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A digital image 'dreamed by' Midjourney, an artificial intelligence program that creates images from textual descriptions.
played some on my sculpture today. As always... i take the photo of the work and then i play with the photo.... as mentioned before this helps me to see where the work is and where it wants to go.
Sculpture work in progress- photo play
by
Diane Marie Kramer
Mais uma Ilustração para o meu livro, que afinal, já tem um título: The Random Life Advices.
Será um livro de dicas aleatórias sobre a vida, no ponto de vista Matcholes. Cada dica será acompanhada de uma ilustração. Estou pensando em criar um blog para divulgar o trabalho.
During the last year we were fortunate enough to have some garden space to escape from the house (we indeed camped in the garden for a few weeks). Over winter we were more house bound, but now we have a warmish spell (it was literally double figures!) we have escaped to the garden again.
This photo in part me testing the eye focus on the X100F, which I'd never thought to try before, mostly as I don't take many people pictures. But the few pictures I'd taken of people in the spur of the moment do tend to have the face slightly out of focus, so I figured it was time to try use this new technology. This photo has the camera set to its shallowest depth of field and the photo has the face perfectly in focus, so job done!
Taken on the same coffee break as the last shot. Rodger was too cool to pose for me instead I took this shot when he leaned over to see what I was doing. I think it worked better in the end.
Camera : Hasselblad 203FE
Lens: Carl Zeiss Distagon 40mm f/4.0 CFE IF
Film: Kodak T-Max 400 asa at box speed.
Dev: 6.45 mins @20°C
Scan: Epson V700 Dry scan with better scanning.com holder
PP: LR and Niks
Sometimes a drawing doesn't work. But I try not to think of them as failures. They are a new beginning. This example has been a simple charcoal drawing, an oil pastel colour piece, it's had a cut and shut and now at the end of the day it finally might be going somewhere. It's always a challenge.
Will be exhibited for sale at:-
Chuwa Gallery Abstract Show
第一回 中和・抽象・若手選抜展
CHU CHU SHOW
中和ギャラリー 銀座
2016.02.29-03.05
Holzarbeiten - Verkaufsausstellung während eines Festes im Freilich-Museums-Gelände Hessenpark im Taunus.
Taken for Spring 2020 Polaroid Week. Documenting our life in a world with COVID-19.
Intrepid 4x5 MK4 | Fujinon W 180mm 1:5.6 | Fujifilm Instax Wide 800
Digitized with Epson Perfection V800 Photo
Nikon N60 + Kodak Ultramax + Epson V330 Scanner.
These boats are berthed at the Bellevue - Oxford Ferry Landing near Bellevue Maryland along the Tred Avon River.
A new field of activity for me - cars. And my first model to use Control+ hub and Control+ and WeDo 2.0 motors.
Can you guess the make and model?
Now comes the hard part - modelling the body...
Maker: George Seeley (1880-1955)
Born: USA
Active: USA
Medium: photogravure
Size: 8 in x 6 1/4 in
Location: USA
Object No. 2010.160
Shelf: A-7
Publication: Camera Work, XXIX, January, 1910
Photography:the first eighty years, Colnaghi, London, 1976, pg 223
Robert Doty, Photo-Secession, Stieglitz and the Fine-Art Movement in Photography,
Camera Work, The Complete Illustrations 1903-1917, Taschen, 1997 pg 491
Camera Work, A Pictorial Guide, Dover, 1978, pg 76
Robert Doty, Photography as a Fine Art, George Eastman House, Rochester, 1960, pl XXI
Other Collections:
Notes: George Seeley was a student of painting and drawing in Boston when he met Fred Holland Day, who introduced him to the pictorial possibilities of photography. His debut came in 1904, when Seeley exhibited fourteen photographs in the First American Photographic Salon in New York. A reviewer enthused: "Mr. Seeley is the new man for whom we are always on the lookout, and his advent among pictorialists will be the sensation of the year." The statement proved true. Critical of the exhibition but supportive of Seeley's work, Alfred Stieglitz invited Seeley to join the Photo-Secession, with which he remained for six years, exhibiting and publishing his photographs. After the break with Stieglitz's group, declining interest in the Pictorialist aesthetic and the increasing unavailability of platinum paper after World War I contributed to the demise of Seeley's photographic career. He continued to exhibit his work into the 1930s, although he had practically ceased to make new work. An amateur ornithologist who was active in his church, Seeley took up oil painting in his later years and was a correspondent for the local Stockbridge, Massachusetts, newspaper. (Source: The Getty Museum)
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