View allAll Photos Tagged VueScan
It was warm and comfortable afternoon for us.
重いレンズ、カメラを抱えて。
今度は久し振りに Flexaretに Portra400セットしてでかけたいです。
Kiev60 + carlzeiss Jena MC Sonnar 180mmF3.5
- Kodak Ektar100
- selfdeveloping Naniwa Color Kit S (1:1)
- vuescan + GT-X970
Playing around with new (old) gear...
Canon NewF1, Canon 200 Marco, Ilford Delta100 Tmax1+4
self-scanned with Nikon LS9000 + vuescan(linux) + darktable (linux)
From the days there were no mobiles.
Public phones at tube station, London, UK (1975).
Technical notes: Nikon F2 with a Nikkor 28mm F3.5 lens on Kodak Tri-X film. Digitised with a Nikon Coolscan V Ed (LS-50) + VueScan.
So, I've been working on this today. I recently bought a Pentax ME Super to replace one of my first cameras, as it unfortunately it died a few years ago. Ran a film through it, developed it Friday and the film was ruined. Almost complete light leak from somewhere. Ran another film through it quickly, wandering round the flat. I then deved it, and thankfully it came out OK, so the camera was good. Either I messed up or the film was crap. Who knows.
Anyway, I've been learning how to scan film all day, by trial and error. I bought vuescan a few months ago and while it made some good scans, it also seemed to struggle giving me anything good out of this film. The Silverfast demo seemed to render the scan better, but I can't afford to spend out on that, so have to make do with what I have.
This is the only half decent image out of the whole film and yes, my feet are meant to be in shot! Exposure X5 also helped get this scan looking a bit better.
Still lots to learn it would seem.
Pentax ME Super,
28mm f/2.8 Pentax SMC-A Lense
Hp5+ @ 400 in DD-X 1+4 for 9 mins
Canoscan 8800f, Vuescan x64
Spindle chairs based on the Mademoiselle Nojatuoli design from 1956 by Yrjö Ilmari Tapiovaara (1914 - 1999). They were produced by Edsby Verken and sold in the Netherlands by Pastoe. The real/original ones have a seat made of solid wood (instead of the plywood used in later copies).
In 2013 Dutch furniture manufacturer/importer Pastoe existed 100 years. To mark this occasion an exhibition was held at Kunsthal Rotterdam, for which Pastoe had assembled a team of national and international designers, architects, artists and photographers.
Technical notes: Minolta CLE + Leitz Summicron-C 40mm F2 on color negative film. Scanned with a Nikon Coolscan V Ed (LS-50) + VueScan.
fecha aproximada, año 2000. Se ve la cinta que transporta los fragmentos de roca que arranca la máquina perforadora que está al fondo.
Escaneada de Canon EOS 500
"There's a little bear / Like you've never seen before" - but it's not Rupert the Bear, as I fondly remember Jackie Lee sang about on kids TV in 1970, but rather a mysterious masked artist, The Rebel Bear (@the.rebel.bear), who has been making headlines over the past few years and dubbed as Glasgow's answer to Banksy.
The Rebel Bear - who wears a pink bear costume to avoid identification during limited edition signing sessions - has been creating street art over the last five years throughout Scotland as well as London, Calais and New York (completing a commission for the United Nations). The themes of his work have covered politics, love, human emotion and comment on the ‘absurdity’ of the world we have created; yet it has been his most recent focus, during the pandemic lockdown, that has brought him fame.
The spark was this wonderful piece of artwork splashed across a boarded-up, closed shopfront hit by hard times on Sauchiehall Street - and now found in various other locals across Scotland - highlighting environmental issues, showing animals with placards during the lockdown demanding to keep the humans locked up. The animals march with slogans such as “bats rule” and “keep the humans locked up” and “long live the lockdown”. The message from the artist was clear: Mother Nature was getting a rest from human damage during the lockdown and so are all her animals.
Leica M2 & 2/35mm Summicron pre-asph v3
Kentmere 100
Ilford ID-11 (1+1 - 11:30min)
Vuescan & Plustek 7600i
Testing Vuescan 9-7-32 version on 'SLIDES ' -
I scanned a few more of my Normandy 2009 trip taken with Canon A-1 and Fuji Sensia film . Veterans and Young People at Bayeux Cemetery.
