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Mirit Ben-Nun believes and feels that art is a vital and necessary function for human existence, it is what enriches the human race.
For Mirit it is her everyday language and her wish is that it reaches the one who observes her works of art and allows her to communicate her most positive aspects of creativity, worshiping the highest values of which humanity prides itself.
The artist is impregnated with the concept that there is no art without man, but perhaps neither is man without art. It is a kind of soul breathing.
Dora Woda
Here's my digital visual, coloured in photoshop from a sketch in my sketch book, formed the basis of my Samurai graff piece, prefer this sketch, but i am NEVER HAPPY!!!!! :)
My first piece of Visual Art - from Grindelwald in Switzerland. The scenery there was just amazing while I had to wait for my train to Interlaken. I had 15minutes to wait so it was clear to take some long exposure shots!
For more check out my website (www.mscgerber.com) or my Instagram (@mscgerber)
Each of these, in its own way is like a visual haiku to me.
"Winter is that time of year, when so much has been taken away, that what is left is even more beautiful."
Garrison Keillor - Prairie Home Companion
I was sitting on the sidewalk in front of my usual perch trying to get some dramatic shots. It was uncomfortable and I stayed just a few minutes.
Love Park
Philadelphia, Pennsylvania
The more 'accessible' version?
Which do you prefer?
THANX for ALL your comments and visits, so appreciated, too many to be returned (sadly, however I DO try!... )
Each time I think... that's it, there's only so much you can do with flowers... and yet again and again, I'll see something new.
Being creative is not a choice... it is an urge in me.
READ MORE HERE, new Blog: magdaindigo.blogspot.com/2010/01/about-innovative-creativ...
Have a wonderful day, filled with love and thanx for your visit, M, (*_*)
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
Why not view the set as a slide-show?
Also I often upload more than one image at the same time, I see a tendency to only view the last uploaded...
Recorrido visual de la gran manzana junto a
BASQUIAT DREAMS"
SOÑAR NO CUESTA NADA y mas si quieres viajar a los new yores de donde es oruendo el chino Basquiat y vivir del dibujo en BROOKLYN.
NO tengo ni puta idea como sera el futuro, ni mucho menos quiero "enjalmara antes de comprar la bestia", ni darle de comer al puto EGO quien es el que acaba con todos los sueños junto a su prima la FAMA, pero lo que si se, es que pegatina vino a este mundo ha hacer algo.
El soñar no cuesta nada y el creer que el dibujo puede ser el pan de cada dia de alguien que esta convencido de que este mundo se puede cambiar a punta de mamarrachos sin pretensiones de curadores y sin ayuda de la heroÃna es posible.
Como cuando el joven Basquiat sin pensarlo le dio una cachetada al mundo del arte, rompiendo con los cánones de belleza de realismo y el de no "importa si usted no sabe dibujar".
LOS SUEÑOS SE HACEN POSIBLE, si USTED LOS SABES PINTAR no permita que nadie le diga usted NO lo va a lograr LUCHE, endeudes mentiras y vaya a recorrer este mundo que lo esta esperando y es bien pequeño.
This picture was taken in the same area where the Heading Out West photo was shot. I just happened to turn around and saw all the trees. Amazing. Two different visual stories just 30 feet apart.
Ah, the serendipity of the Universe.
I bumped up the yellow filter to give the picture the feeling of an "early color" photograph.
The trailer is hand built and based on a 1951 Spartanette design. The materials used are styrene plastic, basswood and various found objects.
A new visual journal -- courtesy the talented Norma Lydon -- that I just began, having completed the other.
With the weather turned grey and the spring flowers just starting to poke through, it is nice to view again some fall blooming flowers from a lovely front porch garden in Neskowin, Oregon.
the bedspread, the wardrobe, the uniform, the fringe... oh the hell of boarding school... no freaken wonder i'm pulling that face
Hasselblad 503CX with Carl Zeiss Sonnar 180mm F4 T*
Film: Ektar 100
It's too much, isn't it?
It blocks our breath.
(highly amazed by the Sonnar Lens. More great resolution pics to come. :) )
Communicating through images today is fast & easy — with your smart phone you can tell the world where you are, what you’re doing & what you’re eating with just a few button presses. But has that cost us something?
Does the sheer amount of mundane images we see make good photos matter less?
Read more on my blog.
Visual notes from JSB's keynote at the 2010 NMC Summer Conference, captured using Autodesk SketchBook Pro on my iPad.
Taken June 12, 2010.
Vigil for Jayson Negron, shot and killed by Bridgeport City Police, 1000 Park Avenue, Bridgeport, Connecticut, Wednesday, May 10, 2017.
#AB_FAV_FREE_
I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.
I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!
Here, in the case of visual silence, what is being absorbed is not sound but gaze.
If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core.
Our focus on the image involves a diminution of the optic field:
in this sense, visual silence is like a poem, its power arising from its sheer vulnerability.
The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.
Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.
Some images leave us speechless, we watch them in silent awe.
Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.
Each time I think... that's it, there's only so much you can do with flowers... and yet again and again, I'll see something new.
Being creative is not a choice... it is an urge in me.
May PEACE be with you and thanx for everything, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
feathers, indigo, eyes, blue, flowers gerbera, daisy, post-processed, digital, square, studio, visual-silence, visual-art, Hasselblad, Zeiss, Magda indigo