View allAll Photos Tagged Visualization
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
U – Silk City
Project information
Location: Le Van Luong Road, Van Khe Ward, Ha Dong district, Hanoi
Type: Residential Building
Investor: Song Da – Thang Long Joint Stock Company
Total area: 9.2 hectares
Total investment: 10,000 billion VND
Building start date: November 2008
Building finish date: December 2013
Product by E5:
- Ariel visualization.
- Interior visualization.
- 3D Floor Plan
- Brand Identity Package.
- Catalog
- Signage Design for Model House
The 3D project completed in June 2010.
I read about this in Read Write Web.
RWW: New Visualization Tool Gives Real-Time View of What Scientists Are Reading
www.readwriteweb.com/archives/new_visualization_tool_give...
Well a realtime visualization of what real scientists are reading
sounded too good to be true! I had to see it! Off I go, bopping across
the web to find it. Oh, I love dataviz, and I love science, and I love
reading. What could be better? It feels like Christmas is in the air.
Springer Realtime:
Well, the wrapping paper is pretty. Looks good, sounds good. Let's
take it out of the box and try to play with it.
Tag Cloud:
realtime.springer.com/keywords
First screen loads. I see the word "Deglutition." Hey, one of my faves
from my Dentistry days! Awesome! Hey, wait a sec! Where did it go?
What happened? What's that? It says BRCA in big font now. OK, that's
obviously important. Hey! It's gone again. Turns out the screen
refreshes every ten seconds, faster than I can read the small print in
the visuallizations. At that point, I begin to be disappointed. It
could have been fun, but where is the API, so I can grab, harvest, and
play with the data. Can I get a display of the cloud for different
time increments? The last year, last month, last week, last day, last
hour, etc? What is this with the last 10 seconds? What am I supposed
to do with that? Can I scrape that data and harvest it somehow?
Slightly annoyed and disappointed that the toy requires substantial
assembly, isn't usable right out of the box, and doesn't include
complete instructions, I am reluctant to open box #2.
Map:
Hmmm. OK. So it's a map. Well, sort of. It's part of a map, but what
are the gray bars? I can't see anything there. And that is where all
the download are. Hmmm. It lists the newest download under the map,
but the icons flicker on and off screen so quickly that again, I can't
see the information I would want to know. I wish things would persist
a little longer, or that I could specify times or durations I wanted
to see. Even more disappointed, I don't want to open any more boxes. I
am sure there is nothing but socks, and frankly, socks would be more
useful.
RSS:
Alright. I can at least read this. Wish the list was longer. Wish I
could capture it. Same complaints, but at least I can READ the
citations!
Publication Icons:
Oooh! Well, this is colorful! Pretty little colored icons bouncing
around the screen like Tetris tiles. OK, it's pretty. What does it do?
I figure out the icons are for different publications. They are pretty
tiny, so I can't really tell by looking which is what. Clicking on
them is useful, tho - it tells me the journal name and shows me the
cover. Hey, wait a second. What's that in the fine print?
Heyyyyyyyyyy.
"Get realtime usage data by clicking here >>"
Click where? Oh. I get it. Click on the words, "Get realtime usage
data by clicking here >>" Right. Not obvious, but, OK, I can do that.
There, now THAT is USEFUL. That gives you realtime usages data for
that TITLE. Now, *that* is interesting. At least to a librarian, or a
journal editor, or an author ...
Journal of Microbiology: Realtime:
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.
In order to give an auspicious meaning and pseudoscience protection to the cities, the ancient knowledge of Feng-Shui was largely used to the urban planning in China. I looked at the places that are using Yin-yang Bagua as a imagery references for planing the city, and chose 4 places to show in this work. The layout is based on the scale of the cities.
Interactive data visualization of research 'Transport Network and Social Network: Motion and Emotion'
Moscow Urban Forum 2013
Research is the collaboration between Thomson Reuters, Mathrioshka and MegaFon
Сommissioned by the coordinator of complex research 'Archaeology of the periphery' consortium bureau Meganom and Institute Strelka
CURATOR
Alexei Novikov
RESEARCH GROUP
Ekaterina Serova, leader
Philipp Kats
Oleg Kiselev
Irina Maslova
Andrey Lukashenkov
Sergey Khristolyubov
DATA VISUALIZATION
Vadim Smakhtin
Eduard Haiman
Sergey Lyubashin
"T O P O L O G Y" is a meditation of the word visualized in three dimensions in a tangible form. The form is constructed with a Z-Corp CNC prototyping machine and isosurf. "T O P O L O G Y" is the first in a series of 3-D forms created from the orientation of the letters.
"Story is a sacred visualization, a way of echoing experience."
Terry Tempest Williams, Pieces of a White Shell (1984)
Tweetfreq visualization showing the layer tennis and layer tennis voting behavior for the Season 3 quarterfinal matches between Mark Weaver vs. Emory Allen (#mark vs. #emory), and Armin Vit vs. Mig Reyes (#armin vs. #mig)
Note that both #lyt and #mark tweet counts are capped at 100 (the limit search API returns)
This SVG visualization is created with the mktfs command -- a Go program that uses the SVGo library. (http://github.com/ajstarks/svgo). The command line is:
mktfs -t "Layer Tennis Activity" -c 100 -b 2010-11-19 -e 2010-11-20 -q /users/\#lyt,\#mig,\#armin,\#mark,\#emory
Yantram Architectural photorealistic renders creates high-quality 3D facades in a virtual studio environment. Our team of architects and industrial designers build 3d models from CAD files, sketches, or photographs
Created by Martin Wattenberg (who licenses it under this CC license), Shape of Song visualizes repeated sections of music--or of any sequence--with translucent arcs.
Each arch connects two repeated, identical passages of a composition. By using repeated passages as signposts, the diagram illustrates the deep structure of the composition.
In the first part of the concert in the Brucknerhaus Linz the Bruckner Orchestra Linz under the direction of Argentine conductor and composer Dante Anzolini (AR) played works by such great musical innovators as Edgar Varèse (1883–1965) and Friedrich Cerha (born 1926).
Photo showing visualizations by Sebastian Neitsch (DE), Refik Anadol (TR), Woeishi Lean (AT) and Efe Mer Kaya (TR) (music of Friedrich Cerha).
credit: rubra
My music visualizer running in 64 bits in iTunes Cocoa, downloading pictures from Flickr and sending the video stream from iTunes to another application through Syphon...
Obviously, I love this hobby, so these machines are an important part of how I identify myself.
I have taken the ZX-L all over the US, to Paris, France, and across the entirety of Costa Rica. At that point in my life, it was just a camera. I wish I had had the passion and interest in photography at that time. Can't imagine the kinds of wonderful pictures I could have made! C'est la vie.