View allAll Photos Tagged architecturalmodel
In the Studio.
Me with mixed media sculpture of Vesuvio Bakery in 1/12th scale. 18" x 15" x 8". Real storefront structure is located at 160 Prince st. in soho, Manhattan, New York. Follow this link if you would like to see a side by side comparison between my work and the original structure. www.flickr.com/photos/mindseyeminiatures/4701000792/in/se...
vanishingnewyork.blogspot.com/2010/07/model-new-york.html
www.nytimes.com/interactive/2013/09/29/nyregion/album-sto...
abclocal.go.com/kabc/story?section=news/local/los_angeles...
www.theatlanticcities.com/arts-and-lifestyle/2013/09/secr...
vanishingnewyork.blogspot.com/2013/09/new-work-from-randy...
ny.curbed.com/archives/2013/09/10/its_a_small_world.php
gothamist.com/2013/09/10/photos_amazing_miniaturized_nyc_...
The stuff that keeps me away from flickr..!
..architecture studies ;)
This might become a case of tl;dr, but if so, don't ask me what it is ;)
Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.
The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..
So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.
1/12th scale model by Randy Hage. 25x15x8in. Storefront located 196 Broadway, Williamsburg, Brooklyn, NY. Take a look at my photostream to see a side by side comparison of my model and the real thing.
www.nytimes.com/interactive/2013/09/29/nyregion/album-sto...
abclocal.go.com/kabc/story?section=news/local/los_angeles...
www.theatlanticcities.com/arts-and-lifestyle/2013/09/secr...
vanishingnewyork.blogspot.com/2013/09/new-work-from-randy...
ny.curbed.com/archives/2013/09/10/its_a_small_world.php
gothamist.com/2013/09/10/photos_amazing_miniaturized_nyc_...
1/12th scale model of a bodega located at Albany and Pacific, in the Bed-Stuy/Crown Heights area of Brooklyn, NY.
If you would like to see more of my work, please follow these links...
www.newyorkstorefronts.com www.nytimes.com/interactive/2013/09/29/nyregion/album-sto...
abclocal.go.com/kabc/story?section=news/local/los_angeles...
www.theatlanticcities.com/arts-and-lifestyle/2013/09/secr...
vanishingnewyork.blogspot.com/2013/09/new-work-from-randy...
ny.curbed.com/archives/2013/09/10/its_a_small_world.php
gothamist.com/2013/09/10/photos_amazing_miniaturized_nyc_...
General Manager for the Technological Materials Division at AMA Composites, Alberto Donelli, and Team Sapienza Faculty Advisor and Project Manager, Prof. Marco Casini, proudly show off ReStart4Smart architectural model at Klimahouse 2018
Team Sapienza unveils ReStart4Smart project with the architectural model presentation at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center
ReStart4Smart architectural model displayed at REDI stand during Klimahouse 2018. REDI is Official Partner of Team Sapienza in the Solar Decathlon Middle East 2018 competition
Nick's Luncheonette located at 196 Broadway, Williamsburg, Brooklyn, NY.
Photo shows a side by side view of the real structure and the 1/12th scale model made by Randy Hage. Randy is currently documenting and recreating New York storefronts that are being lost to urban renewal and gentrification
www.nytimes.com/interactive/2013/09/29/nyregion/album-sto...
abclocal.go.com/kabc/story?section=news/local/los_angeles...
www.theatlanticcities.com/arts-and-lifestyle/2013/09/secr...
vanishingnewyork.blogspot.com/2013/09/new-work-from-randy...
ny.curbed.com/archives/2013/09/10/its_a_small_world.php
gothamist.com/2013/09/10/photos_amazing_miniaturized_nyc_...
Hochhaus Lange Strasse Rostock
76.207 Einzelteile
Maßstab 1:25
Standort : Hansestadt Rostock
Bauzeit : 1953
Baustil : Nachbau Backstein
Ursprung: Verkaufseinrichtung, Wohnhaus
Heute: Restaurant, Wohnhaus
Hochhaus an der Langen Straße im Stil eines backsteingotischen Giebelhauses, ein Wahrzeichen Rostocks. Seit 1979 steht die Lange Straße als Gesamtanlage unter Denkmalschutz.
