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Glasnevin Cemetery, officially known as Prospect Cemetery, is the largest nondenominational cemetery in Ireland. It first opened in 1832 and is located in Glasnevin, Dublin.

 

Prior to the establishment of Glasnevin Cemetery, Irish Catholics had no cemeteries of their own in which to bury their dead and as the repressive Penal Laws of the eighteenth century placed heavy restrictions on the public performance of Catholic services, it had become normal practice for Catholics to conduct a limited version of their own funeral services in Protestant cemeteries. This situation continued until an incident at a funeral held at St. Kevin's Cemetery in 1825 , provoked public outcry when a Protestant sexton reprimanded a Catholic priest for proceeding to perform a limited version of a funeral mass.

 

The outcry prompted Daniel O'Connell, champion of Catholic rights, to launch a campaign and prepare a legal opinion proving that there was actually no law passed forbidding praying for a dead Catholic in a graveyard. O'Connell pushed for the opening of a burial ground in which both Irish Catholics and Protestants could give their dead dignified burial.

 

The cemetery is located in Glasnevin, Dublin, in two parts. The main part, with its trademark high walls and watchtowers, is located on one side of the road from Finglas to the city centre, while the other part, "St. Paul's," is located across the road and beyond a green space, between two railway lines.

 

Glasnevin Cemetery contains many historically interesting monuments as well as the graves of many of Ireland's most prominent national figures — Charles Stewart Parnell and Daniel O'Connell as well as Michael Collins, Éamon de Valera, Arthur Griffith, Maude Gonne, Kevin Barry, Sir Roger Casement, Constance Markiewicz, Brendan Behan, Seán MacBride, Jeremiah O'Donovan Rossa, Christy Brown, Frank Duff, Luke Kelly of the Dubliners. Boyzone singer Stephen Gately was cremated at Glasnevin Crematorium, which is located within the cemetary grounds, on October 17th, 2009.

 

The cemetery also offers a view of the changing style of death monuments in Ireland over the last 200 years: from the austere, simple, high stone erections of the period up until the 1860s, to the elaborate Celtic crosses of the nationalistic revival from the 1860s to 1960s, to the plain Italian marble of the late twentieth century. Glasnevin Cemetery has grown from its original nine to over 120 acres.

 

The high wall with watch-towers surrounding the main part of the cemetery was built to deter bodysnatchers, who were active in Dublin in the 18th and early 19th century. The watchmen also had a pack of blood-hounds who roamed the cemetery at night. Prime Minister, Robert Peel, when questioned in Parliament on the activities of the body-snatchers, admitted that it was, indeed, a "grave matter".

 

Glasnevin is one of the few cemeteries that allowed stillborn babies to be buried in consecrated ground and contains an area called the Angels Plot.

Douglas Wornom photo

 

Ready to take another run along the short demonstration line, former D&RGW C-18 346 does some work for visiting enthusiasts at CRRM. Note the small little photo line forming on the right side of the photo.

 

Golden, CO

August 30, 1963

 

Train of the Day

11/26/24

Argentina: President Cristina Fernandez

 

“In Argentina we have developed a strong process of social inclusion which has brought about more equal opportunities for women. We have active programmes and policies such as universal benefits for pregnancies, for children and education all the way up to university. This has made it possible together with gender equality laws to protect women. … Even in more developed societies, there continues to be gender inequality with respect to access to political decision-making. … We need to break cultural barriers which have considered women for centuries to be an inferior or less intelligent being. And that is why I think that policies must also be aimed at [transforming] culture, at empowering women not only as as a matter of obligation under conventions or international treaties, but that there be a deep conviction in the hearts of men and of women… to bring down taboos and prejudices against us. … In Argentina we have achieved a high degree of equality that should also be extended to youth and other sectors of society.”

 

World leaders convene at the United Nations on 27 September 2015 for the “Global Leaders’ Meeting on Gender Equality and Women’s Empowerment: A Commitment to Action” to personally commit to ending discrimination against women by 2030 and announce concrete and measurable actions to kick-start rapid change in their countries.

 

Read More: www.unwomen.org/en/news/stories/2015/9/press-release-glob...

 

Read every country's committment from the event: beijing20.unwomen.org/en/step-it-up/commitments

Photo: UN Women/Ryan Brown

  

Maker: Pauline and Adolphe Pierre Riffaut (1821-1859)

Born: France

Active: France

Medium: photogravure

Size: 2 11/16 in x 4 13/16

Location:

 

Object No. 2024.393

Shelf: B-41

 

Publication: L'Artiste, Beaux-Arts et Belles-Lettres,

 

Other Collections:

 

Provenance: Les Greniers de la Galerie Gerard Levy, Millon, Paris, March 20, 2024, Lot 7

 

Notes: Considered the first continuous tone photograph printed on a page with text. On October 7, 1854 La Lumiere had published this heliogravure following the essay on heliography, "Mémoire sur la gravure héliographique sur acier et sur verre," which Niepce de Saint-Victor had presented to the Académie des sciences two days earlier. In his presentation, Niepce had shown to the Académie des Sciences two heliogravures the Riffauts made using Niepce’s process, a portrait of Napoleon III and this plate from the Louvre. Photographer Pauline Riffaut and noted engraver, etcher and printer engraver Adolphe-Pierre Riffaut were the primary practitioners of Niépce de Saint-Victor’s process beginning in 1853. Although not always properly credited, the couple worked as a team until his internment for madness after which Pauline worked by herself. Adolphe, a noted engraver, was a colleague of Augustin Lemaître which likely explains the couple’s connection to Niepce de Saint-Victor. Madame Riffaut is singled out on a number of early plates with the imprint “Photographie sur acier par Mme Riffaut.” A portrait of Niepce de Saint-Victor himself bears the inscription "Photographie sur acier par Mme Riffaut d’apres les precedes de Mr. Niepce de Saint-Victor” L’Artiste re-published the plate in January 1856. The publication was one Riffaut’s main clients between 1840 and 1853. The first photographic project which Riffaut was involved was the publication of heliogravure Photographie Zoologique, published by Louis Rousseau and Achille Deveria. (source: photogravure.com)

 

To view our archive organized by Collections, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

 

The smaller of Meridian's active subwoofers, the SW1600 features a 300mm long-throw custom driver for superb power handling, with the amplifier and power supply to match. With both analogue and digital inputs it is ideal for systems of either type.

