. Each Kinnala idol is entirely handmade, and the process is very laborious. The wood used to create the idols is from a tree called ‘Ponki Marra’, which grows in and around Kinhal village. This wood is soft and light weight, making it easy to sculpt.
Source: artisera.com
So I am having dinner with an oil executive and he says "...now, I hold Mike responsible...". he was referring to all of the addled phone users who are missing out on the life that is so evidently taking place, right in front of them.
And he wasn't just referring to human behavior in restaurant environments that we see so commonly. Nor did he mean the 'time wasting' which can be understandable in: subways, airports, and train stations. In this particular case, he was plainly disappointed in (all of the) people who seem so unaware of the physical world. Like these museum visitors in the midst of the terra-cotta warriors - the quarter-scale ones - that are a wonder of the world.
Talk about putting the ethical shoe on the other foot. Maybe I should try having dinner with someone from Goldman Sachs soon.
Graffiti and others pieces of street-art at the Punta de las Organos near San Andres
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This vase was formed and then decorated with Fimo polymer clay.
The dimensions are approximately 24x18 x 8 cm
My friend, Don Davenport had a few doll heads mounted on a wall in his workshop, and when I asked, he explained that each of them had done duty as a hood ornament on his car. I took a few Photogshop liberties with this to emphasize the demonic qualities that I perceived, although I'm not sure they were necessary. The other two doll heads that I recently posted on Flickr were not messed with like this one, but I couldn't help myself. It's like something came over me. Bwoo ha ha ha ha.......
Lighting info: Simple lighting, because I was traveling light. The main light was from a YN560 in a 24 inch soft box placed camera left at 9 o'clock and about 5 inches from the head. Fill light came from a large silver disc reflector. The flash, in manual mode, and my tripod mounted camera, were triggered by a Yongnuo RF-603N.
I'm calling this a still life and have placed it in my Still Life Album. www.flickr.com/photos/9422878@N08/sets/72157635247182331/
Tijdelijk houten kunstwerk van de van oorsprong Japanse kunstenares Sachi Miyachi op het Gerecht in Leiden. De acht boogramen van het Gravensteen komen terug in de hut van Miyachi. Het werk verwijst ook naar de geschiedenis van dit plein: hier werden vroeger doodstraffen voltrokken voor de ogen van de Leidenaars
This wooden hut in Leiden is a temporary object by the Japanese artist Sachi Miyachi, referring to Gravensteen building behind it (of which the eight arch windows were copied in wood), as well as to the history of this place: once death penalties were executed here in public
招き猫
Cat that brings money and happiness (*^_^*)
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Graffiti and others pieces of street-art at the Punta de las Organos near San Andres
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