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Collective artistic expression in public space. July 1, 2015. Photo by Alecsey Boldeskul.
Whose art is this anyway? Who can claim copyright of a collective artistic expression when unrelated participants alter same space over and over again!
Jackson Pollock One: Number 31, 1950, 1950, oil and enamel paint on canvas, 269.5 x 530.8 cm (The Museum of Modern Art, © Pollock-Krasner Foundation)
This was completed in 1979, and is part of a series of works dating to the 1940s that he continually reworked.
Abstract composition of November 7, 2015. Harriman State Park, New York. Work by Alecsey Boldeskul.
Sony a6000 with Helios 44M-6 58mm f2 lens set at f/11. Post-processed with Nic Software Silver Efex Pro 2 - 004 High Contrast (smooth).
1943
pencil and crayon on paper, 46.9x59.6 cm (18½x23½ in.)
private collection.
Image posted with kind consent of Mr. Martin Ries of www.martinries.com.
"The Act of Painting, Intuition (Works on paper)" traveling exhibition
Takarazuka Arts Center, Cube Hall
2021.09.10-12
"The Act of Painting, 直感 (紙作品)" 巡回展
宝塚市立文化芸術センター キューブホール
2021.09.10-12
takarazuka-arts-center.jp/wordpress/2021/08/05/20210910_1...
展覧会：加藤義夫芸術計画室 × TAOP
INTUITION！ Works On Paper
直感 紙の作品
会期：2021年9月10日（金）～12日（日）10:00～18:00 ※最終日は15:00まで。
会場：宝塚市立文化芸術センター 1階キューブホール
入場料：無料
主催：加藤義夫芸術計画室 × TAOP
展覧会に関するお問い合わせ：
【The Act Of Painting】https://www.theactofpainting.com/
【日本お問い合わせ】mail@mayakonakamura.jp（中村）
関連事業 （センター共催）：
★ワークショップ★
からだを使って色と遊ぼう！
◆日時：9月11日（土）A13:00～14:00 B15:00～16:00
◆参加料：無料
◆定員：各5名
A-1 絵具を流して描いてみよう 13:00～14:00
A-2 まるをいっぱい描いてみよう 13:00～14:00
B-1 手足を筆にして描いてみよう 15:00～16:00
B-2 絵具を飛ばして描いてみよう 15:00～16:00
◆対象年齢：小学校1～6年生
※汚れてもよい服装でお越しください。
※手や足を洗った後に拭くタオルをご持参ください。
◆会場：1階キューブホール
◆講師：柴田知佳子・中村眞弥子
ワークショップ申込方法★以下の2つの方法で受付★
※受付開始は 8月31日（火）10:00～
【宝塚市立文化芸術センター】
●電話：0797-62-6800
※電話受付は10:00-18:00、水曜日（休館日）を除く
●メール：event@takarazuka-arts-center.jp
※以下の件名・情報をご記載の上、送信ください
【件名】TAOPイベント申し込み
【本文】①氏名、②ワークショップ番号（A-1、A-2、B-1、B-2）、③ご連絡先、④宝塚市立文化芸術センターの個人情報の取り扱いに同意する
※同じ時間（A-1とA-2など）の同時参加は不可です。
※AとBの連続参加は可能です。
★アーティストトーク★
加藤義夫×柴田知佳子×中村眞弥子◆日時：9月12日（日）13:00～14:00
◆定員：先着30名（申込不要）
◆参加料：無料
◆会場：1階キューブホール
※ライブ配信を行うため、会場の撮影を行います。あらかじめご了承ください。
主催：加藤義夫芸術計画室 × TAOP
共催：宝塚市立文化芸術センター
関連事業に関するお問い合わせ：宝塚市立文化芸術センター [指定管理者：宝塚みらい創造ファクトリー]
TEL：0797-62-6800
MAIL：info@takarazuka-arts-center.jp
Untitled (50-57), (ca. late 1950s)
Ink and gouache on paper
17-7/8 x 24 inches
Courtesy of Spanierman Modern, New York
Die Kunstwerke von Martin GRUNEBERG sind exklusiv erhältlich bei
ARTE DEL MONDO www.arte-del-mondo.de
Gerne beantworten wir Ihre Fragen zum Kunstwerk.
Bitte schreiben Sie uns unter shop@arte-del-mondo.de.
Besuchen Sie uns auch auf
INSTAGRAM @arte-del-mondo.de
Bitte sehen Sie sich auch die Kunstwerke an von
Otto FRÜHWACH
Toshima HAYASHI
Ziggy M. BROOKS
Pavel POLIAKOV
Eric Sven LARSGAARD
Angelo MONTESALVINI
Jackson CUSHMAN
Gus ANDERSON
Wir freuen uns auf Sie !
ARTE DEL MONDO www.arte-del-mondo.de
The artworks of Martin GRUNEBERG are exclusively available at
ARTE DEL MONDO www.arte-del-mondo.de
We are happy to answer your questions about the artwork.
Please write to us at shop@arte-del-mondo.de.
You can also visit us on
INSTAGRAM @arte-del-mondo.de
Please also have a look at the artworks by
Otto FRÜHWACH
Toshima HAYASHI
Ziggy M. BROOKS
Pavel POLIAKOV
Eric Sven LARSGAARD
Angelo MONTESALVINI
Jackson CUSHMAN
Gus ANDERSON
We look forward to seeing you !
ARTE DEL MONDO www.arte-del-mondo.de
Untitled (ca. mid 1950s)
Gouache and collage on paper
22-1/2 x 28-1/2 inches
Courtesy of Spanierman Modern, New York
selected by mike esson for the Abstract Expressionism - The New York School group via Khan Academy (Feb., 2017)
Joan Mitchell (1925-1992) oil on canvas at the Walker Art Center in Minneapolis. Written near the painting: Joan Mitchell was one of the most significant painters to emerge from Abstract Expressionism, a mid-20th-century movement in American art with few female proponents. Steeped in literature and the arts as a youth in Chicago, Mitchell moved to New York in 1950, when she soon became ensconced in the Greenwich Village art scene, association with established painters of the New York School such as Franz Kline, Willem de Kooning, and Philip Guston. With her bold, gestural canvases and fiercely independent attitude, Mitchell quickly made an impact as one of the so-called second-generation of Abstract Expressionists (along with painters Sam Francis, Helen Frankenthaler, and Jules Olitskit). Though her paintings shared the scale, exploded composition, and pure color associated with the period, Mitchell also had an abiding passion for the landscape. She devoted her artistic life to making resolutely abstract works that were her own reflections on the natural world. Though Mitchell's early paintings—feverish and with densely marked surfaces—often appear to have been painted spontaneously, she eschewed the term "action painting." Her work was highly controlled, and she was sometimes known to spend months on a composition. "Painting 1953" was made the year she joined New York's Stable Gallery, at a time when her style was becoming fully mature. The painting was made during the summer in East Hampton, New York, and was one of the very few canvases Mitchell likely painted out-doors. She preferred to execute her views of nature in her studio, often working at night. Her lyrical compositions of color and light were almost always derived from remembrances rather than from visual cues. "I carry my landscapes around with me," she remarked in 1957. The Walker holds a total of 64 works by Mitchell. "Painting 1953" was included in the Walker exhibition "Vanguard 1955" organized by artist Kyle Morris in fall 1955, and was purchased one year later. It was the institution's first acquisition, and it was a timely one, as her next work did not enter the collection for 27 years.