View allAll Photos Tagged VueScan
Camera: Ricoh R1
Film: DM Paradies 400
Developer: Tetenal Colortec C41 Kit (Close to retirement)
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
...what else ? South Rim.
Really old stuff, from the mid 1990s, Contax 139, Planar 50mm, Ektachrome 100 prof. or so.
Anyone expects to use DSLR images 10+ years after capture? ;-)
I must to go back there!
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Canon NewF1, 200 Marco, 4sec f22, Ilford Delta100 Tmax1+4
self-scanned with Nikon LS9000 + vuescan(linux) + darktable (linux)
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Zeiss Ikon Rangefinder
Zeiss Biogon T* 2/35 ZM
Kodak Portra 400 @ 400
Scan from negative film,
Reflecta RPS7200, VueScan-RAW,
converted with ColorNeg;
20140804_R00078_34_RAW
© Thomas Seidl Photography 2014
Homepage: thomasseidl-photography.smugmug.com
Facebook: www.facebook.com/pages/Thomas-Seidl/157771240957091
I love monochrome film.
EXA Ib + Flektogon 35mmF2.8 ( wide open )
/ Fuji Neopan Across 100
- selfdeveloping Rodinal 1:50 pull ( ISO80 )
- vuescan & GT-X970
catch you up later.
Summer sunset sky fade-out, from the vineyards near Sv. Jana, Croatia. Early August 2015.
Taken with Minolta XD7 and Minolta MD Zoom 24–35mm F3.5 lens on DM Paradies Universal 200 film. Scanned with Canon CanoScan 8800F scanner, using VueScan 9.
Yashica Mat-124G
Yashinon 80mm f3.5
Kodak TRI-X 400 film
400TX
CanonScan 9000F VueScan
self-developed in ilford developer perceptol
Makina 670 + Nikkor 80mm f/2.8 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Scenes from nearby quarry, in Sv. Jana. It was dull and cloudy Sunday, so the photos turned out the same.
Taken with Pentax MZ-S camera and Sears 135mm F2.8 lens, on Fuji Neopan Acros 100 ASA film. Exposure 1/180s, ƒ/4.5, matrix metering, program mode. Gotta love cameras that write EXIF-equivalent data on film borders. :)
Developed with Fomadon R09 developer, 1+50 dilution at 11 min. Fixed with Fomafix, scanned with CanoScan 8800F and VueScan 9.
Yeah, I have problems with Newton's rings and dusty negatives, I know. :/
Bleach Bypass with FILM (not digital filters).
The Kokomo, in daytime.
This was pretty bland until I lit up the shadows and allowed the facade to be faded. I was able to get the colors on the other doorway at the same time.
You can see the glow of the pop machine on the far wall.
Too bad the lens sucks or we could get some people details as well...
Eastman Kodak expired Vision2 250D. Shot at 250 with Bessa T and toy M mount body cap pancake lens with fixed focus F/10. There seems to be a sweet spot around 10 to 20 feet with the lens. "pre developed" (still looking for a good term). in PA Rodinal 1:100 for 10 minutes and then cross processed in Kodak Flexicolor C-41 for 3:15 minutes, skip bleach / bypass 2 minute wash, then fixed for 8 minutes continuous agitation in Ilford Hypam rapid fix 1:4.
The raw scan comes up very bronze with some rich earth tone colors, definitely not monochrome. Obviously, the color can be rebalanced in post processing to bring back the original, or better colors. This is fairly easy to do in photoshop and I learned to just let VueScan do it's job and adjust the raw scan image.
The images may be a bit flatter but I find a VERY wide range of saturation to play with when a normal color negative would tip over of blow out. There are some unique "looks" to be had here. The shadows don't bunch up so quickly and it is possible that running it through a B&W developer automatically pushes the film a bit. I usually shoot this film at 125 or so and here it is doing well at 250 for a 20 odd year old roll. My other posts of just bleach bypass have a thinner look and the shadows are lost pretty quick. More to explore.
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Cheo y David Hurtado con sus amigos.
LEICA M6, Fuji Superia 400, VueScan 6, Plustek Opticfilm 8200i Ai, Capture One 20
Leica IIIf + Elmar50mmF2.8 / Kodak Tri-X
selfdeveloping Rodinal 1:50 EI800 30C
; vuescan / lightroom3
f/3.5
Warm, sunny summer day on Mrežnica river, August 2013.
APS film isn't that bad. Yeah, this one is pretty grainy, but this is a 400 ASA film, and at least 6 years expired. So, not bad at all.
Taken with Minolta Vectis S-1 APS camera, Minolta V 22–80mm F4 lens, on expired Fujifilm Nexia Advantix 400 APS film.
Scanned on Canon CanoScan 8800F, with VueScan 9.