 

The SW1600 features a sealed cabinet, for maximum flexibility in positioning, whether free-standing or as part of a built-in installation. It is ideal as a mono subwoofer for a Meridian Digital Theatre system, in particular to give exciting cinema effects and added realism to movies. The SW1600 is optimised for both music and movie soundtrack applications and integrates seamlessly into a system.

 

The recommended configuration for music is to use two subwoofers, one for each of the main left and right channels, for a superb stereo image. In a large system, multiple subwoofers can be employed to provide even more impressive effects.

Gold Hill is an unincorporated community in Storey County, Nevada, located just south and downhill of Virginia City. Incorporated December 17, 1862, in order to prevent its annexation by its larger neighbor, the town at one point was home to at least 8,000 residents. Prosperity was sustained for a period of 20 years between 1868 and 1888 by mining the Comstock Lode, a major deposit of gold and silver ore. Mines such as the Yellow Jacket, Crown Point, and Belcher brought in over $10 million each in dividends. The Gold Hill post office remained in operation until 1943. Today Gold Hill exists as a shell of its former self; its population in 2005 was 191. It is part of the Reno–Sparks Metropolitan Statistical Area. Historical remnants of the town can still be seen, including the Gold Hill Hotel, promoted as Nevada's oldest hotel, in existence since 1861; the former Bank of California building; the restored Virginia & Truckee Railroad depot; the Depression-Era Crown Point Mill; and remains of several of the mines and residences in various states of restoration and repair.

 

The population of Gold Hill was largely Cornish and was one of their main settlements in the Comstock area.

A later mining complex in the area operated from 1927 until 1942, when mining operations were shut down by War Production Board order L-208, shutting down all nonessential gold mines in the United States. Just under a hundred million dollars' worth of ore was extracted after 1930. Active mining has returned to lower Gold Hill, with the start of production at Comstock Mining's Lucerne, Hartford and Billy The Kid mines.

 

In 1976, Bob Gray, a former Marine Corps photographer in World War II and admirer of the Virginia & Truckee Railroad since he was a teenager, bought a section of the abandoned railway line between Virginia City and a point about two miles south. He laid track on that right of way and began operating a steam-powered tourist railroad. The track was extended to Gold Hill in 1992, and in 1994 the Gold Hill Historical Society was established to preserve the Gold Hill depot, one of the few wooden structures in the region that survived the 1875 fire in Virginia City. After ten years of applying for grants, lobbying, and collecting steel rail donations by the Gold Hill Historical Society, the mayor of Carson City approved the letting out to bid of a contract to reconstruct the railroad between Gold Hill and the Carson River, fifteen miles away. Today Gold Hill is a stop on this tourist railroad, which operates historic steam trains attracting thousands of tourists each year.

 

en.wikipedia.org/wiki/Gold_Hill,_Nevada

 

en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...

01.03.12 w/ We Loyal / Active Child

The Toraja are an ethnic group indigenous to a mountainous region of South Sulawesi, Indonesia. Their population is approximately 1,100,000, of whom 450,000 live in the regency of Tana Toraja ("Land of Toraja"). Most of the population is Christian, and others are Muslim or have local animist beliefs known as aluk ("the way"). The Indonesian government has recognized this animist belief as Aluk To Dolo ("Way of the Ancestors").

 

The word toraja comes from the Bugis Buginese language term to riaja, meaning "people of the uplands". The Dutch colonial government named the people Toraja in 1909. Torajans are renowned for their elaborate funeral rites, burial sites carved into rocky cliffs, massive peaked-roof traditional houses known as tongkonan, and colorful wood carvings. Toraja funeral rites are important social events, usually attended by hundreds of people and lasting for several days.

 

Before the 20th century, Torajans lived in autonomous villages, where they practised animism and were relatively untouched by the outside world. In the early 1900s, Dutch missionaries first worked to convert Torajan highlanders to Christianity. When the Tana Toraja regency was further opened to the outside world in the 1970s, it became an icon of tourism in Indonesia: it was exploited by tourism developers and studied by anthropologists. By the 1990s, when tourism peaked, Toraja society had changed significantly, from an agrarian model - in which social life and customs were outgrowths of the Aluk To Dolo - to a largely Christian society. Today, tourism and remittances from migrant Torajans have made for major changes in the Toraja highland, giving the Toraja a celebrity status within Indonesia and enhancing Toraja ethnic group pride.

 

ETHNIC IDENTITY

The Torajan people had little notion of themselves as a distinct ethnic group before the 20th century. Before Dutch colonization and Christianization, Torajans, who lived in highland areas, identified with their villages and did not share a broad sense of identity. Although complexes of rituals created linkages between highland villages, there were variations in dialects, differences in social hierarchies, and an array of ritual practices in the Sulawesi highland region. "Toraja" (from the coastal languages' to, meaning people; and riaja, uplands) was first used as a lowlander expression for highlanders. As a result, "Toraja" initially had more currency with outsiders - such as the Bugis and Makassarese, who constitute a majority of the lowland of Sulawesi - than with insiders. The Dutch missionaries' presence in the highlands gave rise to the Toraja ethnic consciousness in the Sa'dan Toraja region, and this shared identity grew with the rise of tourism in the Tana Toraja Regency. Since then, South Sulawesi has four main ethnic groups - the Bugis (the majority, including shipbuilders and seafarers), the Makassarese (lowland traders and seafarers), the Mandarese (traders and fishermen), and the Toraja (highland rice cultivators).

 

HISTORY

From the 17th century, the Dutch established trade and political control on Sulawesi through the Dutch East Indies Company. Over two centuries, they ignored the mountainous area in the central Sulawesi, where Torajans lived, because access was difficult and it had little productive agricultural land. In the late 19th century, the Dutch became increasingly concerned about the spread of Islam in the south of Sulawesi, especially among the Makassarese and Bugis peoples. The Dutch saw the animist highlanders as potential Christians. In the 1920s, the Reformed Missionary Alliance of the Dutch Reformed Church began missionary work aided by the Dutch colonial government. In addition to introducing Christianity, the Dutch abolished slavery and imposed local taxes. A line was drawn around the Sa'dan area and called Tana Toraja ("the land of Toraja"). Tana Toraja was first a subdivision of the Luwu kingdom that had claimed the area. In 1946, the Dutch granted Tana Toraja a regentschap, and it was recognized in 1957 as one of the regencies of Indonesia.

 

Early Dutch missionaries faced strong opposition among Torajans, especially among the elite, because the abolition of their profitable slave trade had angered them. Some Torajans were forcibly relocated to the lowlands by the Dutch, where they could be more easily controlled. Taxes were kept high, undermining the wealth of the elites. Ultimately, the Dutch influence did not subdue Torajan culture, and only a few Torajans were converted. In 1950, only 10% of the population had converted to Christianity.

 

In the 1930s, Muslim lowlanders attacked the Torajans, resulting in widespread Christian conversion among those who sought to align themselves with the Dutch for political protection and to form a movement against the Bugis and Makassarese Muslims. Between 1951 and 1965 (following Indonesian independence), southern Sulawesi faced a turbulent period as the Darul Islam separatist movement fought for an Islamic state in Sulawesi. The 15 years of guerrilla warfare led to massive conversions to

 

CHRISTIANITY

Alignment with the Indonesian government, however, did not guarantee safety for the Torajans. In 1965, a presidential decree required every Indonesian citizen to belong to one of five officially recognized religions: Islam, Christianity (Protestantism and Catholicism), Hinduism, or Buddhism. The Torajan religious belief (aluk) was not legally recognized, and the Torajans raised their voices against the law. To make aluk accord with the law, it had to be accepted as part of one of the official religions. In 1969, Aluk To Dolo ("the way of ancestors") was legalized as a sect of Agama Hindu Dharma, the official name of Hinduism in Indonesia.

 

SOCIETY

There are three main types of affiliation in Toraja society: family, class and religion.

 

FAMILY AFFILIATION

Family is the primary social and political grouping in Torajan society. Each village is one extended family, the seat of which is the tongkonan, a traditional Torajan house. Each tongkonan has a name, which becomes the name of the village. The familial dons maintain village unity. Marriage between distant cousins (fourth cousins and beyond) is a common practice that strengthens kinship. Toraja society prohibits marriage between close cousins (up to and including the third cousin) - except for nobles, to prevent the dispersal of property. Kinship is actively reciprocal, meaning that the extended family helps each other farm, share buffalo rituals, and pay off debts.

 

Each person belongs to both the mother's and the father's families, the only bilateral family line in Indonesia. Children, therefore, inherit household affiliation from both mother and father, including land and even family debts. Children's names are given on the basis of kinship, and are usually chosen after dead relatives. Names of aunts, uncles and cousins are commonly referred to in the names of mothers, fathers and siblings.

 

Before the start of the formal administration of Toraja villages by the Tana Toraja Regency, each Toraja village was autonomous. In a more complex situation, in which one Toraja family could not handle their problems alone, several villages formed a group; sometimes, villages would unite against other villages. Relationship between families was expressed through blood, marriage, and shared ancestral houses (tongkonan), practically signed by the exchange of water buffalo and pigs on ritual occasions. Such exchanges not only built political and cultural ties between families but defined each person's place in a social hierarchy: who poured palm wine, who wrapped a corpse and prepared offerings, where each person could or could not sit, what dishes should be used or avoided, and even what piece of meat constituted one's share.

 

CLASS AFFILIATION

In early Toraja society, family relationships were tied closely to social class. There were three strata: nobles, commoners, and slaves (slavery was abolished in 1909 by the Dutch East Indies government). Class was inherited through the mother. It was taboo, therefore, to marry "down" with a woman of lower class. On the other hand, marrying a woman of higher class could improve the status of the next generation. The nobility's condescending attitude toward the commoners is still maintained today for reasons of family prestige.

 

Nobles, who were believed to be direct descendants of the descended person from heaven, lived in tongkonans, while commoners lived in less lavish houses (bamboo shacks called banua). Slaves lived in small huts, which had to be built around their owner's tongkonan. Commoners might marry anyone, but nobles preferred to marry in-family to maintain their status. Sometimes nobles married Bugis or Makassarese nobles. Commoners and slaves were prohibited from having death feasts. Despite close kinship and status inheritance, there was some social mobility, as marriage or change in wealth could affect an individuals status. Wealth was counted by the ownership of water buffaloes.

 

Slaves in Toraja society were family property. Sometimes Torajans decided to become slaves when they incurred a debt, pledging to work as payment. Slaves could be taken during wars, and slave trading was common. Slaves could buy their freedom, but their children still inherited slave status. Slaves were prohibited from wearing bronze or gold, carving their houses, eating from the same dishes as their owners, or having sex with free women - a crime punishable by death.

 

RELIGIOUS AFFILIATION

Toraja's indigenous belief system is polytheistic animism, called aluk, or "the way" (sometimes translated as "the law"). In the Toraja myth, the ancestors of Torajan people came down from heaven using stairs, which were then used by the Torajans as a communication medium with Puang Matua, the Creator. The cosmos, according to aluk, is divided into the upper world (heaven), the world of man (earth), and the underworld. At first, heaven and earth were married, then there was a darkness, a separation, and finally the light. Animals live in the underworld, which is represented by rectangular space enclosed by pillars, the earth is for mankind, and the heaven world is located above, covered with a saddle-shaped roof. Other Toraja gods include Pong Banggai di Rante (god of Earth), Indo' Ongon-Ongon (a goddess who can cause earthquakes), Pong Lalondong (god of death), and Indo' Belo Tumbang (goddess of medicine); there are many more.

