View allAll Photos Tagged analysis
Join Python Data Science training and you will learn data handling, visualization, statistical analysis, and predictive modelling. This certification program is delivered by industry experts in both classroom & online training mode. For more visit www.analytixlabs.co.in/data-science-using-python
Are you curious to learn more about bi data analysis and visualization tools? Then get in touch with BI. Business intelligence (BI) is your trusted adviser who will assist you in making the right decision in the quickest possible time.
And someday we'll get them all analyzed!
Taken in macro mode under ordinary fluorescent lights. No flash. No cropping. I adjusted the levels in Photoshop.
This nice picture comes via Alex who is an optimization analyst.
He kindly mentions that he is finding the techniques in Web Analytics 2.0 to be of value in his work.
Thanks Alex!
Moderated by:
Michael J. Green
Senior Vice President for Asia and Japan Chair, CSIS
Associate Professor, Georgetown University
Panelists:
Ernest Z. Bower
Senior Adviser and Sumitro Chair for Southeast Asia Studies, CSIS
Victor Cha
Senior Adviser and Korea Chair, CSIS
Director of Asian Studies and D.S. Song-KF Chair, Georgetown University
Bonnie S. Glaser
Senior Adviser for Asia, Freeman Chair in China Studies, CSIS and Senior Associate,
Pacific Forum
Matthew P. Goodman
William E. Simon Chair in Political Economy and Senior Adviser for Asian
Economics, CSIS
Murray Hiebert
Deputy Director and Senior Fellow, Sumitro Chair for Southeast Asia Studies, CSIS
Christopher K. Johnson
Senior Adviser and Freeman Chair in China Studies, CSIS
Richard M. Rossow
Senior Fellow and Wadhwani Chair in U.S. -India Policy Studies, CSIS
Perfect Record Award
Citation: For operating 89,428 employee hours without occupational injury or illness involving days away from work.
Period: June 1, 2011 - February 28, 2015.
Left to right: Mark Peters, Debra Harris, Division Director of IAD Larry Collins and William Brocker.
My project is about a pilot in flight who gets irritated while in a conversation through video transmission. He starts calmly and tries to contain his anger, ending up with intentionally interrupting the transmission. After deciding fairly quick on Razor from Swat Kats, an 93-94' Hanna Barbera cartoon and a quote from Top Gun, I quickly got hold of some free references of the character together with different body and facial expressions of the character from a website dedicated to the cartoon. Being a massive fan of the cartoon myself, I worked a fair amount of time on the mesh to get it to look almost exactly as the 2D character. One of the difficulties that I managed to overcome by doing a bit of editing and drawing was the reference themselves, being originally for 2D animation and not 3D.modelling. As soon as the modelling was complete, I considered that a good model requires good texturing, and taking into account that it is still a cartoon character, I tried to create textures that blend the cartoonish style with a bit of 3D realistic style, giving it a unique look and in the same time keeping the same colours for him as in the 2d animation..
After passing through skining and rigging failry quick and easy thankfully in most part to a decent mesh, I finally got to the animation part. Using the reference obtained from the fansite regarding the different emotions of the character, together with research on the anger emotion expression through watching different actors perform and the cartoon itself, I got to an initial animation of the character, which got improved through feedback. The only part that I am a bit dissapointed of is the lighting of the character as I consider slightly too strong, even after experimenting a bit with it, and would be the only thing I would change in my scene.
Critical Analysis
Tsvetan Hadzhiivanov, 09009560
Modelling
Overall, I am pleased with the model as the character is easily recognizable and it has good facial topology except for the ears but because they weren’t animated it was not an issue. There are, however, mistakes, which could have been avoided with more planning. The body of the character is too wide and so her hand movements are much more restricted. Furthermore, the arm pit areas are also too wide and could have been improved. My biggest mistake was deleting the history and working on a high resolution version of the character giving myself much more work on the texturing, skinning and blendshapes.
