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Gustavo Villar
Federico González
Enas Eisa
Andrea Castro
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Daniel Elizondo
Nurgul Kassayeva
Michèle Merchak
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Daniel Elizondo
Nurgul Kassayeva
Michèle Merchak
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Gustavo Villar
Federico González
Enas Eisa
Andrea Castro
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Ναός τῆς Ἁγίας τοῦ Θεοῦ Σοφίας - Αγιά Σοφιά - Sancta Sophia - Sancta Sapientia - Hagia Sofia - Ayasofya
Hagia Sophia is a former Orthodox patriarchal basilica, later a mosque, and now a museum in Istanbul, Turkey. From the date of its dedication in 360 until 1453, it served as the Greek Patriarchal cathedral of Constantinople, except between 1204 and 1261, when it was converted to a Roman Catholic cathedral under the Latin Patriarch of Constantinople of the Western Crusader established Latin Empire. The building was a mosque from 29 May 1453 until 1931, when it was secularized. It was opened as a museum on 1 February 1935.
Patricia Jara
Claudia Valverde
Anita Cecilia Montiel
Reem Kinani
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
ARCH 703 Studio Jonas Coersmeier, Pratt Institute School of Architecture, Master of Architecture Program, Fall 2016. GA: Michael Chamber, Jose Abreu
Student: Maeleen Taylor
Caroline Clarice
Claudia Reem
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Caroline Kinsella
Melissa Sobrado
Juan Felipe Solís
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Patricia Jara
Claudia Valverde
Anita Cecilia Montiel
Reem Kinani
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
One of the prominent Jaislamer attractions, the Tazia Tower bears relics to the rich architectural splendor of the ancient times. The five storeyed Tazia Tower was constructed by the Muslim artisans for their imperial rulers of Jaisalmer. Tazia Tower is an integral part of the architectural monument of the Badal Mahal
Tazia Tower was constructed in the form of Tazia that are usually part of Muslim religious festivities. Representing the secular identity of the region, the Muslim craftsmen had constructed the beautiful architectural master piece as gift for the imperial Hindu king of Maharawal Berisal Singh.
Patricia Jara
Eleonora Volpe
Ana Cecilia Montiel
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
13:49, Sunday 28th July 2013 ·
Victoria & Albert Museum,
South Kensington, London, England ·
Pentax KX (35mm SLR camera) ·
Kodak Portra 160 (colour negative film - ISO 160) ·
Belomo f3.5 8mm fisheye lens · f8|11 · 1/4 ·
by James Gamble (1835-1919), architect, a pupil of the artist Alfred Stevens and one of the museum's own design team.
The Refreshment Rooms
The Gamble, Poynter and Morris Rooms are interlinked rooms that made up the restaurant of the South Kensington Museum. These rooms are today again being used as part of the Museum's Café. Although they were functional spaces, the Refreshment Rooms belonged to the Museum's public face, so they were also given some extremely lavish decorations. ...
The Gamble Room was the original Refreshment Room. It would have been the visitor's first view of the Museum's interior and even the Victorians would have been struck by the extraordinary decoration. The main doors to this room were immediately opposite the main entrance of the Museum. Henry Cole's concept of a museum restaurant was completely new, a world first for South Kensington, yet another way of getting people to enjoy culture.
Henry Cole was responsible for many innovations: the V&A was the first public museum in the world to be artificially lit so that workers could come in the evenings. (In the ceilings of some rooms the ornamental metal gratings which took away the heat and fumes from the open gas jets can still be seen.) The ventilation grilles in the ceiling of the Gamble Room are surrounded by enormously heavy and ornate enamelled iron plates. Cole is thought to have got the idea from the enamelled name plates on railway stations. Here, with the ceramic tiled walls and columns, they were a hygienic, washable covering for an eating place and also formed a fireproof cell within the museum. The Victorians were very conscious of the dangers of fire. It would have taken horse-drawn fire engines a long time to reach South Kensington, still a very rural place in the 1860s. As an additional precaution, food for this main refreshment room was prepared in kitchens outside the walls.
The windows are full of Victorian maxims and mottoes about the joys of eating and drinking, such as such as 'Hunger is the best sauce' and 'A good cup makes all young'. The frieze with its inscription from Ecclesiastes II, 24 reads 'There is nothing better for a man than that he should eat and drink, and make his soul enjoy the good of his labour - XYZ.'
www.vam.ac.uk/content/articles/a/architectural-history-of...
