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Abstract composition in purple on blue, a structure/color study. July 25, 2015. Photo by Alecsey Boldeskul.
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About the artist: Nathan Oliveira was a leading artist in the Bay Area figurative movement and a professor of art at Stanford University for 32 years. Born in Oakland, California in 1928 to Portuguese immigrant parents, Oliveira studied art at Mills College in 1950 and at the California College of Arts.
Gracias por las visitas, amables comentarios e invitaciones
Thank you for the visits, kind comments and invitations
This was the extent of the abstractions for this summer. This little one was based on a memory of a summer lake.....I didn't get a chance to visit that lake very often....listening to the buzz of a few motorboats off in the distance....how I coveted that perfect blue, and the imagined freedom of summer lake life.
Niflheim (or Niflheimr) ("Mist Home", the "Abode of Mist" or "Mist World"[citation needed], or probably world of the darkness according to the Oxford English Dictionary[1]) is one of the Nine Worlds and is a location in Norse mythology which sometimes overlaps with the notions of Niflhel and Hel. The name Niflheimr only appears in two extant sources: Gylfaginning and the much-debated Hrafnagaldr Óðins.
Niflheim was primarily a realm of primordial ice and cold, with the frozen rivers of Élivágar and the well of Hvergelmir, from which come all the rivers.[2] According to Gylfaginning, Niflheim was one of the two primordial realms, the other one being Muspelheim, the realm of fire. Between these two realms of cold and heat, creation began when its waters mixed with the heat of Muspelheim to form a "creating steam". Later, it became the abode of Hel, a goddess daughter of Loki, and the afterlife for her subjects, those who did not die a heroic or notable death.
Gracias por las visitas, amables comentarios e invitaciones
Thank you for the visits, kind comments and invitations
Untitled (Black and Gray) circa 1950
Gouache on paper
h: 8.8 x w: 14 in
Courtesy of Spanierman Modern, New York
Barnett Newman, Vir Heroicus Sublimis, 1950–51, oil on canvas, 242.2 x 541.7 cm (The Museum of Modern Art)