Texturing
I am pleased with the results as this is my first attempt at proper UV layout and I managed to avoid stretching of textures and seams at least not any that can be seen. I also managed to give Mudbox a go at texturing and found it really easy. The only big problem I would say was the automatic map on the ear but because of its topology a proper layout would have taken up too much time and wasting too much UV space in general.
Rigging, Skinning, Blendshapes
The rig was fairly simple and functional. The corrective blendshapes on the elbows worked nicely and for next time I will try adding blendshapes for the shoulders as well. The skinning on the shoulders isn’t brilliant and I will try to do some exercises and tutorials over summer. The facial expressions were quite creepy but I think the eyebrows require more variety.
Animating
Overall, I am happy with the animation of the body and facial expressions and I believe the lip syncing has good timing. I will probably go back when I have more time and more edge to the body, shoulders and arms at certain moments. What I found hard was to keep the facial expressions during the lip syncing as the shapes had unexpected results when they morphed with each other – this can probably be fixed by testing the how they would react with each other and modifying them as necessary.
Technical Summary
Tsvetan Hadzhiivanov, 09009560
The base mesh was created using box modelling techniques such as extruding, cutting edges, mirroring, etc. The model was then imported into Mudbox as an .obj file as it was easier to smooth out undulations in the high resolution version of the model. The low resolution model was then imported back into Maya and after some final adjustments I used the smooth tool on the mesh. Unfortunately, I deleted history and continued working on the high resolution model, which increased my workload. I created the UVs for the model using planar mapping for every part of the model except the arms and ears. For them I used a cylindrical and automatic map respectively. I then refined the using the UV editor. The model was again imported into Mudbox where the texture was painted and later refined in Photoshop. The rig is controlled with Forward Kinematics, except two IKhandles on the shoulder joints. The controls were created with NURBs curves, point, orient and aim constraints and the attribute and connection editor for the movement of the fingers. Two corrective blendshapes were created for the arms. I skinned the jaw to help with the creation of the facial blendshapes and afterwards removed the influence of the ‘jaw’ joint. The only problems encountered during animation were some Gimbal Lock issues on the shoulders, which were fixed by adding extra keyframes. The background was created in Photoshop using two images from the following websites: www.despicableme.com/theatrical.html#/gallery/image/img6
Structural analysis through structural detailer support reinforced cement concrete structures, wooden structures, deteriorated structures and steel truss girder.
Get your work done at $18/hr!!
www.cadserviceslondon.com/structural-analysis.php
E-mail us at info@cadserviceslondon.com
Melsafe is a specialized provider of WHS Gap Analysis( www.melsafe.com.au/services/gap-analysis/ )Services. our experienced consultants can tailor a WHS gap analysis program to meet your individual needs. The gap analysis can also consider applicable legislation or industry requirements your organization must comply with. Get know more details, please click on our website.
Analysis in the dark.
Idea is to capture just the swing, planes of action of the club. Tempo of the swing and consistency of swing.
Taken with my old camera - Canon A80. Will have to develop more.
Before our site visit to worlds end, we were asked to create a site analysis model to represent what we have researched on worlds end.
After my partner and I did our research, we focused on what we thought was the most interesting element of worlds end.
Designed by the landscape architect Frederick Olmstead around 1889, one of his biggest contribution to the site was the double tree lined path. The avenues of tree provides protection from the sun in the summer, as well as a way to guide and frame views of elements of the site. these views include small vignettes within the sites as well as views out around the boston harbor.
The horizontal elements in the model represents the path which weaves up and down. The vertical sticks acts as a form of guidance while providing various forms of gaps and opening representing the different types of viewing platform of the site.
Major Jonathan Kiel, A Georgia National Guard officer assigned to the Macon-based 48th Infantry Brigade Combat Team provides a risk assessment brief to the commander and sergeant major of the brigade June 16, 2022 at Fort Stewart, Ga. (U.S. Army National Guard photo by Major Charles Emmons)
At the Institute of Fundraising Insight Special Interest Group's conference on 'From Nuts & Bolts to Grand Designs' at Amnesty International UK, London, on 27 November 2014.
