View allAll Photos Tagged VueScan
44865 at Sun Street, Wolverhampton leaving Low Level station and entering the tunnel underneath the high level line to Walsall / Bescot. 29th October 1966.
The steel stockholder shed in the background still exist today but not for much longer.
120 B&W film take with a Kodak Brownie Twin 20 Camera
Scanned using Vuescan with an Epson 4490
An earlier digital photo printed on. the Instax Link Wide printer using old and slightly fogged Instax Wide film.
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
This is from last summer, but I just rescanned it and discovered I am quite fond of this. I posted another shot from the session a while back. I've been able to pull more quality out of negatives since I started using Vuescan, and always felt bad I hadn't gotten more from the film I used on this session. Well, here we go! Amazing how the right software and equipment will help things out.
This was shot on my old Hasselblad 500 C, with a Zeiss 80mm 2.8 T* lens on Kodak Portra 160. It was probably New Portra ... but I'd have to dig up the negative to look. I lit her with a Calumet Travelite 750 through a gridded beauty dish. It might have been socked, too ... Hey, it's been a year. ha ha.
OM-2n, OM Zuiko 50mm f1.8, Kodak Portra 160 developed in Tetenal Colortec C-41. Scanned in B&W in Vuescan
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
THIS is the last. Have not had a chance to really test out the software and Vuescan WINS. If I run with Vuescan grain reduction I lose way too much detail. Not worth showing.
1/1
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
"Bessemer" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Fuji" "Acros"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
First time shooting with and developing colour film. Test shots at Cleveleys Beach around the old breakwaters.
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/4
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
A scan of a 35mm negative taken by Emily Stoller in 1994, near Bogalusa, LA. The photo shows the Speck and Ruth Dunaway family celebrating Lanelle Bulloch's 80th birthday.
Body:Canon T-90
Lens:Canon nFD 50mm f/1.4
Film:Kodak Ektachrome E100VS (expired 09/2008)
Developed:HEMA (Fuji Steenbergen)
Scanned with:Pacific Image PrimeFilmXA and Vuescan 9
Edit:Colorperfect and minor color balance adjustment
Hasselblad SWC FP4+ Ultrafin liquid 1+10
self-scanned Nikon LS9000 + vuescan(linux) + darktable (linux)
Camera: Mamiya RB67 Pro-S
Lens(s): Mamiya Sekor C 180mm f/4,5 90mm f3,8
Film: Ilford FP4
Dev:D76 stock
Scan: Nikon supercoolscan 9000ED, Vuescan softwear
On Friday, May 2nd 2014 the Impossible Project had it's Open-Day in the Factory in Enschede. My brother and i decided to attend.
Trainride from Hamburg was a bit long and only getting in for the 10am Tour meant i had to get up at around 2am :)
It was quite amazing to see where those films in my fridge come from and what is involved in making them. Seeing the drums of developerpaste kept reminding me of the Roger Rabbit movie ;)
Shot a roll of film while on the tour. Well... i think there are a few Kodak BW400cn pics in the Olympus AF Mini but that's not ready yet to develop.
Anyway... I hope you enjoy the pics although they are not that great and my chems where really on their last run.
Camera: Minolta X-500
Lens: Minolta 50mm F/1.7
Film: DM Paradies 400 @ 1600 (1-Stop Push)
Developer: Tetenal Colortec C41 Kit
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Right next to the new railway station (Groningen-Europapark) and the new office building of SoZaWe-Groningen, a new square is being created. Harm Buiter became Mayor of Groningen, and stepped down 14 years later. He died on February the 22nd 2011.
In the distance you can see the "Euroborg", the soccer stadium..
Bronica ETRS-I + Zenzanon 40mm F4 PE
Filmdata:
Fujichrome Provia 100F scanned with Vuescan on Epson Perfection 4990.
I always love slide film, especially on medium format. So, I was pretty disappointed when Kodak stopped making Ektachrome! I think, Fujifilm comes pretty close...
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
ich
.
.
gemacht vom erdstrahl
.
.
.
