View allAll Photos Tagged VueScan
Chandeliers in the Hall of Mirrors of the Palace of Versailles.
Taken with my lovely Canon AE1, 35mm 2.0, on Fuji Provia400X, pro-lab developed.
Scanned with a Nikon LS5000, vuescan(linux) and processed for flickr with darktable (linux).
Kodak Retina IIF + Schneider-Kreuznach Retina-Xenar f:2.8 45mm + yellow filter + Kodak Tmax 400
Digitised using Plustek 120 + Vuescan
Another from the roll of Kodak Gold I took this summer and haven't developed until now.
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Camera: Leica M3
Lens: Leica Summicron 50 type 2 DR
Film: Kodak Gold 200
Developer: C41 at Lab
Filter: Leitz UV
Software: Scanned as raw i vuescan, Converted with Colorperfect
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Nikkor-H.C 5cm f/2 + Kodak Tmax 100 + Zeiss yellow filter
Digitised using Plustek OpticFilm 120 + Vuescan
This is the result of scanning an image with Vuescan software and an old flatbed scanner scanning a color negative with a lightbox (my husband's idea!) on top of it. The negative has to be illuminated from both sides to scan properly -- I tried without the lightbox first and the results were not good.
There's some banding that's presumably a side-effect of scanning the light from the lightbox, but overall this experiment has potential. At least until I get an actual film scanner.
Here's the scan from the print of this negative.
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Bleach Bypass with FILM (not digital filters).
Sky turned out well...
Eastman Kodak expired Vision2 250D. Shot at 250 with Bessa T and toy M mount body cap pancake lens with fixed focus F/10. There seems to be a sweet spot around 10 to 20 feet with the lens. "pre developed" (still looking for a good term). in PA Rodinal 1:100 for 10 minutes and then cross processed in Kodak Flexicolor C-41 for 3:15 minutes, skip bleach / bypass 2 minute wash, then fixed for 8 minutes continuous agitation in Ilford Hypam rapid fix 1:4.
The raw scan comes up very bronze with some rich earth tone colors, definitely not monochrome. Obviously, the color can be rebalanced in post processing to bring back the original, or better colors. This is fairly easy to do in photoshop and I learned to just let VueScan do it's job and adjust the raw scan image.
The images may be a bit flatter but I find a VERY wide range of saturation to play with when a normal color negative would tip over of blow out. There are some unique "looks" to be had here. The shadows don't bunch up so quickly and it is possible that running it through a B&W developer automatically pushes the film a bit. I usually shoot this film at 125 or so and here it is doing well at 250 for a 20 odd year old roll. My other posts of just bleach bypass have a thinner look and the shadows are lost pretty quick. More to explore.
St. Joseph North Pier outer range Lighthouse in a ray of sun and covered with ice. Photographed from the South Pier.
Photographed with a Nikon F4 using a Nikkor 80-200 f/2.8 lens using a circular polarizer and an orange filter. The Efke 25 film was DR5 reversal processed and the slide was scanned using Vuescan on a Nikon Coolscan 5000ED.
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon FM3A
Nikon 28mm f/2.8 ais @ f/8 - 1/500
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Upper regent Street Christmas Lights 2916
Ilford FP4+ film shot at 50 ASA developed in Caffenol-C-L for 42 mins at 20'C.
Recepie used: Anhydrous Washing Soda - 8.5g, Vitamin C powder - 5g, Potassium Bromide - 2.5g, Maxwell House Instant Coffee Powder - 19g, dissolved in 500mL deionised water.
Scanned using a Kodak RFS-2035 Plus film scanner using Vuescan software.
"Lunch Walk"
"Birmingham" "AL"
"Canon 7"
"CV 35/2.5 Color-Skopar"
"Arista Premium 400" "expired"
"Rodinal" "Stand Development" "1+100"
"Plustek 8100"
"Vuescan"
"Gimp"
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Nikon F5 + 135mm f/2.8 AI-S + Fujicolor C200
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Cam: Minolta XD7
Lens: Minolta MD 1:1.7/50mm
Film: Unknown traffic surveillance black and white negative hand rolled by Film Photography Project USA (FPP)
Process: Kodak D-76 (7.5') + Ilford Rapidfixer (2.5')
Scan: Vuescan + Epson Perfection V330
Edit: Lightroom CC2015
The last blog entry of the year is now available at
jbhthescots.com/2015/12/31/hogmanay/
A Happy New Year to All readers!
Nikon FM3A
Nikon 85mm f/1.4 D @ f/2.8
Nikon MD-12
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
Nikon FM3A
Nikon 105mm f/2.5 ais @ f/8 + Nikon TC-201
Kodak Portra 400
Scanned with Pacific Image PrimeFilm XE and Vuescan
Post: Lightroom
Film: Bought at Beau Photo, Processed at The Lab
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5 on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F with VueScan.
