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On the right wall "disco #2" 2012 - Koen van den Broek (b. 1973)

 

With his paintings of urban spaces such as buildings, roads or car parks, Koen van den Broek takes you on a long road trip. His works examine our experience of the outside world, from close up views of bleak urban corners to the expansiveness of the countryside His compositions are dynamic, featuring architectural and infrastructural motifs such as the curb of a road, the grid on a sidewalk, or the shadows of vehicles. Using his own travel snapshots as a starting point, van den Broek evolves a clear, stripped down, painterly language of cool neutral colours, cold abstraction and harsh shadows. His work emphasizes the function of the canvas as a container, presenting a cropped and arranged view of a much larger subject. With reduced feeling and a sense of distortion, van den Broek's intention seems to be to show us how we see rather than what we see He is not interested in painting from nature, but rather what people leave behind, in "non-places". His works intimate a journey into an unknown destination, out of focus and off-screen, creating what the artist describes as a "visual confusion regarding depth and perspective". Investing our sense of looking with renewed energy, they open up to the viewer the experience of a small, overlooked corner, or a sublime detail, as if viewed from behind the windscreen of a car.

Lomo Lc-a + Vivitar Ultra Wide & Slim + Double Exposure Collaboration with ξαβλ + Kodak Elite Chrome 200 + Cross Processed.

 

From Roll 1 of a double exposure collaboration with the very lovely ξαβλ (anglicised = xabl or try xav/xavvy, zabble or 'greek letters I can't find on my keyboard' as is your wont! ;)) He ran the film through his Lomo Lc-a around Bristol, and I ran it through my Vivitar Ultra Wide & Slim a second time - mostly around Bristol, but with one or two from London thrown in. Neither of us had any idea about what the other had pointed the camera at, neither did we 'line the film up' before starting, so there is even more randomness of frame edges & overlaps at play during some of the shots.

 

The 'Fourth Plinth' Website.

The stuff that keeps me away from flickr..!

 

..architecture studies ;)

 

This might become a case of tl;dr, but if so, don't ask me what it is ;)

 

Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.

 

The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..

 

So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.

DZ Bank model

1995-2001 (realised)

Berlin, Germany

 

Centre Pompidou:

2014 retrospective exhibition of Frank Gehry models

Paris

France

 

architect Gehry Partners LLP

www.foga.com

 

Pritzker Prize

Winner in 1989

  

© picture by Mark Larmuseau

Photo by Gregory Peterson.

The stuff that keeps me away from flickr..!

 

..architecture studies ;)

 

This might become a case of tl;dr, but if so, don't ask me what it is ;)

 

Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.

 

The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..

 

So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.

Architect: Thom Mayne, Morphosis.

1/12th scale miniature sculpture of Pearl Paint by Randy Hage. 22.5" x 22.5" x 10". Real structure was located at 308 Canal St., NYC.

1/12th scale model of McSorley's Old Ale House by Randy Hage. 23" x 18" x 8". Real structure located at 15 E. 7th St. NY.

structural model of the basilica showing a cross-section of the central part of the church with the domes of the Ascension, the chancel and the south transept. The wooden support system for the domes above those in masonry and an example prior to their elevation can be seen. The groin vault structure supported by balusters roofing the crypt and the ancient tomb of Saint Mark can also be seen. Scale 1:33

Museo di San Marco, Venezia

Team Sapienza unveils ReStart4Smart project with the architectural model presentation at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center

A fascinating publication - a portfolio containing 32 sheets illustrating the range of work undertaken by Cockade Ltd of London and issued in 1949. The folder is printed at the Shenval Press, then regarded as one of the best printers, and the boards are decorated on the cover with the cockade symbol, the inner boards with a very contemporary 'star' pattern.

 

Cockade was founded by Sir Stephen George Tallents (1884 - 1958), one of the most brilliant civil servants of his generation. His interests in public relations grew following his appointment as Secretary to the Empire Marketing Board in 1926 - the organisation that in its seven years of existance gained an interantional reputation for the quality of its publicity and advertising. When it was wound up in 1933 Tallents moved to the GPO taking with him the EMB's film unit that, as the GPO Film Unit, is regarded as one of the pioneers of the documentary film movement. After service in the Ministry of Information in WW2 Tallents formed Cockade Ltd to produce, as the introductory essay shows, display material of a wide range - both in terms of design and manufacturing. This portfolio has the added attraction of bearing Tallent's signature, dated 1950.

