alternative processes printing (read rules please)
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Emulsion lift on Hahnemühle Platinum Rag paper.
Original picture taken with a Hasselblad 500 CM on Ilford Fp4.
Shadows wander a winter pond.
Cyanotype on Bristol Vellum.
iPhone capture, internegative on Pictorico.
Drizzle and mist in Glacier National Park.
Cyanotype in tea.
Burke and James 5x7 camera.
Delta100 film in Rodinal.
The Threshold of Forever...
An analog interpretation from a digital seascape.
Hope to do more of these, it amused me greatly.
Gum Bichromate print on Bristol Vellum.
Inter-negative on Transparency Film for Silk Screen Printing.
Western Spaces
Lith print on Kodak Polycontrast
pano-stitch from two 35mm negatives
inter-negative on transparency film
I could be happy being a ghost.
Not that I am in a hurry.
Cyanotype on Strathmore Printmaking paper.
35mm negative.
a series on California wildflowers I've collect over the past few years. I don't know the name of most of them, and welcome any identification information.
Cyanotype on Bristol Vellum.
iPhone
internegative on transparency film.
I find the Snapseed app a definite aid to creating soft, painterly edges.
Forget reality... Give me magic.
C'est que l'amour est comme un arbre, il pousse de lui-même, jette profondément ses racines dans tout notre être, et continue souvent de verdoyer sur un cœur en ruine.
Notre-Dame de Paris - Victor Hugo
Zero Image 2000, Fuji Acros, Rodinal. Cyanotype, contact print