Digitized with Negative Lab Pro v2.1.0
Leica M3 | Carl Zeiss Planar T* 50mm f/2 ZM | Ilford HP5 400
Digitized with Epson Vuescan V550 + Negative Lab Pro v2.1.0 | Lomography
Ilford DDX
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5 lens, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
Smart Power Solar
Innovation Campus Lemgo
Fraunhofer IOSB-INA
Minolta XD5
Minolta MD35-70 f/3.5
Rossmann HR200 (relabeled Fujifilm) @50 ASA
Expired color negative film
Film grain
Plustek 7500i
Mid-res scan
Vuescan
Leica M5 + Nikkor-P 10.5cm f/2.5 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
"Morris Ave"
"Birmingham, AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Arista Premium 400" "expired"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Darktable"
This PE40mm lens is the 35-mm equivalent to a 24mm, so al really wide, wideangle lens. The great thing is, that is has almost NO distortion! And sharp and clear right into the corners... One of the advantages of medium format photography.
Hadn't come around to scanning and processing the images yet...
Filmdata:
Bronica ETRS-I + Zenzanon PE 40mm F4 (wide open)
Kodak Portra 160NC(very expired) scanned on a Epson 4990 with Vuescan.
Color conversion with Colorperfect 2.01
"Muscoda School"
"Bessemer" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Arista Premium 400" "expired"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Darktable"
"ICCD 2016"
"Slossfield Community Center"
"Birmingham, AL"
"Kiev IIa"
"Jupiter 12 35/2.8"
"Kodak" "TX400"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/2.8 - 1/1000
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Camera: Mamiya RB67 Pro-S
Lens (s): Mamiya Sekor C 90mm f / 3.8
Film: Fomapam 200 Creative
Filter: red
Dev: Tanol 1 + 1 + 100, personal dilution for 500 cl A- 4.00cl, B 5.80 cl and water to reach 500 cl
Agitation 30 '' + 2 gentle overturnings every minute 16 '20 °
Stop Bath: 2.30 'of tap water
Fix: Moersch ATS, 4 '
Washing: 10 minutes of tap water
Wetting agent: a drop of Svelto detergent
Scan: Nikon supercoolscan 9000ED, Vuescan softwear
no correction with PhotoShop
Oslo 2016
Kodak TMax 100 film developed in Caffenol-C-L for 48mins at 23.5'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 0.4g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
A duck and lovely sun on the Binnenalster in Hamburg. Really happy with this one :)
Camera: Minolta X-500
Lens: Minolta Tele-Rokkor 300mm F/4.5
Film: AgfaPhoto APX 100
Developer: Adox Adonal 1:50
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Lomonosov Moscow State University, March 2018
Camera: NikonF80
Lens: Sigma 24-105/4.0
Film: Фото100 (Foto100) by Svema
developer Agfa-12 (Стандартный N 2), dilution (1 + 3), 20 degrees Celsius, time 20 minutes as ISO 100
Process up to 07.2000 (03.2018 snapshot)
Scanned by Minolta Dimage ScanElite 5400 by VueScan
Canon EOS1V
Canon EF 50mm F1.2L
Kodak TMAX400
Rodinal 1:100 Stand Developed 60 mins
Plustek Opticfiilm 120 scan with Vuescan
Leica M5 + Nikkor-P 10.5cm f/2.5 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Makina 670 + Nikkor 80mm f/2.8 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
This is taken on the Chicago Riverwalk, about 200 ft South and down a flight of granite steps from my image "Skyline Bridge". The rotting wood and chains drew me in, but I stayed for the wealth of fine details...check out the wood grain and all the spiders in their webs!
Mamiya RZ67 Pro II & Sekor 110mm f/2.8 lens at 1/90th f/11 on Ilford FP4+ rated at EI80
Developed in HC110 dilution B (1+31), for 7:30 ("normal" for FP4+ @ 125 is 9:00) to offset the added exposure. Negative came out a touch thin, but this is a new film and new developer to me so I'll need to run tests.
Scanned on Epson V600 with Vuescan Professional, some minor adjustments to contrast and "clarity" along with some capture and output sharpening in Lightroom 5 and Photoshop CS5, but still very true to the contact print on grade 3.
9/21/1996. With the successful turning of the engine, 614 is now pointed back to Hoboken and ready to pull it's train home. Ross Rowland at the engineer's position talks with the crew and the road boss.
C&O 614 is a beautiful engine, and was freshly restored when these trips were being run. It was quite a sight to see. It's mechanical complexity was a delight to see in action. This was the first of many excursion runs, which would continue for the next two years during Fall and Summer.
Scan from a 35mm Kodacolor Gold 200 negative.
Fall Colors 2015
Shot on 10/31/2015 on a rainy day as I was driving around. I saw this lovely little park and happened to have my camera with me and have wanted to get some nice shots of the fall colors on film. Scanned on my Epson V600 with VueScan Professional, and EXIF edited to show the actual exposure information and camera model. The four shots are a series meant to be viewed as a group.
Mamiya RZ67 Pro II, Sekor C 110mm f/2.8 lens, Kodak Portra 160 @ EI120
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect