View allAll Photos Tagged VueScan
A couple of years ago, the shopping centre was completely renovated, it's parking space expanded, and ponds were added.
The colourful scene lights up nicely in the autumn sun...
Nikon F80 + AF-D Nikkor 28-200 mm ED-G
Filmdata:
Agfa CT Precisia 100, scanned with Vuescan on a Plustek 7400
A few more pictures from the trip to the Impossible Project Open-Day Factory Tour in Enschede, Netherlands.
These are from afterwards when we had a stupid amount of time (AND non-lovely weather) until the train home was scheduled to leave.
We strolled through Enschede a few hours and then took a train across the border to Gronau and walked around there a bit more. Also ate Pizza ;P
Camera: Minolta X-500
Lens: Minolta Rokkor 50mm F/1.7
Film: DM Paradies 400 @ ISO1600
Developer: Tetenal Colortec C41 Kit (after that batch this kit got 'retired')
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Agfa Photo Vista Plus 400
Tokina 28mm lens
Variable ND Filter (awful, avoid at all costs)
Asda 1hr dev
Selfscan on Epson V500 (VueScan)
May 2015
Brighton
Camera: Crown Graphic Special 4x5
Lens: Schneider-Kreuznach 135mm f/4.7 Xenar
Film: Fujifilm Instax Wide (Expired 2017)
Back: LomoGraflok
Metered with Minolta Flash Meter III
Scanned with Epson Perfection 4870
Nikon FM3A
Nikon 85mm f/1.4 D @ f/4
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Camera: Mamiya RB67 Pro-S
Lens(s): Mamiya Sekor C 180mm f/4,5
Film: Ilford FP4
Dev:D76 stock
Scan: Nikon supercoolscan 9000ED, Vuescan softwear
sempre Foma 100, 1° spezzone di pellicola, in Thornto a due bagni
Camera: Nikon F100
Lens(s): Nikkor AF-S 24/70 f 2,8 ED
Film: Foma 100
Filter: Giallo e arancio
Dev: Thorton, sol A 4 ‘, sol B 3,30’
Stop Bath: Fomacitro
Fix: Fomafix
Scan: Nikon supercoolscan 9000ED,
Vuescan softwear
Nikon F2
105mm f/2.5 AI-S
Kodak Portra 160
f/8 @ 1/60s
No filters
Home dev - Cinestill C41 kit
Home scan - Nikon Coolscan IV
VueScan & RawTherapee
---------------
I keep coming back to the Hope Valley. I have visited a number of times over the years (mostly for motorcycle riding) but I think it will still take a while for me to get bored here.
The shots of Winnats Pass I uploaded recently were taken about 2km away (as the crow flies). My original intention for this location was of course to get the sunrise lighting up Back Tor and Lose Hill (see other recent uploads) but as the sun climbed further it started illuminating the trees in the valley and I just loved the way it looked.
From the vantage point I'd chosen the sun was barely out of frame, and as such I think it reduced the contrast somewhat, even with the lens hood extended. When I revisit this location I'll try a similar shot but from Lose Hill, as the angle to the sun won't be quite so acute.
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss red filter
Digitised using Plustek OpticFilm 120 + Vuescan
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Rescan of image www.flickr.com/photos/29504544@N08/10542563173
But now with Vuescan software which at last supports the Plustek Optikfilm 120.
Maybe a bit early (after just 3 scans) to say but first impressions compared to Silverfast :
Pro's :
Much faster in post-scan processing.
Not so demanding on PC memory (i run Windows 7, 32 bit).
Con's :
Colors look greater in Silverfast scan.
Medium IR Dust reduction doesn't remove dust as well as in Silverfast and...
... probably because of that the anti-aliazing effect is less.
Still doesn't switch of the sleepmode timer of the OP120 so when waiting a bit too long between scans the OP120 goes in sleeping mode and has to be manually awakened again.
Scanned with a Plustek Opticfilm 120 at 2650ppi. Downscaled about 50 %
Canon 1000fn w/ Pentacon 135mm Lens (m42 mount)
Asda develop, self scan on Epson V500 (VueScan)
Victoria Quarter, Leeds (UK)
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss yellow filter
Digitised using Plustek OpticFilm 120 + Vuescan
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss red filter
Digitised using Plustek OpticFilm 120 + Vuescan
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Body: Canon T-90
Lens: Canon FDn f/1.4
Film: Fuji Superia 200 @ 800 (+2 push)
Developed by: HEMA (Fuji Steenbergen)
Scanned with: Pacific Image PrimeFilm XA and Vuescan
TMAX400 in Yashica Electro 35GT, home-mixed PCM developer. Scanned as color negative 48 bits Vuescan with Plustek OpticFilm 8200i. Photoshop Elements auto levels and sharpening, NIK Silver Efex Pro with "high contrast & structure" and "deep sepia" filters. F8, automatic shutter, 3ft. Last shot on roll, fogged on right.
