architecture master pieces
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Spiders are architectural masters of entrapment. It's an honour really, to try and capture the beauty of their proficiency and art.
I believe Eriophora transmarina caught in the throws of dance.
5 mm body length.
© All rights reserved.
Royal Danish Library, Copenhagen
A wonderfully and stunning modern architecture master piece from 1999. It is a place to read, visit exhibitions, enjoy good café and food. It was nicknamed 'the Black Diamond' for its shiny irregular facets on the outside that mirror the sea and sky.
We had rented a small boat with an electric motor and sailed quietly along the city's canals, passing some of the most impressive buildings along the way.
The Pontsteiger is a residential tower in Amsterdam. Designed by Arons and Gelauff Architects it was chosen as the winning design in 2007 and, despite the financial crisis, was built almost according to the design in 2015. The ferry tower building is part of the Houthavens area development, and is therefore located on the IJ where the ferry leaves for the NDSM site and the Distelweg.
Construction of the 92-meter-high building was started in February 2015, the building was completed in 2018. The building is the highest residential building in Amsterdam.
Architect: Floor Arons & Arnoud Gelauff (Arons en Gelauff architecten)
Location: Houthavens, Amsterdam, The Netherlands
Start Construction 2015-05-01
Construction Completed: 2018-12-28
Opening 2018-09-05
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#amsterdamcity #architecture #art #cityarchitecture #citygrammers #design #fineartarchitecture #fineartphotography #fineartzone #home #iamsterdam #igersamsterdam #instagood #instagram #line #lines #linework #minimaldotcom #photography #straight #symmetry #symmetry_art #symmetryart #symmetrybreakfast #symmetryhunters #symmetrykillers #symmetrylovers #symmetryphotography #wood #woodwork #woodworking
Marina Bay Sands is one of the most iconic architectural master pieces of Singapore that it is safe to say that you have not really been to Singapore if you have not seen it. Top that up with the its fabulous light show that starts at 8pm and 9pm. What a sight to see and capture. Hope this will make you want to visit this beautiful place!
While I was shooting this amazing building from street level at the entrance of the Silodam, a lady passed by and asked what I was shooting, seeming interested in the ND filters I was using. After a chat where I explained what and how I was shooting she explained she was a portrait photographer and asked if I would be interested to shoot from her living room higher up in the building. Stocked at the opportunity she provided for me I joined her and shot a lot of frames from her living room.
Looking at the images I was shooting she came up with an even more epic angle on the other side of the Silodam where there is a huge balcony to shoot from and the angle on the Pontsteiger is just perfect! Thank you Marijke Volkers for inviting me into your home! Please visit Marijke’s portfolio here: www.marijkevolkers.nl or follow her work on instagram marijke1500
Architect: Floor Arons & Arnoud Gelauff (Arons en Gelauff architecten)
Location: Houthavens, Amsterdam, The Netherlands
Start Construction 2015-05-01
Construction Completed: 2018-12-28
Opening 2018-09-05
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#adobelightroom #adobephotoshop #amsterdam #amsterdamcity #architecture #architecture_hunter #architecturedesign #architecturelover #architecturelovers #architecturephotography #architectures #color #colorgrading #fineart #fineart #fineartphotography #iamsterdam #longexpoelite #longexposure #longexposure_shots #longexposurephotography #netherlands #nikon #photography #reflection #reflectiongram #reflections #sand #thenetherlands #tiltshift
Amsteldok is a large office building on Amsteldijk and Trompenburgstraat in the Suth of Amsterdam. It was designed by the Rotterdam based architect Huig Aart Maaskant. Until 2019 the building was called Rivierstaete.
Rivierstaete was built between 1967 and 1973 and used to be the largest office building in Europe at a cost of 40,000,000 guilders. A metal sculpture by André Volten was placed in the Trompenburgstraat in 1972 during the construction period. The building had eight floors in staggered layers. The outside walls were covered with white tiles, making the building stand out among red brick residential buildings. 'The Monkey Rock' soon became the nickname of the Riverstaete buidling.