1/12th scale model of storefront. An amalgam of different structures in NYC. By Randy Hage
www.nytimes.com/interactive/2013/09/29/nyregion/album-sto...
abclocal.go.com/kabc/story?section=news/local/los_angeles...
www.theatlanticcities.com/arts-and-lifestyle/2013/09/secr...
vanishingnewyork.blogspot.com/2013/09/new-work-from-randy...
ny.curbed.com/archives/2013/09/10/its_a_small_world.php
gothamist.com/2013/09/10/photos_amazing_miniaturized_nyc_...
The stuff that keeps me away from flickr..!
..architecture studies ;)
This might become a case of tl;dr, but if so, don't ask me what it is ;)
Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.
The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..
So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.
On the right wall "disco #2" 2012 - Koen van den Broek (b. 1973)
With his paintings of urban spaces such as buildings, roads or car parks, Koen van den Broek takes you on a long road trip. His works examine our experience of the outside world, from close up views of bleak urban corners to the expansiveness of the countryside His compositions are dynamic, featuring architectural and infrastructural motifs such as the curb of a road, the grid on a sidewalk, or the shadows of vehicles. Using his own travel snapshots as a starting point, van den Broek evolves a clear, stripped down, painterly language of cool neutral colours, cold abstraction and harsh shadows. His work emphasizes the function of the canvas as a container, presenting a cropped and arranged view of a much larger subject. With reduced feeling and a sense of distortion, van den Broek's intention seems to be to show us how we see rather than what we see He is not interested in painting from nature, but rather what people leave behind, in "non-places". His works intimate a journey into an unknown destination, out of focus and off-screen, creating what the artist describes as a "visual confusion regarding depth and perspective". Investing our sense of looking with renewed energy, they open up to the viewer the experience of a small, overlooked corner, or a sublime detail, as if viewed from behind the windscreen of a car.
The stuff that keeps me away from flickr..!
..architecture studies ;)
This might become a case of tl;dr, but if so, don't ask me what it is ;)
Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.
The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..
So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.
Team Sapienza Faculty Advisor and Project Manager Prof. Marco Casini and the Italian Ambassador in the UAE Liborio Stellino with Team Sapienza architectural model exhibited at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center
1/12th scale sculpture of Ideal Hosiery, located at 339 Grand St. New York, NY. Lower East Side, Manhattan.
For this project, I took the time to take progress pictures. Click here if you would like to see a video showing this structure during construction...
www.youtube.com/watch?v=OINaUsUfHIc
www.nytimes.com/interactive/2013/09/29/nyregion/album-sto...
abclocal.go.com/kabc/story?section=news/local/los_angeles...
www.theatlanticcities.com/arts-and-lifestyle/2013/09/secr...
vanishingnewyork.blogspot.com/2013/09/new-work-from-randy...
ny.curbed.com/archives/2013/09/10/its_a_small_world.php
gothamist.com/2013/09/10/photos_amazing_miniaturized_nyc_...
1/12th scale miniature sculpture of Pearl Paint by Randy Hage. 22.5" x 22.5" x 10". Real structure was located at 308 Canal St., NYC.
DZ Bank model
1995-2001 (realised)
Berlin, Germany
Centre Pompidou:
2014 retrospective exhibition of Frank Gehry models
Paris
France
architect Gehry Partners LLP
Winner in 1989
© picture by Mark Larmuseau
1/12th scale model of McSorley's Old Ale House by Randy Hage. 23" x 18" x 8". Real structure located at 15 E. 7th St. NY.
The stuff that keeps me away from flickr..!
..architecture studies ;)
This might become a case of tl;dr, but if so, don't ask me what it is ;)
Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.
The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..
So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.
Presented by Richard Harper.
Layout Size: 26' x 4'.Period: British Railways (Southern Region) around 1959-60.