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2021. Il Foro di Cesare scavi in corso e nuove pubblicazioni (2021). Foto di Francesco Campanini / Fb (29/09/2021). S.v., Prof. Arch. Wladek Fuchs, JRA (09/2021): 1-41 (abstract/astratto); Dott.ssa Isabella Salvagni, Boll., Di Archeo. XII (1/2021): 99-137 [in PDF]; Mario Torelli, ARG 6 (2004): 63-109 [in PDF] & Dott.ssa Arch. Barbara Baldrati (2002-2004 & 2009). Anche: Giacomo Boni, “La Curia del Senato Romano ed il Forum Iulium.” Nuova Antologia (1917): 151-158 [in PDF]. wp.me/pbMWvy-1Yf
Foto: di Francesco Campanini / Fb (29/09/2021).
www.flickr.com/photos/imperial_fora_of_rome/51533606291
** Nota: tutte le fotografie nel post del blog sono citate da "Francesco Campanini / Fb (29/09/2021)" o altrimenti citate da ulteriori fonti pertinenti. **
Foto: Rome, the Forum of Caesar, in: Microsoft / Bing (ca. 2019-20) (09/2021).
www.flickr.com/photos/imperial_fora_of_rome/51532815142
ROMA - "New evidence for the design and urban integration of the Forum of Caesar, Forum of Augustus, Curia Julia, and Chalcidicum." (09/2021); in: Prof. Arch. Wladek Fuchs, JRA (09/2021): 1-41 (abstract/astratto); Dott.ssa Isabella Salvagni, Boll., Di Archeo. XII (1/2021): 99-137 [in PDF]; Mario Torelli, ARG 6 (2004): 63-109 [in PDF] & Dott.ssa Arch. Barbara Baldrati (2004-09). Anche: Giacomo Boni, “La Curia del Senato Romano ed il Forum Iulium.” Nuova Antologia (1917): 151-158 [in PDF].
Foto: di Francesco Campanini / Fb (29/09/2021).
www.flickr.com/photos/imperial_fora_of_rome/51534331939
1). ROMA - I Fori Imperiali - Continuano i lavori di scavo nell'area archeologica del Foro di Cesare; in: Foto di Francesco Campanini / Fb (29/09/2021).
Roma, il Foro di Cesare gli scavi in corso (09/2021) - stupende vedute sull'andamento degli scavi e nuovi dettagli dei sottostanti resti architettonici dei possibili frammenti di colonne (?) del portico del Foro di Cesare lungo il vicino annesso Foro di Augusto.
Fonte / source, foto:
--- Francesco Campanini / Facebook (29/09/2021).
www.facebook.com/francescocampanini76/posts/1022506773645...
Foto: di Francesco Campanini / Fb (29/09/2021).
www.flickr.com/photos/imperial_fora_of_rome/51533606141
2). ROME - Prof. Arch. Wladek Fuchs, "New evidence for the design and urban integration of the Forum of Caesar, Forum of Augustus, Curia Julia, and Chalcidicum." JRA (22 September 2021): 1-41 (abstract/astratto).
Foto: JRA (22 September 2021): 1-41 (abstract/astratto).
www.flickr.com/photos/imperial_fora_of_rome/51534327794
Abstract - This article presents a new hypothesis about the urban arrangement and function of the southeast end of the Forum of Caesar, together with the Forum of Augustus, the Curia Julia and the present-day church of SS. Luca e Martina, when the area was finalized in 2 BCE. The analysis focuses on the geometric framework of the extant structures and the topography of the site and, in relation to them, a new interpretation of the historical records and the archaeological data. It demonstrates that Augustus and his architects authored the urban composition and architectural forms of the entire area, including making significant changes to the original design of the Forum of Caesar. The article also shows that the site of the church of SS. Luca e Martina was the location of the Augustan Chalcidicum, which served as the monumental entrance to the first two Imperial fora.
Foto: di Francesco Campanini / Fb (29/09/2021).
www.flickr.com/photos/imperial_fora_of_rome/51533855043
Fonte / source, foto:
--- JRA (22 September 2021): 1-41 (abstract/astratto).
doi.org/10.1017/S1047759421000477
Foto: Dott.ssa Arch. I. Salvagni, Boll., Di Archeo. XII (1/2021): 99-137.
www.flickr.com/photos/imperial_fora_of_rome/51181397686
3). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTERA 2021: Dr. Arch. Isabella Salvagni, "Santi Luca e Martina. 1588-1705"; Presentazione - Societa Romana di Storia Patria / You-Tube (20/05/2021). S.v., I. Salvagni, Boll., Di Archeo. XII (1/2021): 99-137 [in PDF] & I. Salvagni, in: P.M. Lukehart et. al., (2009): 68-121 [PDF]. wp.me/pbMWvy-1rY
Foto: di Francesco Campanini / Fb (29/09/2021).
www.flickr.com/photos/imperial_fora_of_rome/51533606436
4). ROMA - Prof. Mario Torelli, "Atrium Miniervae - Simbologia di un monumento e cerimoniale del congiarium, [Nota. s.v.,] 1. Atrium Minervae, Chalcidicum, Curia Iulia: fonti antiche e recerche monderna." ARG 6 (2004): 63-109 [in PDF].
Foto: Prof. Mario Torelli, ARG 6 (2004): 63-109 [in PDF].
www.flickr.com/photos/imperial_fora_of_rome/51533856273
Fonte / source:
--- ARG 6 (2004): 63-109 [in PDF].
doi.org/10.1515/9783110234220.63
Foto: di Francesco Campanini / Fb (29/09/2021).
www.flickr.com/photos/imperial_fora_of_rome/51533606171
Foto: Dr. Arch. Barbara Baldarti, 2002-04 & Martin G. Conde, 1999-2021. (4 July 2021)
www.flickr.com/photos/imperial_fora_of_rome/51289597212
5). ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2021. I FORI IMPERIALI - SCAVO ARCHEOLOGICO NELL' AREA DEL FORO DI CESARE: 1999-2004 & 2020-2021, in: Dr. Arch. Barbara Baldarti, 2002-04 & Martin G. Conde, 1999-2021. (4 July 2021). wp.me/pbMWvy-1Fm
Foto: di Francesco Campanini / Fb (29/09/2021).
www.flickr.com/photos/imperial_fora_of_rome/51533855333
ENGLISH = ‘An archaeological site survey allows for the detection of stratigraphic relationships, locations of archaeological finds, materials, building and manufacturing techniques and it is an essential stage in the understanding and interpreting of evolutionary phases, in space and time. The analysis of the architectural history of an archaeological site cannot be based only on the ‘extrinsic documentation’, derived from iconography and archive-documentary sources. Instead, it should have recourse to the analysis of the preserved architectural text.’
— Dr. Arch. Barbara Baldrti (Italian-Restoration Architect), in:
“Caesar’s Forum Rome: An Architectural Survey” (2003); Rome: “HistoriArchitectura” (2009).
Foto: di Francesco Campanini / Fb (29/09/2021).
www.flickr.com/photos/imperial_fora_of_rome/51533606386
S.v.,
Foto: Giacomo Boni, “La Curia del Senato Romano ed il Forum Iulium.” Nuova Antologia (1917): 151-158 [in PDF].
www.flickr.com/photos/imperial_fora_of_rome/51312326161
--- ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2021. Giacomo Boni, “La Curia del Senato Romano ed il Forum Iulium.” Nuova Antologia (1917): 151-158 [in PDF] & Guido Calza, “The Resurrection of the Forum of Augustus.” ART & ARCHAEOLOGY, VOL. 21 / NO. 9 (JUNE 1926): 279-289 [in PDF]. Foto: “Quartiere Alessandrino e Foro Romano, Roma 1871 / Roma Tre (2017). S.v., Arturo Calza (1912) & Romolo Artioli (1909) & V. Barkas et al., (2018). wp.me/pbMWvy-1Id
The shipping box was sized specifically for the Kindle 2, with a tear strip on the side.