 

Cockade employed a wide range of talent from the art, design, publicity and public relations fields and boasted a considerable client list. Sadly the cover motif and lettering is not ascribed to a designer but at least one of the illustrations is by Hugh Casson, the well known architectural illustartor. The other may be by Richard Guyatt.

although I asked permission to photograph this close-up , this model is clearly visible from the street.

Guess where Londoners?

Team Sapienza Faculty Advisor and Project Manager Prof. Marco Casini and the Italian Ambassador in the UAE Liborio Stellino with Team Sapienza architectural model exhibited at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center

Team Sapienza unveils ReStart4Smart project with the architectural model presentation at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center

Club building for a Kajak club

Team Members Ludovica and Giuseppina were glad to give a presentation of Team Sapienza's project ReStart4Smart and answer the questions of visitors and professionals passing by at REDI stand at Klimahouse 2018

State Office Twin Towers

a/k/a Office Buildings 8 & 9

home of the state departments of health and social services

downtown Sacramento

 

Detail model of for a component of a GFRC facade system. Picture taken during demoulding process.

Taken August 2005 at Tobu World Square, near Nikko, Japan. Imagine a park filled with 1/25 scale models of famous architectural and historical landmarks.

Team Sapienza unveils ReStart4Smart project with the architectural model presentation at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center

miniland Mecklenburg-Vorpommern in Göldenitz bei Rostock

 

Mühle Goldenbow

12.607 Einzelteile

Maßstab 1:25

Standort : zwischen Parchim und Crivitz

Bauzeit : 1869

Baustil : Galerieholländer Mühle

Ursprung: Getreidemühle

Heute: Privatbesitz, Wohnung

 

Durch die erheblich größeren Bauhöhen mancher Holländerwindmühlen war es nicht mehr möglich, die Flügel oder den Steert zu erreichen. Beides musste zur ordnungsgemäßen Bedienung der Windmühle möglich sein. Man erfand deshalb eine Art umlaufenden Balkon oder Galerie, von der Flügel wie Steert und Bremse bedient werden konnten. Diese Typen werden als „Galerieholländer(mühlen)“ bezeichnet.

 

www.muehle-goldenbow.de

Team Sapienza Faculty Advisor and Project Manager, Prof. Marco Casini, and Commercial Director at XLAM Dolomiti, Marco Pompili, discussing about ReStart4Smart project

Presented by Richard Harper.

 

Layout Size: 26' x 4'.Period: British Railways (Southern Region) around 1959-60.

 

The model is of a seaside branch line terminus in East Devon on the former London and Soth Western Railway (LSWR).

Maatwerk / Massarbeit Flemish and Dutch Architecture, Exhibition at Deutsches Architekturmuseum Frankfurt 2016 / 17

 

photographed by

Frank Dinger

 

BECOMING - office for visual communication

www.becoming.de

www.instagram.com/bcmng

Team Sapienza unveils ReStart4Smart project with the architectural model presentation at the Solar Decathlon Middle East stand during WETEX 2017 at the Dubai International Convention and Exhibition Center

Custom Built from Scratch.

1/12th scale window display commissioned by Martin Katz Jewelers, Beverly Hill, Ca.

The stuff that keeps me away from flickr..!

 

..architecture studies ;)

 

This might become a case of tl;dr, but if so, don't ask me what it is ;)

 

Normally when we do photography, we "find" our subjects. Or they are "given", or presented to us. Not so often do we create them. Photographing architects are among those who have that rare pleasure.. But even then the subjects are usually made for an entirely different purpose and the photos are just representations of them. In the previous semester in my architecture studies, I had the rare pleasure of exploring photography as a tool in itself. to -not take- but actually create photographs that was just that -images. This was done in combination with physical models in cardboard, plastic and similar. Sometimes the model served the photo, other times the opposite.

 

The course I participated in was called Studio B3, a highly abstract, experimental, pedagogic and philosophic course. The main aim is for the students to explore their own creative process -to discover where the ideas come from and how to develop them. To kickstart this they usually have a main theme; in later years a series called "The New Collective"; a search for a new relationship between architecture, nature and culture, through one specific subject -this time; Garden, previously; network, market, scene, dwelling, workplace etc..

 

So what are these images? They are photos from some of the 15 physical models I made only for the sake of translating the vague images in my head into a format I could communicate. Some of the photos are just representations of the models, but which I enjoy as photos nonetheless. Most of them however, are as close as I could come to the images that intuitively emerged from my imagination when discussing "garden" in a wider sense.

