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Metroline DEL2162 (LK16DDY) is seen at Ruislip after the full route visual of the 331 was filmed.
331 Route Visual: www.youtube.com/watch?v=5E3mp6kIWOk
Steel bends creating wondertul curves, repetition and pathways that lead me to the heart of this photograph. Mirrored ceilings pick and choose among elements to reflect and, in doing so, create a brilliant canvas of shape and color and lines. As hues morph across the frame, warm joins cool and firey hot to add a kick of high energy. Staring through my viewfinder, I was lost in this world for awhile.
www.roxanneoverton.com – where you will find more photography and information on my instructional and travel series photography books.
The light pillar is a visual atmospheric phenomenon, an optical effect that represents a vertical strip of light that stretches from the sun during its sunset or sunrise (at night, there are also pillars from the moon, bright planets or from terrestrial sources Sveta). The phenomenon is caused by the reflection of light on the almost horizontal flat faces of hexagonal flat or columnar ice crystals suspended in the air. Flat crystals cause solar columns, if the sun is at a height of 6 degrees above the horizon or behind it, pillared crystals - if the sun is at a height of 20 degrees above the horizon. Crystals tend to occupy a horizontal position when they fall in the air, and the shape of the light column depends on their mutual arrangement. Such crystals are formed in high cirrus clouds, most often in cirrostratus.
Karelia. Ladoga lake. 2018 year.
Camera PENTAX 645 Z and lens HD PENTAX DA 645 28-45mm f / 4.5 ED AW SR.
The Milkyway rising over Fairview, Injune on a cold dark night. Shadows in the foreground are from distant lights.
In this lush visual sanctuary, the viewer is drawn into the eternal, kinetic poetry of the woodland realm. The composition frames a relentless rush of white water as it surges and weaves through a chaotic scattering of ancient, weathered boulders. Above, the delicate, arching limb of a solitary tree gestures gracefully across the torrent, providing a quiet structural counterpoint to the wild, fluid energy below. Engulfed by an enveloping canopy of vibrant, heavy green, the scene becomes a sensory meditation on the enduring cycle of growth, resilience, and the unyielding pulse of the untamed world.
#FineArtNature, #VisualPoetry, #WoodlandPhotography, #AtmosphericArt, #RitsonForce, #ElementalEnergy, #LandscapeCurator, #ForestSanctuary, #WaterAndStone, #WildernessCulture, #MoodyNature, #TimelessEarth, #NatureIsArt, #CascadingWaters, #StorytellingArt
School of Art and Art History at University of Iowa in Iowa City, Iowa. Designed by New York City architect Steven Holl Architects.
I'm entering this in a call for visual journals by the Brooklyn Sketchbook Library to be put in a time capsule for 50 years (!). I've decided the theme will be birds, with the Emily Dickinson quote in mind, "I hope you love birds too. It's economical. It saves going to heaven."
These pages are made from scraps on my work table. The
challenge was to make order from waste -- & not throw away even the smallest scrap.
Picture taken at @SkyDome Rentals (no lagging, quick unpacking) ♥
awesome body:
[ INITHIUM ] KARIO V.3.2 ♥
awesome outfit:
GUILTY 148 Erik Pants Luxury at @Inithium Visual Event ♥
GUILTY 149 Erik Vest Luxury at @Inithium Visual Event ♥
A series of assemblages and mixed media paintings by Chiew Sien Kuan (Singapore) displayed along the Esplanade Tunnel during A Little Love Story in Singapore.
I was sitting on the sidewalk in front of my usual perch trying to get some dramatic shots. It was uncomfortable and I stayed just a few minutes.
Love Park
Philadelphia, Pennsylvania
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art.
Street art has evolved from the early forms of defiant graffiti into a more commercial form of art, as one of the main differences now lies with the messaging. Street art is often meant to provoke thought rather than rejection among the general audience through making its purpose more evident than that of graffiti. The issue of permission has also come at the heart of street art, as graffiti is usually done illegally, whereas street art can nowadays be the product of an agreement or even sometimes a commission. However, it remains different from traditional art exposed in public spaces by its explicit use of said space in the conception phase.
On April 9th, I premiered my installation at Dominion Art Gallery, titled "Inspiration". This installation was created via visual cues taken from the wardrobe styling, album art, performance photos, music videos, and promotional imagery put forth by these artists. I'll be releasing all 8 images, one at a time, and today is the third.
This interactive installation can be seen at Dominion Art Gallery, which includes a 3D interactive build corresponding with the images, in addition to some fun gifts at the entrance (in the treasure chest). Check it out here:
maps.secondlife.com/secondlife/The%20Dominion/112/37/801
This third image is my somewhat modern (mostly due to the dress length) interpretation of Karen Carpenter, inspired by the album cover for the Carpenters' album titled "Close To You".
For this image, I styled my av, created the pose, created an EEP for environemental lighting and lights for the set, photographed, and did the editing after.
Here's what I'm wearing:
Head: Lelutka Simone
Body: Maitreya Lara
Hair: TRUTH - Meadow - No Hat (tinted in editing)
Bangs: Magika - Bangs - Midnight (tinted in editing)
Dress/sleeves: ISON - sienna dress - white
Shoes: S@BBiA - Gladiator Wedge Sandal (color changed from ivory to white in editing, to match the dress)
Choker: RAMA - Shine Away Velvet Choker Black
A new visual journal -- courtesy the talented Norma Lydon -- that I just began, having completed the other.
Hasselblad 503CX with Carl Zeiss Sonnar 180mm F4 T*
Film: Ektar 100
It's too much, isn't it?
It blocks our breath.
(highly amazed by the Sonnar Lens. More great resolution pics to come. :) )
Communicating through images today is fast & easy — with your smart phone you can tell the world where you are, what you’re doing & what you’re eating with just a few button presses. But has that cost us something?
Does the sheer amount of mundane images we see make good photos matter less?
Read more on my blog.
Visual notes from JSB's keynote at the 2010 NMC Summer Conference, captured using Autodesk SketchBook Pro on my iPad.
Taken June 12, 2010.
Cada placa de esta pared lleva un número diminuto pintado en un cÃrculo blanco, como si fuera parte de un juego de mesa gigante. En un extremo de la calle, unas grandes placas hacen las veces de Ãndice: un catálogo que permite buscar el nombre correspondiente a cada pieza. Sin ese Ãndice, la pared es pura anarquÃa visual —una máquina de escribir oxidada, un rostro esculpido en piedra, un cÃrculo con forma de laberinto, una placa amarilla con la palabra "ELVIS!" en letras de cómic, dos figuras de metal que parecen bailar—. Con el Ãndice, cada objeto recupera su nombre y su historia.
Lo interesante es que la pared no distingue jerarquÃas. Un poeta lituano del siglo XIX puede estar junto a un fan declarado de Elvis Presley, una caligrafÃa japonesa junto a un objeto abstracto imposible de descifrar sin ayuda. La lámpara que cuelga del alero ilumina el centro de la composición con un halo casi religioso, como si fuera un altar dedicado a la letra impresa. Ese contraste entre el orden numerado del catálogo y el caos aparente de la pared es, quizás, la mejor metáfora posible de lo que es una biblioteca: un desorden que solo tiene sentido cuando alguien se molesta en clasificarlo.
(Texto creado con ayuda del modelo Sonnet 5 de Claude AI)
Foto hecha con el móvil.
—
Vilna, Lituania.