 

The earthly authority, whose words and actions should be cleaved to both in life (agriculture) and death (funerals), is called to minaa (an aluk priest). Aluk is not just a belief system; it is a combination of law, religion, and habit. Aluk governs social life, agricultural practices, and ancestral rituals. The details of aluk may vary from one village to another. One common law is the requirement that death and life rituals be separated. Torajans believe that performing death rituals might ruin their corpses if combined with life rituals. The two rituals are equally important. During the time of the Dutch missionaries, Christian Torajans were prohibited from attending or performing life rituals, but were allowed to perform death rituals. Consequently, Toraja's death rituals are still practised today, while life rituals have diminished.

 

CULTURE

TONGKONAN

Tongkonan are the traditional Torajan ancestral houses. They stand high on wooden piles, topped with a layered split-bamboo roof shaped in a sweeping curved arc, and they are incised with red, black, and yellow detailed wood carvings on the exterior walls. The word "tongkonan" comes from the Torajan tongkon ("to sit").

 

Tongkonan are the center of Torajan social life. The rituals associated with the tongkonan are important expressions of Torajan spiritual life, and therefore all family members are impelled to participate, because symbolically the tongkonan represents links to their ancestors and to living and future kin. According to Torajan myth, the first tongkonan was built in heaven on four poles, with a roof made of Indian cloth. When the first Torajan ancestor descended to earth, he imitated the house and held a large ceremony.

 

The construction of a tongkonan is laborious work and is usually done with the help of the extended family. There are three types of tongkonan. The tongkonan layuk is the house of the highest authority, used as the "center of government". The tongkonan pekamberan belongs to the family members who have some authority in local traditions. Ordinary family members reside in the tongkonan batu. The exclusivity to the nobility of the tongkonan is diminishing as many Torajan commoners find lucrative employment in other parts of Indonesia. As they send back money to their families, they enable the construction of larger tongkonan.

 

WOOD CARVINGS

To express social and religious concepts, Torajans carve wood, calling it Pa'ssura (or "the writing"). Wood carvings are therefore Toraja's cultural manifestation.

 

Each carving receives a special name, and common motifs are animals and plants that symbolize some virtue. For example, water plants and animals, such as crabs, tadpoles and water weeds, are commonly found to symbolize fertility. In some areas noble elders claim these symbols refer to strength of noble family, but not everyone agrees. The overall meaning of groups of carved motifs on houses remains debated and tourism has further complicated these debates because some feel a uniform explanation must be presented to tourists. The image to the left shows an example of Torajan wood carving, consisting of 15 square panels. The center bottom panel represents buffalo or wealth, a wish for many buffaloes for the family. The center panel represents a knot and a box, a hope that all of the family's offspring will be happy and live in harmony, like goods kept safe in a box. The top left and top right squares represent an aquatic animal, indicating the need for fast and hard work, just like moving on the surface of water. It also represents the need for a certain skill to produce good results.

 

Regularity and order are common features in Toraja wood carving (see table below), as well as abstracts and geometrical designs. Nature is frequently used as the basis of Toraja's ornaments, because nature is full of abstractions and geometries with regularities and ordering. Toraja's ornaments have been studied in ethnomathematics to reveal their mathematical structure, but Torajans base this art only on approximations. To create an ornament, bamboo sticks are used as a geometrical tool.

 

FUNERAL RITES

In Toraja society, the funeral ritual is the most elaborate and expensive event. The richer and more powerful the individual, the more expensive is the funeral. In the aluk religion, only nobles have the right to have an extensive death feast. The death feast of a nobleman is usually attended by thousands and lasts for several days. A ceremonial site, called rante, is usually prepared in a large, grassy field where shelters for audiences, rice barns, and other ceremonial funeral structures are specially made by the deceased family. Flute music, funeral chants, songs and poems, and crying and wailing are traditional Toraja expressions of grief with the exceptions of funerals for young children, and poor, low-status adults.

 

The ceremony is often held weeks, months, or years after the death so that the deceased's family can raise the significant funds needed to cover funeral expenses. Torajans traditionally believe that death is not a sudden, abrupt event, but a gradual process toward Puya (the land of souls, or afterlife). During the waiting period, the body of the deceased is wrapped in several layers of cloth and kept under the tongkonan. The soul of the deceased is thought to linger around the village until the funeral ceremony is completed, after which it begins its journey to Puya.

 

Another component of the ritual is the slaughter of water buffalo. The more powerful the person who died, the more buffalo are slaughtered at the death feast. Buffalo carcasses, including their heads, are usually lined up on a field waiting for their owner, who is in the "sleeping stage". Torajans believe that the deceased will need the buffalo to make the journey and that they will be quicker to arrive at Puya if they have many buffalo. Slaughtering tens of water buffalo and hundreds of pigs using a machete is the climax of the elaborate death feast, with dancing and music and young boys who catch spurting blood in long bamboo tubes. Some of the slaughtered animals are given by guests as "gifts", which are carefully noted because they will be considered debts of the deceased's family. However, a cockfight, known as bulangan londong, is an integral part of the ceremony. As with the sacrifice of the buffalo and the pigs, the cockfight is considered sacred because it involves the spilling of blood on the earth. In particular, the tradition requires the sacrifice of at least three chickens. However, it is common for at least 25 pairs of chickens to be set against each other in the context of the ceremony.

 

There are three methods of burial: the coffin may be laid in a cave or in a carved stone grave, or hung on a cliff. It contains any possessions that the deceased will need in the afterlife. The wealthy are often buried in a stone grave carved out of a rocky cliff. The grave is usually expensive and takes a few months to complete. In some areas, a stone cave may be found that is large enough to accommodate a whole family. A wood-carved effigy, called Tau tau, is usually placed in the cave looking out over the land. The coffin of a baby or child may be hung from ropes on a cliff face or from a tree. This hanging grave usually lasts for years, until the ropes rot and the coffin falls to the ground.

