View allAll Photos Tagged VueScan
Scan ofm a color negative (35mm) shot by Emily Stoller in August, 1994, near Bogalusa, Louisiana. Photo shows the Shirley Dunaway Hollis Stephens family at the 80th birthday party for Lanelle Dunaway Jenkins Bulloch.
Olympus OM-2 + G.Zuiko Auto-S 50mm f/1.4 + Kodak Portra 800
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Photos shot with a Olympus XA2 with a D-Zuiko 35mm f3.5 on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. Stand developed with Adonal (Rodinal) 1+100 for 75 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #3
The two girls were part of Salvando Peludos, a local dog adoption charity, and were incredibly kind. Really great people working for an awesome cause. More info on salvandopeludos.org
Technical details:
- Kodak Ektar 100, Canon AE-1 Program, Canon FDn 50mm f/1.8
- Scanned with a Reflecta ProScan 7200 film scanner.
- Scanned as linear RAW file in Vuescan, then processed in Photoshop + ColorPerfect using the Fuji Superia X-Tra 400 CH preset, which oddly renders much better colors than Ektar's own preset in this case. Finally, adjusted in Lightroom.
I'm really happy with how this one turned out, I think I'm finally getting the hang of my film scanning workflow.
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Shard Up
Kodak TMax 100 film developed in Caffenol-C-L for 70mins at 18'C.
Recepie used: Anhydrous Washing Soda - 1.5 Tblsp, Vitamin C powder - 0.75 Tblsp. Bromide - 0.125 Tsp, Maxwell House Instant Coffee Powder - 4 Tblsp, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Hartwell House, Buckinghamshire, England
Mamiya 645 Pro TL
Mamiya Sekor 80mm F1.9
Kodak Ektar 100
Plustek Opticfilm 120
Vuescan
Negative Lab Pro
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Winter scenes photographed on Kodak Ektar 100 film on a Nikon F. Negatives scanned on a Nikon Coolscan 5000 ED. Vuescan was set for Kodak Portra 160VC.
Photos shot with a Pentax ME with a 28mm Travenar on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. This time (semi) stand developed with Adonal (Rodinal) 1+100 for 60 minutes, with 10 inversions on start and one inversion after 30 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #2
Makina 670 + Nikkor 80mm f/2.8 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon FM3A
Nikon 105mm f/2.5 ais @ f/4 - 1/250
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon F90x, Ilford Pan 400, Fomadon LQN 1:10, FomaFix, Epson V600, VueScan, Helios 85/1.5 , Petzval 85/2.2 , Nikkor 50/1.8.
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/5.6
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: ColorPerfect + Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/4
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Makina 670 + Nikkor 80mm f/2.8 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Braun Paxette Super II B + Carl Zeiss Tessar 50mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Fuji GW690III, Kodak Ektar 100
Epson V700 scan using VueScan
After hearing the news that the NFL had finally quit shooting footage on 16mm film, I was inspired to do my part to keep film alive and use some Kodak film! So I packed my gear before work one day, and determined to go out and take some pictures no matter what.
Work finally ended, and with my trusty Fuji GW690III rangefinder, my Pentax spot meter, and some Ektar 100, I set out on a stroll in some familiar territory. Initially, I thought maybe too familiar... but it was golden hour, so what could go wrong?
I felt a little less than hopeful in the end, but, happily, the photos look better than what I remember seeing that evening. I hope you enjoy them. Shoot film!
Body: Canon A-1
Lens: FDn 50mm 1.4
Film: Astia 100F (expired)
Developed: HEMA (Fuji Steenbergen)
Scanned with: Pacific Image PrimeFilm XA and Vuescan
Atmosphere from VSCC Loton Park Hillclimb - 2016
Evening paddock...
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
Atmosphere from VSCC Loton Park Hillclimb - 2016
GN Thunderbug
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
Vuescan doesn't have a color profile for Fuji 400H. I used the Kodak Gold 400 profile for this. I think it was also pretty overexposed to begin with. Here's the print version. Not too much similarity, but that's part of the fun.
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8
Fujifilm Superia 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Zeiss Ikon Voigtlander Vitessa 500 L + Voigtlander Color-Lanthar 42mm f/2.8 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2.8
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Camera: Minolta Maxxum 5
Lens: Minolta AF 24-85mm F3.5-4.5
Film: Fujifilm Velvia 50
Scanner: Minolta Scan Elite F-2900
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Bleach Bypass with FILM (not digital filters).
Much more artsy, this is a production shot with a lot of the bronze left in going after the deep earth tones but obviously color. Makes me think of New York in the 1930s except it was all Black and White back then. LOL
Eastman Kodak expired Vision2 250D. Shot at 250 with Bessa T and toy M mount body cap pancake lens with fixed focus F/10. There seems to be a sweet spot around 10 to 20 feet with the lens. "pre developed" (still looking for a good term). in PA Rodinal 1:100 for 10 minutes and then cross processed in Kodak Flexicolor C-41 for 3:15 minutes, skip bleach / bypass 2 minute wash, then fixed for 8 minutes continuous agitation in Ilford Hypam rapid fix 1:4.
The raw scan comes up very bronze with some rich earth tone colors, definitely not monochrome. Obviously, the color can be rebalanced in post processing to bring back the original, or better colors. This is fairly easy to do in photoshop and I learned to just let VueScan do it's job and adjust the raw scan image.
The images may be a bit flatter but I find a VERY wide range of saturation to play with when a normal color negative would tip over of blow out. There are some unique "looks" to be had here. The shadows don't bunch up so quickly and it is possible that running it through a B&W developer automatically pushes the film a bit. I usually shoot this film at 125 or so and here it is doing well at 250 for a 20 odd year old roll. My other posts of just bleach bypass have a thinner look and the shadows are lost pretty quick. More to explore.
Pentax 645N • Pentax FA 645 75mm f:2.8 ED
Pentax 645 Auto Extension Tube-A
Walimex Pro Flash 2xVC-400
Rollei Retro 100 developed in Caffenol C-L 60min stand @ 20°C
Scanned with Epson Perfection V500 with VueScan 9.2 at 3200dpi and Betterscanning MF Film Holder
Caffenol C-L
500 ml Filtered Water
25gr Washing Soda ("ST MARC") (8gr anhydrous)
5gr Vitamin C
0.5gr KBr
20gr Instant coffee ("Winny")
10 agitations then let stand for 60 minutes
Kodak Retina IIF + Schneider-Kreuznach Retina-Xenar f:2.8 45mm + yellow filter + Kodak Tmax 400
Digitised using Plustek 120 + Vuescan
Kodak Retina IIF + Schneider-Kreuznach Retina-Xenar f:2.8 45mm + yellow filter + Kodak Tmax 400
Digitised using Plustek 120 + Vuescan
Nikon FM3A
Nikon 50mm f/1.8D @ f/2.8 - 1/2000
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Taken during a walk in the park of Versailles
Technical stuff: Canon T90 20-35 3.5L,Provia 100F pro-lab developed. Scanned with Nikon LS5000 & vuescan(linux) and darktable(linux)
Mamiya 645 Pro TL
Mamiya Sekor 110mm F2.8 C
Kodak Tri-X 400
Self Developed/Kodak HC-110 Solution B
Plustek Opticfilm 120/Vuescan