View allAll Photos Tagged architecturalmodel
Architects; David Chipperfield Architects, 2005-06.
A great shot of the actual building by Orlando72 here.
Team Sapienza unveils ReStart4Smart project with the architectural model presentation at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center
Cardiff Bay Opera House Competition was won by this scheme. Welsh found the scheme 'unpalatable' and missed the chance of having this winner and Richard Rogers Assembly building side by side.
The stuff that keeps me away from flickr..!
..architecture studies ;)
This might become a case of tl;dr, but if so, don't ask me what it is ;)
Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.
The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..
So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.
Originally posted to the Guess Where London group on 28-01-07.
I've started a new project to go along with my storefronts...New York Doors. This one is 1/6th scale. 20" x 13" x 4".
www.nytimes.com/interactive/2013/09/29/nyregion/album-sto...
abclocal.go.com/kabc/story?section=news/local/los_angeles...
www.theatlanticcities.com/arts-and-lifestyle/2013/09/secr...
vanishingnewyork.blogspot.com/2013/09/new-work-from-randy...
ny.curbed.com/archives/2013/09/10/its_a_small_world.php
gothamist.com/2013/09/10/photos_amazing_miniaturized_nyc_...
laist.com/2013/09/25/river_cats.php
vanishingnewyork.blogspot.com/2013/09/new-work-from-randy...
Early stages of the half timbered crooked organic storybook effect. Balcony, stairs, shutters, entry bridge roof & shingles yet to be installed. The tower has the slightest convex curve to it, not a flat consistent slope like a typical lighthouse. This would be the front view (entrance side) with the ocean behind it. Other photos show better detail of crumbled brick and mortar effect. The entire structure is hollow to be lit internally.
Put the straight edge back in the toolbox! This is all done in Crooked Keebler Geppetto Old World Storybook style. Actually takes more work because every table saw cut is a straight line and needs to be distressed & bent for the lines to flow like a freehand sketch.
View showing an architectural model of City Hall designed by John McArthur, Jr. Features a dome instead of the tower that was eventually constructed. City Hall built 1871-1901 on Penn Square.
Accession number: P.2011.47.1668
The stuff that keeps me away from flickr..!
..architecture studies ;)
This might become a case of tl;dr, but if so, don't ask me what it is ;)
Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.
The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..
So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.
Architect; Jan Kaplicky, Future Systems, 1984.
Jan Kaplicky had two distinct periods in his creative life and I would describe them as “Archigram Period” and towards the end of his life “Organic Period”. This tower belongs to the first period and still remains one of my favourites, just for incongruous non-aerodynamic shapes.
Photos of both models were taken at Design Museum exhibition after Jan Kaplicky's sudden death. The photo montages contain scans from Martin Pawley's book on Future Systems.
The stuff that keeps me away from flickr..!
..architecture studies ;)
This might become a case of tl;dr, but if so, don't ask me what it is ;)
Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.
The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..
So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.
'Maison Tropicale' to be built in front of Tate Modern in early February 08 as part of the current exhibition.
1" Scale storefront miniature.
Brick and stone cast resin from silicone molds. This model has fiber optics that chase in sequence along top decorative facia board and leading edge of the balcony. The interior is open for viewing thru a glass window on the side.
Based on elements from several brick buildings I photographed around Atlantic City.
Team Sapienza unveils ReStart4Smart project with the architectural model presentation at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center
1/12th scale model by Randy Hage. 18x15x8in. Shop is located at 160 Prince St. NYC. See pics of the real shop on Google maps or flickr search.
www.nytimes.com/interactive/2013/09/29/nyregion/album-sto...
abclocal.go.com/kabc/story?section=news/local/los_angeles...
www.theatlanticcities.com/arts-and-lifestyle/2013/09/secr...
vanishingnewyork.blogspot.com/2013/09/new-work-from-randy...
ny.curbed.com/archives/2013/09/10/its_a_small_world.php
gothamist.com/2013/09/10/photos_amazing_miniaturized_nyc_...
Architects; David Chipperfield Architects, opening on 21 May, 2011.
Most deserving reciepient of Royal Gold Medal for 2011. Some excellent videos here.
Seen at a RIBA Exhibition, November 2009.
The model of 'Zig-Zag Housing' has been crotcheted, as far as I could tell. One way of softening the impact I suppose.
Museum of Modern Literature, Marbach am Neckar, Germany.
Architects; David Chipperfield Architects, 2002-06.
Photo of the completed project here
Presented by Richard Harper.
Layout Size: 26' x 4'.Period: British Railways (Southern Region) around 1959-60.
The model is of a seaside branch line terminus in East Devon on the former London and Soth Western Railway (LSWR).
Maatwerk / Massarbeit Flemish and Dutch Architecture, Exhibition at Deutsches Architekturmuseum Frankfurt 2016 / 17
photographed by
Frank Dinger
BECOMING - office for visual communication
The stuff that keeps me away from flickr..!
..architecture studies ;)
This might become a case of tl;dr, but if so, don't ask me what it is ;)
Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.
The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..
So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.
Students in the Structural Systems class working in Rand Hall and the Structural Systems exhibition in the John Hartell Gallery.
1/12th scale miniature sculpture of CBGB by Randy Hage. 21" x 19" x 11". Real structure was located at 315 Bowery, NY.
A fascinating publication - a portfolio containing 32 sheets illustrating the range of work undertaken by Cockade Ltd of London and issued in 1949. The folder is printed at the Shenval Press, then regarded as one of the best printers, and the boards are decorated on the cover with the cockade symbol, the inner boards with a very contemporary 'star' pattern.
Cockade was founded by Sir Stephen George Tallents (1884 - 1958), one of the most brilliant civil servants of his generation. His interests in public relations grew following his appointment as Secretary to the Empire Marketing Board in 1926 - the organisation that in its seven years of existance gained an interantional reputation for the quality of its publicity and advertising. When it was wound up in 1933 Tallents moved to the GPO taking with him the EMB's film unit that, as the GPO Film Unit, is regarded as one of the pioneers of the documentary film movement. After service in the Ministry of Information in WW2 Tallents formed Cockade Ltd to produce, as the introductory essay shows, display material of a wide range - both in terms of design and manufacturing. This portfolio has the added attraction of bearing Tallent's signature, dated 1950.
Cockade employed a wide range of talent from the art, design, publicity and public relations fields and boasted a considerable client list. Sadly the cover motif and lettering is not ascribed to a designer but at least one of the illustrations is by Hugh Casson, the well known architectural illustartor. The other may be by Richard Guyatt.
The stuff that keeps me away from flickr..!
..architecture studies ;)
This might become a case of tl;dr, but if so, don't ask me what it is ;)
Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.
The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..
So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.