View allAll Photos Tagged VueScan
Maybe this is the first photo that I ever took in the Canadian Rockies. This is scanned from a Fuji slide taken on a Pentax Spotmatic camera 46 years ago. I was then still a teenager.
Camera: Nikon F 80
Lens: Sigma 24-105/4.0
Film: Type-42L (Тип-42л) by Tasma
developer Agfa-12 (Стандартный N 2), dilution (1 + 3), 20 degrees Celsius, time 25 minutes as ISO 400
Scanned by Minolta Dimage ScanElite 5400 by VueScan
A rose, c2008.
Still going through the archives!
Mamiya C330 + 80mm Lense,
Ilford PanF+,
Kodak Xtol 1+1 @ 20C for 7:45,
Canoscan 8800f, Vuescan x64,
Exposure X5
Sunset
Film is not dead
Fujifilm Velvia
Velvia colors
Minota XD5
Minolta Rokkor 50mm f/1.7
Plustek 7500i
Vuescan
Mid-res slide scan
The city of Zadar is usually just a stop on my route, so an opportunity to just walk through the streets of Zadar was a rare one. September 2022.
Here, a large dome of Krešimir Čosić Hall sports arena.
Taken with plastic Nikon AF240SV compact film camera and its built-in 28mm F5.6 autofocus lens on AgfaPhoto APX 400 black & white film. Developed in Adox Adonal, 1+50 dilution.
Scanned with Plustek OpticFilm 8100 using VueScan.
Rolleiflex 2.8E, Planar 80mm f2.8; ARISTA 100±0; Developed at Mono Lab National, Jingumae, Tokyo; Driver: VueScan 9 (DNG duplication); Scanner: Epson GT-X980; Raw Editor: Capture One Pro 20 (positive conversion and retouch); Browser: Photo Mechanic 6 (selection, management and uploading)
Camera: Minolta XD7
Lens: Minolta MD 28mm f2.8
Film: Fomapan Classic 100 ASA
Developing: Kodak D-76 stock, 4' at 23°C
Scan: Epson V330 + Vuescan
Editing: Lightroom
I recently revived an old beaten Contax 137MD Quartz which id purchased off eBay for very little.
After replacing the light seals and refurbishing the body, I ran a roll of 2006 Expired Kodak BW400CN C41 process B&W film through it.
Seemingly I had a few issues through development - some dark patches on some images and a few odd light leaks not camera related, however the remaining images came out pretty good!
Camera: Contax 137MD Quartz
Film: Kodak BW400CN (Exp. 2006)
Developed: Bellini Monopart C41
Scan: Minolta Dimage Dualscan III & Vuescan
Dust & artefacts removed in Silverfast SRDx for PS
Another from Totland beach, c2008-2009.
Mamiya C330, 80mm Lense,
Ilford HP5+,
Unknown Developer,
Canoscan 8800f, Vuescan x64,
Exposure X5
Blue Moon Camera and Machine, Portland, Oregon
Leica M7, 50mm
Tri-X in Rodinal
Scanned w/Nikon Coolscan V
Rolleiflex 2.8E Planar 80mm f2.8 with Rolleinar I; PRO 400H ±0, Developed at Photo Ueno, Shibuya, Tokyo; Driver: VueScan 9(DNG duplication); Scanner: Epson GTX980; Raw Editor: Capture One Pro 20(positive conversion and retouch); Browser: Photo Mechanic 6(selection, management and uploading)
2008
Mamiya C330, 80mm lense,
Kodak Tri-X 400,
Xtol 1+1, 8 minutes with 4 minute pre-soak,
Canoscan 8800f and Vuescan x64,
Edited in Exposure X5.
I went to visit my friend and his open-air beer brewing operation that Saturday. There, I encountered a boat dry dock and good company. Some of the photos even turned out presentable!
Taken with Canon EOS 500N film camera and Canon EF 50mm F1.4 USM lens, on Agfa Vista+ 400 color film. Scanned with my trusty Plustek OpticFilm 8100 dedicated film scanner, using VueScan 9.
Having used Portra for a log time, I decided it was time for something else. And, boy, it IS different! I even had to de-saturate the greens a bit... The colours are really natural and very saturated!
Deze Fuji Reala 100ISO negatieffilm zit werkelijk boordevol kleur! Ik heb zelfs het groene gras iets terggehaald!)
Bronica ETRS + Zenzanon 50mm F2,8 (with polariser) scanned with Epson 4990 + Vuescan.
Very thin DOF, causing a dreamy look.
