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It's about how theory distorts the creative processes themselves. I'm also protesting the elevation of ugliness to a form of high art - not really a separate issue of course.
If this is true of human life as a whole, it is particularly true in the matter that concerns us here. The experience of gratuitousness is the space of encounter with the Lord. Unless we understand the meaning of gratuitousness, there will be no contemplative dimension in our life. Contemplation is not a state of paralysis but of radical self-giving. In the final analysis, to believe in God means to live our life as a gift from God and to look upon everything that happens in it as a manifestation of this gift.
-In the Company of the Poor Conversations between Dr. Paul Farmer and Father Gustavo Gutiérrez Edited by Michael Griffin and Jennie Weiss Block
True love exists only among equals, “for love effects a likeness between the lover and the object loved.” And this supposes an ability to approach others and respect their sensitivities.
-In the Company of the Poor Conversations between Dr. Paul Farmer and Father Gustavo Gutiérrez Edited by Michael Griffin and Jennie Weiss Block
Since I visit quite often, the deer at our local forest preserve are becoming more trusting and comfortable with my presence. In fact, some of them have even begun coming to me for help with their troubles and anxieties.
HSS
157 Multicolor Photography - 157 Fotografía Multicolor ©Pablo Felipe Pérez Goyry, Adobe, Art, Author, Canon, Colombia, Colorful, Design, Digital, Fotografía, Landscape, Lightroom, Multicolor, Photo, Photographer, Photographie, Photography, Photoshop, Urban, Twitter,
©Pablo Felipe Pérez Goyry. Photography, Design, Analysis, Editing and Community Manager
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have you ever wanted to animate a still photo ??
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www.flickr.com/photos/148557622@N07/33448759142/sizes/o/
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and check out a nu evolutionary software
Used to inspect prospective dig sites, the unit is operated by a 3 man crew. Features a full lab and cockpit interior.
Enjoy! Might be the final Hibernia build for a little, as I am going to begin a new personal project. Hope everyone is safe and well.
"scientific" illustration study
watercolors, colored pencils, ink + PS, AI
check out all the BIOPHILIA illustrations here www.behance.net/gallery/B-I-O-P-H-I-L-I-A/1717125
Happy Easter everyone ;)!
Scraping my memory of database design.
I think this could do with more fruit next time.
This is nice with a generous spread of butter and a cup of tea.
This yellow fin tuna was flapping on the deck when that dude came from his workshop to check what's going on ...
This album's name is dedicated to my favourite game of all time Elder Scrolls Online and race of all time, The Argonians (reptile humanoids). There's a story for you to read below about some of them towards the bottom.
What does Ku Vastei mean? Read below
By Lights-the-Way, Mystic of the Mages Guild
It is hard to describe the culture of my people. Often my tongue stumbles as I try to explain, but it is my hope that ink and quill will give me time enough to gather my thoughts. And perhaps, though such writing, I will finally connect the parts of me that now feel so divided; my homeland of Murkmire and my new life within the Mages Guild.
These journals are to become my ku-vastei. And, as I write that, I can think of no better topic to begin with.
Ku-vastei roughly translates to "the catalyst of needed change," though such a direct translation in no way does justice to the original meaning. Another translation could be "that which creates the needed pathway for change to occur" or even "the spark which ignites the flame which must come into being."
Perhaps a more direct analysis should be first presented. Ku-vastei is a noun, a thing or person. Vastei directly translates to change, an important part of my culture. Ku is harder to speak of. It is that which leads to change, though not that which creates change. An important role, as stagnation is a fate worse than death.
Take a boulder which sits atop a cliff, teetering in place. It must fall eventually. The ku-vastei does not push the boulder off the cliff; rather, it picks the pebble which holds the rock in place. And so it falls, not by a push, but by a pathway cleared.
Ku-vastei is revered, just as change itself is revered, for to look back at what was means to stumble as you move forward. Sometimes, a little push in the right direction is all someone needs to remember such wisdom. Other times, they may need to be shoved.
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Naka Desh Tribe
by Emmanubeth Hurrent, the Wayfarers' Society of Wayrest
My guide, Names-the-Orchids, took me deep into the swamp to meet a little-known tribe called the Naka-Desh, or Riverbacks. Few Imperials venture far enough into Black Marsh to meet the People of the River, and the Naka-Desh see little benefit in traveling beyond the boundaries of their Hist's roots. For that reason, most perceive them as a secretive and mysterious tribe. This misconception is made all the more amusing by the Riverbacks' boundless hospitality.
We approached the Riverbacks' territory via ferry boats. Our expedition encountered tribal sentries almost immediately. They floated to the surface of the water like turtles or crocodiles. I was struck by the wideness of their faces, the largeness of their eyes, and the broad webs adorning their forearms and throats. The Hist clearly provided the "right skin" for the locale. Riverback territory is more water than land—a drowned marsh navigable by small rafts, canoes, and little else.
Names-the-Orchids greeted them with a series of low croaks. They cheerfully repeated the sound before lifting themselves onto our boat. Neither of the sentries seemed familiar with Cyrodilic, so our guide had to interpret. She told us that the Riverbacks demanded tribute in the form of a riddle before they would grant passage. I detected no threat behind the demand. It seemed like more of an invitation than an order. I've no talent for wordplay, but I shared a children's riddle about doorknobs that practically every Imperial knows. As soon as Names-the-Orchids translated it, the two sentries clapped their hands. One of them pressed his forehead to mine, croaked twice, then both vanished into the water as suddenly as they appeared.
We spent four days among the Riverbacks—all but one of them on rafts fishing. Riverback fishing resembles traditional fishing in name only. Rather than hook and line, the Naka-Desh use large river fish called osheeja gars. Each osheeja is secured by a strange harness and bridle. When the Argonians find an abundant fishing spot, they release the predatory gars and let them snatch up the fish. As soon as an osheeja bites a fish, the Argonians pull their pets to the side of the boat and claim the fish for themselves. I asked Names-the-Orchids how it works. Apparently, the bridle prevents the gar from swallowing. She assured me that the osheejas are well-cared for, though. Until they grow too old, of course, whereupon they too are eaten.
Our time with the Riverbacks was not without frustration. Of all the Argonians I have met, the Naka-Desh were by far the least curious. Other than riddles, they had no appetite for anything we brought. They refused our food, took no particular interest in our tales, and did not even ask for our names. This disinterest combined with their boundless hospitality made most of the expedition uncomfortable. Names-the-Orchids chided us for thinking kindness demands reciprocity. As always, even these small disappointments teach us valuable lessons.
["the tribe is not currently in the game but in the world of the game"]
One May look at a flower and feel it's beauty, another may look at a flower and name its parts. The same object, different perspective.
As part of my architecture degree, my design studio class has been given some real world clients. The theme for this design studio is Design, Re-design and Adapt.
We are to re-design a families beach house which they have simply out grown. As a group, we conducted a detailed site analysis, which also ties in with my Architecture and Environment class.
The first part of this project is to design a micro dwelling to house two people while the main house is being built. The second part is to re-design the main house to suit the large families needs. Thirdly, there is an expectation that the new, larger house will undergo further changes in the future. Once the children have grown up, the parents would live there by themselves, possibly with the grandparents.
This is the view from the back yard