Several companies were located in the building. The Spyker automobile factory was built here at the beginning of the 20th century, after which the Nestelroy Trompenburg paper factory settled here, which was liquidated in 1968. The consulates of Peru and the Republic of Ivory Coast and the IT departments of the University of Amsterdam and the Hogeschool van Amsterdam were also located in the building. Currently WWP, Ogilvy and UberEats are located in the Amsteldok.
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#amsterdam #amsterdamgram #amstergram #architect #architecture #architecture_lovers #architecture_magazine #architecture_masters #architecture_view #architecturelovers #architecturephotography #architecturepicture #bestofamsterdam #business #design #facade #glass #iamsterdam #instadaily #light #lightroom #lines #loveamsterdam #netherlands #office #officedesign #officespace #photography #picoftheday #sky #window
In 1996 the Thomas church on the Prinses Irenestraat in Amsterdam-Zuid was built and it’s currently owned by the Protestant church Amsterdam.
From 1955 there were plans for a Reformed church in the New South area of Amsterdam. The original building plans changed and the church became somewhat on the edge of the residential area instead of on a main road. Nowadays it is very close to the Zuidas and it’s office buildings.
The building was designed by architect Karel Sijmons and stands out for its austere layout, which is entirely devoted to Protestant worship. Three themes are central to this: the Word, the Baptism and the Supper.
The church has a sandstone floor which is a reference to the journey of the people of Israel through the desert and the undulating roof symbolizes the sea through which God led the Israelites under the leadership of Moses. The architect was inspired by the Notre Dame du Haut chapel in Ronchamp in France by architect Le Corbusier. This chapel also has a wavy roof.
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#amsterdam #amsterdamgram #amstergram #architect #architecture #architecture_hunter #architecture_lovers #architecture_magazine #architecture_view #architecturelovers #architecturepicture #architectureproject #architectures #art #bell #church #churchbell #city #day #design #iamsterdam #photography #picoftheday #playwithshadow #religion #shadow #shadowhunters #shadows #sky #sunrise #wall
Portuguese architect Eduardo Souto de Moura is the winner of this year Pritzker Architecture Prize, the highest honor for architects. The 58-year-old architect based in Porto worked on his earlier years at Alvaro Siza’s office, another Pritzker Laureate (1992), and opened his own practice in 1980. Since then he has completed over sixty buildings, most of them in Portugal, and also in Spain, Italy, Germany, United Kingdom and Switzerland. Along his works we find iconic projects such as the impressive Braga Stadium (2004) and the recent Casa das Histórias Paula Rego
«During the past three decades, Eduardo Souto de Moura has produced a body of work that is of our time but also carries echoes of architectural traditions. His buildings have a unique ability to convey seemingly conflicting characteristics — power and modesty, bravado and subtlety, bold public authority and a sense of intimacy —at the same time», said Lord Palumbo, chairman of the jury.
Among the past 33 laureates are Renzo Piano, Alvaro Siza, Rem Koolhaas, Norman Foster, Oscar Niemeyer, Tandao Ando, Frank Gehry, Herzong & Meuron, Zaha Hadid, Jean Nouvel and Paulo Mendes da Rocha
Listen Ryuichi Sakamoto:
The Pontsteiger is based on a hourglass shape that lands like a half-open building block. Placing the block on 7-meter-high pylons, the view of the water is preserved and the courtyard is freely accessible. There is also a landing place for the ferry, a harbour and a café on the corner.
This project shows that you can also enhance the living environment. For example, the wooden ceilings with which the balconies are finished. These wooden ceilings give the building a warm atmosphere, while referring to the locations history of timber docks while dampening the sound from the ports. Or the rolling shape of the entrance pavilions, which helps to limit wind nuisance in the courtyard.