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Aufnahme mit Nikon F5 AF-D 50mm 1,8 Blende 4,5
Film Agfa APX 100 Old
Scan Plustek 7600
Software Vuescan
Minolta 7s rangefinder
Ilford Pan 100 B&W film
Developed in Bellini Hydrofen
Scanned with a Plustek 7500i using Vuescan and processed using grain2pixel PS plugin.
Montmartre Paris France
Terrasse de café
Voigtländer Vito CLR
Voigtländer Color-Skopar 50mm/f2.8
Agfacolor Vista 100 3.0
Nikon Coolscan LS-30
Vuescan
One of the rainy weeks we had this summer had also high levels of water, the river Sava flooded its embankment and rose quite high.
August 2023.
Taken with an Olympus OM-4 film camera and Olympus F·Zuiko Auto-S 50mm F1.8 lens on a roll of expired Agfa Vista+ 200 film, one of my favourite films.
Scanned with my trusty Plustek OpticFilm 8100 film scanner, using VueScan.
Camera: Ricoh R1
Film: DM Paradies 400
Developer: Tetenal Colortec C41 Kit (Close to retirement)
Developed with Jobo autolab ATL 2200
Scanned with Epson V500 and Vuescan
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Leica M3 + Leica Summicron 50mm f/2 DR + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
A couple of years ago, the shopping centre was completely renovated, it's parking space expanded, and ponds were added.
The colourful scene lights up nicely in the autumn sun...
Nikon F80 + AF-D Nikkor 28-200 mm ED-G
Filmdata:
Agfa CT Precisia 100, scanned with Vuescan on a Plustek Opticfilm 7400
Photos shot with a Olympus XA2 with a D-Zuiko 35mm f3.5 on AgfaFoto APX 400 @400 during a pure analog photo tour from Bardowick to Lüneburg on February 12, 2017. Stand developed with Adonal (Rodinal) 1+100 for 75 minutes. Fixed with Adofix 1+9 for 5 Minutes. Scanned with VueScan on a CanoScan 9000f Mark II. Post-processing in Lightroom including sharpening for prints with Nik Sharpener Pro. Self-developed AgfaPhoto APX 400 #3
Olympus XA + F-Zuiko 35mm f/2.8 + Kodak Pro Image 100
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Last year, in 2012, the exterior of this church has been extensively renovated. It is now perfectly water tight again, and freshly painted. I couldn't resist using the 12-24....
Nikon F80 + Sigma EX 12-24mm DG HSM
Filmdata:
Severely maltreated Kodak Colour plus 200ISO
Scanned on Plustek 7400 with Vuescan, colour conversion with Colorperfect
GN
Camera // Yashica Mat
Film // Kodak Portra 160
Developer // Tetenal C-41
Scan // Epson V850 (Vuescan and ColourPerfect)
Kodak Retina IIF + Schneider-Kreuznach Retina-Xenar f:2.8 45mm + yellow filter + Kodak Tmax 400
Digitised using Plustek 120 + Vuescan
Leica M3 + Leitz Wetzlar Summicron 50mm f/2 DR + B+W ND 4x + Kodak Portra 400
Digitised using Plustek OpticFilm 120 + Vuescan + ColorPerfect
Rainbow over Frankfurt. Canon EOS 33v with 24-85 USM. Shot on Superia 200. Scanned with Vuescan and Nikon Coolscan.
frame #18 - Windows on Fortuna köz - Budapest, Hungary.
CAMERA: Minolta 24 Rapid - c.1965
FILM: Eastman High Contrast Pan Intermediate Film SO-331 (expired 2003)
DATE: 7/23/2012
DEVELOPMENT: Labeauratoire's Caffenol Concoction
15 min. - 24°c
SECOND USAGE!
Developed 2 rolls the previous night and 2 rolls this night. Re-using the same mixture.
SCANNER: HP Scanjet G4050 with VueScan Software
light sepia added in photoshop
Berlin - Deutsches Historisches Museum (German Historical Museum)
Leica M4-P / Summicron 50 DR
Fuji 160 Pro S
Vuescan+LR 3.6
Abandoned country mansion in Gornja Stubica, Croatia.
Taken with Honeywell Pentax Spotmatic F and Super-Multi-Coated Takumar 300mm F4 lens, on modern version of Agfa APX 400 film. Developed in Fomadon R09, 1+50 @ 21°C. Scanned with my usual CanoScan 8800F scanner using VueScan 9.
The upper part of this scan has some scanner artefacts, unfortunately.
One foggy Saturday in December 2013.
Taken with Honeywell Pentax Spotmatic SP F camera and Super-Multi-Coated Takumar 28mm F3.5, on expired Kodak Professional T400 CN film, pulled to 125 ASA.
Scanned with Canon CanoScan 8800F, with VueScan.