View allAll Photos Tagged VueScan
Canonet G-III QL17 + Canon 40mm f/1.7 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Makina 670 + Nikkor 80mm f/2.8 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
This is taken on the Chicago Riverwalk, about 200 ft South and down a flight of granite steps from my image "Skyline Bridge". The rotting wood and chains drew me in, but I stayed for the wealth of fine details...check out the wood grain and all the spiders in their webs!
Mamiya RZ67 Pro II & Sekor 110mm f/2.8 lens at 1/90th f/11 on Ilford FP4+ rated at EI80
Developed in HC110 dilution B (1+31), for 7:30 ("normal" for FP4+ @ 125 is 9:00) to offset the added exposure. Negative came out a touch thin, but this is a new film and new developer to me so I'll need to run tests.
Scanned on Epson V600 with Vuescan Professional, some minor adjustments to contrast and "clarity" along with some capture and output sharpening in Lightroom 5 and Photoshop CS5, but still very true to the contact print on grade 3.
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss red filter
Digitised using Plustek OpticFilm 120 + Vuescan
9/21/1996. With the successful turning of the engine, 614 is now pointed back to Hoboken and ready to pull it's train home. Ross Rowland at the engineer's position talks with the crew and the road boss.
C&O 614 is a beautiful engine, and was freshly restored when these trips were being run. It was quite a sight to see. It's mechanical complexity was a delight to see in action. This was the first of many excursion runs, which would continue for the next two years during Fall and Summer.
Scan from a 35mm Kodacolor Gold 200 negative.
Fall Colors 2015
Shot on 10/31/2015 on a rainy day as I was driving around. I saw this lovely little park and happened to have my camera with me and have wanted to get some nice shots of the fall colors on film. Scanned on my Epson V600 with VueScan Professional, and EXIF edited to show the actual exposure information and camera model. The four shots are a series meant to be viewed as a group.
Mamiya RZ67 Pro II, Sekor C 110mm f/2.8 lens, Kodak Portra 160 @ EI120
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M5 + Nikkor-P 10.5cm f/2.5 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Camera // HOLGA 120N
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
Technical details:
- Kodak Ektar 100, Canon AE-1 Program, Canon FDn 35mm f/2
- Scanned with a Reflecta ProScan 7200 film scanner.
- Scanned as linear RAW file in Vuescan, then processed in Photoshop + ColorPerfect. Finally, adjusted in Lightroom.
Kodak Retina IIF + Schneider-Kreuznach Retina-Xenar f:2.8 45mm + yellow filter + Kodak Tmax 400
Digitised using Plustek 120 + Vuescan
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss red filter
Digitised using Plustek OpticFilm 120 + Vuescan
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F and Super-Multi-Coated Takumar 28mm F3.5, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
Oslo 2016
Kodak TMax 100 film developed in Caffenol-C-L for 48mins at 23.5'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 0.4g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.
These were decent shots but my scanner software sucked so I got Vuescan and I could finally accurately see how these turned out.
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon FM3A
Nikon 105mm f/2.5 ais @ f/2.5 + Nikon TC-201
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Olympus OM-2 + G.Zuiko Auto-S 50mm f/1.4 + Kodak Portra 800
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M5 + Nikkor-P 10.5cm f/2.5 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/2.8
AGFA Digibase CR200 PRO
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
"Heart of Dixie Railroad Museum"
"Calera" "AL"
"Nikon F100"
"35/2 AF-D"
"Arista Premium 400" "expired"
"Pyrocat-HD" "1+1+100"
"Plustek 8100"
"Vuescan"
"Darktable"
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Rolleiflex 2.8GX, CineStill DXX, Ilfosol 3.
Epson Perfection V850 with Vuescan, SmartConvert and Lightroom.
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I shot this on my Rolleiflex 2.8GX using CineStill DXX, during a walk through the Gothic Cathedral in Barcelona. The light was soft that day, diffused by a thin overcast sky, which let me really lean into the tonal range of DXX without blowing out highlights or losing shadow detail. I wanted to capture not just the architecture, but the pulse of the place—how the cathedral stands like a monument while life flows around it in full motion.
I remember being drawn to that moment on the right where the performer bends toward the child—something tender and absurd happening in front of this towering Gothic backdrop. That tension between playfulness and grandeur is what made me click the shutter. The Rolleiflex, with its waist-level viewfinder, let me frame it discreetly—almost invisibly—so no one froze or posed. Everything stayed fluid.