Removing the strip was hampered by 2 plastic disks glued to the sides of the box. It's not clear why they were there -- perhaps the box came open in shipping tests?
The Postcard
A postcard bearing no publisher's name which was posted in Bridlington on Tuesday the 21st. July 1970 to a recipient who lived in College Road, Sittingbourne, Kent.
The message on the back of the card was as follows:
"Hello Dear,
Having a wonderful time
here, plenty to see and
do, but the weather could
be better.
All our very best,
Mr. and Mrs. Singer".
Bridlington
Bridlington is a coastal town on the Holderness Coast of the North Sea, situated in the East Riding of Yorkshire approximately 28 miles (45 km) north of Hull and 34 miles (55 km) east of York. The Gypsey Race river runs through the town and emerges into the North Sea in the town harbour.
In the 2011 Census the population was 35,369.
Bridlington is a minor sea fishing port with a working harbour, and is well known for its shellfish. It has a mix of small businesses across the manufacturing, retail and service sectors with its prime trade being tourism during the summer months.
The origins of the town are uncertain, but archaeological evidence shows habitation in the Bronze Age and Roman periods. The settlement at the Norman conquest was called Bretlinton, but has also gone by the names of Berlington, Brellington and Britlington, before settling on its modern name in the 19th century.
Bridlington in World War II
During the Second World War, Bridlington suffered many air-raids with a significant number of deaths and extensive bomb damage
David Hockney
Artist David Hockney owned a house in Bridlington, at which an assistant drank a cleaning product and died in March 2013.
Sonya Caleffi
So what else happened on the day that the card was posted?
Well, the 21st. July 1970 marked the birth in Como of Sonya Caleffi. She is an Italian serial killer, suspected of killing up to 18 people, and convicted of killing 5 of them.
Wallace Hartley and The Titanic
There is a blue plaque in Bridlington for Wallace Hartley. He led an orchestra in the town in 1902, although he is particularly famous as leader of the band that played as the Titanic sank in April 1912.
Wallace Henry Hartley (2nd. June 1878 – 15th. April 1912) was an English violinist and bandleader on the Titanic during its maiden voyage.
He became famous for leading the eight-member band as the ship sank on the 15th. April 1912. He died at the age of 33, along with the rest of the band, when the ship went down.
-- Wallace Hartley - The Early Years
Wallace Hartley was born and raised in Colne, Lancashire. His father, Albion Hartley, was the choirmaster and Sunday school superintendent at Bethel Independent Methodist Chapel, on Burnley Road where the family attended services.
Albion introduced the hymn "Nearer, My God, to Thee" to the congregation.
Wallace studied at Colne's Methodist day school, sang in Bethel's choir, and learned to play the violin from a fellow congregation member.
After leaving school, Hartley started work with the Craven & Union Bank in Colne. When his family moved to Huddersfield, Hartley joined the Huddersfield Philharmonic Orchestra.
In 1903, Wallace left home to join the municipal orchestra in Bridlington, where he stayed for six years.
-- Wallace Hartley and the White Star Line
Wallace later moved to Dewsbury, West Yorkshire and in 1909, he joined the Cunard Line as a musician, serving on the ocean liners RMS Lucania, RMS Lusitania and RMS Mauretania.
Whilst serving on the Mauretania, the employment of Cunard musicians was transferred to the music agency C.W. & F.N. Black, which supplied musicians for Cunard and the White Star Line.
This transfer changed Hartley's onboard status, as he was no longer counted as a member of the crew, but rather as a passenger, albeit one accommodated in second-class accommodation at the agency's expense.
It later transpired that neither the shipping company nor the music agency had insured the musicians, with each claiming it was the other's responsibility.
In April 1912, Hartley was assigned to be the bandmaster for the White Star Line ship RMS Titanic.
Wallace was at first hesitant to leave his fiancée, Maria Robinson, to whom he had recently proposed, but Hartley decided that working on the maiden voyage of the Titanic would give him possible contacts for future work.