Nikon F3 + AF Nikkor 35-105mm f3.5-4.5 + Fujichrome Provia 100F
Expiry date: 2016
Exposure index: 100
Scanned on a Nikon Coolscan IV ED using VueScan.
Museuminsel, Berlin. A scene with idle figures and classical architecture reminiscent of Piranesi prints.
Technical notes: Contax G1 with 35mm Carl Zeiss F2 on film. Scanned with a Nikon Coolscan V Ed (LS-50) + VueScan.
Leica M2
35mm 8-element Summicron replica (yellow filter)
Fomapan 100 in Clayton F76 (1:9 @ 68 deg for 7 min)
Staritsky Assumption Monastery (Staritsa town, Tver region)
Camera: Nikon F 80;
Lens: Sigma 24-105mm F4 DG (OS)* HSM | AF;
Film: Fujifilm Fujicolor C200;
Filter: No filter;
Exposure: as ISO 200;
Scanned: by Minolta Dimage Scan Elite 5400 by VueScan
Taken from a derelict pier near our resort beach in Cancun, Mexico. I waded out into the first few feet of water to get this image during the last few minutes of sunrise around 6:30am.
Shot with a Mamiya RZ67 Pro II & Sekor C 110mm f/2.8 lens on Kodak Portra 400. Shot at 1/90th @ f/4 handheld while avoiding dunking the camera!
Developed at home with a Tetanal C-41 Kit using normal development (agitation/temp as per kit instructions) and scanned on an Epson V600 @ 6400dpi using Vuescan Professional.
Loaded into Photoshop CS5 to get the inversion and color balance (mostly) correct, I sent the image to my iPhone and used a combination of PS Express and Snapseed to edit this image....While there are some (fairly major) technical issues with the editing, and the resolution is very much reduced, I got a look that is surprisingly close to what I envisioned when I pressed the shutter, which is using the intrinsic range of film to create an HDR "look" while retaining the color, detail, and vibe of Medium Format....
As white it can go! That day, snow buried everything quickly, but it was a wet snow, so I went out as soon as I could. I did a decent hike through a park nearby and returned home soaking wet.
January 2024.
Taken with Canon EOS 500N and Canon EF 50mm F1.4 USM lens, on a short roll of AgfaPhoto APX 400 film. Developed in Adox Adonal, 1+50 dilution, at 22.5°C.
Scanned with Plustek OpticFilm 8100 film scanner using VueScan.
Zoomed in during a one or two second exposure. Color graded.
Nikon F3 + AF Nikkor 35-105mm f3.5-4.5 + Kodak Gold 200
Expiry date: still fresh
Exposure index: 200
Scanned on a Nikon Coolscan IV ED with VueScan.
Rolleiflex Planar 80mm f2.8; PRO 400H ±0, Developed at Photo Ueno, Shibuya, Tokyo; Driver: VueScan 9(DNG duplication); Scanner: Epson GTX980; Raw Editor: Capture One Pro 20(positive conversion and retouch); Browser: Photo Mechanic 6(selection, management and uploading)
At the Nara prefecture with my Harley
Zeiss Ikonta SuperSix + Kodak Portra160NC
: selfdeveloping naniwa_S
: vuescan + lightroom3
catch you up later.
2008
Mamiya C330 + 80mm Lense,
Ilford PanF+,
Kodak Xtol 1+1 @ 20C for 7:45,
Canoscan 8800f, Vuescan x64,
Exposure X5
The city of Zadar is usually just a stop on my route, so an opportunity to just walk through the streets of Zadar was a rare one. September 2022.
Here, a street in Zadar Old Town and a bell tower of the Cathedral of St. Anastasia in the back.
Taken with plastic Nikon AF240SV compact film camera and its built-in 28mm F5.6 autofocus lens on AgfaPhoto APX 400 black & white film. Developed in Adox Adonal, 1+50 dilution.
Scanned with Plustek OpticFilm 8100 using VueScan.
Creating beauty. Stoneworkers at the Taj Mahal in Agra, India.
Technical notes: Nikon F Photomic + Nikkor 85mm F2 on KodakColor film. Digitised with a Nikon Coolscan V Ed (LS-50) + VueScan.
Summer photos are here! I've been passing near that forest for decades, yet I've never been actually there, and last summer, I fixed that omission. There wasn't much to miss, though.
Taken with Olympus OM-4 film camera and Olympus F.Zuiko 50mm F1.8 lens, on expired AgfaPhoto Vista+ 200 film.
Scanned with Plustek OpticFilm 8100 scanner using VueScan.