Architect: Floor Arons & Arnoud Gelauff (Arons en Gelauff architecten)
Location: Houthavens, Amsterdam, The Netherlands
Start Construction 2015-05-01
Construction Completed: 2018-12-28
Opening: 2018-09-05
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#amsterdam #amstergram #architect #architecture #architecture #architecture_lovers #architecture_magazine #architecture_masters #architecture_view #architecturelovers #architecturephotography #architecturepicture #art #design #iamsterdam #instagood #instapic #interiordesign #line #lines #linework #loveamsterdam #photography #photooftheday #wood #wooden #woodwork #woodworkcraft #woodworking #woodworkingproject #woodworkingskills
Certainly this is something I can not ignore, "The stone boat of the Vizcaya museum", but I should tell you something, even if it sounds like gossip.
Well, first he will tell you that that softly eroded stone boat remembers a joyful December 25, 1916, when Deering came to spend his first season of entertainment far from the snow-covered Midwest.
You can tell that it is imposing to see it and you are full of questions, on the one hand you realize that its location prevents the erocion but if it had something decorative, the form of boat installed in the back and center, was equipped with electricity, Fountains, leafy potted plants, trees and even a gazebo for an intimate conversation.
Surely this house was an escape from this self-made millionaire, that's why there is an inscription on the personal balcony that there is behind looking at the bay that says: "Take the gifts of this hour, put aside the serious things .. " Certainly interesting words of emotional escape... This message fixed the mood of this twentieth century man after a hard day of industrial pionery, and continues to encourage viewers to give up their real-world woes to the exotic charms and healing of the immense heritage.
I could say that the creative invention of Deeringl began.
Located on opposite sides of the Piazza at Vizcaya’s current main entrance, framing one’s view of the Main House, are two slightly larger than life-size marble statues of Spanish explorers. Said to be the work of Giovanni Marchiori, the eighteenth-century sculptures were not voyagers when initially created, but instead portrayed Italian architectural master Andrea Palladio and sculptor and architect Gian Lorenzo Bernini. With their 1919 installation at Vizcaya, the statues were modified to fit the mold of Vizcaya owner James Deering’s evolving fable.
And I want you to know something, so it's all here in this place, is pure creative fantasy.
Deering and his artistic director Paul Chalfin decided to alter the identities of the statues to Juan Ponce de León, Florida’s European founder, and Sebastián Vizcaíno, Vizcaya’s namesake. The figures now display the inscriptions “PONCE D LEON” and “BEL VIZCAYA.” All reference to the Italian architects is lost but for the records. Bernini morphed into Ponce de León (a bust at his feet was replaced with a globe incised with the Florida peninsula to cement his new identity), and Palladio became Bel Vizcaya.
“BEL VIZCAYA” is no one. He is but a fairytale creation of a Spanish explorer. And “Vizcaya” is somewhat of a misnomer.
While brainstorming an appropriate name for his estate, Deering had been told by local young adult writer Kirk Munroe that Vizcaíno had explored the waters off Miami. Munroe, it turns out, was better at writing adventure fiction than knowing historical facts. Vizcaíno’s travels brought him to the California coast, but never to Florida. Apparently there was another Vizcaíno, a navigator on de Leon’s crew, but it’s unclear if he ever saw Florida, and he was not famous by any account. Deering continued to consider the name even after research revealed the error. He wrote, in a 1915 letter to Chalfin, “I have finally yielded historic accuracy to my sense of beauty.” The next day, in a telegram to Chalfin, Deering wrote, “WILL KEEP PARTRIDGE TABLE AND ACCEPT NAME VIZIAYA.” It’s perfectly Vizcaya. In the naming, Deering chose beauty over accuracy, striving for a concept rather than the truth.
Like many objects at Vizcaya, the two “swashbuckling statues,” as Deering called them, were manipulated to serve a perceived need, transformed to fit a myth. Vizcaya is a story within stories Deering and Chalfin’s fabrication within the larger fictions of Miami, and of Florida all creating a past that never quite existed. These eighteenth-century sculptures of sixteenth- and seventeenth-century artists were reworked for placement in a nascent swampy city founded four years before the twentieth century.
Deering clearly wanted awareness of these two men, Ponce de León and Vizcaíno, foremost in the minds of visitors. Originally, he discussed naming two nearby islands after the Spanish voyagers, as the other primary entrance to Vizcaya was by boat and the one Deering preferred his guests utilize. The decision in favor of the statues, leaving the islands nameless, proved prescient, as those islands have since submerged into the depths of Biscayne Bay.