.
.
(
Pentacon six
Biometar 2,8/80
Fuji pro 400 H
Tetenal Colortec
Epson Perfection V600
Vuescan
Gimp
)
Last year I made a series of the remains of the old Iron Curtain in the Harz. I figured it to be appropriate to do it on analogue film. Here the border patrol road, used by the East German military, is still there. In the distance you see the Wurmberg...
This used to be a highly restricted zone, and extremely dangerous. Now, it is very serene and quiet...
Bronica ETRS-I with Zenzanon 40mm F4 PE (a 24mm equivalent)
Filmdata:
Fujifilm Reala 100 scanned on Epson Perfection 4990 with Vuescan Professional (Check the original size! Even here you'll see the thin D.o.F. of medium format!!!)
Olympus OM-2 + G.Zuiko Auto-S 50mm f/1.4 + Kodak Portra 800
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/4
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Bleach Bypass with FILM (not digital filters).
I stalked her for half a block and then had to settle for a crummy shot....
Eastman Kodak expired Vision2 250D. Shot at 250 with Bessa T and toy M mount body cap pancake lens with fixed focus F/10. There seems to be a sweet spot around 10 to 20 feet with the lens. "pre developed" (still looking for a good term). in PA Rodinal 1:100 for 10 minutes and then cross processed in Kodak Flexicolor C-41 for 3:15 minutes, skip bleach / bypass 2 minute wash, then fixed for 8 minutes continuous agitation in Ilford Hypam rapid fix 1:4.
The raw scan comes up very bronze with some rich earth tone colors, definitely not monochrome. Obviously, the color can be rebalanced in post processing to bring back the original, or better colors. This is fairly easy to do in photoshop and I learned to just let VueScan do it's job and adjust the raw scan image.
The images may be a bit flatter but I find a VERY wide range of saturation to play with when a normal color negative would tip over of blow out. There are some unique "looks" to be had here. The shadows don't bunch up so quickly and it is possible that running it through a B&W developer automatically pushes the film a bit. I usually shoot this film at 125 or so and here it is doing well at 250 for a 20 odd year old roll. My other posts of just bleach bypass have a thinner look and the shadows are lost pretty quick. More to explore.
Moscow. Muzeon Arts Park.
Photo by: Andrew Barkhatov
Model: Yury Yakovenko (loafer)
Camera: Moskva-4 type 1 (1956)
Lens: Industar-23 110mm ƒ4.5 (№5620010)
Film: Fomapan 400 Action (exp. 05.2008)
Photo taken: 04/05/2017
Scanner: Epson Perfection 4490 Photo (+VueScan)
Scanned copy of the original negative, without any processing. In the mode «as is»
Bleach Bypass with FILM (not digital filters).
This is early in nailing down the process. I think I was still getting some blockage with the shadows...
Eastman Kodak expired Vision2 250D. Shot at 250 with Bessa T and toy M mount body cap pancake lens with fixed focus F/10. There seems to be a sweet spot around 10 to 20 feet with the lens. "pre developed" (still looking for a good term). in PA Rodinal 1:100 for 10 minutes and then cross processed in Kodak Flexicolor C-41 for 3:15 minutes, skip bleach / bypass 2 minute wash, then fixed for 8 minutes continuous agitation in Ilford Hypam rapid fix 1:4.
The raw scan comes up very bronze with some rich earth tone colors, definitely not monochrome. Obviously, the color can be rebalanced in post processing to bring back the original, or better colors. This is fairly easy to do in photoshop and I learned to just let VueScan do it's job and adjust the raw scan image.
The images may be a bit flatter but I find a VERY wide range of saturation to play with when a normal color negative would tip over of blow out. There are some unique "looks" to be had here. The shadows don't bunch up so quickly and it is possible that running it through a B&W developer automatically pushes the film a bit. I usually shoot this film at 125 or so and here it is doing well at 250 for a 20 odd year old roll. My other posts of just bleach bypass have a thinner look and the shadows are lost pretty quick. More to explore.
