Analogue capture on Agfa APX 100, developed with "Melissal"

For Yantra

Emulsion lift on Hahnemühle Platinum Rag paper.

Original picture taken with a Hasselblad 500 CM on Ilford Fp4.

Salt print on Hahnemuhle Platinum Rag

Hasselblad 500c / 80mm Planar

photobook

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Salt print

NYC

Shadows wander a winter pond.

Cyanotype on Bristol Vellum.

iPhone capture, internegative on Pictorico.

My first Cyanotype.

Playing with Encaustics

Cyanotype

Shizen Watercolor paper

R&F Encaustic medium.

The Threshold of Forever...

An analog interpretation from a digital seascape.

Hope to do more of these, it amused me greatly.

Gum Bichromate print on Bristol Vellum.

Inter-negative on Transparency Film for Silk Screen Printing.

Primeres proves de papers japonesos artesanals, washi, amb calitips.

Calitip sobre paper gampi Nakahara Gannak; exposat amb lampada UV; revelat amb acetat de sodi.

Aquest paper és interessant, però absorveix la emulsió com una esponja, és complicat treballar-hi.

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First kallitype trials with Japanese washi papers.

Kallitype in Nakahara Gannak gampi paper; exposed with UV lamp; sodium acetate developer.

-Tintype- iPhone Photography

Washi over gold leaf

Diptych emulsion lift.

Salt print

NYC

Ink transfer over ink transfer on synthetic paper

I could be happy being a ghost.

Not that I am in a hurry.

Cyanotype on Strathmore Printmaking paper.

35mm negative.

a series on California wildflowers I've collect over the past few years. I don't know the name of most of them, and welcome any identification information.

Emulsion lift from a Polaroid on Hahnemühle Platinum Rag paper.

Salt print

Hasselblad 500C / 80mm Planar

Gampi paper on gold leaf

Gampi on silver leaf

Lith print on Kentmere Kentona paper using Fotospeed LD20 developer.

Unique handmade cyanotype print on cotton rag paper. 7” in diameter.

Happy Birthday, dear a!

Clay cup in shadow; composition for a painting.

Lith print.

iphone on Pictorico.

Botanical cyanotype

Fabriano cold press.

Kozo paper over gold leaf

Technical information:

Camera: Nikon D7000

Digital Negative

Paper: Imago Bromoil

Cyanotype on Bristol Vellum.

iPhone

internegative on transparency film.

I find the Snapseed app a definite aid to creating soft, painterly edges.

Forget reality... Give me magic.

Salt print

Hasselblad 500C / 80mm Plannar

Salt print

Kodak Brownie Hawkeye Flash with flipped lens

Verichrome Pan, expired 9/82

Washi paper over gold leaf

C'est que l'amour est comme un arbre, il pousse de lui-même, jette profondément ses racines dans tout notre être, et continue souvent de verdoyer sur un cœur en ruine.

Notre-Dame de Paris - Victor Hugo

Zero Image 2000, Fuji Acros, Rodinal. Cyanotype, contact print

Vellum on gold leaf

Cyanotype print on Fabriano blocco per artisti 50% Cotton paper. Coffee toned for 15 minutes

Ilford Pearl paper processed in Caffenol

Washi over gold leaf

Creek side ferns enjoying the gentle early morning light.

Van Dyke Brown on Bergger COT 320.

Shen Hao 4x5 film camera

Delta 100 in in Pyrocat HD.

I'm finally getting the look I want with this image.

Always worth a visit in the fall...

Twisty winding roads, wood fired pizza, Fiddlehead IPA and a good show of glorious golden leaves.

Smugglers' Notch

Stowe Vermont