The model is of a seaside branch line terminus in East Devon on the former London and Soth Western Railway (LSWR).
A fascinating publication - a portfolio containing 32 sheets illustrating the range of work undertaken by Cockade Ltd of London and issued in 1949. The folder is printed at the Shenval Press, then regarded as one of the best printers, and the boards are decorated on the cover with the cockade symbol, the inner boards with a very contemporary 'star' pattern.
Cockade was founded by Sir Stephen George Tallents (1884 - 1958), one of the most brilliant civil servants of his generation. His interests in public relations grew following his appointment as Secretary to the Empire Marketing Board in 1926 - the organisation that in its seven years of existance gained an interantional reputation for the quality of its publicity and advertising. When it was wound up in 1933 Tallents moved to the GPO taking with him the EMB's film unit that, as the GPO Film Unit, is regarded as one of the pioneers of the documentary film movement. After service in the Ministry of Information in WW2 Tallents formed Cockade Ltd to produce, as the introductory essay shows, display material of a wide range - both in terms of design and manufacturing. This portfolio has the added attraction of bearing Tallent's signature, dated 1950.
Cockade employed a wide range of talent from the art, design, publicity and public relations fields and boasted a considerable client list. Sadly the cover motif and lettering is not ascribed to a designer but at least one of the illustrations is by Hugh Casson, the well known architectural illustartor. The other may be by Richard Guyatt.
structural model of the basilica showing a cross-section of the central part of the church with the domes of the Ascension, the chancel and the south transept. The wooden support system for the domes above those in masonry and an example prior to their elevation can be seen. The groin vault structure supported by balusters roofing the crypt and the ancient tomb of Saint Mark can also be seen. Scale 1:33
Museo di San Marco, Venezia
Team Sapienza unveils ReStart4Smart project with the architectural model presentation at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center
Faculty Advisor and Project Manager Prof. Marco Casini shows Team Sapienza architectural model to the Italian Government delegation, lead by Under Secretary of State for the Ministry of the Environment Honorable Silvia Velo, visiting Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center
although I asked permission to photograph this close-up , this model is clearly visible from the street.
Guess where Londoners?
Team Sapienza unveils ReStart4Smart project with the architectural model presentation at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center
Team Sapienza Faculty Advisor and Project Manager, Prof. Marco Casini, SOLTECH Director, Emanuele Gatti, and Team Members Ludovica and Giuseppina at SOLTECH stand at Klimahouse 2018
Team Members Ludovica and Giuseppina were glad to give a presentation of Team Sapienza's project ReStart4Smart and answer the questions of visitors and professionals passing by at REDI stand at Klimahouse 2018
Taken August 2005 at Tobu World Square, near Nikko, Japan. Imagine a park filled with 1/25 scale models of famous architectural and historical landmarks.
State Office Twin Towers
a/k/a Office Buildings 8 & 9
home of the state departments of health and social services
downtown Sacramento
Team Sapienza unveils ReStart4Smart project with the architectural model presentation at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center
Maatwerk / Massarbeit Flemish and Dutch Architecture, Exhibition at Deutsches Architekturmuseum Frankfurt 2016 / 17
photographed by
Frank Dinger
BECOMING - office for visual communication
miniland Mecklenburg-Vorpommern in Göldenitz bei Rostock
Mühle Goldenbow
12.607 Einzelteile
Maßstab 1:25
Standort : zwischen Parchim und Crivitz
Bauzeit : 1869
Baustil : Galerieholländer Mühle
Ursprung: Getreidemühle
Heute: Privatbesitz, Wohnung
Durch die erheblich größeren Bauhöhen mancher Holländerwindmühlen war es nicht mehr möglich, die Flügel oder den Steert zu erreichen. Beides musste zur ordnungsgemäßen Bedienung der Windmühle möglich sein. Man erfand deshalb eine Art umlaufenden Balkon oder Galerie, von der Flügel wie Steert und Bremse bedient werden konnten. Diese Typen werden als „Galerieholländer(mühlen)“ bezeichnet.