View allAll Photos Tagged VueScan
"Bessemer" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Kodak" "TX400"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Kodak Retina IIF + Schneider-Kreuznach Retina-Xenar f:2.8 45mm + yellow filter + Kodak Tmax 400
Digitised using Plustek 120 + Vuescan
ときどきさわやか路線で（笑）。
Kiev-60 + CZJ MC Sonnar 180mmF2.8
/ Fuji Reala Ace
- selfdeveloping : Naniwa Color Kit S(1:1)
- vuescan & GT-X970
gotta upload monochrome later
昨晩（っていうか深夜）に減感現像をやってみました。のちほどスキャンをあげたいと思います。
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Dogo Onsen, Shikoku, Japan
Mamiya 645 Pro TL
Mamiya Sekor 80mm f1.9
Fujifilm ACROS 100
Nikon Super Coolscan 9000 ED
Vuescan
Taken during a walk in the park of Versailles
Technical stuff: Canon T90 20-35 3.5L,Provia 100F pro-lab developed. Scanned with Nikon LS5000 & vuescan(linux) and darktable(linux)
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss red filter
Digitised using Plustek OpticFilm 120 + Vuescan
A christmas tree standing guard in Old town of Stockholm.
The lone person to the right is my wife.
---
Camera: Leica M3
Lens: CV Voigtländer 15 super heliar
Film: Ilford delta 400
Developer: Kodak D76 Stock 20*c
Filter: None
Software: Scanned as raw i vuescan, Converted with Colorperfect
I'm testing Adox CMS 20 for an upcoming trip. :-D
This is Essar Steel. Taken hand-held with my Leica MP and 90mm Elmarit-M. An overcast day around 4:00pm in early April. Exposure was f/5.6 at 1/125. The film was rated 20 ISO.
This is a scan straight out of my Nikon Coolscan V ED at 4000dpi using Vuescan with nearly all options turned off. For the purpose of this test, no post-processing was done except setting black and white points in photoshop. No sharpening.
Please see the crops below.
The train depot, part of the marshalling yard in the southern part of Zagreb, Croatia. HŽ 1141 locomotive (six of them visible here) waiting in front of some kind of service building.
Taken with Honeywell Pentax Spotmatic F film camera and Super-Multi-Coated Takumar 28mm F3.5 lens, on modern version of Agfa APX 400 film. Developed in Fomadon R09, 1+50 at 21°C. Scanned with my usual CanoScan 8800F scanner using VueScan 9.
Apparently, I have some problems with drying film, and I realized that after I scanned it.
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss yellow filter
Digitised using Plustek OpticFilm 120 + Vuescan
Pentax 645N • Pentax FA 645 150mm f:2.8 ED
Pentax 645 Auto Extension Tube-A
Hoya Pro1 Digital Filter Close-Up N°3
Rollei R³ 100 iso developped in homemade Caffenol C-L 70min @ 20°C
Scanned with Epson Perfection V500 with VueScan 9.2 at 3200dpi and Betterscanning MF Film Holder
Caffenol C-L
500 ml Filtered Water
40gr Wet Washing Soda ("LODA")
5gr Vitamin C
0.6gr KBr
20gr Instant coffee ("Winny")
10 agitations then let stand for 70 minutes
Azorean Portuguese Senhor Da Pedra (Our Lord of the Rock) Festival, St. Agnes' Roman Catholic Church, Grace St. and Dundas St. W., Toronto, Canada.
Aug 1980
Leica M2 (button rewind)
Summicron 50mm f/2 (v2)
Kodachrome 25
Nikon Super Coolscan 8000 ED, Vuescan
View a slideshow of my Kodachrome album
► All my images are my own real photography, not fake AI fraudography.
► Toutes mes images sont ma propre vraie photographie, pas une fausse fraudographie basée sur l'IA.
■ Please don't use my images for any purpose, including on websites or blogs, without my explicit permission.
■ S.V.P ne pas utiliser cette photo sur un site web, blog ou tout autre média sans ma permission explicite.
© Tom Freda / All rights reserved - Tous droits réservés
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Ilford HP5 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Ilford HP5 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/2
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Last year, late spring 2014., I acquired a beast of a camera - Horizon 202, Russian swing-lens panoramic film camera.
This was the first roll I shot in it, but not the first developed, though.
The camera has fixed focus, fixed lens, below ƒ/8 is not really sharp, but that lens is apparently optimized for smaller apertures - at ƒ/11 and ƒ/16, it is as sharp as it gets. Also, it is not the easiest camera to use - you should keep it as level as possible, the swing-lens design will exaggerate all mis-levelings. This particular roll also shows slight light-leaks and film tension problems, but none of these problems occurred in later rolls, so I assume it was just because the camera wasn't in use for quite some time, or due to sloppy roll loading.