 

In the ritual called Ma'Nene, that takes place each year in August, the bodies of the deceased are exhumed to be washed, groomed and dressed in new clothes. The mummies are then walked around the village.

 

DANCE AND MUSIC

Torajans perform dances on several occasions, most often during their elaborate funeral ceremonies. They dance to express their grief, and to honour and even cheer the deceased person because he is going to have a long journey in the afterlife. First, a group of men form a circle and sing a monotonous chant throughout the night to honour the deceased (a ritual called Ma'badong). This is considered by many Torajans to be the most important component of the funeral ceremony. On the second funeral day, the Ma'randing warrior dance is performed to praise the courage of the deceased during life. Several men perform the dance with a sword, a large shield made from buffalo skin, a helmet with a buffalo horn, and other ornamentation. The Ma'randing dance precedes a procession in which the deceased is carried from a rice barn to the rante, the site of the funeral ceremony. During the funeral, elder women perform the Ma'katia dance while singing a poetic song and wearing a long feathered costume. The Ma'akatia dance is performed to remind the audience of the generosity and loyalty of the deceased person. After the bloody ceremony of buffalo and pig slaughter, a group of boys and girls clap their hands while performing a cheerful dance called Ma'dondan.

 

As in other agricultural societies, Torajans dance and sing during harvest time. The Ma'bugi dance celebrates the thanksgiving event, and the Ma'gandangi dance is performed while Torajans are pounding rice. There are several war dances, such as the Manimbong dance performed by men, followed by the Ma'dandan dance performed by women. The aluk religion governs when and how Torajans dance. A dance called Ma'bua can be performed only once every 12 years. Ma'bua is a major Toraja ceremony in which priests wear a buffalo head and dance around a sacred tree.

 

A traditional musical instrument of the Toraja is a bamboo flute called a Pa'suling (suling is an Indonesian word for flute). This six-holed flute (not unique to the Toraja) is played at many dances, such as the thanksgiving dance Ma'bondensan, where the flute accompanies a group of shirtless, dancing men with long fingernails. The Toraja have indigenous musical instruments, such as the Pa'pelle (made from palm leaves) and the Pa'karombi (the Torajan version of a jaw harp). The Pa'pelle is played during harvest time and at house inauguration ceremonies.

 

LANGUAGE

The ethnic Toraja language is dominant in Tana Toraja with the main language as the Sa'dan Toraja. Although the national Indonesian language is the official language and is spoken in the community, all elementary schools in Tana Toraja teach Toraja language.Language varieties of Toraja, including Kalumpang, Mamasa, Tae' , Talondo' , Toala' , and Toraja-Sa'dan, belong to the Malayo-Polynesian language from the Austronesian family. At the outset, the isolated geographical nature of Tana Toraja formed many dialects between the Toraja languages themselves. After the formal administration of Tana Toraja, some Toraja dialects have been influenced by other languages through the transmigration program, introduced since the colonialism period, and it has been a major factor in the linguistic variety of Toraja languages. A prominent attribute of Toraja language is the notion of grief. The importance of death ceremony in Toraja culture has characterized their languages to express intricate degrees of grief and mourning. The Toraja language contains many terms referring to sadness, longing, depression, and mental pain. Giving a clear expression of the psychological and physical effect of loss is a catharsis and sometimes lessens the pain of grief itself.

 

ECONOMY

Prior to Suharto's "New Order" administration, the Torajan economy was based on agriculture, with cultivated wet rice in terraced fields on mountain slopes, and supplemental cassava and maize crops. Much time and energy were devoted to raising water buffalo, pigs, and chickens, primarily for ceremonial sacrifices and consumption. Coffee was the first significant cash crop produced in Toraja, and was introduced in the mid 19th century, changing the local economy towards commodity production for external markets and gaining an excellent reputation for quality in the international market .

 

With the commencement of the New Order in 1965, Indonesia's economy developed and opened to foreign investment. In Toraja, a coffee plantation and factory was established by Key Coffee of Japan, and Torajan coffee regained a reputation for quality within the growing international specialty coffee sector Multinational oil and mining companies opened new operations in Indonesia during the 1970s and 1980s. Torajans, particularly younger ones, relocated to work for the foreign companies - to Kalimantan for timber and oil, to Papua for mining, to the cities of Sulawesi and Java, and many went to Malaysia. The out-migration of Torajans was steady until 1985. and has continued since, with remittances sent back by emigre Torajans performing an important role within the contemporary economy.

 

Tourism commenced in Toraja in the 1970s, and accelerated in the 1980s and 1990s. Between 1984 and 1997, a significant number of Torajans obtained their incomes from tourism, working in and owning hotels, as tour guides, drivers, or selling souvenirs. With the rise of political and economic instability in Indonesia in the late 1990s - including religious conflicts elsewhere on Sulawesi - tourism in Tana Toraja has declined dramatically. Toraja continues to be a well known origin for Indonesian coffee, grown by both smallholders and plantation estates, although migration, remittances and off-farm income is considered far more important to most households, even those in rural areas.

 

TOURISM AND CULTURAL CHANGE

Before the 1970s, Toraja was almost unknown to Western tourism. In 1971, about 50 Europeans visited Tana Toraja. In 1972, at least 400 visitors attended the funeral ritual of Puang of Sangalla, the highest-ranking nobleman in Tana Toraja and the so-called "last pure-blooded Toraja noble." The event was documented by National Geographic and broadcast in several European countries. In 1976, about 12,000 tourists visited the regency and in 1981, Torajan sculpture was exhibited in major North American museums. "The land of the heavenly kings of Tana Toraja", as written in the exhibition brochure, embraced the outside world.

