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Small squares, from the sky like drops of rain, fall on city streets, parks and squares. The flow did not stop for hours, and as soon as the sky went over the horizon, these tiny particles began to shine from the lights of passing cars, lanterns and advertising signs. Like snowflakes, they rattled under pressure. Few people noticed them, it became commonplace. Today was no different than yesterday. One day it began and lasted for many years, then faded, and then gained strength again. It became ordinary, boring.
Estudio Sobre una Flor y un Insect 5
Study On a Flower and a Bug
Gracias por las visitas, amables comentarios e invitaciones
Thank you for the visits, kind comments and invitations
Matching set of polymer clay necklace and earrings made with polymer clay canes, sealed with Clear Liquid Polyclay.
Joan Mitchell, City Landscape, 1955, oil on linen, 203.2 x 203.2 cm (Art Institute of Chicago), © estate of Joan Mitchell
De Kooning worked on the picture for two years, revising it constantly, and aggressively. www.theartstory.org/artist-de-kooning-willem-artworks.htm
New York born Adloph Gottlieb received early art training at the Art Students League before pursuing additional art experience abroad in France and Germany.
After his return he exhibited with a group of artists known simply as The 10 which also included Mark Rothko.
During WW2 he came into contact with exiled European surrealists who escaped war torn Europe, enjoying the hospitality of Peggy Guggenheim. Gottlieb's acquaintance with the collective unconcious would cast a long shadow over his work for the rest of his days.
Permission to post this image graciouly granted by Viviane Bregman of Viviane Bregman Fine Art.
Often my collage art is dominated by abstraction and geometry. This art form is the most understandable and attractive for me. My forms are created with a glitch effect from real photographs that I took. This is one of the techniques to change reality the way we are used to understanding it and to give the viewer the opportunity to see the world with my eyes, to touch my inner, non-objective world. Shapes and color. Rhythms and lines. The patterns of destiny in the intricate plexus over time are reflected in the heart by the desire to create and blend, to find new places for photography, in the flow, catching the wave in the process.