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11/2010 - 12/2010
FEDASIL - Federaal agentschap voor de opvang van asielzoekers
Business Analysis
BPM Framework definitie en Business Analyse in BPMN 1.2 voor de JAP (Jaar Actie Plannen) en dit voor de diverse Belgische opvangstructuren.
Incheon International Airport, Terminal 1 - Incheon, Korea
HDA : Consultant for engineering and design
Client : KOACA -Korea Airport Construction authority
Architect: KACI Architects with Fentress Bradburn
Date : 1994 - 2001
See more at : www.hda-paris.com/
First the image was converted into a set data vectors in format (x,y,r,g,b), one for each pixel in image.
Then this 5D-data was projected to 4D-space using principal component analysis, The resulting image was rebuilt based on that reduced information.
Analysis in Sketch Book
I have used a camera as a object to create a shadow, in relation to using a similar camera to take the actual pictures. The video has a black and white filter to force the shadows to be emphasised by the setting making the black areas deeper and have more contrast to their surroundings. I have used multiple light sources to have a second shadow overlaying the other. One shadow is stationary, while the other orbits the object (camera). I have tried to demonstrate Apart and Together by using the multiple shadows, rather than one, to show togetherness within the shadows, as they overlap. The black and white filter also enhances the overlapping shadows as the darkest areas are further deepened and have more depth. One of the light sources was turned off half way through the animation in order to demonstrate the "Apart" feeling of the theme. If I were to do this again, I would take the photos more carefully and try to stop moving as much and to keep the shadow's tones the same when necessary, and not accidentally change the tone of the shadow when it should only be moving. I was unable to fix the shadow's tones in the photos as there were too many photos and the background tone would also change and therefore make the mistake stand out even more than before.
First, I was trespassing. So I’m not going to divulge the name or location of this. It shouldn’t be too difficult to figure out if you live nearby anyway. Second, I did some research prior to venturing out here. This is a former mercury mining site. This chimney was built sometime prior to 1870 and stands approximately 54-60 feet high. Over it’s life, it has endured aging and many earthquakes and now twisted 2 degrees at the top. The upper 25 feet appears to have detached from the lower portion and the entire structure presents a hazard of not only falling bricks, but also complete failure and collapse. The 82 page analysis by a team of architects and engineers provides an interesting albeit scary read. It’s also the reason I’m so far away from the base of this. The chimney itself was used to vent fumes from mining furnaces located further down the hillsides. The fumes were delivered via flumes that ran to the base of this stack.
Currently, various government agencies are trying to determine the ultimate fate of this stack – whether it can be repaired and preserved, or whether it must be demolished. If you manage to determine the location, don’t go anywhere near the base because you don’t want to get caught wearing a brick hat. There also, more than likely, is soil contamination in the area – after all mercury is poisonous and mining and toxic mining fumes in that era abided by less than environmentally friendly practices. Oh and did I mention that the area is closed? You have been warned.
It's not clear why the plastic tray was used, when the rest of the packaging is cardboard. Perhaps shock and vibration tests, or flex tests, showed that something more rigid was necessary to protect the device during shipment? Or perhaps the Kindle 2 needed firm protection from the AC cord below?
An excavation process of minute proportions began today in the auditorium of the Theatre Royal, as an architectural paint consultant took a multitude of samples to try and discover the Theatre’s original Victorian colour-scheme..
Pictured: Colin Mitchell-Rose, an independent architectural paint researcher, elevated in pantomime-fly wire style on a large red spider-like cherry-picker extended from the stage, has begun drilling a multitude of tiny millimetre wide holes in every single detail of the auditorium’s ornate plasterwork. .
Pic: Mike Urwin. 100810.
At the Institute of Fundraising Insight Special Interest Group's conference on 'From Nuts & Bolts to Grand Designs' at Amnesty International UK, London, on 27 November 2014.
An excavation process of minute proportions began today in the auditorium of the Theatre Royal, as an architectural paint consultant took a multitude of samples to try and discover the Theatre’s original Victorian colour-scheme..
Pictured: Colin Mitchell-Rose, an independent architectural paint researcher, elevated in pantomime-fly wire style on a large red spider-like cherry-picker extended from the stage, has begun drilling a multitude of tiny millimetre wide holes in every single detail of the auditorium’s ornate plasterwork. .
Pic: Mike Urwin. 100810.
After successfully swimming through the hoop, a food pellet is delivered and a red light comes on (to signal that they earned the food).
I had my crappy handwriting analyzed. The machine said, "Difficult to discern [no kidding!], but you seem to be the kind of person who enjoys taking photographs of Italian street fairs in the North End of Boston."
Wow, I thought, that's good!
Just kidding.
At the Fisherman's Feast (for la Donna del Soccorso di Sciacca), one of the North End's end-of-summer Italian festivals.
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