Auf dem Langen Kampe
#Sakura
Fujifilm Velvia
Minolta XD5
Minolta MD35-70 f/3.5
Vuescan
Plustek 7500i
Mid-res Scan
pellicola Foma 100, dev in Fomadon LQR, leggermente sottoesposte dil 1+10, 5,30"
Apparecchio Nikon FM2, ob Micronikkor 55mm f 2,8, Nikon, #CoolScan, #9000ED. #Vuescan
The Sušak breakwater crane stands alone there. It's not the only crane operating there, but at that time, it was alone, presenting a nice opportunity for a clean composition. Lovely.
Taken with Olympus Pen F half-frame film camera and Olympus F. Zuiko 38mm F1.8 lens, on Foma Fomapan 200 film.
Developed in Adox Adonal, 1+50 dilution, at 22.5°C.
Scanned with Canon CanoScan FS4000US film scanner, using VueScan.
... just Prelude for the following photos this week.
Holga120CFN + Fomapan400
: selfdeveloping Rodinal 1:50, vuescan
Somewhere in the Zagreb city centre, this stencilled graffiti is hiding. I must agree, Lord USB has brought harmony to once-turbulent lands of multiple standards, making life easier. It is also notable how the blocky typography of that stencil clashes with the curves of that window ledge! February 2023.
Taken with Minolta 7000 AF film camera, and Minolta AF 28mm F2.8 wide-angle lens, on a short roll of AgfaPhoto APX 400 black and white film.
Developed in Adox Adonal, 1+50 dilution, at 21°C.
Scanned with Plustek OpticFilm 8100 film scanner, using VueScan 9.5.
View of the Novotorzhsky Borisoglebsky Monastery from the left bank of the Tvertsa River.
(Russia Tver region city Tozhok October 2020)
Camera: Nikon F 80;
Lens: Sigma 24-105mm f/4 DG (OC)* HS I AF;
Film: Fuji Color 200;
Filter: No filter;
Exposure: as ISO 200;
Scanned: Minolta Dimage Scan Elite 5400 by VueScan.
*
Woe to the Vanquished
Malheur aux Vaincus
Wehe die Besiegten
============
Leica M6 Silver, Apo-Summicron 2.0/75 Asph., ADOX HR-50, V850, VueScan 9, Affinity Photo 2
Summer photos are here! My cat is hiding in a tunnel, but airing the beans is a must!
Taken with Olympus OM-4 film camera and Olympus F.Zuiko 50mm F1.8 lens, on expired AgfaPhoto Vista+ 200 film.
Scanned with Plustek OpticFilm 8100 scanner using VueScan.
KODAK T-MAX 400 TMY 120 + Developer Kodak XTOL + Rolleiflex 2.8D Schneider Xenotar 2,8 / 80mm + Nikon COOLSCAN 8000 ED (Vuescan RAW DNG) fotoplenka.in.ua/p591145263-fotoplenka-kodak-professional...
Testing Vuescan 9-7-32 version on 'SLIDES ' -
I scanned a few more of my Normandy 2009 trip taken with Canon A-1 and Fuji Sensia film . WWII Vehicles on Gold Beach at Arrowmanches
The sculpture "Signpost" on the Sava River levee shows women's legs and is a reminder of the women-only bathing area on the river that was there since the mid-1920s until the flood in 1964 destroyed it.
Taken with Pentax MZ-5 film camera in its panorama mode, with Tamron SP Adaptall-2 17mm F3.5 51B ultra-wide angle lens, on Silberra Pan 160 black and white film.
Developed in Adox Adonal, 1+50 dilution at 22°C and scanned with Plustek OpticFilm 8100 using VueScan.
After having to spend all the time at home, getting out for a quick walk was a lot of fun. Especially fun was walking through thick fog, the city was full of amazing locations. Here, I encountered an overgrown thicket. New Year's Eve 2021.
Taken with Canon EOS 500N film camera, with Tamron AF 24–70mm F3.3–5.6 Aspherical lens, on Agfa APX 400 black and white film. 1/350 exposure, ƒ/13 aperture, at 800 ASA, pushed one stop. Developed with Kodak Xtol, 1+1 dilution.
Scanned with Plustek OpticFilm 8100 dedicated film scanner using VueScan x64 9.5.
Near Arnhem, The Netherlands.
Technical notes: Nikon F2 + 105mm pre-AI on Kodachrome. Digitised with a Nikon Coolscan V Ed (LS-50) + VueScan.
Analog Times - OWL Landscapes
#OWL #Lemgo #Slides #Rapeseed #Landscape #Minolta #XE5 #Rokkor50mmf/1.7
Minolta SRT 101
Minolta MD Rokkor X 28mm f/2.8
Kodak Portra 400
Vuescan Opticfilm 7300
just the young dylan part of the mural...it's huge!
