Photogravure photopolymere.

aquarelle

from London portfolio

See more of my work at www.fineartplatinum.com

#Statue of #man with #compass outside #British #Library. Exposure time 3 secs

Salt Printing process

West Cork, Ireland

Contact print in platinum-palladium

The final project for my Photographic Possibilities class at UMBC. Liquid Emulsion on Aluminum, with selective development.

#Night #pinhole, outside my window x2. Exposure time 2 mins 30 secs

before I disaapeared 3

Same camera and lens as Beaver Fallen Tree. I just turned the camera to the north. Same vignetting, same effect on me, at least. A lady at an art walk in my neighborhood wanted to buy it. They are such a chore to make from getting out of the car and backpacking the gear to the location, processing film, processing print, that I just can't sell these. I was only displaying to let people see this old process. (My mixture of ingredients gave this a cooler tone than Beaver.)

from Oceano portfolio

Contact print in platinum-palladium

from London portfolio

See more of my work at www.fineartplatinum.com

Went to visit my chill out zone in #South #Kensington. Exposure time 20 mins (indoors)

Contact print in platinum-palladium

cyanotype, memorial cemetery, st. louis, missouri

I had the opportunity finally!!! to shoot a bit more wP.

copyright ModernLight 2010

My Spanish fan, exposure time 40 mins

West Cork, Ireland

Contact print in platinum-palladium

Check out for rest of the write up: www.lensobscuraworkshops.com/1/post/2013/01/preparing-for...

First view of the exhibition upon walking into the gallery: Ron Cowie's work in the middle ground.

Camera-scanned platinum/palladium print. Autumn 2022. The reason for analogtexas. Chamonix 8 x 10 camera and 150mm f9 Graphic Kowa lens. The lens' image circle wasn't sufficient to cover the film, hence, the vignetting. I think it makes it look ...old? Brush marks and pencil marks to indicate the area on the paper to brush on the mix are all there to see.

At school today, Exposure time 4/5 secs

Managed to take three #snow pinhole before lunchtime, massive smile!!!! :-) The road (which I think is the best image I taken all year) Exposure time 1 min 45 secs

Contact print in platinum-palladium

Contact print in platinum-palladium

from London portfolio

See more of my work at www.fineartplatinum.com

See more of my work at www.fineartplatinum.com

Contact print in platinum-palladium

#Confession!!! I forgot to take #bauble-cam out with me today so to honour our #Christmas #tree agreement I drew one and took a #pinhole of it. Exposure time 35 mins (#indoors)

Scott McMahon's "Reserve" (tintype, 2005).

Classic Cyanotype on Vellum (62g), painted-over

Contact print in platinum-palladium

Contact print in platinum-palladium

Gretjen Helene presents her work next

Lumen printing August 2, 2011 kentona glossy

Lockers in staff room, exposure time 25 secs at ISO 400

Looking toward the right section of the gallery from the left section: Gretjen Helene's work on the extreme left, Ron Cowie's work in the middle section, Jesseca Ferguson's work in the distant right, and an Osterman print on the extreme right.

Have started #C.S #Lewis, The #chronicles of #Narnia: The #magician's #nephew. Exposure time 3 mins 30 secs

Jesseca Ferguson's cabinet of curiosities, featuring "The Little White Bird (after J.M. Barrie)," book, pinhole cyanotypes (2011).

from London portfolio

See more of my work at www.fineartplatinum.com

Detail of Jerry Spagnoli's daguerreotypes for his series "The Last Daguerrian Survey of the Twentieth Century" (2005-2007).

Salt Printing process

Salt Printing process