Taken with Horizon 202 camera, on Fuji Neopan 100 film, developed in Fomadon R09 1+50 at 10 min 21°C, fixed with Fomafix at 6 min 23°C. Scanned with Canon CanoScan 8800F and VueScan 9.
44865 at Sun Street, Wolverhampton leaving Low Level station and entering the tunnel underneath the high level line to Walsall / Bescot. 29th October 1966.
The steel stockholder shed in the background still exist today but not for much longer.
120 B&W film take with a Kodak Brownie Twin 20 Camera
Scanned using Vuescan with an Epson 4490
An earlier digital photo printed on. the Instax Link Wide printer using old and slightly fogged Instax Wide film.
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
This is from last summer, but I just rescanned it and discovered I am quite fond of this. I posted another shot from the session a while back. I've been able to pull more quality out of negatives since I started using Vuescan, and always felt bad I hadn't gotten more from the film I used on this session. Well, here we go! Amazing how the right software and equipment will help things out.
This was shot on my old Hasselblad 500 C, with a Zeiss 80mm 2.8 T* lens on Kodak Portra 160. It was probably New Portra ... but I'd have to dig up the negative to look. I lit her with a Calumet Travelite 750 through a gridded beauty dish. It might have been socked, too ... Hey, it's been a year. ha ha.
OM-2n, OM Zuiko 50mm f1.8, Kodak Portra 160 developed in Tetenal Colortec C-41. Scanned in B&W in Vuescan
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Taken on my trip to Copenhagen whilst visiting the zoo. The weather made it hard to make photographs one second it rained the next the sun was up.
This is the "fence" separating elephants from us humanoids.
---
Leica M3
Voightländer 15mm Heliar
Fuji Velvia 50
Scanned in Vuescan with IT8target
Image cropped.
THIS is the last. Have not had a chance to really test out the software and Vuescan WINS. If I run with Vuescan grain reduction I lose way too much detail. Not worth showing.
1/1
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
"Bessemer" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Fuji" "Acros"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
First time shooting with and developing colour film. Test shots at Cleveleys Beach around the old breakwaters.
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/4
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
A scan of a 35mm negative taken by Emily Stoller in 1994, near Bogalusa, LA. The photo shows the Speck and Ruth Dunaway family celebrating Lanelle Bulloch's 80th birthday.
Body:Canon T-90
Lens:Canon nFD 50mm f/1.4
Film:Kodak Ektachrome E100VS (expired 09/2008)
Developed:HEMA (Fuji Steenbergen)
Scanned with:Pacific Image PrimeFilmXA and Vuescan 9
Edit:Colorperfect and minor color balance adjustment
Hasselblad SWC FP4+ Ultrafin liquid 1+10
self-scanned Nikon LS9000 + vuescan(linux) + darktable (linux)
Camera: Mamiya RB67 Pro-S
Lens(s): Mamiya Sekor C 180mm f/4,5 90mm f3,8
Film: Ilford FP4
Dev:D76 stock
Scan: Nikon supercoolscan 9000ED, Vuescan softwear
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Right next to the new railway station (Groningen-Europapark) and the new office building of SoZaWe-Groningen, a new square is being created. Harm Buiter became Mayor of Groningen, and stepped down 14 years later. He died on February the 22nd 2011.
In the distance you can see the "Euroborg", the soccer stadium..
Bronica ETRS-I + Zenzanon 40mm F4 PE
Filmdata:
Fujichrome Provia 100F scanned with Vuescan on Epson Perfection 4990.
I always love slide film, especially on medium format. So, I was pretty disappointed when Kodak stopped making Ektachrome! I think, Fujifilm comes pretty close...
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
ich
.
.
gemacht vom erdstrahl
.
.
.
.
.
(
Pentacon six
Biometar 2,8/80
Fuji pro 400 H
Tetenal Colortec
Epson Perfection V600
Vuescan
Gimp
)
Last year I made a series of the remains of the old Iron Curtain in the Harz. I figured it to be appropriate to do it on analogue film. Here the border patrol road, used by the East German military, is still there. In the distance you see the Wurmberg...
This used to be a highly restricted zone, and extremely dangerous. Now, it is very serene and quiet...
Bronica ETRS-I with Zenzanon 40mm F4 PE (a 24mm equivalent)
Filmdata:
Fujifilm Reala 100 scanned on Epson Perfection 4990 with Vuescan Professional (Check the original size! Even here you'll see the thin D.o.F. of medium format!!!)