My friend "The Malagasy"
Film : Ilford Pan 400 asa
Processing : Negatif Plus (Paris) negatifplus.com/nos-points-de-vente/service-argentique
Scanned with Reflecta Crystalscan 7200 (3600 dpi) + Vuescan Pro -> raw file (in fact, a tiff file)
Little crop, luminance and BW small adjustments with RawTherapee
Nikon F with the TTL Photomic FTn meter finder, introduced in 1968.
Body : Serial number 7411134 : Production date : "741xxxx March 1973 to July 1973" www.destoutz.ch/typ_production_data_f.html
TTL Photomic FTn meter finder : Serial number : 857196 . Production date 1972/1973. Black cross-point screws on top and left side.
Reference : www.destoutz.ch/nikon_f_apollo_bodies.html
Shown here : flic.kr/p/HHxkUC
Reference : www.destoutz.ch/lens_85mm_f1.8_423875.html
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
"ICCD 2016"
"Birmingham, AL"
"Kiev IIa"
"Jupiter 12 35/2.8"
"Kodak" "TX400"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Moscow. Gorky Park.
Photo by: Yury Yakovenko
Model: Andrew Barkhatov (soared into the clouds)
Camera: Moskva-4 type 1 (1956)
Lens: Industar-23 110mm ƒ4.5 (№5620010)
Film: Fomapan 400 Action (exp. 05.2008)
Photo taken: 04/05/2017 — double exposure
Scanner: Epson Perfection 4490 Photo (+VueScan)
Scanned copy of the original negative, without any processing. In the mode «as is»
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Oslo 2016
Kodak TMax 100 film developed in Caffenol-C-L for 48mins at 23.5'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 0.4g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Ricoh GR1 + Fujifilm Superia X-tra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Moscow. Gorky Park.
Photo by: Yury Yakovenko
Model: Andrew Barkhatov (loafer)
Camera: Moskva-4 type 1 (1956)
Lens: Industar-23 110mm ƒ4.5 (№5620010)
Film: Svema 130 (type 120), expired to 04.1980
Photo taken: 01/05/2017
Scanner: Epson Perfection 4490 Photo (+VueScan)
Scanned copy of the original negative, without any processing. In the mode «as is»
Zeiss Ikon Contessa S312 Tessar 40mm f/2,8 Saluzzo
Veduta panoramica dal Belvedere
Basta mettere insieme un borgo spettacolare come Saluzzo, un ottica dalla resa molto personale come il Tessar e la luce radente del tramonto in autunno per avere un mix molto accattivante...
Lo so che mi ripeto, ma sfido qualunque digitale moderna a fornire un immagine che abbia dettaglio in un oggetto nero in ombra in primo piano e contemporaneamente nelle alte luci delle nuvole illuminate dal sole sullo sfondo... (sarà mica merito dei tre passaggi con VueScan?)
frame #25 - This sign was in the rotation on a bilboard across from City2 Mall in Brussels.
My first rolls developed at home with the JOBO C-41 Press Kit. My negs seemed quite dark and my HP scanner was not able to penetrate the density of the negs so I finally downloaded the VueScan software as a last-ditch effort and I was BLOWN-AWAY! It's like having a whole new scanner that's 10 times better! It had no trouble making it through the dense negs. I had assumed it was down to the limitations of the hardware but that was definitely not the case. - I instantly bought the Pro version with lifetime upgrades. I'm quite pleased with it though I do wish it had a regular "levels" style histogram instead of those silly sliders.
CAMERA: Canon EOS Elan 7ne
LENS: Canon EF 80-200mm 2.8 - L Series
FILM: Ferrania 400 (expired 2005)
DATE: 2/10/2012
DEVELOPMENT: JOBO C-41 Press Kit
SCANNER: HP ScanJet G4050 w/ VueScan
Cascais - Lighthouse
Kodak TMax 100 film developed in Caffenol-C-L for 66mins at 19'C.
Recepie used: Anhydrous Washing Soda - 8g, Vitamin C powder - 5g, Potassium Bromide - 0.4g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.