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Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation
Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation
This is a reproduction of Jackson Pollock's studio at The National Museum of Modern Art, Tokyo. These cans and brushes once belonged to Pollock.
Untitled (1954)
Oil on paper
8 x 9 inches
Courtesy of Spanierman Modern, New York
www.spanierman-at-easthampton.com/07_Greene/07_Greene_rev...
Here he is, Artiste Canine Beaufere, at his one pooch show, June 9, 2007, in Muskegon. The noted tail painter was featured at the Clay St. Station, Skeetown's most prestigious gallery and former gas station. With him was his handler and human muse, Dr. Ofah.
Beaufere, who is 126 years old in dog years, --- or do I mean human years? --- is currently in negotiation with Hackley Public Library to appear at a children's program.
Beaufere's work is available both at the Clay St. Station and on his website at loony-show.com
All of the above is true.
Willem de Kooning, Woman I, 1950–52, oil and metallic paint on canvas, 192.7 x 147.3 cm (The Museum of Modern Art) © The Willem de Kooning Foundation
New studies for Action Painting. Punches, slaps, kicks, and throws and are extracted from films using custom software and used as material to compose abstract expressionist paintings. This composition was made from the movie Gladiator.
More information about Action Painting is available here: www.mantissa.ca/projects/actionpainting.php
abstract painting,Wall Decor,Contemporary Art,Living Room,Interior decoration,It's a journey for the eye and imagination,
Overview
Handmade item
Height: 150 Centimeters
Width: 70 Centimeters
Material: canvas
$420.00 （On Sale）
www.etsy.com/listing/637923877/a-twofold-worldabstract-pa...
Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation
Untitled (1951)
Oil on canvas
h: 12 x w: 24 in
Courtesy of Vincent Vallarino Fine Art, New York
www.artnet.com/gallery/424639601/vincent-vallarino-fine-a...
All based on images of the curved concrete staircase at the base of the new Tate Modern Tower in London. All are double exposures created in a process that also involves split-toning and adding a layer of texture. A lot of experimentation went on here today.
All images copyright Stan Farrow FRPS. Not to be copied without permission.
May 31–Aug. 26, 2012
Canaday Gallery
www.toledomuseum.org/exhibitions/julesolitski/
A major overview of work by acclaimed American painter Jules Olitski comes to the Toledo Museum of Art this spring. Revelation: Major Paintings by Jules Olitski brings together more than 30 significant paintings from public and private collections, highlighting important periods and themes of Olitski’s career.
Untitled (Red, Yellow, and White)
ca. 1950s
Gouache on paper
18 x 24 inches
Photograph courtesy Spanierman Gallery, LLC, New York.
Every so often I revert to abstraction...not so odd considering I trained in that kind of school. Sometimes the desire is more to suggest than describe......a small series based on memories of places.
I did three very large abstract expressionist paintings this morning. The medium was quite unusual. The brush was huge.
All based on images of the curved concrete staircase at the base of the new Tate Modern Tower in London. All are double exposures created in a process that also involves split-toning and adding a layer of texture. A lot of experimentation went on here today.
All images copyright Stan Farrow FRPS. Not to be copied without permission.
Untitled (50-54), (ca. mid 1950s)
Gouache on paper
22-1/2 x 28-1/2 inches
Courtesy of Spanierman Modern, New York
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BURNING in MOTION
OPUS: Painting Light in Motion,
Artist Mirza Ajanovic; Motion Photography,
Rhythm and Movement Painting, ART Avant-garde,
Motion artist, Action Expressionism, Painting Music,
Action Painting, Abstract Expressionism,
Visual expression of music, Painting with light,
MIRZA AJANOVIC Fine ART Photography,
Best of show!!
Okay, okay, maybe the two giant Hofmanns were indistinguishable in level from this outstanding Gottlieb. I wouldn't argue. It is still good to see that despite the lack of equal attention in the marketplace or scholarship, Gottlieb cannot be denied. Congratulations to the curators for this enlightening perspective on a period I cut my eye teeth on and thought I knew. The quality is uneven from piece to piece, but can't be faulted for its inclusiveness. Quite the opposite. It is eye opening and a timely answer to the recent Action Abstraction show.
It may not say so in the catlogue essays, but the exhibition at MOMA of Abstract Expressionism acknowledges in fact if not word that Adolf Gottlieb was the best of them with the possible exception of Hans Hofmann. This is evidenced by the number of great works in the show by this great master.
The painting above was my personal favorite from the several of his that were displayed. Of all the Abstract Expressionists, his work, Motherwell, Hofmann, and Pollock stood out as being the highest level and the most original of the painters. David Smith, no surprise, stood out among the sculptors.
The show is extensive and inclusive of many media and artists that are not often remembered as belonging to this group, and when thought of from a painting perspective, I guess they aren't, but from the period and the philosophy of that time they certainly were, John Cage, and Len Lye for example.
This is a major survey of that moment when the United States moved into prominence as an artistic force in the world.