Historic England have just issued a Certificate of Immunity from Listing for most of the buildings in the Elephant & Castle complex thus bringing this part of the "Piccadilly Circus of South London" story to a close. The post-war reconstruction of an area seriously damaged by enemy bombardment was problematic and contentious. By 1960 this version of the 'masterplan' was under development. Various elements were constructed - mostly the roads! The junction layouts have recently been reorganised so that the Faraday Memorial (an Underground substation) is now on a penisular rather than an island, even allowing for the fact it wasn't built quite as seen here. The one feature that survived and still does is just visible on the right. This is the front elevation and portico of the bombed Metropolitan Tabernacle. One other structure mentioned here but not seen, off to the left, is the Erno Goldfinger block.

architectural model

State Office Twin Towers

a/k/a Office Buildings 8 & 9

home of the state departments of health and social services

downtown Sacramento

 

including a tiny representation of Apolymon, the cast lucite sculpture by Bruce Beasley

1/12th scale sculpture of Aoki's Shave Ice located in Haleiwa, Oahu, HI. 24" x 21.5" x 8". Business closed in November of 2013 due to area redevelopment. Building torn down in November 2014. So sad to lose such a great, and beloved, "Mom and Pop" storefront.

 

If you would like to see more of my work, please follow these links...

www.newyorkstorefronts.com

  

www.nytimes.com/interactive/2013/09/29/nyregion/album-sto...

 

abclocal.go.com/kabc/story?section=news/local/los_angeles...

 

www.theatlanticcities.com/arts-and-lifestyle/2013/09/secr...

 

vanishingnewyork.blogspot.com/2013/09/new-work-from-randy...

 

ny.curbed.com/archives/2013/09/10/its_a_small_world.php

 

gothamist.com/2013/09/10/photos_amazing_miniaturized_nyc_...

 

laist.com/2013/09/25/river_cats.php

 

miniland Mecklenburg-Vorpommern in Göldenitz bei Rostock.

 

Das Rathaus von Boizenburg wurde 1712 errichtet.

miniland Mecklenburg-Vorpommern in Göldenitz bei Rostock

 

Schloss Kartlow

21.674 Einzelteile

Maßstab 1:25

Standort : zwischen Jamen und Demmin

Bauzeit : 1853-1858

Baustil : Historismus

Ursprung: Schloss

Heute: Ferienwohnungen

 

Schloss Kartlow

Schloss Kartlow ist ein Herrenhaus im Landkreis Vorpommern-Greifswald im Kruckower Ortsteil Kartlow.

Gutshaus (Herrenhaus, Schloss) Kartlow

Das Herrenhaus in Kartlow wurde zwischen 1853 und 1858 nach dem Vorbild des französischen Renaissanceschlosses Chambord nach Plänen des Schweriner Hofarchitekten Friedrich Hitzig erbaut. Das Schloss ist heute in Privatbesitz und wird touristisch genutzt.

Bauherr war Woldemar von Heyden. Das Gut Kartlow befand sich von 1292 bis zur Enteignung 1945 im Besitz der Familie von Heyden. Nach dem Krieg wurde das Herrenhaus für Wohnzwecke, als Schulsaal und für einen Dorfkonsum genutzt, trotzdem verwahrloste es allmählich. Die Renovierungsarbeiten, die schon zu DDR-Zeiten begannen, sind auch nach 1990 weitergeführt worden. Bemerkenswert im Inneren des Gebäudes sind die erhaltenen Wandmalereien in der Eingangshalle. Für das Herrenhaus fanden sich neue Eigentümer, die die begonnene Sanierung seit einigen Jahren fortsetzten. Nach der Sanierung wird es ausschließlich privat genutzt. Auch die Wirtschaftsgebäude werden saniert. Zeitgleich mit dem Bau des Herrenhauses entstand eine umfangreiche Parkanlage nach Entwürfen des Gartenbauarchitekten Peter Joseph Lenné. Durch spätere Nutzungen wurde der Park leider in seiner Struktur stark verändert.

 

1" Scale Model based on some buildings I photgraphed in Atlantic City. The shell is plywood, brickwork cast resin from silicone molds, turnings from a minature lathe.

 

The side is open for a hinged glass frame to see interior. It's primer grey to find any places that needed filling and to prep for final painting & age weathering.

Detail model of for a component of a GFRC facade system.

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