View allAll Photos Tagged abstractexpression
Alabama by Norman Lewis at the Cleveland Museum of Art in Cleveland, Ohio, in the United States.
1960, oil on canvas.
Lewis was the only African American to associate with and exhibit alongside the original group of Abstract Expressionists. He limited his palette to black and white, and used it to address current social issues.
The Strange Thing Is, We Are Lovers Again, 2011
Samuel E Vázquez
Spray enamel and latex on birch plywood
35.25 in x 20.5 in
Inquiries:
twostrangerswaitingforlovers [at] gmail.com
Ohne Titel /Untitled (1991)
Mixed media on paper
h: 19.5 x w: 21.5 in
Courtesy of Galerie Biedermann, Munich
Some images I generated with AI tools with some human edits, Do you like it? Visit www.benheine.com for Art & Tech news. Super HD on demand info@benheine.com
#EyeArt #AcrylicTears #ColorfulCry #ArtisticVision #PaintedEmotions #VividTears #CloseupArt #AIgeneratedArt #AbstractExpression #EmotionalArtwork #ColorfulCloseup #TearfulArt #VisualArt #ArtInDetail #CreativeEye #PaintedEye #ArtificialImagination #DigitalArtistry #TearsInColor #SurrealBeauty #VisionInPaint #ExpressiveEyes #AIartwork #AcrylicEye #PaintedPortraits #AIart #AI #tear #larme #oeil #regard #look #art #pupils #eyes #pupilles
In the heart of darkness, where shadows dance and light flickers, lies a realm untouched by time. "Whispers in the Shadows" unveils a world where beauty intertwines with the surreal, and each image serves as a gateway to the enigmatic depths of the human psyche. Inspired by the haunting works of Yoshitaka Amano and Zdzisław Beksiński, this collection is a tapestry of dreams and nightmares, woven with the threads of abstract expressionism. Here, a Swedish girl becomes the vessel of our deepest fears and fascinations, her smile a paradox amidst the brooding landscape of dark grays, blacks, and golds.
Poem
In the realm where night whispers linger,
A Swedish maiden smiles, a spectral figure.
In hues of gold, black, and sorrow's gray,
She dances with shadows, in eternal play.
Amidst the canvases of Amano's dream,
And Beksiński's nightmarish scream,
Her eyes hold stories untold,
In this world, hauntingly bold.
In the echo of each brushstroke's fall,
She whispers secrets, hidden to all.
A blend of beauty, fear, and art's embrace,
In this gallery of the dark, her ethereal place.
Haiku
Shadowed smile gleams,
In gold and gray dreams she weaves,
Silent whispers breathe.
In the heart of darkness, where shadows dance and light flickers, lies a realm untouched by time. "Whispers in the Shadows" unveils a world where beauty intertwines with the surreal, and each image serves as a gateway to the enigmatic depths of the human psyche. Inspired by the haunting works of Yoshitaka Amano and Zdzisław Beksiński, this collection is a tapestry of dreams and nightmares, woven with the threads of abstract expressionism. Here, a Swedish girl becomes the vessel of our deepest fears and fascinations, her smile a paradox amidst the brooding landscape of dark grays, blacks, and golds.
Poem
In the realm where night whispers linger,
A Swedish maiden smiles, a spectral figure.
In hues of gold, black, and sorrow's gray,
She dances with shadows, in eternal play.
Amidst the canvases of Amano's dream,
And Beksiński's nightmarish scream,
Her eyes hold stories untold,
In this world, hauntingly bold.
In the echo of each brushstroke's fall,
She whispers secrets, hidden to all.
A blend of beauty, fear, and art's embrace,
In this gallery of the dark, her ethereal place.
Haiku
Shadowed smile gleams,
In gold and gray dreams she weaves,
Silent whispers breathe.
Acrylic on canvas. Since I am planning to work with more texture this year, I started to build up some layered texture work to my abstract pieces. I really enjoy the process and like the results. A close up shot of Dreamscape #4, so the texture stands out a bit more.
My page on facebook, pass by and like me :-) here
Untitled, ca. early 1950s
Mixed media on paper
14-7/8 x 21 inches
Courtesy of Spanierman Modern, New York
Two of four paintings by Price from the Permanent Collection hung in concert with the Thornton Willis exhibition by Bill Dooley, curator and director of the SMGA.
Thornton Willis wrote to us about his experience in the UA art department: "During my undergraduate years I learned that Melville Price, a painter thoroughly connected to the Abstract Expressionists, was teaching painting at the University of Alabama in Tuscaloosa. In the summer of 1964, I enrolled in graduate school at Tuscaloosa with the specific purpose of meeting Mr. Price. I not only met Mel Price but I took an advanced undergraduate painting course with him and, from that summer semester until I received my M.A. degree in 1966, he was my primary teacher."
For more about Melville Price and the history of Abstract Expressionism, see this biographical essay: "http://www.spaniermanmodern.com/inventory/P/Melville-Price/Melville-Price-BIO.htm
Untitled (Black and White), early 1950s
Oil and gouache on paper mounted on canvas
14 7/8 x 18 inches
Photograph courtesy Spanierman Gallery, LLC, New York.
The view from my window at work, on a lightly rainy afternoon at the beginning of the summer. This shot was initially part of a series that was going to be called "Outside My Window", but the effect of drops of rain in focus on the glass, and the subject of the photograph a blur, fascinated me, and started a new eries of copycat versions of this shot.
Estudio Sobre una Flor y un Insecto 2
Study On a Flower and a Bug
Gracias por las visitas, amables comentarios e invitaciones
Thank you for the visits, kind comments and invitations
"Winter Sun" is my favorite abstract of the day. The winter sun melts into the wet concrete floor of my garage.
Some images I generated with AI tools with some human edits, Do you like it? Visit www.benheine.com for Art & Tech news. Super HD on demand info@benheine.com
#EyeArt #AcrylicTears #ColorfulCry #ArtisticVision #PaintedEmotions #VividTears #CloseupArt #AIgeneratedArt #AbstractExpression #EmotionalArtwork #ColorfulCloseup #TearfulArt #VisualArt #ArtInDetail #CreativeEye #PaintedEye #ArtificialImagination #DigitalArtistry #TearsInColor #SurrealBeauty #VisionInPaint #ExpressiveEyes #AIartwork #AcrylicEye #PaintedPortraits #AIart #AI #tear #larme #oeil #regard #look #art #pupils #eyes #pupilles
Untitled (1959)
Collage
27 by 40 in.
John Little was born in Alabama in 1907. In 1924 he enrolled at the Buffalo Fine Arts Academy where he studied design and fine art. After a stay in Paris studying textiles he came back to America where, after taking time to learn silk screen printing, he resumed his art training with Hans Hoffman.
Photo courtesy of the Thomas McCormick Gallery, Chicago.
Infinity Field, Lefkada Series (1980-81)
Acrylic on paper
30-1/4 x 22-1/4 inches
Courtesy of Spanierman Modern, New York
Bio:
www.spaniermanmodern.com/inventory/S/Theodore-Stamos/Theo...
Jackson Pollock
1951
Enamel on canvas
Temkin, Ann. Abstract Expressionism. Museum of Modern Art, 2010. p. 64.
The blank canvas begins its transformation into an eventual work of art at the hands of a budding abstract expressionist.
Para lograr un enfoque espiritual en el arte, se necesita apoyarse lo menos posible la realidad, porque la realidad se opone a lo espiritual.
by Greg Mason Burns
Oil on Canvas
45 x 69 cm
Prints - fineartamerica.com/featured/untitled-surreal-abstract-5-g...
Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation