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David is a masterpiece of Renaissance sculpture, created in marble between 1501 and 1504 by the Italian artist Michelangelo. David is a 5.17-metre marble statue of the Biblical figure David, a favoured subject in the art of Florence.
Source: Wikipedia
Dziko la Africa lakhala likudziwika kwa zaka zambiri ngati malo omwe anthu adachokera. Ndipo kupezedwa kwa tizidutswa ta munthu woyamba wa Homo Rudolfensis ku Malawi, kutsimikizika kwa matanthauzo a Chichewa kunaonekera bwino.
Popeza sindinagwire ntchito ndi zitsulo kwa nthawi yayitali, inakwana nthawi yoti ndikonzere pliers zanga zonse kuti ndiyambe kugwira ntchito kwachitsulo chozizira yanga yoyesera komanso yotsimikizika.
Ndipo inde, ndikuvomereza. Chiyambi chinali nthawi iyi monga kupatulapo, nthawi ino ndidakonza maziko a chithunzichi pogwiritsa ntchito pulogalamu yatsopano yosinthira zithunzi yomwe imapezeka pa mafoni okha.
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The African continent has been known for many years as the place where mankind originated. And with the discovery of the fragments of probably the very first early human Homo Rudolfensis in Malawi, the validity of the Chichewa interpretation was quickly clear.
As I haven't worked only with metal for a long time, it was time to get all my pliers ready to start my tried and proved cold metal working.
And yes, I admit it. This time, as an exception, the background was pre-processed with new image editing software for Smartphones.
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Despite the fact that the state of Kenya is better known in Europe than Malawi and that Homo Rudolfensis was first found in Kenya. I have decided in favor of the Chichewa of the Malawi validity. Unfortunately, due to time constraints, the next interpretation will already be included in the first South American validity.
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Der afrikanische Kontinent ist schon seit vielen Jahren bekannt als der Ort wo die Menschheit Ihren Ursprung hat. Und mit dem Fund der Fragments des wohl allerersten Frühmenschen Homo Rudolfensis auch in Malawi, war die Geltung im Sinne des Chichewa, zu dieser Interpretation hier, schnell klar.
Da ich schon lange nicht mehr nur mit Metall gearbeitet habe, wurde es Zeit, nun eben alle meine Zangen bereit zu legen, um meine schon bewährte Kaltmetallbearbeitung starten zu können.
Und ja ich gebe es zu. Der Hintergrund wurde dieses Mal, Ausnahmsweise mit neuartiger Bildbearbeitungssoftware, für Handys vorgearbeitet.
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Trotz dass der Staat Kenia in Europa bekannter ist als wie Malawi und dass Homo Rudolfensis zuerst in Kenia gefunden wurde. Habe ich mich im Sinne des Chichewa der Geltung Malawi entschieden. Leider wird aus Zeit gründen schon die nächste Interpretation in der ersten Südamerikanischen Geltung gefasst.
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This little stuffed squirrel was part of the decorations by the Christmas trees in the local mall in West Vancouver, BC.
A cute idea making a small owl out of some branches, pine cones and other items as a table decoration. Saw this in a window display.
Acrylic on paper, 24"x18", 2016.
To purchase, click here.
This is the kind of painting that makes me wonder if I can paint and what's it all for. when I look at the slick perfection of noteworthy painters in magazines, it makes me want to take twenty years of painting classes.
But then I remember my favorite two paintings by George Bellows, Blue Morning and Lone Tenement
Every time I visit those paintings, I circle the other work and I am always drawn back to these two. And then I remember why I paint.
I love to make boxes! These are shrines I made for our upcoming "HANNA_HOOLY" Holiday Open House. The wire doors open and each has a different theme. They stand or hang on the wall. I envision them holding a dear treasure!
Each is 9" x 6" x 2"
wood, wire, carving and acrylic
(c) 2011
Barbara Gilhooly
I haven't been inside to see this Exhibition yet, but these figures were visible from the window of one of our local Art Galleries in West Vancouver, BC. This exhibition is at the Silk Purse Gallery.
One of my Oldies I never got to upload to Flickr!
This incredible piece of art was created by @reh_novae
(www.instagram.com/reh_novae/)
if you are at IG she would be happy to get there your comments and favs
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Reproduction by me with Canon EOS R and 35 mm/1.8 Macro - available light - no postprocessing, only closer framing.
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Nature turned into art.
Around 100 years old wych elm turned into art object with different Latvian signs.
take
SIGMA DP3 Merrill
SIGMA LENS 50mm f2.8 MACRO
SIGMA Photo Pro 5.5.1
Apple Aperture 3.4.4
potopoto53age
Photo of the permutation 043. Award winning Sculpture @ exhibition Kunst trifft Technik @Keramion Frechen. Artist: monochromeandminimal - project:pietern. Size of the sculpture is 18x18x4cm. Material: ceramic. 3D Print @WZR ceramic solutions Gmbh
Tim David Trillsam - KLEINER BRUDER (Bronze 2022)
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Unfortunately show photos taken with Canon EOS R in silent shutter mode some vertical banding
The print is lacking life, but I still like it.