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Tags:
uk "great britain" england "south kensington" knightsbridge "cromwell road" "victoria and albert museum" "victoria & albert museum" "v and a" vanda v&a "the v&a cafe" "the v&a café" cafe café cafeteria restaurant "refreshment room" "the centre refreshment room" 1865-77 victorian "high victorian" architect "james gamble" "william morris" "edward poynter" "the gamble room" architecture columns pillars arches ceiling windows "peleng 1:3.5 f/3.5 "wide open" "180 degrees" round circular circle "full frame" fish-eye "extra-wide-angle" ewa "looking up" "looking straight up" lsu summer 7/2013
[film2013-21] [film2013-21-35] [2013-21-35] · neg 33(A)
Uploaded 14 Apr 2017
Patricia Jara
Eleonora Volpe
Ana Cecilia Montiel
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Patricia Jara
Eleonora Volpe
Ana Cecilia Montiel
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Patricia Jara
Eleonora Volpe
Ana Cecilia Montiel
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Federico Gonzalez
Pedram Soleimany
Titis Primita
Book info
Once a book is pulled from the shelves, (or scan on screen)
it transmit signal to the LED screen beside it to show:
- information about the book
- the online reviews
- other books recommendation (from relevancy & online wish list)
Purchase selection
There will be purchase selection, whether the user wants to buy the:
1. Printed book
2. E-book
3. Printed & E-book from the same title
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Federico Gonzalez
Pedram Soleimany
Titis Primita
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Gustavo Villar
Federico González
Enas Eisa
Andrea Castro
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Caroline Kinsella
Melissa Sobrado
Juan Felipe Solís
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Federico Gonzalez
Pedram Soleimany
Titis Primita
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
The Royal Institute of Technology (Swedish: Kungliga Tekniska högskolan, abbreviated KTH) is a university in Stockholm, Sweden. KTH was founded in 1827 as Sweden's first polytechnic and is one of Scandinavia's largest (the largest by certain definitions) institutions of higher education in technology. KTH accounts for one-third of Sweden’s technical research and engineering education capacity at university level. KTH offers programmes leading to a Master of Architecture, Master of Science in Engineering, Bachelor of Science in Engineering, Bachelor of Science, Master of Science, licentiate or doctoral degree. The university also offers a technical preparatory programme for non-scientists and further education.
1:3000
Architect: Arcoengineering
Company: Gruppo Arcotecnica
Developer: Jihua Group CO LTD
September 2014
©ONEOFF, all rights reserved
The Pump House, one of the few remaining remnants of Park Moderne, an avant-garde country artist's retreat from the 1920's.
From the LA Times, 2001: The first subdivision in Calabasas wasn't a swank gated community or collection of mini-mansions of the kind the city is famous for today. It was a rakish art colony full of eccentric little cottages and studios, some designed by modern architectural master Rudolph Schindler.
Park Moderne was modest, with 174 small lots that sold for $525 each. Many owners built their own homes, some tiny cottages with no amenities but the sound of flowing creeks and the nightly hooting of owls.
The 400-square-foot cottages Schindler designed for the project are now so altered as to be unrecognizable. The colony was doomed by the building boom that transformed Calabasas starting in the 1960s.
Fujica ST705w with the MC-ARAX 35mm tilt-shift lens on cross-processed Kodak Elite Chrome slide film.
14:42?, Sunday 28th July 2013 ·
South Kensington, London, England ·
Pentax KX (35mm SLR camera) ·
Kodak Portra 160 (colour negative film - ISO 160) ·
Pentax-M f4 20mm lens · f8|11? · 1 sec? ·
(Manfrotto 209 table top tripod + 488RC2 head;
right-angle finder) (details for this or prev.)
James Gamble (1835-1919), architect, a pupil of the artist Alfred Stevens and one of the museum's own design team.
The Refreshment Rooms
The Gamble, Poynter and Morris Rooms are interlinked rooms that made up the restaurant of the South Kensington Museum. These rooms are today again being used as part of the Museum's Café. Although they were functional spaces, the Refreshment Rooms belonged to the Museum's public face, so they were also given some extremely lavish decorations. ...