-- The Sinking of the Titanic
After the Titanic hit an iceberg on the night of the 14th. April 1912 and began to sink, Hartley and his fellow band members started playing music to help keep the passengers calm as the crew loaded the lifeboats.
Many of the survivors said that Hartley and the band continued to play until the very end. A newspaper at the time reported:
"The part played by the orchestra on board
the Titanic in her last dreadful moments will
rank among the noblest in the annals of
heroism at sea."
Though the final song played by the band is unknown, "Nearer, My God, to Thee" has gained popular acceptance.
Walter Lord's book A Night to Remember (1955) popularised wireless officer Harold Bride's account of hearing the song "Autumn".
Ellwand Moody, a musician on the Mauretania alongside Hartley, claimed that Hartley had said he would play either "Nearer, My God, to Thee" or "Our God, Our Help in Ages Past" if he were ever on a sinking ship.
-- After the Sinking
Hartley's body was recovered almost two weeks after the sinking. Several press reports confirmed that Wallace was found fully dressed with his music case strapped to his body.
His body was returned to Liverpool, where Hartley's father met the ship and brought his son's body back to his home town of Colne.
The funeral took place on the 18th. May 1912. One thousand people attended Hartley's funeral, while an estimated 30,000–40,000 lined the route of his funeral procession.
Hartley was laid to rest in the Keighley Road cemetery, Colne, where a 10 feet (3.0 m) high headstone, containing a carved violin at its base, was erected in his honour.
Frederick Cayley Robinson's 1912 oil painting The Outward Bound (see below) shows a youth in a boat watching as Titanic leaves Southampton. It was commissioned in memory of Hartley, and given to Leeds Art Gallery by the Leeds Professional Musicians. The painting was unveiled in the City Art Gallery by the Lord Mayor of Leeds on the 23rd. December 1912.
Additionally a memorial to Hartley, topped by his bust (see below), was erected in 1915 outside what was then the town library in Colne. This was later moved slightly to make way for a World War One memorial.
Hartley's large Victorian terraced house in West Park Street, Dewsbury bears a blue plaque.
In 2001, Hartley's name was still being used when naming new streets and housing in the town of Colne. In 2008, the pub chain J D Wetherspoon named a newly-opened pub, (the building having been the long-standing King's Head Hotel) in Colne after the bandleader.
-- Memorials to the Band
A memorial to the Titanic musicians as a whole was erected in Broken Hill, in New South Wales. The people of Broken Hill were so moved by the bravery of the ship's bandsmen that they launched a public appeal in order to create a memorial to them.
The memorial, in the shape of a broken pillar, was unveiled in December 1913.
The City of Ballarat, Victoria, Australia, has an Edwardian bandstand to commemorate the musicians lost. It was erected by the Ballarat Council with funds raised by the Victorian Band Association, and citizens of the area.
The Titanic Memorial bandstand, was unveiled on the 22nd. October 1915. Every year on the anniversary of the sinking of the Titanic, a band plays "Nearer, My God, To Thee", in the bandstand.
-- Wallace Hartley's Violin
In March 2013, after two years of in-depth trace analysis by The Forensic Science Service on behalf of auctioneers Henry Aldridge & Son, and seven years of evidence-gathering by the Wiltshire-based auction house, it was announced that a violin found in a British man's attic inside a leather case with the initials "W. H. H." was the instrument used by Hartley during the ship's last moments.
The identification was helped by an engraving on the German-made violin which his fiancée (Maria Robinson) had placed on the instrument in 1910 which read:
'For Wallace on the occasion of
our engagement from Maria.'
Further tests by a silver expert from the Gemmological Association of Great Britain confirmed that the plate on the base of the violin was original, and that the metal engraving done on behalf of Maria Robinson was contemporary with those made in 1910.
A CT scan enabled experts to view 3D images of the inside of the violin. The fine detail of the scan meant that experts could examine the construction, interior and the glue holding the instrument together showing signs of possible restoration.