And so is the same with the stone boat, some say it is a Roman boat others that is Greek, but in fact it is a fusion of three creative styles, Norse, Greek and Roman, or God knows that some other occurrence..... ☺☺
Fence Fridays, 2020-07-10
Is it the sun, is it an Edelweiss flower, or is it the wheel of a steam locomotive? Sturdily braced in its iron mount, this symbolic feature is typical of local railway fences all over Vienna. It is always painted this shade of green, a colour widely used in Viennese art nouveau ("Jugendstil"). The old stations were designed by Vienna's early twentieth-century architectural master-mind, Otto Wagner. HFF!
SMC Pentax-DA 40mm f:2.8 Limited - wide open.
(The lens is hardly bigger than a body-cap - I sometimes think I've forgotten to mount it when I take the camera out of the bag!)
PENTAX K-1 (in APSC mode)
This marble statues of Spanish explorers, said to be the work of Giovanni Marchiori, the eighteenth-century sculptures were not voyagers when initially created, but instead portrayed Italian architectural master Andrea Palladio and sculptor and architect Gian Lorenzo Bernini. With their 1919 installation at Vizcaya, the statues were modified to fit the mold of Vizcaya owner James Deering’s evolving fable.
Architectural master piece of my fave Zaha Hadid. Real signature of president Heydar.
Panoramic image
The Dime Building is one of Detroit’s oldest skyscrapers, having towered over Griswold Street for more than a century.
But why did they call it the Dime? Because it was built by a bank.
The Dime Savings Bank of Detroit was founded in 1884. The institution was backed by only $60,000. With so little money in its vaults, it set out to lure as many customers as it could. And it came up with a novel idea. Anyone could open up a savings account at this bank, and you could open one with as little as 10 cents. And that, the story goes, is where the bank got its name. This story led one newspaper to quip that the bank was “begun with capital a few cents short of a shoestring - and a belief in the power of a dime.”
The bank enlisted American architectural master Daniel H. Burnham to design a 23-story skyscraper. Burnham would deck the 323-foot Neoclassical beauty out in the white terra cotta that was a trademark of his Chicago School of architecture. Work started in 1910, and the building was ready to go by 1912. The building housed the bank’s vaults and tellers on the first floor and offices - both for the bank and other tenants - above that.
In October 1925, Livingstone died in his office in the Dime Building. He would be succeeded by his youngest son, Thomas Witherell Palmer Livingstone. T.W. Livingstone was one month shy of his 34th birthday when he took the helm, making him one of the youngest bank presidents in the country. And it would be under his watch that the Dime Savings Bank would disappear.
On April 16, 1929, the board of Dime Savings Bank agreed to merge with the Merchants National Bank. At the time, Dime Bank’s deposits totaled more than $63 million - the equivalent of more than $794 million today. The merger with Merchants created the Bank of Michigan, which had assets of nearly $100 million, $1.26 billion today.
In 2002, developer Waad Nadhir sunk $40 million into renovating the Dime into a Class A office building. It was noted at the time that the owners were respecting the building’s historical integrity. Despite the renovation, the tenants didn’t come. The building was hovering around 40% vacancy when Wells Fargo Bank seized the Dime through foreclosure in 2009.
In June 2011, Quicken Loans founder Dan Gilbert added the Dime Building to his portfolio of downtown office buildings. Gilbert’s Rock Ventures LLC bought the Dime and its accompanying parking deck from Wells-Fargo Bank for about $15 million. On April 30, 2012, Chrysler Group LLC announced that the company would lease nearly 33,000 square feet and move its Great Lakes Business Center and some of its corporate functions into the Dime.
Source: HistoricDetroit.org (web). historicdetroit.org/building/dime-building/
The entrance to the Pontsteiger is a pier of approximately 30 meters wide, starting at Tasmankade and it ends 200 meters further in a square on the water. The first part of the pier (the Kistdam) is home to the new landing place for the ferry to Amsterdam Noord. A wide pedestrian boulevard leads pedestrians to the Ponsteiger, the cozy inner area and small harbour for private boats of residents of the building.