The Gamble Room was the original Refreshment Room. It would have been the visitor's first view of the Museum's interior and even the Victorians would have been struck by the extraordinary decoration. The main doors to this room were immediately opposite the main entrance of the Museum. Henry Cole's concept of a museum restaurant was completely new, a world first for South Kensington, yet another way of getting people to enjoy culture.
Henry Cole was responsible for many innovations: the V&A was the first public museum in the world to be artificially lit so that workers could come in the evenings. (In the ceilings of some rooms the ornamental metal gratings which took away the heat and fumes from the open gas jets can still be seen.) The ventilation grilles in the ceiling of the Gamble Room are surrounded by enormously heavy and ornate enamelled iron plates. Cole is thought to have got the idea from the enamelled name plates on railway stations. Here, with the ceramic tiled walls and columns, they were a hygienic, washable covering for an eating place and also formed a fireproof cell within the museum. The Victorians were very conscious of the dangers of fire. It would have taken horse-drawn fire engines a long time to reach South Kensington, still a very rural place in the 1860s. As an additional precaution, food for this main refreshment room was prepared in kitchens outside the walls.
The windows are full of Victorian maxims and mottoes about the joys of eating and drinking, such as such as 'Hunger is the best sauce' and 'A good cup makes all young'. The frieze with its inscription from Ecclesiastes II, 24 reads 'There is nothing better for a man than that he should eat and drink, and make his soul enjoy the good of his labour - XYZ.'
www.vam.ac.uk/content/articles/a/architectural-history-of...
• Press L to view full-screen in Lightbox (and L again to return)
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Tags: uk "great britain" england london "south kensington" knightsbridge "cromwell road" "victoria and albert museum" "victoria & albert museum" "v and a" vanda v&a "the v&a cafe" "the v&a café" cafe café cafeteria restaurant "refreshment room" victorian "high victorian" "james gamble" "william morris" "edward poynter" "the gamble room" architecture columns pillars arches ceiling decoration decorative ornate "extra-wide-angle lens" ewa "angled up" "looking up" upwards summer 7/2013
[film2013-22] [film2013-22-03] [2013-22-03] · neg 1A
Uploaded 16 Apr 2017
14:13, Sunday 28th July 2013 ·
Victoria & Albert Museum,
South Kensington, London, England ·
Pentax KX (35mm SLR camera) ·
Kodak Portra 160 (colour negative film - ISO 160) ·
Pentax-A f2.8 28mm lens · f5.6|8 · 1 sec ·
by James Gamble (1835-1919), architect, a pupil of the artist Alfred Stevens and one of the museum's own design team.
The Refreshment Rooms
The Gamble, Poynter and Morris Rooms are interlinked rooms that made up the restaurant of the South Kensington Museum. These rooms are today again being used as part of the Museum's Café. Although they were functional spaces, the Refreshment Rooms belonged to the Museum's public face, so they were also given some extremely lavish decorations. ...
The Gamble Room was the original Refreshment Room. It would have been the visitor's first view of the Museum's interior and even the Victorians would have been struck by the extraordinary decoration. The main doors to this room were immediately opposite the main entrance of the Museum. Henry Cole's concept of a museum restaurant was completely new, a world first for South Kensington, yet another way of getting people to enjoy culture.
Henry Cole was responsible for many innovations: the V&A was the first public museum in the world to be artificially lit so that workers could come in the evenings. (In the ceilings of some rooms the ornamental metal gratings which took away the heat and fumes from the open gas jets can still be seen.) The ventilation grilles in the ceiling of the Gamble Room are surrounded by enormously heavy and ornate enamelled iron plates. Cole is thought to have got the idea from the enamelled name plates on railway stations. Here, with the ceramic tiled walls and columns, they were a hygienic, washable covering for an eating place and also formed a fireproof cell within the museum. The Victorians were very conscious of the dangers of fire. It would have taken horse-drawn fire engines a long time to reach South Kensington, still a very rural place in the 1860s. As an additional precaution, food for this main refreshment room was prepared in kitchens outside the walls.
The windows are full of Victorian maxims and mottoes about the joys of eating and drinking, such as such as 'Hunger is the best sauce' and 'A good cup makes all young'. The frieze with its inscription from Ecclesiastes II, 24 reads 'There is nothing better for a man than that he should eat and drink, and make his soul enjoy the good of his labour - XYZ.'
www.vam.ac.uk/content/articles/a/architectural-history-of...