 

In 1984, the Indonesian Ministry of Tourism declared Tana Toraja Regency the prima donna of South Sulawesi. Tana Toraja was heralded as "the second stop after Bali". Tourism was increasing dramatically: by 1985, a total number of 150,000 foreigners had visited the Regency (in addition to 80,000 domestic tourists), and the annual number of foreign visitors was recorded at 40,000 in 1989. Souvenir stands appeared in Rantepao, the cultural center of Toraja, roads were sealed at the most-visited tourist sites, new hotels and tourist-oriented restaurants were opened, and an airstrip was opened in the Regency in 1981.

 

Tourism developers have marketed Tana Toraja as an exotic adventure - an area rich in culture and off the beaten track. Western tourists expected to see stone-age villages and pagan funerals. Toraja is for tourists who have gone as far as Bali and are willing to see more of the wild, "untouched" islands. However, they were more likely to see a Torajan wearing a hat and denim, living in a Christian society. Tourists felt that the tongkonan and other Torajan rituals had been preconceived to make profits, and complained that the destination was too commercialized. This has resulted in several clashes between Torajans and tourism developers, whom Torajans see as outsiders.

 

A clash between local Torajan leaders and the South Sulawesi provincial government (as a tourist developer) broke out in 1985. The government designated 18 Toraja villages and burial sites as traditional tourist attractions. Consequently, zoning restrictions were applied to these areas, such that Torajans themselves were barred from changing their tongkonans and burial sites. The plan was opposed by some Torajan leaders, as they felt that their rituals and traditions were being determined by outsiders. As a result, in 1987, the Torajan village of Kété Kesú and several other designated tourist attractions closed their doors to tourists. This closure lasted only a few days, as the villagers found it too difficult to survive without the income from selling souvenirs.

 

Tourism has also transformed Toraja society. Originally, there was a ritual which allowed commoners to marry nobles (puang) and thereby gain nobility for their children. However, the image of Torajan society created for the tourists, often by "lower-ranking" guides, has eroded its traditional strict hierarchy. High status is not as esteemed in Tana Toraja as it once was. Many low-ranking men can declare themselves and their children nobles by gaining enough wealth through work outside the region and then marrying a noble woman.

 

WIKIPEDIA

Light Brigade , Belgium Army

by the Certification Exercise " Active Trip 2015" by the Barragne de Nisramont ,Belgium

 

Congratulation : Light Brigade// 2Cdo// NRF 2016 (Nato Response Force)// Evaluation// Official certification

 

More Information / Pictures : www.flickr.com/photos/pzbrig15/albums/72157659422480655

Mount Etna (Aetna in Latin, also known as Muncibeddu in Sicilian and Mongibello in Italian, a combination of Latin mons and Arabic gibel, both meaning mountain) is an active stratovolcano on the east coast of Sicily, close to Messina and Catania. Its Arabic name was Jebel Utlamat (the Mountain of Fire).Volcanic activity at Etna began about half a million years ago, with eruptions occurring beneath the sea off the coastline of Sicily. 300,000 years ago, volcanism began occurring to the southwest of the present-day summit, before activity moved towards the present centre 170,000 years ago. Eruptions at this time built up the first major volcanic edifice, forming a strato-volcano in alternating explosive and effusive eruptions. The growth of the mountain was occasionally interrupted by major eruptions leading to the collapse of the summit to form calderas.From about 35,000 to 15,000 years ago, Etna experienced some highly explosive eruptions, generating large pyroclastic flows which left extensive ignimbrite deposits. Ash from these eruptions has been found as far away as Rome, 800 km to the north.Sicily's greatest natural attraction is also its highest mountain: Mount Etna, at 10,924 feet, is the most active volcano in Europe and the oldest recorded active volcano in the world.Mount Etna is an active volcano on the east coast of Sicily, close to Messina and Catania. It is the largest active volcano in Europe, currently standing about 3329.6 m (10,924 feet)high, though it should be noted that this varies with summit eruptions; the mountain is 21.6 m (71 ft) lower now than it was in 1865. It is the highest mountain in Italy south of the Alps. Etna covers an area of 1,190 km² (460 square miles) with a basal circumference of 140 km.The fertile volcanic soils support extensive agriculture, with vineyards and orchards spread across the lower slopes of the mountain and the broad Plain of Catania to the south. Due to its history of recent activity and nearby population, Mount Etna has been designated a Decade Volcano by the United Nations.Etna lava stone is a material with unique characteristics: durable, indestructible, resistant to changes in the temperature (it’s a heat conductor), it offers infinite possibilities of uses: flooring, urban furniture, interior design.After the glazing process the product doesn’t get stained, resists to acids and doesn’t require particular maintenance: that’s why lava stone is the ideal material even to make kitchens and bathrooms countertops. The natural stone tends to grey, with the glazing process we can obtain any desired colour. Shapes, sizes and decorations can be customized . The lava stone it is formed by the solidification of cooled magma on the surface of the Etna volcano, in Sicily

 

L'Etna è un vulcano attivo che si trova sulla costa orientale della Sicilia (Italia), tra Catania e Messina. È il vulcano attivo più alto del continente europeo e uno dei maggiori al mondo. La sua altezza varia nel tempo a causa delle sue eruzioni, ma si aggira attualmente sui 3329.6 m (10,924 feet) s.l.m. Il suo diametro è di circa 45 chilometri.Un tempo era noto anche come Mongibello.In genere le eruzioni dell'Etna pur fortemente distruttive delle cose, non lo sono per le persone se si eccettuano i casi fortuiti o di palese imprudenza come quello dell'improvvisa esplosione di massi del 1979 che uccise nove turisti e ne ferì una decina di altri avventuratisi fino al cratere appena spento. L'Etna è un tipico strato-vulcano che iniziò la sua attività, tra 500 e 700 mila anni fa. La sua lava di tipo basaltico è povera in silice, è molto calda, densa e fluida. Per queste ragioni le eruzioni sono tranquille ed il percorso delle lave prevedibile. La velocità di scorrimento è superiore a quella delle lave acide, più ricche in silice e più viscose e leggere.La lavorazione della pietra lavica, derivante dall’industria estrattiva delle vicine cave dell'Etna, per scopi ornamentali o per materiali da costruzione, diede da vivere a molte famiglie siciliane.I "pirriaturi", anticamente, estraevano lungo i costoni dell'Etna solo strati superficiali di lava perché più porosi e più facilmente lavorabili con arnesi quali la subbia, lo scalpello, la mazzola e il martello. Sul materiale estratto interveniva lo spaccapietre che ricavava lastre di pietra, infine lo scalpellino rifiniva il materiale. Uno degli usi prevalenti cui era destinata la pietra lavica era la pavimentazione delle strade urbane