Architect: Floor Arons & Arnoud Gelauff (Arons en Gelauff architecten)
Location: Houthavens, Amsterdam, The Netherlands
Start Construction: 2015-05-01
Construction Completed: 2018-12-28
Opening 2018-09-05
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#amsterdamcity #architecture #art #cityarchitecture #citygrammers #design #fineartarchitecture #fineartphotography #fineartzone #home #iamsterdam #igersamsterdam #instagood #instagram #line #lines #linework #minimaldotcom #photography #straight #symmetry #symmetry_art #symmetryart #symmetrybreakfast #symmetryhunters #symmetrykillers #symmetrylovers #symmetryphotography #wood #woodwork #woodworking
"Masters’ Houses
by Walter Gropius (1925–26)
Parallel to the Bauhaus building, the city of Dessau commissioned Walter Gropius to construct three pairs of identical semi-detached houses for the Bauhaus masters and a detached house for the director. These were built in a small pine wood on the street now known as the Ebertallee.
Modular architecture
Gropius planned to build the complex based on a modular principle, using industrially prefabricated components. With this he wished to realise the principles of rational construction, both in the architecture and in the process of building per se. In view of the technical resources available at the time, his plan was only partially realised.
The buildings take the form of interlocking cubic structures of various heights. Towards the street the semi-detached houses are distinguished by generously glazed studios; vertical strip windows on the sides let light into the staircases. Only the director’s house featured an asymmetric arrangement of windows. The light-coloured houses have generously-sized terraces and balconies and feature colourful accents on the window reveals, the undersides of the balconies and the drainpipes.
Famous residents
[...] The list of residents reads like a ‘Who’s Who’ of modernists: László Moholy-Nagy, Lyonel Feininger, Georg Muche, Oskar Schlemmer, Wassily Kandinsky and Paul Klee, along with their families. Others lived here later, including Hannes Meyer, Ludwig Mies van der Rohe, Josef Albers, Hinnerk Scheper and Alfred Arndt. For the colour design of the interiors, artists such as Klee and Kandinsky developed own ideas that were closely related to their works.
War and its repercussions
After the closure of the Bauhaus in 1932 the houses were let to third parties. [...] The [...] complex was extensively renovated in 1992. [...]" (www.bauhaus-dessau.de)
ARCH 703 Studio Jonas Coersmeier, Pratt Institute School of Architecture, Master of Architecture Program, Fall 2016. GA: Michael Chamber, Jose Abreu
Student: Xiaoli Zhang
Modernist architectural master Richard Neutra called this 1936 Hollywood Hills home his favorite of the period.
Original Name: Joseph Kun Residence
Architect: Richard Neutra
Year of Completion: 1936
Property Type: Single-Family Residential
House Size: 1,732 Sq Ft (527 m2)
Lot Size: 5,483 Sq Ft Lot (1671 m2)
Architectural Style: International, modern
Price 1985: approx. $250,000
Sold 2015: $3,400,000
This homes’ design was inspired by several California mid-century modern architectural masters, including John Lautner, Richard Neutra and E. Stewart Williams. This home, constructed of steel, stone, glass and concrete, takes some of its cues from Stewart Williams’ Edris house, as can be seen in the dramatically projecting slanted roof plane. The section of roof that projects over the front entrance contains solar panels. The prominent roof pivots from identical massive walls which are constructed from irregularly cut concrete blocks, a modern interpretation of a typical mid-century modern stone wall. There are several ways to enter the house, from inside the 6-car garage by elevator, or by taking either the staircase to the left, under the house, or the dramatic freestanding concrete staircase to the right that lands in front of the glass walled infinity-edge pool. There is a home gym located in the house at ground level adjacent to the glass-walled pool allowing for dramatic views of swimmers doing their laps. A stacked sandstone wall that deconstructs as it surrounds the pool is reminiscent of the stone used by Richard Neutra in his Kaufmann house. An all-glass entry door is situated behind the 3-storey high concrete wall which leads to a soaring glass enclosed space with a view throughout the entire first floor. The front of the house is glazed in Pilkington Profilit glass to allow privacy while letting in maximum light. The sides of the house feature large panes of plate glass.