# Camera: Rollei 35S
# Film: Ilford XP2
# Scanner: Nikon Coolscan 5000ED with VueScan Software
# Edited with Iridient Developer
Leica M2
50mm Summicron DR
Fomapan 100 in Clayton F76 (1:9 @ 68 deg. for 7 min)
-- I don't shoot this focal length with a rangefinder often, and almost never use this close focusing attachment, but I do like the results on B&W film. This is where a "better," modern optic, with more clinical rendering, may not be as pleasing as this old Summicron from the 60's.
Canon EOS 630 | Canon 28-80mm f/3.5-5.6 II | Kodak Gold 400 | Plustek 8200i
Dever State School - Administration building
I didn't even bother removing all of the scratches on these negatives because compared to my 2014 scans of these, it doesn't even matter these are a 1000% improvement over my old scans. Not even close. Makes me wish I shot more film of these places before they all got demolished!
Also I decided to see how the Plustek held up using VueScan instead of SIlverfast. I used to use VueScan back in the day with my Epson V600, it's the software I learned how to scan on. Moved to Epson Scan and then Silverfast, but after seeing the performance with these, I may end up back to VueScan moving forward.
Another lovely texture. I do love medium format! On Mnt. Joy, 2008.
Mamiya C330, 80mm lense,
Kodak Tri-X 400,
Xtol 1+1, 8 minutes,
Canoscan 8800f and Vuescan x64,
Edited in Exposure X5.
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My Blog: awendes.blog
Finally, the first summer weekend of this season.
Here, a stone beach in Žurkovo, Kostrena, near Rijeka. There was a lot of airborne sand that day, making the sky unrecognizable through the haze.
Taken with Pentax MZ-S autofocus film camera, with Sigma AF Super-Wide II 24mm F2.8 wide-angle lens, on a roll of brand-new Wolfen Color NC500 colour negative film.
Scanned with Plustek OpticFilm 8100 scanner using VueScan.
Hidden under that buckyball tent is the location where the first contact happened. With whom? I don't know, I'm here just to tell you a story, as improbable as it gets! 😁
Every year, there's a garden show happening in the nearby park, Bundek, and organizers were hoping for a pandemic-free summer. But, as we all know, 2021. was not pandemic-free, so the show did not happen, despite some construction already being done. Let's hope this prelude to a new World War will stop in time for this year's show!
Taken with a do-it-yourself, fully plastic Recesky TRL film camera, using its built-in plastic 50mm lens, on Agfa Vista+ 200 color film. The camera has only one shutter speed, the lens has only one aperture (two, if you modify it, what I did not do), so 1/125 exposure, ƒ/11, box speed, 200 ASA.
Scanned with Plustek OpticFilm 8100 dedicated film scanner, using VueScan 9.5.
Although it might not look like that, that was a hot and bright summer day, it's just that LomoChrome Metropolis isn't a warm and bright film! :D
Here, modern architecture is trying to hide behind a block of a few centuries-old corner houses.
Taken with Olympus OM-1 film camera and Olympus Zuiko Auto-S 50mm F1.8 lens, on Lomography Lomography LomoChrome Metropolis XR100-400 special-effect film. Metered at 320ASA.
Scanned with Plustek OpticFilm 8100 film scanner, using VueScan.
Camera: Nikon F 80;
Lens: Sigma 24-105mm f/4 DG (OC)* HS I AF;
Film: Fuji Color 200;
Filter: No filter;
Exposure: as ISO 200;
Scanned: Minolta Dimage Scan Elite 5400 by VueScan.
The Cathedral of the Epiphany of the Lord (another name is the Epiphany Cathedral) is an Orthodox cathedral in Vyshny Volochyok, Tver Region.
hram-tver.ru/index.php/khramy-tverskoj-oblasti/vyshnij-vo...
The temple was built of bricks in 1810-1814 on the island between the two branches of the Tsna River on the site of a dilapidated wooden church in the name of the Epiphany with a chapel of the archistrategos Michael.
The cathedral was closed in 1931, but not destroyed. The building was used for warehouse purposes. The temple was reopened in 1945.
[Собор Богоявления Господня (другое название - Богоявленский собор) — православный собор в городе Вышний Волочок, Тверская область.
Храм построен из кирпича в 1810—1814 годах на острове между двумя рукавами реки Цны на месте ветхой деревянной церкви во имя Богоявления Господня с приделом архистратига Михаила.
Собор был закрыт в 1931 году, но не разрушен,. Здание использовалось в складских целях. Храм был вновь открыт в 1945 году.]