View allAll Photos Tagged abstractexpression
Masque, early 1950s
Oil on canvas, 18 x 24 inches
Signed lower right: C. Park
Photograph courtesy Spanierman Gallery, LLC, New York.
All I Needed To See Was Her Smile, 2012
Samuel E Vázquez
Acrylic, oil paint stick, spray enamel, and latex on birch plywood
22.75 in x 18.75 in
Inquiries:
twostrangerswaitingforlovers [at] gmail.com
Arcadian (1959)
Oil on canvas
69 3/4 x 45 inches
Courtesy of Vincent Vallarino, New York
Biographical information:
Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation
Hold Me Now and Then, 2012
Samuel E Vázquez
Acrylic, spray enamel, and latex on MDF
27 in x 14 in
Inquiries:
twostrangerswaitingforlovers [at] gmail.com
La naturaleza me inspira, me pone como a cualquier pintor en un estado emocional que me produce una urgencia de hacer algo.
Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation
All based on images of the curved concrete staircase at the base of the new Tate Modern Tower in London. All are double exposures created in a process that also involves split-toning and adding a layer of texture. A lot of experimentation went on here today.
All images copyright Stan Farrow FRPS. Not to be copied without permission.
Untitled 1958
Oil on board
14.5 by 19.5 inches
Michael Loew was born in New York and received his art training, like so many of his contemporaries, at the Art Students League and the Han Hoffman School of Art. In addition he attended the Atelier Léger in Paris.
His works are to be found in the collections of the Guggenheim Museum, the Whitney Museum of American Art, the Philadelphia Museum, the Hirshorn Museum, the Carnegie Museum and numerous other museums and important repositories of great art.
See more of Michael Loew's work at:
Image generously permitted by McCormick Gallery, Chicago.
A project inspired by abstract expressionism, Jackson Pollock, Ciro Totku and Kilford.
Water, a scanner, and layering.
Abstract painting on canvas board, 2014. Rollers, cotton swabs and forks were used instead of a paint brush to apply the paint. Carrie is a non verbal autistic artist.
Morrison Ave-Sound View, 2011
Samuel E Vázquez
Spray enamel, dye, graphite, and latex on pine
43 in x 11 in
Inquiries:
twostrangerswaitingforlovers [at] gmail.com
Morning Fog (1976)
Oil on canvas
h: 66 x w: 60 in
Courtesy of Spanierman Modern, New York
www.easthamptonstar.com/dnn/Archive/Home20081225/Arts/Gre...
Whimsical Woman 3
2011
acrylic on matboad
(c)Gabrielle Javier-Cerulli 2007-2011 This artwork and all my artwork is protected by copyright which does not transfer with sale or trade. Even though you’re buying or trading a piece of my artwork, you’re not buying the right to copy, print or reproduce it in anyway. I retain all rights to the artwork forever.
Some reflections took my eye in the river beside my cottage today. The sun was playing peek-a- boo with stormclouds, so the reflections were there one second, gone the next. I must have shot 30 images & scrapped 27. This was one of the more satifying. I do like abstraction in both photography and painting, being a great admirer of Jackson Pollack's work and the whole Abstract Expressionism movement.