Der Abzug (auf Fomabrom matt) ist etwas leblos, vielleicht hätte ich doch glänzendes Papier nehmen sollen.
www.art-museum.pref.yamanashi.jp/english/index.html
take
Apple iPhone 6
29mm f2.2
App Camera
Apple Aperture 3.4.5
This incredible piece of art was created by @reh_novae
(www.instagram.com/reh_novae/)
if you are at IG she would be happy to get there your comments and favs
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Reproduction by me with Canon EOS R and 35 mm/1.8 Macro - available light - no postprocessing, only closer framing.
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I don't even remember where I took this shot, but I think it was a display at a Walmart Store in Burnaby, BC circa about 2013 or so.
Stranger #079/100 - Jutta (Kandidat 1a)
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This picture is #079 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page
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The meeting with Jutta Burkhardt, an artist from Munich, is due to a coincidence:
I found the info about the Finissage for the exhibition "Unternehmerinnen II" in an instagram post of ngla and decided to visit this event because of the announced appearance of a classical singer, Eva Glasmacher. Among the few visitors, I noticed a woman who wore a funny mask and thus interpreted the corona requirements in an ironic way. During the welcome by Franz Schneider it turned out that she was Jutta Burkhardt, one of the participating female artists. The art objects selected for the exhibition showed different aspects of her work. For me the most fascinating elements were the pieces titled Aphasia_, which is a term used for the inability to speech through a brain damage but can also be described accordingly as the art of telling stories without language. Since I wasn't familiar with the meaning of this word I had to ask for an explanation and thus an interesting conversation about the creation of these works of art developed. My fascination for the art objects on display also evolved to a fascination about the person who created these phantastic landscapes and I was keen to show her portrait as part of my photo project. Fortunately she accepted my invitation to participate and we found some time at the end of the event for a short portrait session.
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Since the influence of the corona pandemic on cultural life is still ongoing, it seems to me only logical to show the corona compliant portrait with a "protection" mask as a contribution to the international group "100 Strangers".
Thank You, Jutta, for your willingness to participate in this project and the interesting exchange of ideas during our conversation on this sunday afternoon.
!!!
[due to a synchronization problem between Flickr App (significant lag) and Computer there is a slight difference in content regarding the first full release!
=> Please apologize this divergence]
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Das Zusammentreffen mit Jutta Burkhardt, einer Künstlerin aus München, ist einem Zufall zu verdanken: Die Info über die Finissage zur Ausstellung "Unternehmerinnen II" in der Neuen Galerie Landshut fand ich auf Instagram. In der Ausstellung war ich zwar ein paar Tage vorher schon gewesen, aber die Aussicht auf eine klassische Sängerin, die dort auftreten sollte, lockte mich. Am Sonntag nachmittag waren nicht viele Leute in der Galerie, aber eine Person fiel mir sofort auf, denn sie trug eine witzige Maske. Die Corona Schutzmaßnahmen verlangten zu der Zeit nur eine Bedeckung von Mund und Nase und eine "Community-Maske" wurde für ausreichend gehalten. Das führte zu allerlei modischen Kreationen und dieser Entwurf war kreativ und witzig mit einem ironischen Aspekt. Allein deshalb hätte ich sie auf jeden Fall angesprochen, wenn sie nicht in der Begrüßung von Franz Schneider namentlich genannt worden wäre und ich so wußte, dass sie eine der Hauptpersonen der Ausstellung war.
Ihre Arbeit "Staubsaugerbeutel mit Wolken" in der unteren Etage der Galerie zeigte eine witzige Idee, die aber durch die massive Ausdehnung und die Zusammenballung in dunklen Wolken trotz des kleinen Formats bedrohliche Ausmaße annimmt. Noch faszinierender fand ich aber ihre Werke im Obergeschoß aus der Reihe Aphasia, die in Tuschetechnik erstellte Phantasie-Landschaften zeigen und dabei - nach meinem Empfinden - Stilelemente alter Meister (wie in traditionellen Kupferstichen) zitierte und mit kalligraphischen Elementen (wie in asiatischer Kunst) zu komplexen phantastischen Ausprägungen kombinieren, was zu vielfältigen Interpretationsmöglichkeiten führt ohne die Gedanken der Betrachter einzuschränken. Da mir der Begriff Aphasia bis dahin unbekannt war, hatte ich auch gleich einen Anknüpfungspunkt für ein erstes Gespräch. Der Begriff bedeutet sinngemäß "Sprachlosigkeit" und umschreibt die Kunst ohne Sprache Geschichten zu erzählen. Sie erläuterte auch die Technik, sich bei der Erstellung der Werke von ihrer Intuition leiten zu lassen und es deshalb keinen Entwurf gab, der im Zug der Ausarbeitung verfeinert wird, sondern eine Art "organisches Wachstum" aus der Inspiration.