Track repair causing a build back - Hong Kong 1988 film scan.
Taken outside the HSBC Building on Queens Road, Central. This building was built in 1985.
The Standard Chartered Bank Building can be seen next to this, still under construction. It was completed in 1990.
The Lippo Centre, formerly the Bond Centre, (Climbing Pandas) can be seen in the distance.
Just a quick snap I took last year. When I got back into my hotel room and looked out the window, I saw this soft, beautiful sunset. Knowing this film stock from portraiture work, I figured that it would render the soft tones nicely – and I think it did indeed!
Mamiya RB 67 Pro S + Sekor C 90mm f3.8 + Fujicolor NPC 160
Expiry date: 2005 (?)
Exposure index: 50
Scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
One time, we went on a road trip. And what a road trip it was! We went from Zagreb, Croatia all the way up to Gdańsk, Poland, across three countries, halfway through Europe. Here, a view over Motława river, one of the photos I've had waiting in the queue for literally years. June 2013.
Taken with Pentax MZ-S film camera, smc Pentax-FA 50mm F1.4 lens, on a roll of Fujicolor Pro 160C film. 1/180 exposure, ƒ/5.6, 160 ASA.
Scanned with Plustek OpticFIlm 8100 dedicated 35mm film scanner, using VueScan 9.
Drawing the eye right to the one blossom using actual focus and contrast.
Somewhere in my neighborhood, using a Cokin red filter.
Mamiya RB 67 Pro S + Sekor C 180mm f4.5 + Kodak T-MAX 100
Expiry date: 2002
Exposure index: 100
Dust cleaned in Affinity Photo 2.
Scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
If you want to go panoramic on film really on a budget, you can always grab one of those cameras from the late 1990s that have light baffles just in front of a film that crops standard photos to fake panoramic. While it is fully faked, with a proper wide-angle lens, the resulting photos can look not that bad!
Here, I did just that - I acquired Pentax MZ-5, one of those cameras with fake panoramic baffles. The good part is it crops even the viewfinder, the bad part is it's just a crop, you'd need a seriously wide-angle lens for a good effect - 19mm here helped.
Bundek park in Zagreb, Croatia, May 2021.
Taken with Pentax MZ-5 film camera, with Cosina AF Zoom 19–35mm F3.5–4.5 ultra-wide angle zoom lens, on a roll of Agfa Vista+ 200 film. 1/60 exposure at ƒ/8, box speed, 200 ASA.
Scanned with my trusty Plustek OpticFilm 8100 dedicated film scanner, using VueScan 9.
I had trouble with my PLUSTEK OpticFilm 7200 35mm scanner lately -- it would 'preview' then on scan make terrible noise and scan was all 'distorted' and sometimes colours on Preview very 'Patchy' -- then came a new 'Vuescan Newsletter', in it there was a mention of 'Sorting Trouble with PlusTek Scanners in Version 9-7-30 ' --- so i updated and got version 9-7-31 and on Testing with this old Negative taken in 1990's it previewed well and scanned well ! Good Old Mr Hamrick !
Vuescan. No hi ha hagut manera de trure el color blau lila de film caducat. Rolleiflex f/5.6 1/125s, Kodak Portra 160VC.
Was the leader and the founder of our feline team.
Fuji 400H Pro , Photo Mechanic 6, plustek Opticfilm 8200i Ai, VueScan 9, Capture One
Leica M7 50mm Summicron HP5+ self-developed, in Microphen stock
Self-scanned with Nikon LS9000 + vuescan(linux) + darktable (linux)
Nikon F3 + AF Nikkor 50mm f1.8 + Agfapan 400
HOYA Yellow Filter (if I remember correctly)
Expiry date: 1995
Exposure index: 80
Scanned on a Nikon Coolscan IV ED using Vuescan. Toned and dust cleaned in Affinity Photo 2.
Kodachrome 25
Analog Times
Minolta XE5
Minolta MC 50mm f/1.7
Scanned with Plustek 7500i and Vuescan
Tweaked a bit with Luminar 3
Camera: Yashica Mat-124G;
Lens: Yashikor 80mm f/3.5;
Film: Fuji Crome Provia 100F;
Filter: No filter;
Exposure: as ISO 100
Scanned: Minolta Dimage Scan Elite 5400 by VueScan.
The Hazratbal Shrine, - it contains a relic, the Moi-e-Muqqadas, which is widely believed to be the hair of the main Islamic prophet, Muhammad. Dal Lake, Srinagar, the summer capital in Kashmir, North India. 35mm Ektachrome slide scan, 1986