And DXX? It really sang here. There’s a richness to the midtones that digital just can’t mimic, and a slight halation around the brighter figures—subtle, but it gives the image a ghostlike texture I love. That nun-like figure in the center almost feels like she wandered in from a different era.
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Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8
Fujifilm Provia 100
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Zeiss Ikon Voigtlander Vitessa 500 L + Voigtlander Color-Lanthar 42mm f/2.8 + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss red filter
Digitised using Plustek OpticFilm 120 + Vuescan
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss red filter
Digitised using Plustek OpticFilm 120 + Vuescan
Her name is "Uzuki" - 16 y/o lady.
"Uzuki" means April - yes, her birthday is April.
Flexaret IV + Flexpar (0.33-0.5m)
/ Fuji Reala Ace
- selfdeveloping NaniwaS(1:1)
I found "whitebalance" in vuescan color tab is quite useful for more natural color - of course WB adjustment in PSE or LR is essential but far better than "Auto" of vuescan WB setting caz it cause high saturation ( yes, too high ).
... 久し振りにうちの猫。いつも lovely :)
BTW I shot some photos using another flexpar ( 0.5m - 1.0m ) and the result blew my mind !
I gotta upload another photo today and catch you up later, my friends.
Makina 670 + Nikkor 80mm f/2.8 + Kodak Portra 160
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon FM3A
Nikon 105mm f/2.5 ais @ f/2.5 - 1/125
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Pentax 645N • Arsat MC 30mm f:3.5 fisheye
Agfachrome RSX II 50 expired film
Scanned with Epson Perfection V500 with VueScan 9.2 at 3200dpi and Betterscanning MF Film Holder
Hartmannswiller • Alsace • France
Nikon F3HP
Nikon 35mm F/2 AI
Ilford HP5 Plus pushed to iso 800
Ilford HC 1:31 9:30@68 degrees
Ilfostop
Ilford Rapid Fixer
Ilford wash method
Scanned on Primefilm XE with Vuescan
Blue Water Bridge over the St. Clair River at the mouth of Lake Huron from the Port Huron side looking toward Sarnia, Ontario, Canada.
This photo is on DR5 reversal processed Efke 25 film. I used an Orange Nikon 056 filter on a Nikkor 15mm f/5.6 super wide angle lens on a Nikon F4. The filters on this lens are on a built-in turret. Shot at ISO 25. Scaned on a NIkon Coolscan 5000 ED using Vuescan.
Nikon N8008s + Nikkor 50mm f/1.8 + Kodak EliteChrome 200
new toy. delicious. love the F100. bought it with 15 rolls of expired Velvia 100F and some assorted other rolls, 20 in all. really excited about the rolls from this weekend that I shot at the wharf.
Not sure if I like kodak anymore. Film's just too difficult to scan. I never have problems with velvia, but it seems like Kodak's thinner emulsion messes with my scanner. I can fix it with vuescan, but it's just annoying. I haven't shot any portra in a while, only this elitechrome and that ektachrome 1600 a while back. both had the same problems, a horrid red cast that I can't find a foolproof way around. I guess I'll just wait and see how the other rolls I have go. If I can't do anything, I'm done shooting kodak, at least their color stuff.
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Taken with a Leica M7, 35 Summicron, Fuji Provia 100F. May 2019.
Scanned with a Nikon LS5000, vuescan (linux) and processed with darktable(linux)
Staircase in the Theater.
Reggio Emilia, May 2019
Leica M7, 35mm Summicron, Provia 100F pro-lab developed. scanned with Nkon LS5000 and vuescan (linux + darktable.
First time shooting with and developing colour film. Test shots at Cleveleys Beach around the old breakwaters.
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
"Lunch Walk"
"Birmingham" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Fuji" "Acros"
"Thorntons Two Bath"
"Plustek 8100"
"Vuescan"
"Gimp"
Cornfield hidden behind two trees. Found that field on my way to the nearby lake. Lake was expected, cornfield wasn't. Mid-September 2015.
Taken with panoramic swing-lens Horizon 202 camera, and its MC2.8/28mm lens, on Fujichrome Provia 100F RDPIII slide film.
Scanned with Plustek OpticFilm 8100, with VueScan x64 9.5. Scanned to two scans, stitched with AutoPano.