While researching the origins of the violin, the auctioneers and Christian Tennyson-Ekeberg, biographer of Wallace Hartley and author of Nearer, Our God, to Thee: The Biography of the Titanic Bandmaster, discovered the transcript of a telegram sent to the Provincial Secretary of Nova Scotia, Canada, dated 19th. July 1912 in the diary of Hartley's grieving fiancée in which she stated:
"I would be most grateful if you could
convey my heartfelt thanks to all who
have made possible the return of my
late fiancé's violin."
After Maria Robinson's death in 1939, her sister gave the violin to the Bridlington Salvation Army and told its leader, a Major Renwick, about the instrument's association with the Titanic.
The violin was later passed on to a violin teacher, who gave it to the current owner's mother. Henry Aldridge & Sons stated:
"It's been in the same family
for over 70 years."
Craig Sopin, the owner of one of the world's largest collections of Titanic memorabilia, a leading Titanic expert, and a general skeptic of Titanic claims, stated that:
"The violin is Hartley's and
not a fraud."
The Hartley violin was exhibited in Belfast at the shipyard where the RMS Titanic was built, and in the United States at Titanic Branson and Titanic Pigeon Forge museums.
It was sold by auction house Henry Aldridge & Son in Devizes, Wiltshire, on the 19th. October 2013 for £900,000 ($1.7 million).
The violin now resides at Titanic Belfast Museum and is open to public viewing. It has two large cracks, and is no longer playable.
After seeing the violin auctioned at Aldridges, British folk singer/songwriter Reg Meuross was inspired to write a song about the story of the violin, "The Band Played Sweet Marie", that was released on his album England Green and England Grey in 2014.
The story of Wallace Hartley and his violin is also the inspiration behind the song "Titanically" written by Canadian singer/songwriter Heather Rankin and David Tyson, with a music video directed by American-Canadian filmmaker Thom Fitzgerald.
The music video was released the 2nd. June 2017, to honour Hartley's birthday.
Moderated by:
Michael J. Green
Senior Vice President for Asia and Japan Chair, CSIS
Associate Professor, Georgetown University
Panelists:
Ernest Z. Bower
Senior Adviser and Sumitro Chair for Southeast Asia Studies, CSIS
Victor Cha
Senior Adviser and Korea Chair, CSIS
Director of Asian Studies and D.S. Song-KF Chair, Georgetown University
Bonnie S. Glaser
Senior Adviser for Asia, Freeman Chair in China Studies, CSIS and Senior Associate,
Pacific Forum
Matthew P. Goodman
William E. Simon Chair in Political Economy and Senior Adviser for Asian
Economics, CSIS
Murray Hiebert
Deputy Director and Senior Fellow, Sumitro Chair for Southeast Asia Studies, CSIS
Christopher K. Johnson
Senior Adviser and Freeman Chair in China Studies, CSIS
Richard M. Rossow
Senior Fellow and Wadhwani Chair in U.S. -India Policy Studies, CSIS
Baidu(BIDU) stock analysis charts show a bullish triangle breakout occured on an increased volume as of Thu Mar 21,2012
For more details, please visit www.stockonrise.com
thepsychictouch is Improve your own psychic abilities with the secret, The Law Of Attraction, the secret quotes, the secret online, the secret Videos, the secret Books, the power book, The Secret Film, tarot love reading, daily tarot reading, tarot reading online, phone psychic readings, psychic tarot readings, horoscope readings, analysis of dreams, dream deferred
At the Institute of Fundraising Insight Special Interest Group's conference on 'From Nuts & Bolts to Grand Designs' at Amnesty International UK, London, on 27 November 2014.
On 27–29 July 2022, the Inclusive growth in Mozambique (IGM) programme organizes a course on recent trends in poverty, inequality and growth at the University of Eduardo Mondlane (UEM).
Targeted for professors and researchers of the Faculty of Economics (FACECO), the three-day course consists of an overview of the concepts of poverty, inequality and growth and of related tendencies until 2014–2015, followed by an analysis of the impact of COVID-19 and other recent developments in Mozambique and a discussion on their policy implications.