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So yes this gun is a period replica (pre 1890), and I chose it because it is a weapon that was actually given to officers as a reward for valor in serivce or some such nonsense. Anyways... I was thinking that since my 'character' is offiliated with something called The Royal Academie, she should be rather finely equipped.
New for Gacha Guild! These started as butterflies and now are crystal powered Aether Moths... Anyways! You can grab these cute animesh pets for 50L per play, commons come as shown and rare has a full texture HUD with 5 extra textures. Plus the other rare is some matching Animesh wings for your avatar!
Did I mention the moths sparkle? Yeah... They sparkle :D
Grab them at Gacha Guild until Match 31st: maps.secondlife.com/secondlife/Dew%20Drop/155/171/1212
And after at the Astara Mainstore: maps.secondlife.com/secondlife/HILTED/128/17/24
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for the Ambientometer my costume will include, I am starting to sketch out the design and some variant watch/gauge face ideas.
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After several interior projects involving complex Pen Tool selections and refined luminosity masking in Photoshop, it was fun to get away from architectural photography and to return to Richmond Park for a few autumnal images. I was mostly shooting for fun -- scouting new locations and making friends with deer along the way -- but on one morning visit, when the skies were clear and the wind speed exceptionally low, it was a joy to revisit the Pen Ponds for a misty and quite surreal sunrise.
My main aim with this image was to convey the depth of the landscape and the density of the mist and fog which often build up around the two lakes at the centre of the park. Using a tree which extends from the shore and out across the water as a foreground element, I found a vantage point that included two trees in the water that I've photographed on several occasions, as well as a clear view of the warm light emerging over the hills on the horizon. I continued shooting for about 20 minutes, using a 10-stop filter and varying the shutter speed between one and three minutes, adjusting the ISO and aperture as I went along to compensate for the increasing light levels as the sun rose.
The scene changed remarkably in that small amount of time as the fog intensified, and in the end I used a mixture of luminosity masks and gradient masks to splice and blend my exposures together, using the foggiest exposures for the background and the most visible exposures for the foreground, along with an exposure taken moments before the sun appeared above the hills in the distance. Similarly, when editing and colour-grading the image, I split the workflow between these three elements, emphasising the colder and more obscure tones where the lake and trees vanished into the distance, which I felt contrasted nicely with the clarity of the branches in the foreground and with the golden tones across the water where warm light was reflecting. Most of this phase of the workflow was achieved using Curves, Colour Balance and Gradient Map adjustments, with luminosity masks and the Apply Image function to target the adjustments between the distant shadows and the highlights above the hills. I also gently emphasised the fog at the centre of the frame by duplicating the original layer, setting the blend mode to Screen and using a reflective gradient mask that excluded the shadows and highlights -- essentially brightening the midtones along the shore where the fog was most visible.
The post-processing beyond this was minimal because I wanted as clean and low-contrast a finish as possible to emphasise the natural drama of the scene. I used very sparing amounts of Nik Colour Efex Pro's Pro Contrast and Detail Extractor filters to selectively emphasise the foreground branches, as well as Silver Efex Pro's Soft Contrast slider -- which was then set to the Luminosity blend mode -- to ensure a smooth transition between warm and cold tones across the sky and water. Ultimately -- and perhaps ironically -- the challenge amid these many incremental adjustments was to reflect the simplicity of the scene, and to convey the elemental magic that was unfolding before me during this remarkable sunrise.
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Featured from the SL event
[ Abnormality ] - Supernova 2021
August 7-28
//Mod: +SG+/AETHER Novastalgia Rare 18 "Angel"
//Make-up: [Bana] Celestial Cosmetics - Cloud Eyeshadow - Yellow (UC) #4
{Details}
⊱ FOXCITY. Photo Booth - Ascended
⊱ Legacy body
⊱ AP: Feety peets
⊱ .:Static:. Chrystalline Armor {Citrine}
⊱ DOUX - Victoria hairstyle
Featured from the SL event,
[ Abnormality ] Camp Foxwood!
Running from August 7th - 28th 2022!
//MOD: Aether - Nooki - Sienna
//HEAD: ///ANIMA\\\ - Fabled Fox Head
//SHOES: Kottr - High Noon
//BRACELET: Idiosyncratic - Friendship Bracelets
{Details}
⊱ Ebody
⊱ Doux - Siena Hairstyle
⊱ MAZE.mods - Soft thighs & O-ring garter
⊱ Kottr - Cakes Jorts
The West Woods of Ethie make for a pleasant stroll, even on a soggy autumn day. Most Beech, it lurches from clearing to clearing...
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On the 15th at The Secret Affair - Untame Purity
Male shirt with laces - HUD changeable! Show off that chest!
Standard Sizing
Original content by PEQE designs
DEMO at the scene - Available at the mainstore after event is over
This weekend, we did a presentation simply named "Geisha!" for Aether Salon.
People were invited to a lecture to introduce geisha--who they are and what they do, dispelling myths presented by popular Western media such as Memoirs of a Geisha (a very fictional book!).
If you would like to host such a talk for your own group, I'd be delighted to have you invite us to give the talk. We will also conduct a short performance and do Q&A, too!
If you're interested, please contact Toshiha Magic in world.
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SOMNIUM - Aether Magus Set @ Engine Room
Set Includes - Cowl, Robe, Stole, Trousers Bracers
7 Colorways or Fat Pack with texture and tint HUD
Legacy Male/Athletic, PBR Only
Engine Room is open now: maps.secondlife.com/secondlife/Syndicate/128/104/37
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Coming for the January round of Midnight Order opening on the 20th!
Landmark: maps.secondlife.com/secondlife/Syndicate/192/187/32
These decorative lanterns come in four styles with different options, floating, stationary and left/right holdable. Each style has a HUD included with five metals in two different designs, seventeen gems and eleven animated aether colors. The HUDs also feature the option to tint and customize, or hide, the floating wisps around them. At original size they are 4-8 LI for the decorative versions. Included is a notecard with more information.
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"Into the Æther" Self-Portrait March 2020
Imploding heart.
Reborn into flames.
Ether filled the unfinished.
Looking through.
Eyes set ablaze.
In flames we met, Alive.
"In the next place, we must observe that there are many kinds of fire: for example, there is flame; and the kind issuing from flame, which does not burn but supplies light to the eyes; and the kind which, when the flame is quenched, is left behind among the embers. [58d] So likewise of air, there is the most translucent kind which is called by the name of aether, and the most opaque which is mist and darkness, and other species without a name, which are produced by reason of the inequality of the triangles."
(from Plato, Timaeus, 58)
Shot with Canon EOS 5D Mark II. Lens: Tokina at-x 24-40mm f/2.8. Light source: Yongnuo YN360 (left) & Onforu LED black lights + daylight lamp (right). Editing software: Adobe Photoshop
© 2020 Sabine Fischer
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Model - Honesty
FB: Alternative Model Honesty
Still working on the elusive blend of illustration and photography. Here's another shot of model, Honesty, with a slightly different bent. 26 very distinct layers help craft this steampunk vision.
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