 

www.youtube.com/watch?v=cAT2XppUwxg

Active dry yeast is the form of yeast most commonly availablein the United States. Under most conditions, active dry yeast must first be proofed or rehydrated. It can be stored at room temperature for a year, or frozen for more than a decade, which means that it has better keeping qualities than other forms, but it is generally considered more sensitive than other forms to thermal shock when actually used in recipes.

 

USMA Cadets and active duty Soldiers graduate air assault school recieving their badge at West Point, New York on June 28, 2019. (US Army photo by Tarnish Pride)

Analog tools for writing

Mackenzie slides down the slip & slide

Olympus E-5, Zuiko Digital 40-150mm

This road crossing is on the CSX line headed to the chemical plant outside of Vander. The train will traverse this stretch of track and I was intrigued enough to wartch and video. Check out the video in the link or the next photo...the train kicks up some dust and it is a bit of a rough ride, watch the truck motion.

My wife, running like the wind.

Proporciona soporte extra, gracias al pillow que recubre la parte superior del colchón y separa la firme estructura de resortes, ayudando a minimizar los puntos de presión en lugares del cuerpo más expuestos como: Hombros, cadera y rodillas.

El pocket Spring: Es un sistema de resortes encapsulados que evitan el efecto reflejo permitiendo un mejor descanso sin interrupciones, logrando pasar a estados de sueño placentero en corto tiempo.

Non Flip: Diseño que evita la rotacion del colchón.

Pillow System: Sistema de acolchado adicional.

Load Foam: Sistema de relleno de casatta para una mayor firmeza y cuidado de la columna vertebral.

Joshua Draper is in the armor corps and is on active duty. He is taking the oath during the ROTC graduation at Cal State Fullerton. Twenty-five U.S. Army cadets in Cal State Fullerton’s Reserve Officer Training Corps became second lieutenants May 24 during a commissioning ceremony that marked their promotion in rank and the completion of their college degrees. Each new officer will complete officer training, then report to his or her respective duty station in the United States or abroad. Among the officers include are 20 CSUF graduates and five from other area universities. Each took the oath of office and received his or her stripes before a crowd of family and friends.

 

contentstore.fullerton.edu/news/2013sp/ROTC-Officers.asp

We are your one stop health care center for Everything From Chiropractic care, Massage, Naturopathy, Orthotics, Counseling, laser therapy and more. Our licensed staff will ensure you have the top treatments for your needs. We have been in Chinook mall for over 25 years ,come by do some shopping before or after your appointment! If you Need to see a Chiropractor we have you covered!

activebacktohealth.com/

Active Duty 2014 Dodge Charger

 

Owner: The State of Michigan

 

Playing Now: Years ~ Barbra Mandrell

 

Photographed @ the 2014 World Famous Woodward Dream Cruise in the Motor City, MI.

 

COPYRIGHT NOTICE: © 2015 Mark O'Grady Digital Studio\MOSpeed Images. All photographs displayed with the Mark O'Grady/Mark O'Grady Digital Studio/MOSpeed Images logo(s) are protected by Canadian, United States of America and International copyright laws unless stated otherwise. The photos on this website are not stock and may not be used for manipulations, references, blogs, journals, share sites, etc. They are intended for the private use of the viewer and may not be published or reposted in any form without the prior consent of its owner Mark O’Grady/MOSpeed Images Group LLC.

CMJ 2011 at Glasslands

Maker: Konstantin Athanasiou (1845-1898)

Born: Greece

Active: Greece

Medium: albumen print

Size: 8.1" x 10.2"

Location: Greece

 

Object No. 2013.350

Shelf: D-26

 

Publication: Schatzhäuser der Photographie. Die Sammlung des Fürsten zu Wied. Museum Ludwig/Agfa Photo-Historama/Steidl, 1998, Cat. 13

 

Other Collections:

 

Notes: also attributed to Dimitrios Konstantinou

 

To view our archive organized by themes and subjects, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

 

Camel Active jacket sleeve button

General Sport - Sport England Announcement on their 'Active Women' programme - Nottingham - 6/1/11.

Sport England today announced 20 projects benefiting from £10m of National Lottery funding to get more women, specifically those caring for children and living in disadvantaged communities, playing sport.

Mandatory Credit: Action Images / Andrew Boyers.

 

Active Assignment Weekly - Surrealism.

 

Wow - this is a tough assignment as I can't do double exposure with my camera, and I don't have Photoshop or any such fancy thing. So, I have played about with what I have.

 

WIT:

I took some shots of my hand in front of the TV screen during whatever happened to be on - it was a movie of some sort. I had to go with what came up. Then, in PP I used the Polar Co-ordinates application.

CHARLOTTE, N.C. -- Airmen of the 145th Security Forces conduct an Active Shooter Exercise for training Sunday at the 145th Airlift Wing. (Photos by TSgt Richard Kerner, NCNG Public Affairs, 145th Airlift Wing)

Active Assignment Weekly: Break the Rules

 

First I used dead/wilting flowers, and underexposed them. I also tried to break the rules of composition by placing the "heaviest" object at the top of the frame, making it look upside-down (it isn't). Hardest of all for me, this is straight out of the camera, no cropping or anything. Used a low power speedlight camera left, snooted to prevent spill.

 

Unfortunately, the big, intact rose is right at the junction of thirds lines. Apparently, I can't break that many rules.

