View allAll Photos Tagged alternativeprocess

Palladium toned kallitype on Arches Platine.

The old messages from brutal experiences of harm continue to play over and over in my mind and body. Trying to handle myself with care as I do the intense work of recovering, healing and growing.

More fun with the Agfa Clack.

Contact print cyanotype, lightly toned in tea.

waiting on (almost) everything to come my way

Salt print on Hahnemuhle Platinum Rag

Hasselblad 500c / 80mm Planar

Bardenas Reales - España

Vandyke sur papier aquarelle Moulin du Roi 300g/m²

From thedailylumenbox.com

8 hour Lumenbox multiple exposure on dampened 6x6cm Arista Edu Ultra photo paper.

Hepworth Lights - physical intervention on negatives shot with a Zeiss Ikon Nettar 515 medium format film camera.

  

Contact printing on Adox mcc (8x10 inchs). MT4 Siena toner.

Van Dyke over pigment ink print. I converted the image in Photoshop from RGB to CMYK. The color part of the print was made on my Epson printer using the CMY channels only. The digital negative for the van Dyke was made using only the K (black) channel. Printed the color part first, then coated it with Van Dyke Brown solution, exposed the digital neg normally and developed as usual.

the wild fern

 

a "wet cyanotype"

Salt print

Canyonlands, Utah

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Røldal, Norway

 

Gum Bichromate Print

4 Layers (Brown, Green, Blue, Black Aquarell Color)

13g Potassium Bichromate in 100ml, Gum Arabic

Paper: Fabriano Artistico Extra White

 

Print from this Negative

Toned cyanotype, 27 min exposure.

So Friends my work has been featured in several places throughout Jill Enfield's Guide to Alternative Process Photography. Thought I would share the news.

From thedailylumenbox.blog 12 hour Lumenbox exposure on Arista Edu Ultra photo paper.

From thedailylumenbox.blog 5 hour Cåmara Galletita Lumen exposure.

 

From thedailylumenbox.com

Cadobo cam 50 exposure (homemade lumen camera fitted with 50mm Lumenbox lens from Jorge Otero) on dampened 7x7cm on Kodak II photo paper.

© DIANE KAYE 2009 All rights reserved worldwide ---- TRI-X film in Bessa Voigtlaender with Leica 21mm. Scan of darkroom lith-print.

LD20 developer: 100ml A, 100ml B + 2.75 liters water; Varycon paper, 6 1/2 minutes (warm). No toning, no photoshop.

Two versions of an hour and a half Cadobo Cam XL (11x11 homemade lumen camera) exposure on Arista Edu Ultra grade 3 paper.

Cadobo cam (homemade lumen camera) exposure on dampened Foma MG Classic 320 photo paper.

Shadows in the snow.......I'm happier with this one

 

From thedailylumenbox.com

A 77 hour Lumenbox Twin exposure.

© 2025 Daniel Novak Photo | Blog | Instagram

 

© All rights reserved!

 

Our next stop was by the city hall where I climbed the tower for a bird's eye view of the city below and the Špilberk Castle in the distance ... #etbtsy

 

Continued on my blog: Cyanotypes XVIII: Pernštejn Castle, Brno

 

Photographed with a 35mm Nikon FE camera on Fomapan 400 Black & White Negative Film, developed in Fomadon LQN.

 

Chemically printed on a hand-coated smooth watercolor paper using the cyanotype process invented in 1842.

about the hue. yes, it's more brown than my usual photos. although, it was more purple/blue before I archival fixed it, I wanted to show the state closest to the final print.

Palladium toned Kallitype on Arches Platine

Regular cyanotype and cyanotype toned in wine tannin

Kodak Ektacolor paper (unfixed)

2hr exposure

 

Overcast here today so I left this out for double the time of yesterday’s image.

Classic cyanotype print on Arches Platine

From thedailylumenbox.com

Cadobo cam 50 exposure (homemade lumen camera fitted with 50mm Lumenbox lens from Jorge Otero) on dampened 7x7cm Ilford MG IV photo paper.

printed as a toned cyanotype. I am delighted with how well this turned out! :-))

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