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In dreams, I see shapes and colors like these and I hear music as the shapes and colors change. It seems perfect to imagine those feelings and sensations with fractals.
AB FAV for today…
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I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.
I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!
Here, in the case of visual silence, what is being absorbed is not sound but gaze.
If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core. Our focus on the image involves a diminution of the optic field:
in this sense, visual silence is like a poem, its power arising from its sheer vulnerability. The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.
Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.
Some images leave us speechless, we watch them in silent awe.
Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.
May PEACE be with you and thanx for everything, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
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Visual Magick’s Igneous mods for the Kobold are beautiful beyond words! I’m wearing Lava, and its definitely HOT! I had a lot of fun playing with particle fire to take the last 2 photos. :)
Well I’m sure it’s pretty obvious where this started from, not.
It’s another great photographic idea that flopped on implementation and subsequently to be repurposed for Sliders Sunday. Originally it was a picture of water boiling in the bottom of a pan, taken on a whim while on holiday.
Great idea. Pity about the steam clouding the image, lol.
The Topaz Glow filter, for me, is a bit like a banned substance I guess (and I have to guess ;) )...I have withdrawal problems if I don’t get a regular dose of it...
Glow needs two things to work well at this abstract end of its possible uses: some sort of linear structure to seed its collagen building algorithms and some interesting colour. The boiling water (so the idea went) was all interesting circles for the structure, but the question was how to add colour, zap, zing, pizazz and general psychedelia?
So I created a layer formed from two overlaid conical rainbow gradients and blended that with the bubbles using Soft Light. I then used a Mirror distortion filter with 6 mirrors to get the sixfold symmetry (I’ll link to the original bubbles and this interim stage - where you can just still make the bubbles out - in the first comment).
Then the real fun started. Into Topaz Glow starting with one of the Neon presets, and then sliding the sliders to taste…
Back into Affinity Photo for mangling with the hue, saturation, contrast, colour curves (LAB) and a bit of Clarity filter. And there you have it, well apart from a black frame and a blue internal shadow :)
Thanks for taking the time to look. I hope you enjoy the image (legally) :) Happy Sliders Sunday!!
Here is my first attempt at architecture. I admire people who can just take those photos that are perfectly aligned or even know how to edit them so they are straight.
Well I dont know either but I do know that to see all these shapes in one place at a time aligned with the light and shadow is utter magic.
Here is a special thank you to my friend who brought me there. And saw me freaking out at this sight (:
not sure what to say about this image......simply messing around yesterday with old photos and this is one of the things that happened.
Perfomance with Oregon Painting Society on December 12th, 2008 at Rotture
watch the video!
Visual is a dance troupe that consists of (not exclusively)
Morgan Alexandra Ritter
Dana Dart-McLean
Kersti Jan Werdal
Brenna Murphy
Barbara Kinzle
Lynn Dunham
Asia Wong
Molly Pringle
Muchas veces no tiene porque caer mucha cantidad de agua por el torrente para que la foto sea visualmente atractiva.
"Losing someone is like when the sun comes through a window, moving across the room with each hour, until night falls and all you can do is try to remember the soothing shapes it made.” Stewart Lewis
Much of my time these days is spent on work and family and photography has totally taken a backseat for many months now. In fact, my impatient 9 year old daughter was waiting and whining behind me as I was making this shot. I had to find ways to resuscitate my lost creativity nowadays and continue my visual journey...
My apologies for the very rare visits to your streams nowadays.
IR Modified Canon EOS 50D ı Canon EF-S10-22mm f/3.5-4.5 USM ı 10mm ı 1/40s ı f/8 ı ISO 200
©Rik Amar 2014. All Rights Reserved
I don't know what Marbled Hot Springs Rd. would be without the American Bitterns! While we were there the reeds hadn't had a chance to grow very tall so the Bitterns were pretty easy to spot. Raising their heads up generally in position with the vertical reeds I'm sure they are imagening they are hidden from sight...I didn't realize until this picture what an incredible 'visual perspective' they have of everything around them in this position!
My favourite time of year is Fall because it is such a visual delight. The wonderful colors, the smell in the air and everything that goes with it. This area of Fish Creek shows a river gently winding through an area of colorful trees.
Photographer - Visual Distress MM#510136
Model - Myself - Red Rhapsody MM#375616
Hair/MU/Wardrobe - Myself
Location - Primal Stare Studios
*because I gave this title to a photo back in 2002 (see first comment)
© 2020 Bong Manayon | FB: Bong Manayon Photography
Pentax K-3 + HD DA 16-85/3.5-5.6 ED DC WR
Explore #500 27th Januaary 2009 (By the skin of its teeth...lol) Thank you Avo Queue for letting me know:-) Thank you friends & visitors for your comments & faves:-)))
haha. We totally look like we're in a visual kei band. I'm the lead guitarist and Severine is the dark, tortured singer.
Day 24 of 365
I took this photograph couple of days ago while we were heading to library with Aura. In my mind this picture compares very closely to Day 19. Not only is it taken almost from the same spot, but the light is a bit similar and again the whole picture is based on a very well known visual motif of silhouette figure. I hope the guy is at least someone else this time! When I took that earlier picture, I wrote about feeling mixed about it because pictures which are too much based on known visual motifs become clichés easily. Looking it now, I feel I need to lighten my stance and focus it a bit.
I don't want to be against visual motifs. If you look at the history of photography, it quickly becomes clear that it isn't reasonable stance to take. As a matter of fact, many classic photographs can be considered, if not only to be based on visual motifs, but also something which have created them in the first place. Like someone who commented my earlier picture said, there are only a finite number of different visual motifs, maybe just a few hundred. And being 'language of photography' they can be put to use in different ways, which means that the motifs don't control photography as much as one would think. So, yes I'm lightening my stance here, but here comes the focus part. I think that if photography is solely based on repeating these visual motifs, it is reduced, I think, to be repeated for didactic purposes. To me, some genres of photography are close to this, but I can understand there are different approaches to this. In my mind I would like to think that good photography also needs a context, a story or some other 'interpretative dimension' to make them something more than just 'pictures of the world'. I know it's a challenging claim to make, but it is also very much something that I need to learn myself too.
Year of the Alpha – 365 Days of Sony Alpha Photography: www.yearofthealpha.com