 

IMGP6645

Several ponds and lakes occur along the North Fork of the Licking River, between the towns of Newark and St. Louisville in Licking County, Ohio. These bodies of water are artificial - they are filling old gravel mines. Only one bedrock mine still operates in Licking County, plus active gravel mining.

 

This gravel mine is the St. Louisville Facility, owned by Shelly Materials. The company started in 1946 and has mines/quarries in 77 out of Ohio's 88 counties. This site has a sand and gravel operation, plus an asphalt plant. Mining here started in the 1980s. It is currently a wet mine - a dredging operation. Machinery extracts sand and gravel from 60 to 70 feet below the visible water surface in the ponds. The sediments are sorted into piles of sand and larger grains, including landscaping gravel. I've been told that this site produced 770,000 tons of gravel back in 2004, sold at about four American dollars per ton.

 

The southern and eastern edges of the mine expose a modern soil developed directly atop the sand-gravel deposit. The deposit itself is not really well-sorted overall - it's mostly a mix of sand and finer-grained gravel (pebbles). There are discrete intervals of sand interbedded with gravel-rich horizons. The deposit includes cobbles. This material is a glacial outwash deposit of Late Pleistocene age. It was deposited as the Wisconsinan Ice Sheet melted. Glaciers are more than just ice - considerable volumes of sediments are mixed in. Upon melting, the sediments get washed out. The valley containing the North Fork of the Licking River is mostly buried and filled with such glacial outwash. According to the glacial map of Ohio produced by the Ohio Geological Survey, the glacial outwash at this site is 15,000 to 18,000 years old.

 

The glacial outwash clasts include a wide variety of lithologies. Some have been eroded from local and near-local Ohio bedrock (e.g., Mississippian siliciclastics). Some clasts are derived from Precambrian bedrock in Canada. One distinctive clast lithology I've seen here is metatillite from the Paleoproterozoic Gowganda Formation. These metatillites are slightly metamorphosed, ancient glacial till deposits (coarse-grained, poorly-sorted, non-bedded). Such rocks are intriguing - they represent two Ice Ages in one sample: a 2.3 billion year old Ice Age deposit represented as a clast in a 15,000 to 18,000 year old Ice Age deposit.

 

The slanted layering in the picture is cross-bedding, which forms in a one-directional current by wind or water. In this case, it was water in glacial meltwater streams.

 

Locality: St. Louisville gravel pits, eastern side of the North Fork of the Licking River, south of the town of St. Louisville, northern Licking County, east-central Ohio, USA (40° 09’ 33.06” North latitude, 82° 24’ 35.60” West longitude)

 

Taken in Yellowstone National Park

A family running together outdoors.

An Anthology of Canadian, American and Commonwealth Prose.

 

edited by W.E.Messenger & W.H.New.

 

2nd printing. Scarborugh, Prentice-Hall Of Canada Limited, 198o [ie december(?) 1981; 1st edition in december 198o). ISBN o-13-oo3897-o.

 

5-7/8 x 9, 216 sheets tan pulp perfectbound into white rectogloss card wrappers, all except inside covers & 7 pp (ii, viii, last 5 pp) printed offset, black in light blue, turquoise & blue covers.

 

cover design by Gail Ferreira.

59 contributors ID'd:

Isaac Asimov, Cynthia Beaumarsh, Simone Beck, Max Beerbohm, Louisette Bertholle, C.C.Bombaugh, Robert Browning, Silver Donald Cameron, Julia Child, John Robert Colombo, Wrexford Cripps, Eustace Davenat, Robertson Davies, Loren Eisely, Ralph Ellison, Gail Ferreira, E.M.Forster, John Kenneth Galbraith, James Gridge, Roderick Haig-Brown, Vivien Halas, Michael Hornyansky, Aldous Huxley, Pauline Kael, David Kahn, Margaret Lane, Stephen Leacock, Jack Ludwig, Emily Thérèse Lynn-Royston, Hugh MacLennan, James McAuley, W.E.Messenger, Nancy Mitford, Alan Moorehead, Elaine Morgan, Bharati Mukherjee, Walter Murdoch, V.S.Naipul, W.H.New, bpNichol, Flannery O'Connor, George Orwell, Mordecai Richler, Berton Roueché, Bertrand Russell, Wole Soyinka, Gertrude Stein, Thomas S.Szasz, Harold Thistlake, Dylan Thomas, Lewis Thoas, James Thurber, E.B.White, Tom Wolfe, George Woodcock, Virginia Woolf, Pedro Xisto, Janice Yalden, William Zinsser.

 

Nichol "contributes":

i) Blues (concrete poem, typeset by Vivien Halas, as illustration in (ii) below)

 

also includes:

ii) Communicating Through Form, by John Robert Colombo (prose essay, pp.342>357; with (ii) above as illustration to part 7 (of 8), Concrete Poetry [revised form its inclusion in A Media Mosaic])

An "Active Travel" fingerpost. The Town Centre "finger" is directing you due north up a steep slope covered with brambles and trees, on into the dense Church Wood. Were you to slavishly follow this sign like a trucker and his satnav, you would be heading in the direction of Pontypool. The town centre is actually straight on down Maendy Way, to the south east.

 

"Active Travel" finger posts are now sprouting up in Torfaen. The Welsh Government introduced the Active Travel (Wales) Act 2013 which makes it a legal requirement for local authorities in Wales to map and plan for suitable routes for active travel within certain settlements in the county borough as specified by the Welsh Government. This is Torfaen County Borough Council's compliance with the act. The routes are designed for walkers and cyclists to carry out everyday short-distance journeys, such as journeys to school, work, or for access to shops or services. Active travel does not include journeys purely made for recreation or social reasons.

 

The legislation is, in my opinion, fatally flawed. Since it is for "everyday short-distance journeys, such as journeys to school, work, or for access to shops or services" surely people using these routes already know how to get to work, school, shops etc.? Sounds like more Nanny State thinking to me.

A family running together outdoors.

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