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3d
Test rendering using Microstation V8i & Luxology Render
Motherboard model is downloaded (not made by me)
Only one material (based on a photo) is used in this scene, and draped over the 3d model
First Hacks/Hackers Meetup held at Atherton Studio at HPR. Great presentations by Ben Trevino, Jared Kuroiwa and Misa Maruyama.
Part II of time in Kauai, this time with the 'blad and Ektar. Used CinefilmC41 kit here on the garden isle, and combo gave a nice palette to work with. Thanks to the flickeranians who keep showing their images and motivating the rest of us.
often, when I'm sitting in an interesting room, I'll visualize the space in terms of its floor plan; and if I have my sketchbook handy I might drawn that room as a floor plan; such was the case on this particular day when I was visiting my daughter and her family in Cambridge MA; this freehand floor plan (not to scale) is a pencil sketch of the ground floor showing the living room, dining room, kitchen, entry hall and a half bath, with the stairs up & down: and conversely, the floor plan becomes an easy way for me to visualize the space later
Dr. Andreas Pflitsch deploys a smoke flare in the recesses of Mothera cave as a visual component to his teams climatological studies of Mt. St. Helens glacier cave system. In addition to using these visual aids his team uses data loggers (left in situ to monitor air temp throughout the year) and Sonics (highly sensitive instruments that calculate wind speed and direction) with the hopes of establishing baseline data for how fumerol formed glacier caves compare to other environments like subway systems.
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
transitability heatmap with respect to noon on a weekday; the area just east of Greenlake. Interesting how you get these discrete regions, probably as a result of the missing-the-bus phenomenon.
One picture for construction company ALLI. This visualization imagination cut of the assembly plasterboard in the houses. He is useing on company car in 2x1m large.
portfolio on: www.cg-graphic.com
@ Long Nguyen & Thu Nguyen
Architecture - Interior Design & 3D Visualization
0979 962 864, Ho Chi Minh City
advlongnguyen@gmail.com
This started as a sound visualizer with a pretty simple algorithm.
Maybe it's just a starting point for something more complex that will emerge later.
3d visualization of Log houses.
Other examples of architectural visualization of exteriors you can find by the link: hound-studio.com/portfolio/architectural-visualization/ex...
We’re always looking to work on creative projects. If you need visual effects, design, motion graphics, or full out cg animation, don’t hesitate to contact us: hound-studio.com/contact-us
"T O P O L O G Y" is a meditation of the word visualized in three dimensions in a tangible form. The form is constructed with a Z-Corp CNC prototyping machine and isosurf. "T O P O L O G Y" is the first in a series of 3-D forms created from the orientation of the letters.
Created by this applet: www.aharef.info/static/htmlgraph/
what the colors mean:
blue: for links (the A tag)
red: for tables (TABLE, TR and TD tags)
green: for the DIV tag
violet: for images (the IMG tag)
yellow: for forms (FORM, INPUT, TEXTAREA, SELECT and OPTION tags)
orange: for linebreaks and blockquotes (BR, P, and BLOCKQUOTE tags)
black: the HTML tag, the root node
gray: all other tags
It isn't *rad* or anything, but the results are pretty.
Visualization of Flickr geotagged photos, uploaded between 2007 to 2015 and geotagged with the highest accuracy (street-level). I generated a number of different visualizations.
Created as part of a research project (maps.alexanderdunkel.com).
Did about an hour geology review with Bruce of places we have been together in the Grand canyon
USGS Geologic Map of the Eastern Part of the Grand Canyon - 1986 edition
A more recent version:
Geologic Map of the Grand Canyon 30' x 60' Quadrangle, Coconino and Mohave Counties, Northwestern Arizona By George H. Billingsley 2000 38" x 42" PDF file
A great site with multiple Grand canyon 3D visualizations www.cherba.com/wcs/features/030420/index.html by R. Scott Cherba
gc 644
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.