View allAll Photos Tagged Work
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
You are free:
to Share — to copy, distribute and transmit the work
to Remix — to adapt the work
But Under the following conditions:
Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
Noncommercial — You may not use this work for commercial purposes.
Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one.
To find out what I'm currently up (art-wise) or to find out more about my work please feel free to check out my blog - waynechisnall.blogspot.com/
Grà fica lookbook de la col·lecció, "Con un poco de azúcar"
by N'Aida RÃ fols Compte
photo: Toni Amengual/ Tanit Plana
loaded project/
April 2018: Work on the AWPR (Aberdeen Western Peripheral Route) Aberdeen bypass dual carriageway bridge of River Don north of Dyce
25.09.2011 |The California Dreams Tour 2011| Chácara do Jockey [São Paulo/SP]
___
Ao Publicar as fotos dar seus devidos créditos:
Foto por: Kauê Sovethe
- www.flickr.com/Sovethe // www.facebook.com/Sovethe -
Contato: kaue.sovethe@hotmail.com // +55 (13) 88147754 / 91518402
My dad working on a sheet of flash
I work for Yorkshire Ambulance Service on the RRVs in and around the city of Sheffield in South Yorkshire.
It’s a great job and I feel very honoured to be able to help people at their point of need.
Check out the website for all sorts of info re YAS and the work we do.
Althea Crome uses polished surgical wire instead of needles. This work in progress will eventually be a cardigan.
1969 AM General 1,000 gallon with 250 gpm pump. Still being worked on. Served in Beaumont at sub-station.
Photos I took at work of a D3300 taken using a D3300 and 50mm f1.8 lens @f16 for use in a training presentation.
This was shot in aperture priority using daylight from a large window which was about ten feet (3 meters) to the rear of the camera and 2 large sheets of white card as a base and background.
This D3300 has the newest AF-P 18-55mm kit lens which has the VR and A/M switched removed and the functions area now found in the menus.
The images was then colour balanced and cleaned up in Photoshop CC
Amtrak Work Extra 2006 heads south with AMTK 522 trailing. The power is returning from spotting empty tie flats at Meriden Yard and is enroute back to Cedar Interlocking where it will back six loaded tie cars to the TLM (Track Laying Machine) which is installing Track 2 to the right of the engines. The work is part of the New Haven-Hartford-Springfield Commuter Rail project, scheduled for completion next year. The P&W 2006, along with 2010 have been leased by Amtrak for work train service.
A tale of three flags. Today is a flag day in Finland: flags must be flown from all public buildings, and most private buildings with flagpoles follow this as well. Today's particularly important, being the day of the Kalevala.
Top left: looking down Laivapojankatu (near home). Top right: looking down Jaalaranta (near home). Bottom: Nokia Research Centre (my office). All in Ruoholahti.
(Not an overly windy day, as you can tell. The flag at work refused to co-operate. Also, apologies for the quality: I forgot my camera today, so these were taken with my N90 and later cropped to fit in the same image.)
Erice is on top of a hill beyond Trapani, and is reached by an enjoyable cable car ride which sweeps you up and down over mostly wild terrain with of course magnificent views of the sea. Its a small enclosed place with lots of interesting buldings, churches, castles, a park, a small museum etc.
Outgoing Commander Australian Fleet, Rear Admiral Tim Barrett sails past Sydney city for the last time as Commander Australian Fleet aboard the Admiral's Barge.
Untitled (Beggar, London)
1934
Dora Maar
(November 2019 – March 2020)
During the 1930s, Dora Maar’s provocative photomontages became celebrated icons of surrealism.
Her eye for the unusual also translated to her commercial photography, including fashion and advertising, as well as to her social documentary projects. In Europe’s increasingly fraught political climate, Maar signed her name to numerous left-wing manifestos – a radical gesture for a woman at that time.
Her relationship with Pablo Picasso had a profound effect on both their careers. She documented the creation of his most political work, Guernica 1937. He painted her many times, including Weeping Woman 1937. Together they made a series of portraits combining experimental photographic and printmaking techniques.
In middle and later life Maar withdrew from photography. She concentrated on painting and found stimulation and solace in poetry, religion, and philosophy, returning to her darkroom only in her seventies.
This exhibition will explore the breadth of Maar's long career in the context of work by her contemporaries.
[Tate Modern]
From here: andyinoman.wordpress.com/2011/10/08/attitudes-towards-wor... - and copied from other places before that.