Contax Aria,
Carl Zeiss Planar 1.7/50,
Kodak Portra 160,
Reflecta ProScan 7200,
VueScan,
ColorPerfect,
Photoshop
"Bessemer" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Kodak" "TX400"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Kodak Retina IIF + Schneider-Kreuznach Retina-Xenar f:2.8 45mm + yellow filter + Kodak Tmax 400
Digitised using Plustek 120 + Vuescan
ときどきさわやか路線で（笑）。
Kiev-60 + CZJ MC Sonnar 180mmF2.8
/ Fuji Reala Ace
- selfdeveloping : Naniwa Color Kit S(1:1)
- vuescan & GT-X970
gotta upload monochrome later
昨晩（っていうか深夜）に減感現像をやってみました。のちほどスキャンをあげたいと思います。
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Dogo Onsen, Shikoku, Japan
Mamiya 645 Pro TL
Mamiya Sekor 80mm f1.9
Fujifilm ACROS 100
Nikon Super Coolscan 9000 ED
Vuescan
Taken during a walk in the park of Versailles
Technical stuff: Canon T90 20-35 3.5L,Provia 100F pro-lab developed. Scanned with Nikon LS5000 & vuescan(linux) and darktable(linux)
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss red filter
Digitised using Plustek OpticFilm 120 + Vuescan
A christmas tree standing guard in Old town of Stockholm.
The lone person to the right is my wife.
---
Camera: Leica M3
Lens: CV Voigtländer 15 super heliar
Film: Ilford delta 400
Developer: Kodak D76 Stock 20*c
Filter: None
Software: Scanned as raw i vuescan, Converted with Colorperfect
I'm testing Adox CMS 20 for an upcoming trip. :-D
This is Essar Steel. Taken hand-held with my Leica MP and 90mm Elmarit-M. An overcast day around 4:00pm in early April. Exposure was f/5.6 at 1/125. The film was rated 20 ISO.
This is a scan straight out of my Nikon Coolscan V ED at 4000dpi using Vuescan with nearly all options turned off. For the purpose of this test, no post-processing was done except setting black and white points in photoshop. No sharpening.
Please see the crops below.
The train depot, part of the marshalling yard in the southern part of Zagreb, Croatia. HŽ 1141 locomotive (six of them visible here) waiting in front of some kind of service building.
Taken with Honeywell Pentax Spotmatic F film camera and Super-Multi-Coated Takumar 28mm F3.5 lens, on modern version of Agfa APX 400 film. Developed in Fomadon R09, 1+50 at 21°C. Scanned with my usual CanoScan 8800F scanner using VueScan 9.
Apparently, I have some problems with drying film, and I realized that after I scanned it.
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss yellow filter
Digitised using Plustek OpticFilm 120 + Vuescan
Pentax 645N • Pentax FA 645 150mm f:2.8 ED
Pentax 645 Auto Extension Tube-A
Hoya Pro1 Digital Filter Close-Up N°3
Rollei R³ 100 iso developped in homemade Caffenol C-L 70min @ 20°C
Scanned with Epson Perfection V500 with VueScan 9.2 at 3200dpi and Betterscanning MF Film Holder
Caffenol C-L
500 ml Filtered Water
40gr Wet Washing Soda ("LODA")
5gr Vitamin C
0.6gr KBr
20gr Instant coffee ("Winny")
10 agitations then let stand for 70 minutes
Azorean Portuguese Senhor Da Pedra (Our Lord of the Rock) Festival, St. Agnes' Roman Catholic Church, Grace St. and Dundas St. W., Toronto, Canada.
Aug 1980
Leica M2 (button rewind)
Summicron 50mm f/2 (v2)
Kodachrome 25
Nikon Super Coolscan 8000 ED, Vuescan
View a slideshow of my Kodachrome album
► All my images are my own real photography, not fake AI fraudography.
► Toutes mes images sont ma propre vraie photographie, pas une fausse fraudographie basée sur l'IA.
■ Please don't use my images for any purpose, including on websites or blogs, without my explicit permission.
■ S.V.P ne pas utiliser cette photo sur un site web, blog ou tout autre média sans ma permission explicite.
© Tom Freda / All rights reserved - Tous droits réservés
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Ilford HP5 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Ilford HP5 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/2
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Last year, late spring 2014., I acquired a beast of a camera - Horizon 202, Russian swing-lens panoramic film camera.
This was the first roll I shot in it, but not the first developed, though.
The camera has fixed focus, fixed lens, below ƒ/8 is not really sharp, but that lens is apparently optimized for smaller apertures - at ƒ/11 and ƒ/16, it is as sharp as it gets. Also, it is not the easiest camera to use - you should keep it as level as possible, the swing-lens design will exaggerate all mis-levelings. This particular roll also shows slight light-leaks and film tension problems, but none of these problems occurred in later rolls, so I assume it was just because the camera wasn't in use for quite some time, or due to sloppy roll loading.
Taken with Horizon 202 camera, on Fuji Neopan 100 film, developed in Fomadon R09 1+50 at 10 min 21°C, fixed with Fomafix at 6 min 23°C. Scanned with Canon CanoScan 8800F and VueScan 9.