Genau wie bei der beschriebenen Entwicklung hatte sich im Lauf des Gesprächs mein anfängliches Interesse an der Kunst zu einer Faszination an der Person verändert und deshalb war ich froh, dass sie meinen Vorschlag zur Teilnahme an dem Fotoprojekt ohne große Überzeugungsarbeit akzeptierte.
Die hier gezeigten Porträts spiegeln als Zeitdokument die immer noch fortdauernden Einflüsse der Corona-Pandemie auf das (kulturelle) Leben innen (in der ngla) und außen (vor dem Gebäude) und deshalb erscheint es mir nur konsequent, das Corona-konforme Porträt mit der individuellen Maske als charakteristische Erinnerung an unsere Begegnung in der internationalen Gruppe 100 Strangers zu veröffentlichen.
Danke an Jutta für die Bereitschaft zur Teilnahme an dem Projekt und das interessante und abwechslungsreiche Gespräch an diesem Nachmittag.
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[CF_2020-08-02_173912(R)_ji(Ausschnitt2x3_2742x4115_H+0.3_KA0.08_KL0.10_FK_R-0.08_G0.01_B0.08_FS-5%_Vig-2.80F1.3).jpg] - some optimizations due to low light conditions
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Part of the background used as a visualization for the Aura of the artist is the art object "Amygdala" created by INGRID FLOHRY for the NGLA
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Im Hintergrund des Fotos, das hier mit einem abgedunkelten Randbereich nachbehandelt wurde, um die Person hervorzuheben, ist ein Teil des für die Neue Galerie angepassten Kunstobjekts "Amygdala" von INGRID FLOHRY zu sehen, das durch den Spiegel die Aura der porträtierten Person visualisiert ;-)
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Werkliste zur - bereits beendeten Ausstellung - auf der Website der ngla.
Website von Jutta Burkhardt, follow her at Instagram.
[unbezahlte Werbung]
A relatively unknown and ancient Indian art form dating back to the 15th-16th centuries, Kinnala comes from a village called Kinhal in the Koppal district of Karnataka, India. It originated during the rule of the Vijaynagara Empire, when kings invited crafts people from across India to come and work in their capital, Hampi. The early practitioners of Kinnala, called ‘Çhitragars’ (which literally means the one who draws and paints), were painters of temples and palaces in Hampi. The famous mural paintings in the Pampapateshwara Temple, and the intricate work on the wooden chariot at Hampi, were completed by ancestors of the Kinnala artists of today.
[Source: artisera.com]
An open-air museum on Red Square in honor of the 82nd anniversary of the 1941 military parade. On November 7, 2005, Russia has been celebrating the day of the military parade in honor of the 24th anniversary of the October Revolution, held in 1941 on Red Square in Moscow. The holiday has the status of a day of military glory.
Музей под открытым небом на Красной площади в честь 82-й годовщины военного парада 1941 года. 7 ноября с 2005 года в России отмечается день военного парада в честь 24-й годовщины Октябрьской революции, состоявшегося в 1941 году на Красной площади в Москве. Праздник имеет статус дня воинской славы.
Originally shared in a group called r/timex on Reddit, to celebrate the modern reissue of the Timex Marlin from the 1950's & '60's.
Oosterpark 13/02/2021 12h17
Throughout the country, the main activity this weekend was skating or enjoying the sunny winter weather. A welcome change in this time where everything revolves around covid-19.
The artobject at the left:
"Monument voor de Tachtigers"
Stainless steel | 1992
Jan Wolkers (1925 - 2007)
(album with all the photos of Darcy blizzard, the frost period, drifting snow, people in the snow, cars in the snow, transport and more)
Oosterpark
The Oosterpark in Amsterdam is the first large park laid out by the municipality of Amsterdam. The park is located in the Oost/Watergraafsmeer borough and forms a component of the Oosterpark area. The park, an English garden, was designed by Dutch landscape architect Leonard Anthony Springer and was laid out in 1891.
In order to create the Oosterpark, a centuries old cemetery behind the Tropical Museum had to be relocated. There were a lot of protests at the time when the municipality of Amsterdam suggested the new plans. In the end the protesters gave in and agreed with the new location for "their" cemetery which is now known as the New Ooster Begraafplaats. In the park is a pond with a small island. The park also contains a part of the former cemetery.
The park contains The National Slavery Monument, which commemorates the abolition of slavery in the Netherlands in 1863. The monument was unveiled on July 1, 2002 in the presence of Her Majesty Queen Beatrix. The dynamic dimension of the monument, the National Institute for Dutch Slavery and its Legacy (NiNsee) was opened on July 1, 2003. Every year on July 1, NiNsee commemorates the abolition of Dutch Slavery in the Oosterpark with the Keti Koti festival.
The Oosterpark also contains a memorial to Theo van Gogh, a film maker and controversial columnist who in 2004 was murdered nearby by a Muslim extremist.
Along the park towards Linnaeusstraat (close to the Royal Tropical Institute) there are a number of grey heron nests.
The streets lining the southern and western borders of the park are also called Oosterpark. Originally these streets were called Eerste Parkstraat ("First Park Street").
[ Source and more Info: Wikipedia - Oosterpark ]