Mike Barton
Creative Director of Design & Branding
Architecture master Kurokawa's old works. We can't believe the interior is designed before 20 years. Amazing sense of Kurokawa.
20年以上前の作品とは思えない美しさです。
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和歌山県立近代美術館 - 建築グラビア Architecture Gravure
Gallery : photowork.jp/christinayan01/architectural/archives/6334
------------------------
The Museum of Modern Art Wakayama, Wakayama Prefectural Museum (和歌山県立近代美術館).
Architect : Kisho Kurokawa (設計：黒川紀章建築都市設計事務所).
Contractor : Takenaka Corporation (施工：竹中工務店、清水建設、戸田建設JV).
Completed : 1994 (竣工：1994年).
Structured : Reinforced Concrete (構造：鉄筋コンクリート造).
Costs : $127 million (総工費：約127億円).
Use : Museum (用途：美術館、博物館).
Height : ft (高さ：m).
Floor : 2 (階数：地下1階、地上2階).
Floor area : 201,328 sq.ft. (延床面積：18,704.50㎡).
Building area : 76,283 sq.ft. (建築面積：7,087.17㎡).
Site area : sq.ft. (敷地面積：㎡).
Location : 1-4 Fukiage, Wakayama City, Wakayama, Japan (所在地：日本国和歌山県和歌山市吹上1-4).
Referenced :
www.wakayama-aba.jp/public/%E5%92%8C%E6%AD%8C%E5%B1%B1%E7...
www.pbaweb.jp/files/pages/prize_history/file20071002_4.pdf
vectorfield.net/2015/11/27/%E5%92%8C%E6%AD%8C%E5%B1%B1%E7...
ARCH 703 Studio Jonas Coersmeier, Pratt Institute School of Architecture, Master of Architecture Program, Fall 2016. GA: Michael Chamber, Jose Abreu Student: Alexandra Vanderburgh
Do not use my works without my written permission!!!
''Küle döndüysen, yeniden güle dönmeyi bekle.
Ve geçmişte kaç kere küle dönüştüğünü değil,
kaç kere yeniden küllerin arasından doğrulup ,yeni bir gül olduğunu hatırla.....''
Mevlana
© Özlem Acaroğlu 2013 | All rights reserved
''Fotoğraflarımın izin alınmadan kopyalanması ve kullanılması 5846 sayılı Fikir ve Sanat Eserleri Yasasına göre suçtur.!!''
ARCH 703 Studio Jonas Coersmeier, Pratt Institute School of Architecture, Master of Architecture Program, Fall 2016. GA: Michael Chamber, Jose Abreu
Student: Loyra Nunez
Modernist architectural master Richard Neutra called this 1936 Hollywood Hills home his favorite of the period.
Original Name: Joseph Kun Residence
Architect: Richard Neutra
Year of Completion: 1936
Property Type: Single-Family Residential
House Size: 1,732 Sq Ft (527 m2)
Lot Size: 5,483 Sq Ft Lot (1671 m2)
Architectural Style: International, modern
Price 1985: approx. $250,000
Sold 2015: $3,400,000
Architecture master Kurokawa's old works. We can't believe the interior is designed before 20 years. Amazing sense of Kurokawa.
20年以上前の作品とは思えない美しさです。
------------------------
和歌山県立近代美術館 - 建築グラビア Architecture Gravure
Gallery : photowork.jp/christinayan01/architectural/archives/6334
------------------------
The Museum of Modern Art Wakayama, Wakayama Prefectural Museum (和歌山県立近代美術館).
Architect : Kisho Kurokawa (設計：黒川紀章建築都市設計事務所).
Contractor : Takenaka Corporation (施工：竹中工務店、清水建設、戸田建設JV).
Completed : 1994 (竣工：1994年).
Structured : Reinforced Concrete (構造：鉄筋コンクリート造).
Costs : $127 million (総工費：約127億円).
Use : Museum (用途：美術館、博物館).
