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Philippe Clabots (#PhilippeCPhoto - photos@philippec.be) - photos.philippec.be/
PCLA-20180502-0314.CR2
¹⁄₂₀₀₀ sec at f/8,0 - ISO 800 - 35mm
Canon EOS 6D Mark II - EF24-105mm f/4L IS USM
Author : Philippe Clabots (#PhilippeCPhoto)
Facebook Page : www.facebook.com/PhilippeCPhotographie
Photoblog : photos.philippec.be/
This work by #PhilipppeCPhoto (Philippe Clabots) is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
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Spent my evening in the spectrometer room setting up experiments, such exciting photography fodder!
Seems like tonight will be more of the same with a break to attend the Iowa Caucus.
Cough cough cough. I am eating these cough drops constantly, and although it seems to help with the cough, I think they are making me sick to my stomach. Ugh.
I ran across this picture tonight and wanted to get it into Flickr for lots of reasons.
First, it shows me and Tim Graham (he's on the left) working on a special project a few years ago. We were somewhere between design and photo editing when Plain Dealer photographer Gus Chan shot this photo.
Second, I guess it shows why people constantly get me and Tim mixed up. We might as well be twins as far as most people are concerned. (I think that's Tim on the left.)
Notice that 3-foot-long sheet of paper in front of me: That was our page grid and the only way we could keep stories, pages and photos straight. Tim and I had lots of fun on many totally insane projects. Hope we get to do another one some time. LARGE
Since it is close and they have a veggie option, I end up at Chipotle for lunch from time to time. I am still pretty impressed that they know about, and spread the word about, things like hormons in meat and rGBH in the dairy products.
in what seems like an impossible feat, Larry the Lizard has been living in the oleanders outside our door for almost a month. The ladies and even a few patrons have started squishing bugs and hangin em in the trees to give this guy something to eat.
Founded in 1970, Arcosanti is an arcology designed in the Brutalist style by Paolo Soleri to serve as a self-sufficient community on a desert mesa near Cordes Lakes, Arizona. The buildings that comprise the complex, despite being a work-in-progress, were mostly built between 1971 and 1980, with more sporadic work on a few portions of the complex being completed as recently as 2008. The complex is the result of the design philosophy of Soleri, being an example of his theory of an arcology, combining ecology with architecture, making a dense, self-sufficient community that works with the natural landscape, and an alternative to urban sprawl and more conventional development patterns. Soleri guided the project until his death at the age of 92 in 2013, with further phases of construction being planned. However, Arcosanti has struggled to grow beyond a commune of 150 people, taking on a form and size comparable to a traditional pre-industrial rural village, rather than a town or city with thousands of residents as envisioned by Soleri. Most residents of Arcosanti are like-minded, which is required for the community’s ability to function and operate, and consist primarily of artists, environmentalists, farmers, and sustainability advocates, whom each contribute their skills to the community. In addition to the permanent residents, temporary residents whom spend five weeks attending workshops at the site. Despite its shortcomings, Arcosanti’s relationship to the surrounding environment, radical approach in design, philosophical background, and self-sufficiency are key points that are valuable to consider when designing buildings for sustainability and environmental consciousness, along with being an excellent example of Brutalism, which harmonizes nicely with the surrounding desert landscape.
The buildings at Arcosanti include the boxy, rectilinear Visitor Center, which appears like a medieval tower rising from the edge of the Mesa, with an open pier foundation that provides shelter to visitors entering and exiting the Visitor Trail, the half-domes for the Ceramics Studio and Metallurgy Foundry, various resident apartments, which demonstrate varying exterior characteristics, a barrel vaulted canopy over the central plaza, known as the vaults, a laboratory that houses a greenhouse and woodshed, allowing for food to be grown more efficiently and for items to be crafted by residents, the East Crescent, which contains resident housing and surrounds a central amphitheater. The site also features a swimming pool, gardens, resident cabins, which mostly date to the first stages of construction in the early 1970s, a self-contained wastewater management system, and guest rooms for visitors. The main complex of buildings are arranged at the edge of a mesa, overlooking a canyon, with smaller buildings located further down into the canyon and in the bottomlands along the Agua Fria River.
Arcosanti provides a counterpoint to the modern development pattern, one that is more sensitive and respectful to the landscape and the natural environment, and a design that fosters a strong sense of community, all of which are lacking from most new development being built today. Residents are able to quickly walk to work and to amenities within the community, reducing the dependency on cars and mechanized transportation. Additionally, buildings are designed to be energy efficient, incorporating passive strategies for thermal regulation and lighting. The complex, owned by the Cosanti foundation, remains a work in progress, with only ten percent of the proposed buildings being complete, and cover a very small area of the larger property owned by the foundation, with most of the land being left in its natural state or utilized for agriculture. Tours are available for visitors, along with overnight stays in the guest rooms at the complex, and the complex continues to house and foster a tight-knit, vibrant community.