• Press L to view full-screen in Lightbox (and L again to return)
• Click on the image to see it bigger still (and again to return)
• View my photostream (old style)
Tags:
uk "great britain" england "south kensington" knightsbridge "cromwell road" "victoria and albert museum" "victoria & albert museum" "v and a" vanda v&a "the v&a cafe" "the v&a café" cafe café cafeteria restaurant "refreshment room" victorian "high victorian" "james gamble" "william morris" "edward poynter" "the gamble room" architecture columns pillars arches ceiling decoration decorative ornate "wide-angle lens" "angled up" "looking up" upwards summer 7/2013
[film2013-21] [film2013-21-37] [2013-21-37] · neg 35(A)
Uploaded 15 Apr 2017
The Royal Institute of Technology (Swedish: Kungliga Tekniska högskolan, abbreviated KTH) is a university in Stockholm, Sweden. KTH was founded in 1827 as Sweden's first polytechnic and is one of Scandinavia's largest (the largest by certain definitions) institutions of higher education in technology. KTH accounts for one-third of Sweden’s technical research and engineering education capacity at university level. KTH offers programmes leading to a Master of Architecture, Master of Science in Engineering, Bachelor of Science in Engineering, Bachelor of Science, Master of Science, licentiate or doctoral degree. The university also offers a technical preparatory programme for non-scientists and further education.
About the image and SPS
This wallpaper is made available by the folks at SportsPLAN Studio for you to download and use on your computer, tablet, or smartphone. Follow us and learn more how we can help you with your Sports related architectural, master planning, programming, interior design expertise and personal service to architects, universities, colleges, and municipalities projects. Check out our website at www.SportsPLANstudio.com
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www.flickr.com/photos/sportsplanstudio/5981969869/sizes/o...
The Royal Institute of Technology (Swedish: Kungliga Tekniska högskolan, abbreviated KTH) is a university in Stockholm, Sweden. KTH was founded in 1827 as Sweden's first polytechnic and is one of Scandinavia's largest (the largest by certain definitions) institutions of higher education in technology. KTH accounts for one-third of Sweden’s technical research and engineering education capacity at university level. KTH offers programmes leading to a Master of Architecture, Master of Science in Engineering, Bachelor of Science in Engineering, Bachelor of Science, Master of Science, licentiate or doctoral degree. The university also offers a technical preparatory programme for non-scientists and further education.
Time for a 20 minute Q&A after the 20 minute presentation by Sibylle Schlaich and Heike Nehl (left). Robert Angermann: “The new BER Airport Berlin Brandenburg will be reduced to the max. The architectural master plan allows no useless sign or element. We will stick to that seriously.”
About the image and SPS
This wallpaper is made available by the folks at SportsPLAN Studio for you to download and use on your computer, tablet, or smartphone. Follow us and learn more how we can help you with your Sports related architectural, master planning, programming, interior design expertise and personal service to architects, universities, colleges, and municipalities projects. Check out our website at www.SportsPLANstudio.com
How do I get this onto my Phone/Tablet/Computer?
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The fountain at Park Moderne, Calabasas, California.
The first subdivision in Calabasas wasn't a swank gated community or collection of mini-mansions of the kind the city is famous for today. It was a rakish art colony full of eccentric little cottages and studios, some designed by modern architectural master Rudolph Schindler.
-LA Times
Revueflex SD-1 (Chinon CS4) with the Vivitar 20mm f3.8 wide-angle, 720nm filter and Telex Robot viewfinder on Efke IR 820 Infrared film. 8ish second exposure...a bit too much methinks. All shots were composed through the viewfinder, which only went down to 30mm - close enough for me.
Cafe 24 is a 5 star coffee shop & bar at Kunegaon, Lonavala. A 24 hour coffee shop, Cafe 24 at Della Resorts will give you reason to indulge in that “midnight snack”, no matter what the hour.
Paul Pointon was awarded a 2016 Special Award from the GIA.
Part of the Festival of Architecture. This mobile pavilion was conceived and made by Strathclyde University Architectural Masters' student Paul Pointon as part of his Fifth Year Thesis. It was designed primarily to act as a community consultation tool in the form of a large scale intervention which could be installed in public spaces in and around Glasgow and used as an adaptable backdrop for organised events aimed at promoting architecture to everyone.
Student: Paul Pointon, Studio 04 (Community and Live Project), Year 5.
Course: PGDip Advanced Architectural Studies
Tutors: Rachel Mimiec and Uli Enslein
Design and graphic images credit: Paul Pointon
Photographs of the Pavilion on site credit: Ross Campbell Photographer
The Pump House, one of the few remaining remnants of Park Moderne, an avant-garde country artist's retreat from the 1920's.
From the LA Times, 2001: The first subdivision in Calabasas wasn't a swank gated community or collection of mini-mansions of the kind the city is famous for today. It was a rakish art colony full of eccentric little cottages and studios, some designed by modern architectural master Rudolph Schindler.
Park Moderne was modest, with 174 small lots that sold for $525 each. Many owners built their own homes, some tiny cottages with no amenities but the sound of flowing creeks and the nightly hooting of owls.
The 400-square-foot cottages Schindler designed for the project are now so altered as to be unrecognizable. The colony was doomed by the building boom that transformed Calabasas starting in the 1960s.
Porst Compact Reflex SP with the Vivitar 20mm f/3.8 wide-angle lens on Arista EDU Ultra 100 (Fomapan 100) film.
ARCH 703 Studio Jonas Coersmeier, Pratt Institute School of Architecture, Master of Architecture Program, Fall 2016. GA: Michael Chamber, Jose Abreu
Student: Xiaoli Zhang
This is a cool little set of modernist buildings just off the University of Miami's main campus in Coral Gables. It is styled after the Neue Nationalgalerie in Berlin, Germany by Ludwig Mies van der Rohe.
The structure is defined by exterior columns supporting a flat waffle panned concrete deck. The curtain wall is composed of aluminum tube mulls with Jalousie windows set between.
A great architecture master work it is not. As far as being adaptive to the Florida climate while retaining a true modernist theoretical disposition, it is rather successful.
This is a cool little set of modernist buildings just off the University of Miami's main campus in Coral Gables. It is styled after the Neue Nationalgalerie in Berlin, Germany by Ludwig Mies van der Rohe.
The structure is defined by exterior columns supporting a flat waffle panned concrete deck. The curtain wall is composed of aluminum tube mulls with Jalousie windows set between.
A great architecture master work it is not. As far as being adaptive to the Florida climate while retaining a true modernist theoretical disposition, it is rather successful.
About the image and SPS
This wallpaper is made available by the folks at SportsPLAN Studio for you to download and use on your computer, tablet, or smartphone. Follow us and learn more how we can help you with your Sports related architectural, master planning, programming, interior design expertise and personal service to architects, universities, colleges, and municipalities projects. Check out our website at www.SportsPLANstudio.com
How do I get this onto my Phone/Tablet/Computer?
Just click on the full size ‘Original Size’ Link below, then tap or right click on the image to download it to your device. Quick & Simple!
www.flickr.com/photos/sportsplanstudio/5999089269/sizes/o...
Habitat 67 was designed by Moshe Safdie as a pavilion for Expo '67, but was originally his architecture master's thesis project at McGill University. Habitat 67 comprises 354 identical, prefabricated concrete forms arranged in various combinations, reaching up to 12 stories in height. Together these units create 146 residences of varying sizes and configurations, each formed from between one to eight linked concrete units.
This is a cool little set of modernist buildings just off the University of Miami's main campus in Coral Gables. It is styled after the Neue Nationalgalerie in Berlin, Germany by Ludwig Mies van der Rohe.
The structure is defined by exterior columns supporting a flat waffle panned concrete deck. The curtain wall is composed of aluminum tube mulls with Jalousie windows set between.
A great architecture master work it is not. As far as being adaptive to the Florida climate while retaining a true modernist theoretical disposition, it is rather successful.
The model was finished for the second deadline (2012 June). By bending some rules we were able to gain access to the laser cutter and at least cut out the delicate railing. Still the overall man hours exceeds 200 h and as mentioned in the previous comment it is a triumph for the machine. There is a lot more footage of this piece assembly and manufacturing. Hopefully all of that will be composed into a video at some point in the future. Meanwhile other projects are waiting to be finished.
Habitat 67 was designed by Moshe Safdie as a pavilion for Expo '67, but was originally his architecture master's thesis project at McGill University. Habitat 67 comprises 354 identical, prefabricated concrete forms arranged in various combinations, reaching up to 12 stories in height. Together these units create 146 residences of varying sizes and configurations, each formed from between one to eight linked concrete units.