Height : ft (高さ：m).
Floor : 2 (階数：地下1階、地上2階).
Floor area : 201,328 sq.ft. (延床面積：18,704.50㎡).
Building area : 76,283 sq.ft. (建築面積：7,087.17㎡).
Site area : sq.ft. (敷地面積：㎡).
Location : 1-4 Fukiage, Wakayama City, Wakayama, Japan (所在地：日本国和歌山県和歌山市吹上1-4).
Referenced :
www.wakayama-aba.jp/public/%E5%92%8C%E6%AD%8C%E5%B1%B1%E7...
www.pbaweb.jp/files/pages/prize_history/file20071002_4.pdf
vectorfield.net/2015/11/27/%E5%92%8C%E6%AD%8C%E5%B1%B1%E7...
This is the 5th in the series of 30 (of the 238 delivered) from this residence.
Here is the master bedroom which considering the amount of tile throughout the home is a bit of a departure from the rest of the house. I'm a big fan of carpet, so it gets a pass with me.
This was shot all ambient with a little spill coming in from the bathroom to the right. There is total blackness outside the patio door just above the pool because there is a brick wall there. The homes in Vegas (even the big ones) tend to have pretty narrow backyards.
One of the prominent Jaislamer attractions, the Tazia Tower bears relics to the rich architectural splendor of the ancient times. The five storeyed Tazia Tower was constructed by the Muslim artisans for their imperial rulers of Jaisalmer. Tazia Tower is an integral part of the architectural monument of the Badal Mahal
Tazia Tower was constructed in the form of Tazia that are usually part of Muslim religious festivities. Representing the secular identity of the region, the Muslim craftsmen had constructed the beautiful architectural master piece as gift for the imperial Hindu king of Maharawal Berisal Singh.
ARCH 703 Studio Jonas Coersmeier, Pratt Institute School of Architecture, Master of Architecture Program, Fall 2016. GA: Michael Chamber, Jose Abreu
Student: Maeleen Taylor
One of the prominent Jaislamer attractions, the Tazia Tower bears relics to the rich architectural splendor of the ancient times. The five storeyed Tazia Tower was constructed by the Muslim artisans for their imperial rulers of Jaisalmer. Tazia Tower is an integral part of the architectural monument of the Badal Mahal
Tazia Tower was constructed in the form of Tazia that are usually part of Muslim religious festivities. Representing the secular identity of the region, the Muslim craftsmen had constructed the beautiful architectural master piece as gift for the imperial Hindu king of Maharawal Berisal Singh.
ARCH 703 Studio Jonas Coersmeier, Pratt Institute School of Architecture, Master of Architecture Program, Fall 2016. GA: Michael Chamber, Jose Abreu
Student: Loyra Nunez
Architectural master piece in progress. I seriously cannot fathom how magnificent the finished product will be. I suppose we will have to wait. Stop taking so many siestas and finish it guys!
Student Projects
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Andréa Castro
Daniel Elizondo
Einas Eisa
Nurgul Kassayeva
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Ana Cecilia Montiel
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
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Gustavo Villar
Federico González
Enas Eisa
Andrea Castro
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Daniel Elizondo
Nurgul Kassayeva
Michèle Merchak
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Daniel Elizondo
Nurgul Kassayeva
Michèle Merchak
Industrial Design for Architecture
Master of Politecnico di Milano designed by POLI.design
Layout, Construction & Real Estate
Ναός τῆς Ἁγίας τοῦ Θεοῦ Σοφίας - Αγιά Σοφιά - Sancta Sophia - Sancta Sapientia - Hagia Sofia - Ayasofya
Hagia Sophia is a former Orthodox patriarchal basilica, later a mosque, and now a museum in Istanbul, Turkey. From the date of its dedication in 360 until 1453, it served as the Greek Patriarchal cathedral of Constantinople, except between 1204 and 1261, when it was converted to a Roman Catholic cathedral under the Latin Patriarch of Constantinople of the Western Crusader established Latin Empire. The building was a mosque from 29 May 1453 until 1931, when it was secularized. It was opened as a museum on 1 February 1935.